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![Download Roberto il Diavolo. A grand serious opera, in five acts. [By A. E. Scribe and G. Delavigne.] Ital. & Eng PDF Online Free](https://books.google.com/books/content/images/frontcover/OyBXAAAAcAAJ?fife=w200-h370)
Author :
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ISBN 13 :
Total Pages : 118 pages
Book Rating : 4.97/5 ( download)
Download or read book Roberto il Diavolo. A grand serious opera, in five acts. [By A. E. Scribe and G. Delavigne.] Ital. & Eng written by and published by . This book was released on 1870 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Eugène Scribe
Publisher :
ISBN 13 :
Total Pages : 84 pages
Book Rating : 4.60/5 ( download)
Download or read book Roberto Il Diavolo written by Eugène Scribe and published by . This book was released on 1859 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Giacomo Meyerbeer
Publisher :
ISBN 13 :
Total Pages : 82 pages
Book Rating : 4.64/5 ( download)
Download or read book Roberto il diavolo written by Giacomo Meyerbeer and published by . This book was released on 1850 with total page 82 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Augustin Eugène SCRIBE
Publisher :
ISBN 13 :
Total Pages : 92 pages
Book Rating : 4.54/5 ( download)
Download or read book Roberto il Diavolo. Robert the Devil, an opera, in four acts, by Scribe and Delavigne, the music by M. J. Meyerbeer. As represented at Her Majesty's Theatre, etc. Ital. & Eng written by Augustin Eugène SCRIBE and published by . This book was released on 1847 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt:
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ISBN 13 :
Total Pages : 28 pages
Book Rating : 4.75/5 ( download)
Download or read book The Opera Libretto. Meyerbeer's Grand Opera ... of Roberto Il Diavolo, Etc written by and published by . This book was released on 1866 with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Giacomo Meyerbeer
Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.11/5 ( download)
Download or read book Roberto Il Diavolo written by Giacomo Meyerbeer and published by . This book was released on 1890 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Giacomo Meyerbeer
Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.93/5 ( download)
Download or read book Roberto Il Diavolo written by Giacomo Meyerbeer and published by . This book was released on 1899 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Augustin Eugène SCRIBE
Publisher :
ISBN 13 :
Total Pages : 72 pages
Book Rating : 4.58/5 ( download)
Download or read book Roberto Il Diavolo ... The Words by Scribe and Delavigne ... Edited and Translated by M. Maggioni, Etc. Ital.&Eng written by Augustin Eugène SCRIBE and published by . This book was released on 1869 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Giacomo Meyerbeer
Publisher :
ISBN 13 :
Total Pages : 216 pages
Book Rating : 4.24/5 ( download)
Download or read book Roberto il Diavolo ... Complete arrangement for the Pianoforte by M. Saladino written by Giacomo Meyerbeer and published by . This book was released on 1876 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Marco Clemente Pellegrini
Publisher : Cambridge Scholars Publishing
ISBN 13 : 144380083X
Total Pages : 610 pages
Book Rating : 4.39/5 ( download)
Download or read book Giacomo Meyerbeer written by Marco Clemente Pellegrini and published by Cambridge Scholars Publishing. This book was released on 2008-10-01 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Guide has resulted from years of research on the papers and music of Giacomo Meyerbeer, and aims to provide a bibliographical aid and point of reference for further research. The first part presents the private papers connected to the composer and his principal librettist, Eugène Scribe—both archival and printed, with working papers and correspondence, as found in Berlin, Paris and some of the famous libraries of the world. The body of Part 2 draws together all the known resources on Meyerbeer's life and historical reputation—from full scale biographies and entries in reference books, through critical discussions to website resources to records of symposia. The third part provides material about his background with its unique mixture of Jewish and Prussian elements, the powerful role of the city of Berlin in his life and work. The fourth part lists bibliographic material for Meyerbeer's music, looking at his operas, grouped as German, Italian and French, with each individual entry providing a record of the scores available, both modern and historical, the various arrangements made from the operas during the heyday of their popularity, reviews of modern performances, discography, and bibliography of studies and publications pertinent to the wider cultural and historical contexts of the works. The next two sections constitute an extended record of material pertinent to the contemporaries of Meyerbeer. In the fifth section are select bibliographies of composers, authors, artists, performers, politicians, those who played some part in the composer's life, or anyone of significance in his wider contemporary circumstances. This is continued in the sixth part where the cultural and aesthetic elements of the composer's milieu, or life in the theatre during seventy years of the nineteenth century, are listed. The seventh part adds a bibliography of social and historical background, where the incidental issues of Judaism in nineteenth-century Europe, and the wider political, historical and geographical circumstances of Meyerbeer's life, his relentless travelling, and closely recorded experiences in Germany, France, Italy, Belgium, England, and Austria. The eighth section provides a thematic key to this extensive material. Part 9 provides an extended tripartite series of lists of the published scores, arrangements and some special studies of Meyerbeer over the period 1820 to 2005—in alphabetical, chronological and thematic ordering. The last two sections furnish the modern equivalent of this record of Meyerbeer and his compositions, showing in Part 11 the list of performances of his operas since the Second World War, and in Part 12, listing the recordings of the operas, both commercial and private, for the same period. The thirteenth and last section is iconographical, pictures that represent an interesting survey of the popular response to Meyerbeer in the 19th century.
