Stages And Playgoers

Author : Janet Hill
Publisher : McGill-Queen's Press - MQUP
ISBN 13 : 9780773522732
Total Pages : 266 pages
Book Rating : 4.35/5 ( download)

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Download or read book Stages and Playgoers written by Janet Hill and published by McGill-Queen's Press - MQUP. This book was released on 2002 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stages and Playgoers demonstrates the long, vital tradition of dialogue between stage and audience from medieval, through Tudor, to Jacobean drama. Janet Hill offers new insights into techniques of addressing playgoers from the stage and how they might have operated under particular staging conditions. Hill calls this dialogue "open address," a term that takes in a range of speeches often called "asides," "monologues," and "soliloquies." She argues that open address is a strategy that challenges playgoers, asking for answers that lie outside the stage in the playgoer/playhouse world.

Author : John P. Harrington
Publisher : University Press of Kentucky
ISBN 13 : 0813149576
Total Pages : 176 pages
Book Rating : 4.78/5 ( download)

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Download or read book The Irish Play on the New York Stage, 1874-1966 written by John P. Harrington and published by University Press of Kentucky. This book was released on 2014-07-11 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the years American -- especially New York -- audiences have evolved a consistent set of expectations for the "Irish play." Traditionally the term implied a specific subject matter, invariably rural and Catholic, and embodied a reductive notion of Irish drama and society. This view continues to influence the types of Irish drama produced in the United States today. By examining seven different opening nights in New York theaters over the course of the last century, John Harrington considers the reception of Irish drama on the American stage and explores the complex interplay between drama and audience expectations. All of these productions provoked some form of public disagreement when they were first staged in New York, ranging from the confrontation between Shaw and the Society for the Suppression of Vice to the intellectual outcry provoked by billing Waiting for Godot as "the laugh sensation of two continents." The inaugural volume in the series Irish Literature, History, and Culture, The Irish Play on the New York Stage explores the New York premieres of The Shaughraun (1874), Mrs. Warren's Profession (1905), The Playboy of the Western World (1911), Exiles (1925), Within the Gates (1934), Waiting for Godot (1956), and Philadelphia, Here I Come! (1966).

Author : Stephen Joseph
Publisher :
ISBN 13 :
Total Pages : 208 pages
Book Rating : 4.66/5 ( download)

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Download or read book Theatre in the Round written by Stephen Joseph and published by . This book was released on 1968 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Lionel Carson
Publisher :
ISBN 13 :
Total Pages : 306 pages
Book Rating : 4.09/5 ( download)

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Download or read book The Stage Year Book written by Lionel Carson and published by . This book was released on 1917 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vols. for 1908-10 include the section: The Stage provincial guide; 1950-52: The Stage guide. (Other years published separately).

Author : P. Kiernan
Publisher : Springer
ISBN 13 : 0230380158
Total Pages : 187 pages
Book Rating : 4.58/5 ( download)

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Download or read book Staging Shakespeare at the New Globe written by P. Kiernan and published by Springer. This book was released on 1999-05-19 with total page 187 pages. Available in PDF, EPUB and Kindle. Book excerpt: What have we learned from the first experiments performed at the reconstructed Globe on Bankside? What light have recent productions shed on the way Shakespeare intended his plays to be seen? Written by the Leverhulme Fellow appointed to study and record actor use of this new-old playhouse, here is the first analytical account of the discoveries that have been made in its important first years, in workshops, rehearsals and performances. It shows how actors, directors and playgoers have responded to the demands of 'historical' constraints (and unexpected freedoms) to provide valuable new insights into the dynamics of Elizabethan theatre.

Author :
Publisher :
ISBN 13 :
Total Pages : 554 pages
Book Rating : 4.16/5 ( download)

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Download or read book The Stage Year Book, with which is Included the Stage Periodical Guide written by and published by . This book was released on 1915 with total page 554 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Jones
Publisher :
ISBN 13 :
Total Pages : 368 pages
Book Rating : 4.75/5 ( download)

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Download or read book The Renascence of the English drama written by Jones and published by . This book was released on 1895 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Andrew Gurr
Publisher : Oxford Shakespeare Topics
ISBN 13 : 9780198711582
Total Pages : 192 pages
Book Rating : 4.81/5 ( download)

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Download or read book Staging in Shakespeare's Theatres written by Andrew Gurr and published by Oxford Shakespeare Topics. This book was released on 2000 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: By bringing together evidence from different sources--documentary, archaeological, and the play-texts themselves--Staging Shakespeare's Theatres reconstructs the ways in which the plays were originally staged in the theaters of Shakespeare's own time, and shows how the physical possibilities and limitations of these theaters affected both the writing and the performances. The book explains the conditions under which the early playwrights and players worked, their preparation of the plays for the stage, and their rehearsal practices. It looks at the quality of evidence supplied by the surviving play-texts, and the extant to which audiences of the time differed from modern audiences; and it gives vivid examples of how Elizabethan actors made use of gestures, costumes, props, and the theater's specific design features. Stage movement is analyzed through a careful study of how exits and entrances worked on such stages. The final chapter offers a thorough examination of Hamlet as a text for performance, excitingly returning the play to its original staging at the Globe.

Author : Allison P. Hobgood
Publisher : Cambridge University Press
ISBN 13 : 1107041287
Total Pages : 247 pages
Book Rating : 4.88/5 ( download)

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Download or read book Passionate Playgoing in Early Modern England written by Allison P. Hobgood and published by Cambridge University Press. This book was released on 2014-01-23 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: Passionate Playgoing in Early Modern England examines the emotional effect of stage performance on the minds of the early modern theatre audience.

Author : William N. West
Publisher : University of Chicago Press
ISBN 13 : 022680903X
Total Pages : 339 pages
Book Rating : 4.38/5 ( download)

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Download or read book Common Understandings, Poetic Confusion written by William N. West and published by University of Chicago Press. This book was released on 2021-11-30 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: "What if at night at the theaters in Elizabethan England more closely resembled attending a rugby match than sitting in a dark, silent audience, passively witnessing the action on the stage, or closer to going to a rock concert than sitting in front of a large or small screen, quietly and distantly absorbing a film or television drama? In this book, West proposes a new account of what happened in the playhouses of Shakespeare's time, and the kind of participatory entertainment expected by both the actors and the audience. Combining the precision of a philologist and the imagination of a philosopher, West performs careful readings of premodern figures of speech--including understanding, confusion, occupation, eating, and fighting--still in use today, but whose meanings for Elizabethan players, playgoers, and writers have diverged in subtle ways in our era. Playing itself was not restricted to the confines of the actors on the stage but pertained just as much to the audience in a collaborative rather than individualized theater experience, more corporeal, tactile, and active, rather than purely receptive and visual. Thrown apples, smashed bottles of beer, and lumbering bears--these and more contributed to both the verbal and physical interactions between players and playgoers, creating circuits of exchange, production, and consumption,all within the confines of the playhouse. West's account of the experience of the playhouse shows more affinity--and continuity--with more raucous, unruly medieval drama than previous literary critics have allowed. It will be of interest to a wide audience, actors, directors, and scholars included"