The Automaton In English Renaissance Literature

Author : Wendy Beth Hyman
Publisher : Routledge
ISBN 13 : 1317040813
Total Pages : 222 pages
Book Rating : 4.11/5 ( download)

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Download or read book The Automaton in English Renaissance Literature written by Wendy Beth Hyman and published by Routledge. This book was released on 2016-03-23 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Automaton in English Renaissance Literature features original essays exploring the automaton-from animated statue to anthropomorphized machine-in the poetry, prose, and drama of England in the 16th and 17th centuries. Addressing the history and significance of the living machine in early modern literature, the collection places literary automata of the period within their larger aesthetic, historical, philosophical, and scientific contexts. While no single theory or perspective conscribes the volume, taken as a whole the collection helps correct an assumption that frequently emerges from a post-Enlightenment perspective: that these animated beings are by definition exemplars of the new science, or that they point necessarily to man's triumphant relationship to technology. On the contrary, automata in the sixteenth and seventeenth centuries seem only partly and sporadically to function as embodiments of an emerging mechanistic or materialist worldview. Renaissance automata were just as likely not to confirm for viewers a hypothesis about the man-machine. Instead, these essays show, automata were often a source of wonder, suggestive of magic, proof of the uncannily animating effect of poetry-indeed, just as likely to unsettle the divide between man and divinity as that between man and matter.

Author : Wendy Beth Hyman
Publisher : Ashgate Publishing
ISBN 13 : 9786613157966
Total Pages : 0 pages
Book Rating : 4.61/5 ( download)

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Download or read book The Automaton in English Renaissance Literature written by Wendy Beth Hyman and published by Ashgate Publishing. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume features original essays exploring the automaton - from animated statue to anthropomorphized machine - in the poetry, prose, and drama of England in the 16th and 17th centuries.

Author : Wendy Beth Hyman
Publisher : Routledge
ISBN 13 : 1317040805
Total Pages : 232 pages
Book Rating : 4.04/5 ( download)

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Download or read book The Automaton in English Renaissance Literature written by Wendy Beth Hyman and published by Routledge. This book was released on 2016-03-23 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Automaton in English Renaissance Literature features original essays exploring the automaton-from animated statue to anthropomorphized machine-in the poetry, prose, and drama of England in the 16th and 17th centuries. Addressing the history and significance of the living machine in early modern literature, the collection places literary automata of the period within their larger aesthetic, historical, philosophical, and scientific contexts. While no single theory or perspective conscribes the volume, taken as a whole the collection helps correct an assumption that frequently emerges from a post-Enlightenment perspective: that these animated beings are by definition exemplars of the new science, or that they point necessarily to man's triumphant relationship to technology. On the contrary, automata in the sixteenth and seventeenth centuries seem only partly and sporadically to function as embodiments of an emerging mechanistic or materialist worldview. Renaissance automata were just as likely not to confirm for viewers a hypothesis about the man-machine. Instead, these essays show, automata were often a source of wonder, suggestive of magic, proof of the uncannily animating effect of poetry-indeed, just as likely to unsettle the divide between man and divinity as that between man and matter.

Author : Lynn M. Maxwell
Publisher : Springer
ISBN 13 : 3030169324
Total Pages : 231 pages
Book Rating : 4.29/5 ( download)

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Download or read book Wax Impressions, Figures, and Forms in Early Modern Literature written by Lynn M. Maxwell and published by Springer. This book was released on 2019-05-21 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the role of wax as an important conceptual material used to work out the nature and limits of the early modern human. By surveying the use of wax in early modern cultural spaces such as the stage and the artist’s studio and in literary and philosophical texts, including those by William Shakespeare, John Donne, René Descartes, Margaret Cavendish, and Edmund Spenser, this book shows that wax is a flexible material employed to define, explore, and problematize a wide variety of early modern relations including the relationship of man and God, man and woman, mind and the world, and man and machine.

Author : Robert DeMaria, Jr.
Publisher : John Wiley & Sons
ISBN 13 : 1118731832
Total Pages : 482 pages
Book Rating : 4.33/5 ( download)

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Download or read book A Companion to British Literature, Volume 2 written by Robert DeMaria, Jr. and published by John Wiley & Sons. This book was released on 2013-12-13 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Chloe Porter
Publisher : Manchester University Press
ISBN 13 : 1526103281
Total Pages : 332 pages
Book Rating : 4.84/5 ( download)

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Download or read book Making and unmaking in early modern English drama written by Chloe Porter and published by Manchester University Press. This book was released on 2015-11-01 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Why are early modern English dramatists preoccupied with unfinished processes of ‘making’ and ‘unmaking’? And what did the terms ‘finished’ or ‘incomplete’ mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are ‘under construction’ in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to ‘begin’ or ‘end’ a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history.

Author : Karl A.E. Enenkel
Publisher : BRILL
ISBN 13 : 9004440402
Total Pages : 613 pages
Book Rating : 4.01/5 ( download)

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Download or read book Landscape and the Visual Hermeneutics of Place, 1500–1700 written by Karl A.E. Enenkel and published by BRILL. This book was released on 2020-12-29 with total page 613 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines the image-based methods of interpretation that pictorial and literary landscapists employed between 1500 and 1700.

Author : Ronda Arab
Publisher : Routledge
ISBN 13 : 1317690699
Total Pages : 284 pages
Book Rating : 4.96/5 ( download)

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Download or read book Historical Affects and the Early Modern Theater written by Ronda Arab and published by Routledge. This book was released on 2015-05-15 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of original essays honors the groundbreaking scholarship of Jean E. Howard by exploring cultural and economic constructions of affect in the early modern theater. While historicist and materialist inquiry has dominated early modern theater studies in recent years, the historically specific dimensions of affect and emotion remain underexplored. This volume brings together these lines of inquiry for the first time, exploring the critical turn to affect in literary studies from a historicist perspective to demonstrate how the early modern theater showcased the productive interconnections between historical contingencies and affective attachments. Considering well-known plays such as Shakespeare’s Antony and Cleopatra and Thomas Dekker’s The Shoemaker’s Holiday together with understudied texts such as court entertainments, and examining topics ranging from dramatic celebrity to women’s political agency to the parental emotion of grief, this volume provides a fresh and at times provocative assessment of the "historical affects"—financial, emotional, and socio-political—that transformed Renaissance theater. Instead of treating history and affect as mutually exclusive theoretical or philosophical contexts, the essays in this volume ask readers to consider how drama emplaces the most personal, unspeakable passions in matrices defined in part by financial exchange, by erotic desire, by gender, by the material body, and by theatricality itself. As it encourages this conversation to take place, the collection provides scholars and students alike with a series of new perspectives, not only on the plays, emotions, and histories discussed in its pages, but also on broader shifts and pressures animating literary studies today.

Author : Michael Slater
Publisher : Taylor & Francis
ISBN 13 : 1040013945
Total Pages : 169 pages
Book Rating : 4.46/5 ( download)

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Download or read book Tropes and the Literary-Scientific Revolution written by Michael Slater and published by Taylor & Francis. This book was released on 2024-04-02 with total page 169 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tropes and the Literary-Scientific Revolution: Forms of Proof argues that the rise of mechanical science in the seventeenth century had a profound impact on both language and literature. To the extent that new ideas about things were accompanied by new attitudes toward words, what we commonly regard as the “scientific revolution” inevitably bore literary dimensions as well. Literary tropes and forms underwent tremendous reassessment in the seventeenth century, and early modern science was shaped just as powerfully by contest over the place of literary figures, from personification and metaphor to anamorphosis and allegory. In their rejection of teleological explanations of natural motion, for instance, early modern philosophers often disputed the value of personification, a figural projection of interiority onto what was becoming increasingly a mechanical world. And allegory—a dominant mode of literature from the late Middle Ages until well into the Renaissance—became “the vice of those times,” as Thomas Rymer described it in 1674. This book shows that its acute devaluation was possible only in conjunction with a distinctively modern physics. Analyzing writings by Sidney, Shakespeare, Bacon, Jonson, Brahe, Kepler, Galileo, Hobbes, Descartes, and more, it asserts that the scientific revolution was a literary phenomenon, just as the literary revolution was also a scientific one.

Author : Dr Leah Knight
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1472406214
Total Pages : 177 pages
Book Rating : 4.17/5 ( download)

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Download or read book Reading Green in Early Modern England written by Dr Leah Knight and published by Ashgate Publishing, Ltd.. This book was released on 2014-03-28 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: Green in early modern England did not mean what it does today; but what did it mean? Unveiling various versions and interpretations of green, this book offers a cultural history of a color that illuminates the distinctive valences greenness possessed in early modern culture. While treating green as a panacea for anything from sore eyes to sick minds, early moderns also perceived verdure as responsive to their verse, sympathetic to their sufferings, and endowed with surprising powers of animation. Author Leah Knight explores the physical and figurative potentials of green as they were understood in Renaissance England, including some that foreshadow our paradoxical dependence on and sacrifice of the green world. Ranging across contexts from early modern optics and olfaction to horticulture and herbal health care, this study explores a host of human encounters with the green world: both the impressions we make upon it and those it leaves with us. The first two chapters consider the value placed on two ways of taking green into early modern bodies and minds-by seeing it and breathing it in-while the next two address the manipulation of greenery by Orphic poets and medicinal herbalists as well as grafters and graffiti artists. A final chapter suggests that early modern modes of treating green wounds might point toward a new kind of intertextual ecology of reading and writing. Reading Green in Early Modern England mines many pages from the period - not literally but tropically, metaphorically green - that cultivate a variety of unexpected meanings of green and the atmosphere and powers it exuded in the early modern world.