Stanislavsky In Practice

Author : Nick O'Brien
Publisher : Routledge
ISBN 13 : 1136945598
Total Pages : 277 pages
Book Rating : 4.95/5 ( download)

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Download or read book Stanislavski in Practice written by Nick O'Brien and published by Routledge. This book was released on 2010-10-04 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stanislavski in Practice is an unparalleled step-by-step guide to Stanislavski’s System. Author Nick O’Brien makes this cornerstone of acting accessible to teachers and students alike. This is an exercise book for students and a lesson planner for teachers on syllabi from Edexcel, WJEC and AQA to the practice-based requirements of BTEC. Each element of the System is covered practically through studio exercises and jargon-free discussion. Over a decade’s experience of acting and teaching makes O’Brien perfectly placed to advise anyone wanting to understand or apply Stanislavski’s system. Features include: Practical extension work for students to take away from the lesson Notes for teachers on how to use material with different age groups Exam tips for students based on specific syllabi requirements A chapter dedicated to using Stanislavski when rehearsing a text A glossary of terms that students of the System will encounter

Author : Vreneli Farber
Publisher : Peter Lang
ISBN 13 : 9781433103155
Total Pages : 254 pages
Book Rating : 4.5X/5 ( download)

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Download or read book Stanislavsky in Practice written by Vreneli Farber and published by Peter Lang. This book was released on 2008 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stanislavsky in Practice focuses on the course of study pursued today by aspiring actors in Russia and on the philosophy that informs this curriculum. It draws on extensive observation during the academic year 2000-2001 of the actor training program of the St. Petersburg State Academy of Theatre Arts (SPGATI), one of the three most prestigious theatrical institutes in Russia, and on interviews of a wide array of individuals in the Academy. Although the years since 1991 have witnessed many changes in theater and in actor training - sources of funding, administration, choice of repertoire, new methodologies, etc. - there remains much continuity with the past. The core of this continuity is the Stanislavsky tradition, which nevertheless has been affected by the views of post-Soviet Russia. The developments in actor training from 1991 to 2001 reflect the challenges and problems faced by other institutions in the arts and sciences. In other words, the phenomenon of continuity and discontinuity with the past is characteristic of other institutions in Russia, cultural as well as scientific and educational.

Author : Bella Merlin
Publisher : Routledge
ISBN 13 : 1135867372
Total Pages : 285 pages
Book Rating : 4.79/5 ( download)

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Download or read book Beyond Stanislavsky written by Bella Merlin and published by Routledge. This book was released on 2014-01-10 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beyond Stanislavsky takes the reader through a course in the new system, complete with exercises. Infused with the author's personal experience this is never a set of dry instructions, but a vital engagement with Stanislavsky's mature ideas on actor training.

Author : Stephanie Daventry French
Publisher : Routledge
ISBN 13 : 1136519343
Total Pages : 632 pages
Book Rating : 4.45/5 ( download)

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Download or read book Experiencing Stanislavsky Today written by Stephanie Daventry French and published by Routledge. This book was released on 2016-02-11 with total page 632 pages. Available in PDF, EPUB and Kindle. Book excerpt: This pioneering introduction to Stanislavsky's methods and modes of actor training covers all of the essential elements of his System. Recreating ‘truthful’ behaviour in the artificial environment, awareness and observation, psychophysical work, given circumstances, visualization and imagination, and active analysis are all introduced and explored. Each section of the book is accompanied by individual and group exercises, forming a full course of study in the foundations of modern acting. A glossary explains the key terms and concepts that are central to Stanislavsky’s thinking at a glance. The book’s companion website is full of downloadable worksheets and resources for teachers and students. Experiencing Stanislavsky Today is enhanced by contemporary findings in psychology, neuroscience, anatomy and physiology that illuminate the human processes important to actors, such as voice and speech, creativity, mind-body connection, the process and the production of emotions on cue. It is the definitive first step for anyone encountering Stanislavsky’s work, from acting students exploring his methods for the first time, to directors looking for effective rehearsal tools and teachers mapping out degree classes.

Author : Sergei Tcherkasski
Publisher : Routledge
ISBN 13 : 1317228243
Total Pages : 144 pages
Book Rating : 4.40/5 ( download)

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Download or read book Stanislavsky and Yoga written by Sergei Tcherkasski and published by Routledge. This book was released on 2016-07-15 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book deals with one of the most important sources of the Stanislavsky System - Yoga, its practice and philosophy. Sergei Tcherkasski carefully collects records on Yoga in Stanislavsky's writings from different periods and discusses hidden references which are not explained by Stanislavsky himself due to the censorship in his day. Vivid examples of Yoga based training from the rehearsal practice of the Moscow Art Theatre and many of Stanislavsky's studios (the First Studio in 1910s, the Second Studio and Opera Studio of the Bolshoi Theatre in 1920s, Opera-Dramatic Studio in 1930s) are provided. The focus of Tcherkasski's research consists of a comparative reading of the Stanislavsky System and Yogi Ramacharaka's books, which were a main source for Stanislavsky. Accordingly, Tcherkasski analyzes elements of the System based on Yoga principles. Among them are: relaxation of muscles (muscular release), communication and prana, emission of rays and reception of rays, beaming of aura, sending of prana, attention, visualizations (mental images). Special attention is paid to the idea of the superconscious in Yoga, and in Ramacharaka's and Stanislavsky's theories. Tcherkasski's wide-ranging analysis has resulted in new and intriguing discoveries about the Russian master. Furthermore, he reveals the extent to which Stanislavsky anticipated modern discoveries in neurobiology and cognitive science. In this book Tcherkasski acts as a researcher, historian, theatre director, and experienced acting teacher. He argues that some forty per cent of basic exercises in any Stanislavsky based actor training program of today are rooted in Yoga. Actors, teachers, and students will find it interesting to discover that they are following in the footsteps of Yoga in their everyday Stanislavsky based training and rehearsals.

Author : Edward Dwight Easty
Publisher : Ivy Books
ISBN 13 : 0307823776
Total Pages : 209 pages
Book Rating : 4.79/5 ( download)

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Download or read book On Method Acting written by Edward Dwight Easty and published by Ivy Books. This book was released on 2012-07-11 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Practiced by such actors of stature as Marlon Brando, Robert De Niro, Julie Harris, Dustin Hoffman, and Ellen Burstyn (not to mention the late James Dean) the Method offers a practical application of the renowned Stanislavsky technique. On Method Acting demystifies the "mysteries" of Method acting -- breaking down the various steps into clear and simple terms, including chapters on: Sense Memory -- the most vital component of Method acting Improvisation -- without it, the most integral part of the Method is lost Animal Exercises -- just one way to combat the mental blocks that prevent actors from grasping a character Creating The Outer Character -- so actors can give the freshness of originality to a role while at the same time living the life of the character On Method Acting is also an indispensable volume for directors, designers, lighting technicians, and anyone in the dramatic arts interested in creating a believable and realistic effect in their productions.

Author : Nick O'Brien
Publisher : Routledge
ISBN 13 : 1351985957
Total Pages : 290 pages
Book Rating : 4.56/5 ( download)

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Download or read book Stanislavski in Practice written by Nick O'Brien and published by Routledge. This book was released on 2017-09-19 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stanislavski in Practice is an unparalleled step-by-step guide to Stanislavski’s system. Author Nick O’Brien makes this cornerstone of acting accessible to teachers and students alike through the use of practical exercises that allow students to develop their skills. This second edition offers more exercises for the actor, and also new sections on directing and devising productions. Each element of the system is covered practically through studio exercises and jargon-free discussion. Exercises are designed to support syllabi from Edexcel, Eduqas, OCR and AQA to the practice-based requirements of BTEC and IB Theatre. This is the perfect exercise book for students and a lesson planner for teachers at post-16 and first year undergraduate level. New to this edition: Thoroughly reorganized sections, including 'Work on the Actor', 'Work on a Role' and 'Developing your Practice'; A new chapter on using Stanislavski when devising with a series of exercises that will allow students to structure and create characters within the devising process; A new chapter, Directing Exercise Programme, which will be a series of exercises that allows the student to develop their skills as a director; New glossary with US and UK terms; New exercises developed since the publication of the first edition; A new chapter going beyond Stanislavski, exploring exercises from Michael Chekhov, Maria Knebel and Katie Mitchell.

Author : Jonathan Pitches
Publisher : Routledge
ISBN 13 : 1134332335
Total Pages : 219 pages
Book Rating : 4.35/5 ( download)

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Download or read book Science and the Stanislavsky Tradition of Acting written by Jonathan Pitches and published by Routledge. This book was released on 2005-09-21 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Russian tradition is a major area of theatre studies Uses a range of historical and archival material, including previously unpublished material from the Michael Chekov archives International market - UK, America. Potential interest in Russia and France

Author : Maria Shevtsova
Publisher : Cambridge University Press
ISBN 13 : 1107023394
Total Pages : 305 pages
Book Rating : 4.90/5 ( download)

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Download or read book Rediscovering Stanislavsky written by Maria Shevtsova and published by Cambridge University Press. This book was released on 2019-11-21 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: An interdisciplinary approach to Stanislavsky's theatre practice in sociocultural and political contexts and its legacy in the twenty-first century.

Author : Gabriela Curpan
Publisher : Routledge
ISBN 13 : 1000377032
Total Pages : 280 pages
Book Rating : 4.33/5 ( download)

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Download or read book In Search of Stanislavsky’s Creative State on the Stage written by Gabriela Curpan and published by Routledge. This book was released on 2021-04-12 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state. Filtered through the lens of his unaddressed Christian Orthodox background, as well as his yogic or Hindu interest, the practical work followed the odyssey of the artist, from being oneself towards becoming the character, being structured in three major horizontal stages and developed on another three vertical, interconnected levels. Throughout the book, Gabriela Curpan aims to question both the cartesian approach to acting and the realist-psychological line, generally viewed as the only features of Stanislavski’s work. This book will be of great interest to theatre and performance academics as well as practitioners in the fields of acting and directing.