The Bals Publics At The Paris Opera In The Eighteenth Century

Author : Richard Templar Semmens
Publisher : Pendragon Press
ISBN 13 : 9781576470343
Total Pages : 228 pages
Book Rating : 4.42/5 ( download)

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Download or read book The Bals Publics at the Paris Opéra in the Eighteenth Century written by Richard Templar Semmens and published by Pendragon Press. This book was released on 2004 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: The range of possibilities for what was termed a ball in eighteenth-century France was quite considerable. At one extreme were the carefully regulated bals parés at the other were the elaborately staged bals masqués. Alternatively, a bal could also be an entirely impromptu affair. Throughout this colorful range of possibilities, the repertoire of dance styles and types was generally shared: danses figures, new as well as old, for couples; and group dances, among which the contredanse reigned supreme.There was another kind of ball, however, that has not yet been examined systematically by scholars. The bals publics held at the opera house in Paris were initiated not long after Louis XIV's death in 1715, and remained popular until the fall of the ancienne régime. This book explores the advent and early development of the bal public through 1763, when a fire destroyed the home of the Académie Royale de Musique (the 'Opera'). The bal public was unlike any other kind of ball, although, as with bals masqués, those in attendance were masked. This study aims, in part, to explore how the bal public might have influenced social dancing more generally. By 1744, there was a dramatic shift in social modeling from the royal balls at Versailles (and elsewhere) to the public balls at the Opera.

Author : Melissa Percival
Publisher : Routledge
ISBN 13 : 1351566792
Total Pages : 301 pages
Book Rating : 4.97/5 ( download)

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Download or read book Fragonard and the Fantasy Figure written by Melissa Percival and published by Routledge. This book was released on 2017-07-05 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh interpretation of the group of Fragonard?s paintings known as the ?figures de fantaisie?, Fragonard and the Fantasy Figure: Painting the Imagination reconnects the fantasy figures with neglected visual traditions in European art and firmly situates them within the cultural and aesthetic contexts of eighteenth-century France. Prior scholarship has focused on the paintings? connections with portraiture, whereas this study relocates them within a tradition of fantasy figures, where resemblance was ignored or downplayed. The book defines Fragonard as a painter of the imagination and foregrounds the imaginary at a time when Enlightenment rationalism and Classical aesthetics contrived to delimit the imagination. The book unravels scholarly writing on these Fragonard paintings and examines the history of the fantasy figure from early modern Europe to eighteenth-century France. Emerging from this background is a view of Fragonard turning away from the academically sanctioned ?invention?, towards more playful variants of the imaginary: fantasy and caprice. Melissa Percival demonstrates how fantasy figures engage both artists and viewers, allowing artists to unleash their imagination through displays of virtuosity and viewers to use their imagination to explore the paintings? unusual juxtapositions and humour.

Author : Rebecca Harris-Warrick
Publisher : Cambridge University Press
ISBN 13 : 1107137896
Total Pages : 505 pages
Book Rating : 4.99/5 ( download)

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Download or read book Dance and Drama in French Baroque Opera written by Rebecca Harris-Warrick and published by Cambridge University Press. This book was released on 2016-10-27 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.

Author : Georgia Cowart
Publisher : University of Chicago Press
ISBN 13 : 0226116387
Total Pages : 332 pages
Book Rating : 4.89/5 ( download)

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Download or read book The Triumph of Pleasure written by Georgia Cowart and published by University of Chicago Press. This book was released on 2008-12-15 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: With a particular focus on the court ballet, comedy-ballet, opera, and opera-ballet, Georgia J. Cowart tells the long-neglected story of how the festive arts deployed an intricate network of subversive satire to undermine the rhetoric of sovereign authority.

Author : Doug Fullington
Publisher : Oxford University Press
ISBN 13 : 0190944501
Total Pages : 889 pages
Book Rating : 4.06/5 ( download)

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Download or read book Five Ballets from Paris and St. Petersburg written by Doug Fullington and published by Oxford University Press. This book was released on 2024-03-26 with total page 889 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers something entirely new: detailed scene-by-scene descriptions of the action and dancing of Giselle, Paquita, Le Corsaire, La Bayadère, and Raymonda, bringing the reader far closer to what the audience saw when the curtain went up on these five classic story ballets than has heretofore been possible. Drawing on archival documents, the authors show that these ballets were like today's pop entertainment: funnier, more violent, more spectacular, and with female characters far stronger than one might expect. This rigorously researched book fills huge gaps in dance history and is bound to be of interest to practitioners, scholars, and devotees of ballet and the arts.

Author : Mary Cyr
Publisher : Routledge
ISBN 13 : 1317048814
Total Pages : 294 pages
Book Rating : 4.17/5 ( download)

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Download or read book Style and Performance for Bowed String Instruments in French Baroque Music written by Mary Cyr and published by Routledge. This book was released on 2016-04-01 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France. Part I deals with the historical background to the debate between the French and Italian styles and the features that defined French style. Part II summarizes the present state of research on bowed string instruments (violin, viola, cello, contrebasse, pardessus de viole, and viol) in France, including such topics as the size and distribution of parts in ensembles and the role of the contrebasse. Part III addresses issues and conventions of interpretation such as articulation, tempo and character, inequality, ornamentation, the basse continue, pitch, temperament, and "special effects" such as tremolo and harmonics. Part IV introduces four composer profiles that examine performance issues in the music of Élisabeth Jacquet de La Guerre, Marin Marais, Jean-Baptiste Barrière, and the Forquerays (father and son). The diversity of compositional styles among this group of composers, and the virtuosity they incorporated in their music, generate a broad field for discussing issues of performance practice and offer opportunities to explore controversial themes within the context of specific pieces.

Author : Helen M. Greenwald
Publisher : Oxford Handbooks
ISBN 13 : 0195335538
Total Pages : 1217 pages
Book Rating : 4.38/5 ( download)

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Download or read book The Oxford Handbook of Opera written by Helen M. Greenwald and published by Oxford Handbooks. This book was released on 2014 with total page 1217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifty of the world's most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators.

Author : Michael Talbot
Publisher : Routledge
ISBN 13 : 1351575171
Total Pages : 452 pages
Book Rating : 4.71/5 ( download)

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Download or read book Aspects of the Secular Cantata in Late Baroque Italy written by Michael Talbot and published by Routledge. This book was released on 2017-07-05 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: As shown by the ever-increasing volume of recordings, editions and performances of the vast repertory of secular cantatas for solo voice produced, primarily in Italy, in the second half of the seventeenth century and the first half of the eighteenth century, this long neglected genre has at last 'come of age'. However, scholarly interest is currently lagging behind musical practice: incredibly, there has been no general study of the Baroque cantata since Eugen Schmitz's handbook of 1914, and although many academic theses have examined microscopically the cantatas of individual composers, there has been little opportunity to view these against the broader canvas of the genre as a whole. The contributors in this volume choose aspects of the cantata relevant to their special interests in order to say new things about the works, whether historical, analytical, bibliographical, discographical or performance-based. The prime focus is on Italian-born composers working between 1650 and 1750 (thus not Handel), but the opportunity is also taken in one chapter (by Graham Sadler) to compare the French cantata tradition with its Italian parent in association with a startling new claim regarding the intended instrumentation. Many key figures are considered, among them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The poetic texts of the cantatas, all too often treated as being of little intrinsic interest, are given their due weight. Space is also found for discussions of the history of Baroque solo cantatas on disc and of the realization of the continuo in cantata arias - a topic more complex and contentious than may at first be apparent. The book aims to stimulate interest in, and to win converts to, this genre, which in its day equalled the instrumental sonata in importance, and in which more than a few composers invested a major part of their creativity.

Author : Eleanor Selfridge-Field
Publisher : Stanford University Press
ISBN 13 : 9780804744379
Total Pages : 794 pages
Book Rating : 4.78/5 ( download)

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Download or read book A New Chronology of Venetian Opera and Related Genres, 1660-1760 written by Eleanor Selfridge-Field and published by Stanford University Press. This book was released on 2007 with total page 794 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1637 to the middle of the eighteenth century, Venice was the world center for operatic activity. No exact chronology of the Venetian stage during this period has previously existed in any language. This reference work, the culmination of two decades of research throughout Europe, provides a secure ordering of 800 operas and 650 related works from the period 1660 to 1760. Derived from thousands of manuscript news-sheets and other unpublished materials, the Chronology provides a wealth of new information on about 1500 works. Each entry in this production-based survey provides not only perfunctory reference information but also a synopsis of the text, eyewitness accounts, and pointers to surviving musical scores. What emerges, in addition to secure dates, is a profusion of new information about events, personalities, patronage, and the response of opera to changing political and social dynamics. Appendixes and supplements provide basic information in Venetian history for music, drama, and theater scholars who are not specialists in Italian studies.

Author : Roderick Coover
Publisher : University of Chicago Press
ISBN 13 : 0226038319
Total Pages : 443 pages
Book Rating : 4.15/5 ( download)

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Download or read book Switching Codes written by Roderick Coover and published by University of Chicago Press. This book was released on 2011-05-30 with total page 443 pages. Available in PDF, EPUB and Kindle. Book excerpt: Half a century into the digital era, the profound impact of information technology on intellectual and cultural life is universally acknowledged but still poorly understood. The sheer complexity of the technology coupled with the rapid pace of change makes it increasingly difficult to establish common ground and to promote thoughtful discussion. Responding to this challenge, Switching Codes brings together leading American and European scholars, scientists, and artists—including Charles Bernstein, Ian Foster, Bruno Latour, Alan Liu, and Richard Powers—to consider how the precipitous growth of digital information and its associated technologies are transforming the ways we think and act. Employing a wide range of forms, including essay, dialogue, short fiction, and game design, this book aims to model and foster discussion between IT specialists, who typically have scant training in the humanities or traditional arts, and scholars and artists, who often understand little about the technologies that are so radically transforming their fields. Switching Codes will be an indispensable volume for anyone seeking to understand the impact of digital technology on contemporary culture, including scientists, educators, policymakers, and artists, alike.