The Arts In The West Since 1945

Author : Arthur Marwick
Publisher : Oxford University Press, USA
ISBN 13 : 9780192892669
Total Pages : 388 pages
Book Rating : 4.65/5 ( download)

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Download or read book The Arts in the West Since 1945 written by Arthur Marwick and published by Oxford University Press, USA. This book was released on 2002 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 'Arts' hold a revered and respected place within modern Western society - but what exactly defines 'culture'; what gives it this enigmatic status; what influences its composition and propagation; what controls and limitations is it subject to; and what can it achieve within our world?Arthur Marwick tackles these issues head on, with a both detailed and eclectic account of the 'Arts' in the West since the Second World War. He looks at the full range of possible candidates for the category of 'Art', from both elite and popular cultures: from high literature to pulp fiction, fromart-house cinema to soap-opera, Art Music to Rock and Pop.This book looks at the fascinating diversity of twentieth-century art in the context of the social, technological, and political events, movements, and developments that have shaped our history - such as the holocaust, the television, feminism. Marwick examines how these factors have affected thecultural output of Western society since 1945, and in turn how art has fed back its own agenda and priorities into this society.

Author : Jérôme Bazin
Publisher : Central European University Press
ISBN 13 : 9633866804
Total Pages : 531 pages
Book Rating : 4.01/5 ( download)

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Download or read book Art beyond Borders written by Jérôme Bazin and published by Central European University Press. This book was released on 2016-01-01 with total page 531 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe’s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists’ strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period.

Author : Claudia Mesch
Publisher : Bloomsbury Publishing
ISBN 13 : 0857734105
Total Pages : 296 pages
Book Rating : 4.05/5 ( download)

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Download or read book Art and Politics written by Claudia Mesch and published by Bloomsbury Publishing. This book was released on 2014-10-10 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary art is increasingly concerned with swaying the opinions of its viewier. To do so, the art employs various strategies to convey a political message. This book provides readers with the tools to decode and appreciate political art, a crucial and understudied direction in post-war art. From the postwar works of Pablo Picasso and Alexander Deineka to thie Border Film Project and web-based works of Beatriz da Costa, Art and Politics: a Small History of Art for Social Change after 1945 considers how artists visual or otherwise have engaged with major political and grassroots movements, particularly after 1960. With its broad definition of the political, this book features chapters on postcolonialism, feminism, the anti-war movement, environmentalism, gay rights and anti-globiliaztion. It charts how individual artworks reverberated with enormous idealogical shifts. While emphasising the West, Art and Politics takes global developments into account as well - looking at art production practiced by postcolonial African, Latin American and Middle Eastern artists. Its case-study approach to the subject provides the reader with an overview of a most complex subject. This book will also challenge its readers to consider often devalued and marginalised political artworks as properly part of the history of modern and contemporary art.

Author : Tony Judt
Publisher : Penguin
ISBN 13 : 9780143037750
Total Pages : 1000 pages
Book Rating : 4.57/5 ( download)

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Download or read book Postwar written by Tony Judt and published by Penguin. This book was released on 2006-09-05 with total page 1000 pages. Available in PDF, EPUB and Kindle. Book excerpt: Finalist for the Pulitzer Prize • Winner of the Council on Foreign Relations Arthur Ross Book Award • One of the New York Times' Ten Best Books of the Year “Impressive . . . Mr. Judt writes with enormous authority.” —The Wall Street Journal “Magisterial . . . It is, without a doubt, the most comprehensive, authoritative, and yes, readable postwar history.” —The Boston Globe Almost a decade in the making, this much-anticipated grand history of postwar Europe from one of the world's most esteemed historians and intellectuals is a singular achievement. Postwar is the first modern history that covers all of Europe, both east and west, drawing on research in six languages to sweep readers through thirty-four nations and sixty years of political and cultural change-all in one integrated, enthralling narrative. Both intellectually ambitious and compelling to read, thrilling in its scope and delightful in its small details, Postwar is a rare joy. Judt's book, Ill Fares the Land, republished in 2021 featuring a new preface by bestselling author of Between the World and Me and The Water Dancer, Ta-Nehisi Coates.

Author : David Hopkins
Publisher : OUP Oxford
ISBN 13 : 0191037095
Total Pages : 351 pages
Book Rating : 4.92/5 ( download)

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Download or read book After Modern Art 1945-2000 written by David Hopkins and published by OUP Oxford. This book was released on 2000-09-14 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary art can be baffling and beautiful, provocative and disturbing. This pioneering book presents a new look at the controversial period between 1945 and 2000, when art and its traditional forms were called into question. It focuses on the relationship between American and European art, and challenges previously held views about the origins of some of the most innovative ideas in art of this time. Major artists such as Jackson Pollock, Jasper Johns, Yves Klein, Andy Warhol, Louise Bourgeois, Cindy Sherman, and Damien Hirst are all discussed, as is the art world of the last fifty years. Important trends are also covered including Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, and the art of the nineties.

Author : Claudia Hopkins
Publisher : Routledge
ISBN 13 : 1351187651
Total Pages : 749 pages
Book Rating : 4.57/5 ( download)

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Download or read book Hot Art, Cold War – Western and Northern European Writing on American Art 1945-1990 written by Claudia Hopkins and published by Routledge. This book was released on 2020-09-17 with total page 749 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hot Art, Cold War – Northern and Western European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. With the exception of those originally published in English, the majority of these texts are translated into English for the first time from eight languages, and are introduced by scholarly essays. They offer a representative selection of the diverse responses to American art in Great Britain, Ireland, France, Belgium, the Netherlands, West Germany (FRG), Austria, Switzerland, Denmark, Norway, Sweden, and Finland. There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural, and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism. This book, together with its companion volume Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990,, is a joint initiative of the Terra Foundation for American Art and the editors of the journal Art in Translation at the University of Edinburgh. The journal, launched in 2009, publishes English-language translations of the most significant texts on art and visual cultures presently only available only in their source language. It is committed to widening the perspectives of art history, making it more pluralist in terms of its authors, viewpoints, and subject matter.

Author : Hazel Smith
Publisher : Psychology Press
ISBN 13 : 9783718658787
Total Pages : 352 pages
Book Rating : 4.8X/5 ( download)

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Download or read book Improvisation, Hypermedia and the Arts Since 1945 written by Hazel Smith and published by Psychology Press. This book was released on 1997 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

Author : Denver Art Museum
Publisher :
ISBN 13 :
Total Pages : 10 pages
Book Rating : 4.98/5 ( download)

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Download or read book American Art Since 1945 written by Denver Art Museum and published by . This book was released on 1976 with total page 10 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Jonathan Hollowell
Publisher : John Wiley & Sons
ISBN 13 : 0470758171
Total Pages : 480 pages
Book Rating : 4.75/5 ( download)

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Download or read book Britain Since 1945 written by Jonathan Hollowell and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a comprehensive overview of Britain's development since the end of the Second World War. It comprises 23 contributions from leading authorities and newer scholars, set in context with a foreword by Raymond Seitz. A comprehensive and fascinating introduction to Britain from the end of the Second World War Draws together the themes that have dominated discussion amongst scholars and media commentators The chapters are set in context with a foreword by Raymond Seitz Covers topics such as foreigh policy, political parties, the media, race relations, women and social change, science and IT, culture, industrial relations, the welfare state, and political and economic issues in Scotland, Wales and Northern Ireland

Author : Blake Stimson
Publisher : U of Minnesota Press
ISBN 13 : 1452909202
Total Pages : 332 pages
Book Rating : 4.02/5 ( download)

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Download or read book Collectivism After Modernism written by Blake Stimson and published by U of Minnesota Press. This book was released on with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Don’t start an art collective until you read this book.” —Guerrilla Girls “Ever since Web 2.0 with its wikis, blogs and social networks the art of collaboration is back on the agenda. Collectivism after Modernism convincingly proves that art collectives did not stop after the proclaimed death of the historical avant-gardes. Like never before technology reinvents the social and artists claim the steering wheel!” —Geert Lovink, Institute of Network Cultures, Amsterdam “This examination of the succession of post-war avant-gardes and collectives is new, important, and engaged.” — Stephen F. Eisenman, author of The Abu Ghraib Effect “Collectivism after Modernism crucially helps us understand what artists and others can do in mushy, stinky times like ours. What can the seemingly powerless do in the face of mighty forces that seem to have their act really together? Here, Stimson and Sholette put forth many good answers.” —Yes Men Spanning the globe from Europe, Japan, and the United States to Africa, Cuba, and Mexico, Collectivism after Modernism explores the ways in which collectives function within cultural norms, social conventions, and corporate or state-sanctioned art. Together, these essays demonstrate that collectivism survives as an influential artistic practice despite the art world’s star system of individuality. Collectivism after Modernism provides the historical understanding necessary for thinking through postmodern collective practice, now and into the future. Contributors: Irina Aristarkhova, Jesse Drew, Okwui Enwezor, Rubn Gallo, Chris Gilbert, Brian Holmes, Alan Moore, Jelena Stojanovi´c, Reiko Tomii, Rachel Weiss. Blake Stimson is associate professor of art history at the University of California Davis, the author of The Pivot of the World: Photography and Its Nation, and coeditor of Visual Worlds and Conceptual Art: A Critical Anthology. Gregory Sholette is an artist, writer, and cofounder of collectives Political Art Documentation/Distribution and REPOhistory. He is coeditor of The Interventionists: Users’ Manual for the Creative Disruption of Everyday Life. “To understand the various forms of postwar collectivism as historically determined phenomena and to articulate the possibilities for contemporary collectivist art production is the aim of Collectivism after Modernism. The essays assembled in this anthology argue that to make truly collective art means to reconsider the relation between art and public; examples from the Situationist International and Group Material to Paper Tiger Television and the Congolese collective Le Groupe Amos make the point. To construct an art of shared experience means to go beyond projecting what Blake Stimson and Gregory Sholette call the “imagined community”: a collective has to be more than an ideal, and more than communal craft; it has to be a truly social enterprise. Not only does it use unconventional forms and media to communicate the issues and experiences usually excluded from artistic representation, but it gives voice to a multiplicity of perspectives. At its best it relies on the participation of the audience to actively contribute to the work, carrying forth the dialogue it inspires.” —BOMB