Shakespeare and Modern Theatre

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Author :
Publisher : Routledge
ISBN 13 : 1134601204
Total Pages : 217 pages
Book Rating : 4.02/5 ( download)

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Book Synopsis Shakespeare and Modern Theatre by : Michael Bristol

Download or read book Shakespeare and Modern Theatre written by Michael Bristol and published by Routledge. This book was released on 2005-07-08 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Shakespeare and Modern Theatre

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Author :
Publisher : Psychology Press
ISBN 13 : 9780415219853
Total Pages : 228 pages
Book Rating : 4.5X/5 ( download)

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Book Synopsis Shakespeare and Modern Theatre by : Michael D. Bristol

Download or read book Shakespeare and Modern Theatre written by Michael D. Bristol and published by Psychology Press. This book was released on 2001 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Poverty and Charity in Early Modern Theater and Performance

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Author :
Publisher : University of Iowa Press
ISBN 13 : 1609383613
Total Pages : 217 pages
Book Rating : 4.19/5 ( download)

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Book Synopsis Poverty and Charity in Early Modern Theater and Performance by : Robert Henke

Download or read book Poverty and Charity in Early Modern Theater and Performance written by Robert Henke and published by University of Iowa Press. This book was released on 2015-08 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whereas previous studies of poverty and early modern theatre have concentrated on England and the criminal rogue, Poverty and Charity in Early Modern Theatre and Performance takes a transnational approach, which reveals a greater range of attitudes and charitable practices regarding the poor than state poor laws and rogue books suggest. Close study of German and Latin beggar catalogues, popular songs performed in Italian piazzas, the Paduan actor-playwright Ruzante, the commedia dell’arte in both Italy and France, and Shakespeare demonstrate how early modern theatre and performance could reveal the gap between official policy and actual practices regarding the poor. The actor-based theatre and performance traditions examined in this study, which persistently explore felt connections between the itinerant actor and the vagabond beggar, evoke the poor through complex and variegated forms of imagination, thought, and feeling. Early modern theatre does not simply reflect the social ills of hunger, poverty, and degradation, but works them through the forms of poverty, involving displacement, condensation, exaggeration, projection, fictionalization, and marginalization. As the critical mass of medieval charity was put into question, the beggar-almsgiver encounter became more like a performance. But it was not a performance whose script was prewritten as the inevitable exposure of the dissembling beggar. Just as people’s attitudes toward the poor could rapidly change from skepticism to sympathy during famines and times of acute need, fictions of performance such as Edgar’s dazzling impersonation of a mad beggar in Shakespeare’s King Lear could prompt responses of sympathy and even radical calls for economic redistribution.

Embodied Cognition and Shakespeare's Theatre

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Author :
Publisher : Routledge
ISBN 13 : 1134449216
Total Pages : 281 pages
Book Rating : 4.17/5 ( download)

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Book Synopsis Embodied Cognition and Shakespeare's Theatre by : Laurie Johnson

Download or read book Embodied Cognition and Shakespeare's Theatre written by Laurie Johnson and published by Routledge. This book was released on 2014-03-26 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection considers issues that have emerged in Early Modern Studies in the past fifteen years relating to understandings of mind and body in Shakespeare’s world. Informed by The Body in Parts, the essays in this book respond also to the notion of an early modern ‘body-mind’ in which Shakespeare and his contemporaries are understood in terms of bodily parts and cognitive processes. What might the impact of such understandings be on our picture of Shakespeare’s theatre or on our histories of the early modern period, broadly speaking? This book provides a wide range of approaches to this challenge, covering histories of cognition, studies of early modern stage practices, textual studies, and historical phenomenology, as well as new cultural histories by some of the key proponents of this approach at the present time. Because of the breadth of material covered, full weight is given to issues that are hotly debated at the present time within Shakespeare Studies: presentist scholarship is presented alongside more historically-focused studies, for example, and phenomenological studies of material culture are included along with close readings of texts. What the contributors have in common is a refusal to read the work of Shakespeare and his contemporaries either psychologically or materially; instead, these essays address a willingness to study early modern phenomena (like the Elizabethan stage) as manifesting an early modern belief in the embodiment of cognition.

Shakespeare, Our Contemporary

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Publisher : Doubleday
ISBN 13 : 0804152195
Total Pages : 312 pages
Book Rating : 4.98/5 ( download)

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Book Synopsis Shakespeare, Our Contemporary by : Jan Kott

Download or read book Shakespeare, Our Contemporary written by Jan Kott and published by Doubleday. This book was released on 2015-01-21 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare, Our Contemporary is a provocative, original study of the major plays of Shakespeare. More than that, it is one of the few critical works to have strongly influenced theatrical productions. Peter Brook and Charles Marowitz are among the many directors who have acknowledged their debt to Jan Kott, finding in his analogies between Shakespearean situations and those in modern life and drama the seeds of vital new stage conceptions. Shakespeare, Our Contemporary has been translated into nineteen languages since it appeared in 1961, and readers all over the world have similarly found their responses to Shakespeare broadened and enriched.

Shakespeare's Theatres and the Effects of Performance

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Publisher : Bloomsbury Publishing
ISBN 13 : 1408174642
Total Pages : 317 pages
Book Rating : 4.47/5 ( download)

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Book Synopsis Shakespeare's Theatres and the Effects of Performance by : Farah Karim Cooper

Download or read book Shakespeare's Theatres and the Effects of Performance written by Farah Karim Cooper and published by Bloomsbury Publishing. This book was released on 2015-01-05 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did Elizabethan and Jacobean acting companies create their visual and aural effects? What materials were available to them and how did they influence staging and writing? What impact did the sensations of theatre have on early modern audiences? How did the construction of the playhouses contribute to technological innovations in the theatre? What effect might these innovations have had on the writing of plays? Shakespeare's Theatres and The Effects of Performance is a landmark collection of essays by leading international scholars addressing these and other questions to create a unique and comprehensive overview of the practicalities and realities of the theatre in the early modern period.

Prologues to Shakespeare's Theatre

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Author :
Publisher : Routledge
ISBN 13 : 1134313705
Total Pages : 221 pages
Book Rating : 4.09/5 ( download)

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Book Synopsis Prologues to Shakespeare's Theatre by : Douglas Bruster

Download or read book Prologues to Shakespeare's Theatre written by Douglas Bruster and published by Routledge. This book was released on 2004-08-02 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: This eye-opening study draws attention to the largely neglected form of the early modern prologue. Reading the prologue in performed as well as printed contexts, Douglas Bruster and Robert Weimann take us beyond concepts of stability and autonomy in dramatic beginnings to reveal the crucial cultural functions performed by the prologue in Elizabethan England. While its most basic task is to seize the attention of a noisy audience, the prologue's more significant threshold position is used to usher spectators and actors through a rite of passage. Engaging competing claims, expectations and offerings, the prologue introduces, authorizes and, critically, straddles the worlds of the actual theatrical event and the 'counterfeit' world on stage. In this way, prologues occupy a unique and powerful position between two orders of cultural practice and perception. Close readings of prologues by Shakespeare and his contemporaries, including Marlowe, Peele and Lyly, demonstrate the prologue's role in representing both the world in the play and playing in the world. Through their detailed examination of this remarkable form and its functions, the authors provide a fascinating perspective on early modern drama, a perspective that enriches our knowledge of the plays' socio-cultural context and their mode of theatrical address and action.

Early Modern Corpse and Shakespeare's Theatre

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Publisher : Edinburgh University Press
ISBN 13 : 0748680764
Total Pages : 226 pages
Book Rating : 4.64/5 ( download)

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Book Synopsis Early Modern Corpse and Shakespeare's Theatre by : Susan Zimmerman

Download or read book Early Modern Corpse and Shakespeare's Theatre written by Susan Zimmerman and published by Edinburgh University Press. This book was released on 2019-08-08 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Within a theoretical framework that makes use of history, psychoanalysis and anthropology, The Early Modern Corpse and Shakespeare's Theatre explores the relationship of the public theatre to the question of what constituted the 'dead' in early modern English culture.Susan Zimmerman argues that concepts of the corpse as a semi-animate, generative and indeterminate entity were deeply rooted in medieval religious culture. Such concepts ran counter to early modern discourses that sought to harden categorical distinctions between body/spirit, animate/inanimate - in particular, the attacks of Reformists on the materiality of 'dead' idols, and the rationale of the new anatomy for publicly dissecting 'dead' bodies. Zimmerman contends that within this context, theatrical representations of the corpse or corpse/revenant - as seen here in the tragedies of Shakespeare and his contemporaries - uniquely showcased the theatre's own ideological and performative agency. Features*Original in its conjunction of critical theory (Bataille, Kristeva, Lacan, Benjamin) with an historical account of the shifting status of the corpse in late medieval and early modern England.*The first study to demonstrate connections between the meanings attached to the material body in early modern Protestantism, the practice of anatomical dissection, and the English public theatre.*Strong market appeal to scholars and graduate students with interests in the theatre of Shakespeare and his contemporaries, early modern religion and science, and literary theory. *Relevant to advanced undergraduates taking widely taught courses in Shakespeare and in Renaissance drama.

Shakespeare on Theatre

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Publisher : Hal Leonard Corporation
ISBN 13 : 1623160332
Total Pages : 216 pages
Book Rating : 4.33/5 ( download)

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Book Synopsis Shakespeare on Theatre by : William Shakespeare

Download or read book Shakespeare on Theatre written by William Shakespeare and published by Hal Leonard Corporation. This book was released on 2013-04-01 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Book). Shakespeare was a man of the theatre to his core, so it is no surprise that he repeatedly contemplated the nuts and bolts of his craft in his plays and poems. Shakespeare scholar Nick de Somogyi here draws together all the cherishable set pieces including "All the world's a stage," Hamlet's encounters with the Players, and Bottom's amateur theatricals along with many other oblique but no less revealing glances, and further insights into theatre practice by Shakespeare's contemporaries and rivals. De Somogyi's commentary takes us through the entire process of Shakespeare's theatrical production, from its casting and auditions, via rehearsals, costumes, and props, to its premiere and audience reception. Shakespeare on Theatre eavesdrops on the urgently whispered noises-off in the "tiring-house" and inhales the heady aroma of the Globe's first audiences.

Prologues to Shakespeare's Theatre

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Author :
Publisher : Routledge
ISBN 13 : 1134313713
Total Pages : 181 pages
Book Rating : 4.16/5 ( download)

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Book Synopsis Prologues to Shakespeare's Theatre by : Douglas Bruster

Download or read book Prologues to Shakespeare's Theatre written by Douglas Bruster and published by Routledge. This book was released on 2004-08-02 with total page 181 pages. Available in PDF, EPUB and Kindle. Book excerpt: This remarkable study shows how prologues ushered audience and actors through a rite of passage and how they can be seen to offer rich insight into what the early modern theatre was thought capable of achieving.