Romantic Actors And Bardolatry

Author : Celestine Woo
Publisher : Peter Lang
ISBN 13 : 9781433101632
Total Pages : 234 pages
Book Rating : 4.37/5 ( download)

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Download or read book Romantic Actors and Bardolatry written by Celestine Woo and published by Peter Lang. This book was released on 2008 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Especially those who have sensed that the denial of the mother's voice has played a critical role in their own self-alienation and its melancholy moods, will discover that this book has much to offer them as well." Donald Capps, Princeton Theological Seminary --Book Jacket.

Author : Ben P Robertson
Publisher : Routledge
ISBN 13 : 1317316207
Total Pages : 342 pages
Book Rating : 4.06/5 ( download)

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Download or read book Inchbald, Hawthorne and the Romantic Moral Romance written by Ben P Robertson and published by Routledge. This book was released on 2015-10-06 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the connections between British and American Romanticism, focusing on the novels of Elizabeth Inchbald (1753-1821) and Nathaniel Hawthorne (1804-64). This study argues that Inchbald and Hawthorne are representative of a larger British/American cultural confluence during the eighteenth and nineteenth centuries.

Author : James Harriman-Smith
Publisher : Bloomsbury Publishing
ISBN 13 : 1350171980
Total Pages : 151 pages
Book Rating : 4.85/5 ( download)

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Download or read book What Would Garrick Do? Or, Acting Lessons from the Eighteenth Century written by James Harriman-Smith and published by Bloomsbury Publishing. This book was released on 2023-12-14 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt: The stage of the 1700s established a star culture, with the emergence of such acting celebrities as David Garrick, Susannah Cibber, and Sarah Siddons. It placed Shakespeare at the heart of the classical repertoire and offered unprecedented opportunities to female actors. This book demonstrates how an understanding of the practice and theories circulating three hundred years ago can generate new ways of studying and performing plays of all kinds in the present. Eight short essays – on emotions, cultivation, character, voice, action, company, audience, and reflection – provide two things: a vivid introduction to the practice and ideas of the eighteenth-century stage, and the story of how these past practices and ideas were used in collaborative workshops around the UK to create new rehearsal exercises. Designed to work alone or in combination, these exercises are also open to further adaptation and analysis as part of a work that treats theatre writers of the past as potential collaborators for those interested in theatre today. Marrying academic and professional theatre expertise, this book ranges through a vast archive of writing about acting, from private letters and battered promptbooks, through to philosophical treatises and celebrity biographies. The exercises, stories, and ideas shared here capture the strangeness of this material – and sometimes its surprising familiarity, as questions asked of actors then seem to anticipate those questions we ask now. A truly unique offering, What would Garrick Do? Or, Acting Lessons from the Eighteenth Century offers a fascinating deep-dive into an important time in theatre history to illuminate practices and processes today.

Author : Diane Piccitto
Publisher : University of Michigan Press
ISBN 13 : 0472129767
Total Pages : 397 pages
Book Rating : 4.68/5 ( download)

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Download or read book The Visual Life of Romantic Theater, 1780-1830 written by Diane Piccitto and published by University of Michigan Press. This book was released on 2023-05-24 with total page 397 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Visual Life of Romantic Theater examines the dynamism and vibrancy of stage spectacle and its impact in an era of momentous social upheaval and aesthetic change. Situating theatrical production as key to understanding visuality ca. 1780-1830, this book places the stage front and center in Romantic scholarship by re-envisioning traditional approaches to artistic and social creation in the period. How, it asks, did dramaturgy and stagecraft influence aesthetic and sociopolitical concerns? How does a focus on visuality expand our understanding of the historical experience of theatergoing? In what ways did stage performance converge with visual culture beyond the theater? How did extratheatrical genres engage with theatrical sight and spectacle? Finally, how does a focus on dramatic vision change the way we conceive of Romanticism itself? The volume’s essays by emerging and established scholars provide exciting and suggestive answers to these questions, along with a more capacious conception of Romantic theater as a locus of visual culture that reached well beyond playhouse walls.

Author : Diane Piccitto
Publisher : Springer
ISBN 13 : 1137378018
Total Pages : 238 pages
Book Rating : 4.19/5 ( download)

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Download or read book Blake's Drama written by Diane Piccitto and published by Springer. This book was released on 2014-06-26 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Blake's Drama challenges conventional views of William Blake's multimedia work by reinterpreting it as theatrical performance. Viewed in its dramatic contexts, this art form is shown to provoke an active spectatorship and to depict identity as paradoxically essential and constructed, revealing Blake's investments in drama, action, and the body.

Author : Judith Pascoe
Publisher : University of Michigan Press
ISBN 13 : 0472027956
Total Pages : 176 pages
Book Rating : 4.58/5 ( download)

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Download or read book The Sarah Siddons Audio Files written by Judith Pascoe and published by University of Michigan Press. This book was released on 2013-03-01 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: English actress Sarah Siddons (1755–1831) was an international celebrity widely acclaimed for her performances of tragic heroines.We know what Siddons looked like—an endless number of artists asked her to sit for portraits and sculptures—but what of her famous voice? In lively and engaging prose, Judith Pascoe journeys to discover how the celebrated romantic actor’s voice sounded and to understand its power to move audiences to a state of emotional collapse. The author’s quixotic endeavor leads her to enroll in a “Voice for Actors” class, to collect Lady Macbeth voice prints, and to listen more carefully to the soundscape of her own life. The Sarah Siddons Audio Files is the first full-scale attempt to address the importance of the voice in romantic culture. Bringing together archival discoveries, sound recording history, and media theory, the book shows how the romantic poets’ preoccupation with voices is linked to a larger cultural anxiety about the voice’s ephemerality. The Sarah Siddons Audio Files contributes to a growing body of work on the fascinating history of sound, and will engage a broad audience interest in how recording technology has altered human experience.

Author : Fiona Ritchie
Publisher : Cambridge University Press
ISBN 13 : 1139868012
Total Pages : 267 pages
Book Rating : 4.13/5 ( download)

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Download or read book Women and Shakespeare in the Eighteenth Century written by Fiona Ritchie and published by Cambridge University Press. This book was released on 2014-06-02 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fiona Ritchie analyses the significant role played by women in the construction of Shakespeare's reputation which took place in the eighteenth century. The period's perception of Shakespeare as unlearned allowed many women to identify with him and in doing so they seized an opportunity to enter public life by writing about and performing his works. Actresses (such as Hannah Pritchard, Kitty Clive, Susannah Cibber, Dorothy Jordan and Sarah Siddons), female playgoers (including the Shakespeare Ladies Club) and women critics (like Charlotte Lennox, Elizabeth Montagu, Elizabeth Griffith and Elizabeth Inchbald), had a profound effect on Shakespeare's reception. Interdisciplinary in approach and employing a broad range of sources, this book's analysis of criticism, performance and audience response shows that in constructing Shakespeare's significance for themselves and for society, women were instrumental in the establishment of Shakespeare at the forefront of English literature, theatre, culture and society in the eighteenth century and beyond.

Author : Michael Caines
Publisher : OUP Oxford
ISBN 13 : 0191642932
Total Pages : 232 pages
Book Rating : 4.37/5 ( download)

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Download or read book Shakespeare and the Eighteenth Century written by Michael Caines and published by OUP Oxford. This book was released on 2013-10-31 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: OXFORD SHAKESPEARE TOPICS General Editors: Peter Holland and Stanley Wells Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. This book considers the impact and influence of Shakespeare on writing of the eighteenth century, and also how eighteenth-century Shakespeare scholarship influenced how we read Shakespeare today. The most influential English actor of the eighteenth century, David Garrick, could hail Shakespeare as 'the god of our idolatry', yet perform an adaptation of King Lear with a happy ending, add a dying speech to Macbeth, and remove the puns from Romeo and Juliet. Garrick's friend Samuel Johnson thought of Shakespeare as 'above all writers, at least above all modern writers, the poet of nature'. Voltaire thought he was a sublime genius without taste. The Bluestocking Elizabeth Montagu, meanwhile, could be found arguing with Johnson's biographer James Boswell over whether Shakespeare or Milton was the greater poet. Shakespeare and the Eighteenth Century traces the course of a many-faceted metamorphosis. Drawing on fresh research as well as the most recent scholarship in the field, it argues that the story of Shakespeare in the eighteenth century has become a significant 'subplot' in later scholarship, made up of great debates about how to read Shakespeare and how to rank him among the great English writers, how to perform his plays and how to edit the texts of those plays. This book surveys the critical and creative responses of actors and audiences, literary critics and textual editors, painters and philosophes to Shakespeare's works, while also suggesting how the Shakespeare of the theatre influenced the Shakespeare of the study, and how other, less straightforward interactions combined to bring about this sea-change in English cultural life. It speaks of the crucial role of Shakespeare in eighteenth-century culture, and the importance of that culture's absorption of Shakespeare for subsequent generations. This is a book about what the eighteenth century did to Shakespeare - and vice versa.

Author : Kevin Gilmartin
Publisher : Oxford University Press, USA
ISBN 13 : 0198709315
Total Pages : 369 pages
Book Rating : 4.12/5 ( download)

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Download or read book William Hazlitt written by Kevin Gilmartin and published by Oxford University Press, USA. This book was released on 2015 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the course of a literary career that extended from the lingering Malthusian controversies of the late eighteenth century to the brink of the Reform Act of 1832, William Hazlitt produced a remarkable body of committed radical journalism. Against the view that partisan passion undermined his aesthetic judgment and compromised his celebrated disinterestedness, William Hazlitt: Political Essayist restores politics to the center of his achievement as a critic and essayist. In doing so Kevin Gilmartin xplores his constructive relationship with the early nineteenth-century popular reform movement, while acknowledging his desire to reflect critically on radical politics and express his own doubts about social progress. Early chapters attend closely to his critical method and matters of style and form, focusing on the political development of his contradictory prose manner. Paradox and inconsistency are central to his attack on 'Legitimacy', a term he drew form the lexicon of post-Napoleonic political journalism. In treating legitimate government as a revived form of divine right monarchy, Hazlitt often produced harrowing visions of the perfect refinement of oppressive power and the complete elimination of any principle of liberty or resistance. At the same time he found ways to preserve his commitment to oppositional political expression and the redemptive necessity of what he termed 'a word uttered against'. Later chapters bring together the spiritual heritage of rational Dissent and emerging democratic developments in London to understand Hazlitt's distinctive mobilization of radical memory as a way of contending with present injustice and envisioning a political future.

Author : Laura Engel
Publisher : Bucknell University Press
ISBN 13 : 1611486041
Total Pages : 291 pages
Book Rating : 4.49/5 ( download)

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Download or read book Stage Mothers written by Laura Engel and published by Bucknell University Press. This book was released on 2014-11-06 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stage Mothers explores the connections between motherhood and the theater both on and off stage throughout the long eighteenth century. Although the realities of eighteenth-century motherhood and representations of maternity have recently been investigated in relation to the novel, social history, and political economy, the idea of motherhood and its connection to the theatre as a professional, material, literary, and cultural site has received little critical attention. The essays in this volume, spanning the period from the Restoration to Regency, address these forgotten maternal narratives, focusing on: the representation of motherhood as the defining female role; the interplay between an actress’s celebrity persona and her chosen roles; the performative balance between the cults of maternity and that of the “passionate” actress; and tensions between sex and maternity and/or maternity and public authority. In examining the overlaps and disconnections between representations and realities of maternity in the long eighteenth century, and by looking at written, received, visual, and performed records of motherhood, Stage Mothers makes an important contribution to debates central to eighteenth-century cultural history.