Shakespeare: Seven Tragedies Revisited

Download Shakespeare: Seven Tragedies Revisited PDF Online Free

Author :
Publisher : Springer
ISBN 13 : 0230503039
Total Pages : 284 pages
Book Rating : 4.38/5 ( download)

DOWNLOAD NOW!


Book Synopsis Shakespeare: Seven Tragedies Revisited by : E. Honigmann

Download or read book Shakespeare: Seven Tragedies Revisited written by E. Honigmann and published by Springer. This book was released on 2002-06-17 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This classic text, reprinted several times since its first publication in 1976, has been extensively revised in this new edition and includes new chapters on Henry V, As You Like It, and on 'the study of the audience and the study of response'. Both readers and actors/theatre-goers will find will find it opens up new ways of looking at the plays and at the mechanisms that underpin some of the most magical moments in Shakespeare's plays.

Shakespeare

Download Shakespeare PDF Online Free

Author :
Publisher :
ISBN 13 :
Total Pages : 275 pages
Book Rating : 4.02/5 ( download)

DOWNLOAD NOW!


Book Synopsis Shakespeare by : E. A. J. Honigmann

Download or read book Shakespeare written by E. A. J. Honigmann and published by . This book was released on 2002 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Shakespeare, seven tragedies

Download Shakespeare, seven tragedies PDF Online Free

Author :
Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.70/5 ( download)

DOWNLOAD NOW!


Book Synopsis Shakespeare, seven tragedies by : Ernst A. J. Honigmann

Download or read book Shakespeare, seven tragedies written by Ernst A. J. Honigmann and published by . This book was released on 1976 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Shakespeare

Download Shakespeare PDF Online Free

Author :
Publisher : Palgrave Macmillan
ISBN 13 : 9780333282502
Total Pages : 192 pages
Book Rating : 4.07/5 ( download)

DOWNLOAD NOW!


Book Synopsis Shakespeare by : E. Honigmann

Download or read book Shakespeare written by E. Honigmann and published by Palgrave Macmillan. This book was released on 1980-09-25 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Shakespeare's Domestic Tragedies

Download Shakespeare's Domestic Tragedies PDF Online Free

Author :
Publisher : Cambridge University Press
ISBN 13 : 1108614787
Total Pages : 275 pages
Book Rating : 4.88/5 ( download)

DOWNLOAD NOW!


Book Synopsis Shakespeare's Domestic Tragedies by : Emma Whipday

Download or read book Shakespeare's Domestic Tragedies written by Emma Whipday and published by Cambridge University Press. This book was released on 2019-01-03 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Domestic tragedy was an innovative genre, suggesting that the lives and sufferings of ordinary people were worthy of the dramatic scope of tragedy. In this compelling study, Whipday revises the narrative of Shakespeare's plays to show how this genre, together with neglected pamphlets, ballads, and other forms of 'cheap print' about domestic violence, informed some of Shakespeare's greatest works. Providing a significant reappraisal of Hamlet, Othello, and Macbeth, the book argues that domesticity is central to these plays: they stage how societal and familial pressures shape individual agency; how the integrity of the house is associated with the body of the housewife; and how household transgressions render the home permeable. Whipday demonstrates that Shakespeare not only appropriated constructions of the domestic from domestic tragedies, but that he transformed the genre, using heightened language, foreign settings, and elite spheres to stage familiar domestic worlds.

Shakespeare and the Culture of Paradox

Download Shakespeare and the Culture of Paradox PDF Online Free

Author :
Publisher : Routledge
ISBN 13 : 1317056523
Total Pages : 308 pages
Book Rating : 4.22/5 ( download)

DOWNLOAD NOW!


Book Synopsis Shakespeare and the Culture of Paradox by : Peter G. Platt

Download or read book Shakespeare and the Culture of Paradox written by Peter G. Platt and published by Routledge. This book was released on 2016-04-01 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring Shakespeare's intellectual interest in placing both characters and audiences in a state of uncertainty, mystery, and doubt, this book interrogates the use of paradox in Shakespeare's plays and in performance. By adopting this discourse-one in which opposites can co-exist and perspectives can be altered, and one that asks accepted opinions, beliefs, and truths to be reconsidered-Shakespeare used paradox to question love, gender, knowledge, and truth from multiple perspectives. Committed to situating literature within the larger culture, Peter Platt begins by examining the Renaissance culture of paradox in both the classical and Christian traditions. He then looks at selected plays in terms of paradox, including the geographical site of Venice in Othello and The Merchant of Venice, and equity law in The Comedy of Errors, Merchant, and Measure for Measure. Platt also considers the paradoxes of theater and live performance that were central to Shakespearean drama, such as the duality of the player, the boy-actor and gender, and the play/audience relationship in the Henriad, Hamlet, As You Like It, Twelfth Night, Antony and Cleopatra, The Winter's Tale, and The Tempest. In showing that Shakespeare's plays create and are created by a culture of paradox, Platt offers an exciting and innovative investigation of Shakespeare's cognitive and affective power over his audience.

Shakespeare’s Dramatic Persons

Download Shakespeare’s Dramatic Persons PDF Online Free

Author :
Publisher : Rowman & Littlefield
ISBN 13 : 1611479398
Total Pages : 197 pages
Book Rating : 4.93/5 ( download)

DOWNLOAD NOW!


Book Synopsis Shakespeare’s Dramatic Persons by : Travis Curtright

Download or read book Shakespeare’s Dramatic Persons written by Travis Curtright and published by Rowman & Littlefield. This book was released on 2016-12-05 with total page 197 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Shakespeare’s Dramatic Persons, Travis Curtright examines the influence of the classical rhetorical tradition on early modern theories of acting in a careful study of and selection from Shakespeare’s most famous characters and successful plays. Curtright demonstrates that “personation”—the early modern term for playing a role—is a rhetorical acting style that could provide audiences with lifelike characters and action, including the theatrical illusion that dramatic persons possess interiority or inwardness. Shakespeare’s Dramatic Persons focuses on major characters such as Richard III, Katherina, Benedick, and Iago and ranges from Shakespeare’s early to late work, exploring particular rhetorical forms and how they function in five different plays. At the end of this study, Curtright envisions how Richard Burbage, Shakespeare’s best actor, might have employed the theatrical convention of directly addressing audience members. Though personation clearly differs from the realism aspired to in modern approaches to the stage, Curtright reveals how Shakespeare’s sophisticated use and development of persuasion’s arts would have provided early modern actors with their own means and sense of performing lifelike dramatic persons.

Character and the Individual Personality in English Renaissance Drama

Download Character and the Individual Personality in English Renaissance Drama PDF Online Free

Author :
Publisher : Rutgers University Press
ISBN 13 : 1644530538
Total Pages : 323 pages
Book Rating : 4.35/5 ( download)

DOWNLOAD NOW!


Book Synopsis Character and the Individual Personality in English Renaissance Drama by : John E. Curran

Download or read book Character and the Individual Personality in English Renaissance Drama written by John E. Curran and published by Rutgers University Press. This book was released on 2014-08-20 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: Character and the Individual Personality in English Renaissance Drama: Tragedy, History, Tragicomedy studies instantiations of the individualistic character in drama, Shakespearean and non-Shakespearean, and some of the Renaissance ideas allowing for and informing them. Setting aside such fraught questions as the history of Renaissance subjectivity and individualism on the one hand and Shakespearean exceptionalism on the other, we can find that in some plays, by a range of different authors and collaborators, a conception has been evidenced of who a particular person is, and has been used to drive the action. This evidence can take into account a number of internal and external factors that might differentiate a person, and can do so drawing on the intellectual context in a number of ways. Ideas with potential to emphasize the special over the general in envisioning the person might come from training in dialectic (thesis vs hypothesis) or in rhetoric (ethopoeia), from psychological frameworks (casuistry, humor theory, and their interpenetration), or from historiography (exemplarity). But though they depicted what we would call personality only intermittently, and with assumptions different from our own about personhood, dramatists sometimes made a priority of representing the workings of a specific mind: the patterns of thought and feeling that set a person off as that person and define that person singularly rather than categorically. Some individualistic characters can be shown to emerge where we do not expect, such as with Fletcherian personae like Amintor, Arbaces, and Montaigne of The Honest Man’s Fortune; some are drawn by playwrights often uninterested in character, such as Chapman’s Bussy D’Ambois, Jonson’s Cicero, and Ford’s Perkin Warbeck; and some appear in being constructed differently from others by the same author, as when Webster’s Bosola is set in contrast to Flamineo, and Marlowe’s Faustus is set against Barabas. But Shakespearean characters are also examined for the particular manner in which each troubles the categorical and exhibits a personality: Othello, Good Duke Humphrey, and Marc Antony. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

A New Variorium Edition of Shakespeare CORIOLANUS Volume II

Download A New Variorium Edition of Shakespeare CORIOLANUS Volume II PDF Online Free

Author :
Publisher : Lulu.com
ISBN 13 : 1387802593
Total Pages : 532 pages
Book Rating : 4.93/5 ( download)

DOWNLOAD NOW!


Book Synopsis A New Variorium Edition of Shakespeare CORIOLANUS Volume II by : David George

Download or read book A New Variorium Edition of Shakespeare CORIOLANUS Volume II written by David George and published by Lulu.com. This book was released on 2019-05-03 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt: Irregular, Doubtful, and Emended Accidentals in F1 In the Textual Notes, the lemma is the reading of this edition's text. In these notes, for emendations to F1, the lemma is followed by the siglum or sigla of the edition(s) from which the emendation is taken, and then by the rejected F1 reading and the siglum or sigla of the 17th-c. editions reading differently from the lemma. Where no source is given for the emendation, the adopted reading is not in any of the folios. Doubtful and irregular readings are merely listed. (

Shakespeare's Sense of Character

Download Shakespeare's Sense of Character PDF Online Free

Author :
Publisher : Routledge
ISBN 13 : 1317056027
Total Pages : 280 pages
Book Rating : 4.27/5 ( download)

DOWNLOAD NOW!


Book Synopsis Shakespeare's Sense of Character by : Michael W. Shurgot

Download or read book Shakespeare's Sense of Character written by Michael W. Shurgot and published by Routledge. This book was released on 2016-04-01 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Making a unique intervention in an incipient but powerful resurgence of academic interest in character-based approaches to Shakespeare, this book brings scholars and theatre practitioners together to rethink why and how character continues to matter. Contributors seek in particular to expand our notions of what Shakespearean character is, and to extend the range of critical vocabularies in which character criticism can work. The return to character thus involves incorporating as well as contesting postmodern ideas that have radically revised our conceptions of subjectivity and selfhood. At the same time, by engaging theatre practitioners, this book promotes the kind of comprehensive dialogue that is necessary for the common endeavor of sustaining the vitality of Shakespeare's characters.