Reformation And The Visual Arts

Author : Sergiusz Michalski
Publisher : Routledge
ISBN 13 : 1134921020
Total Pages : 239 pages
Book Rating : 4.27/5 ( download)

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Download or read book Reformation and the Visual Arts written by Sergiusz Michalski and published by Routledge. This book was released on 2013-01-11 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Covering a vast geographical and chronological span, and bringing new and exciting material to light, The Reformation and the Visual Arts provides a unique overvie of religious images and iconoclasm, starting with the consequences of the Byzantine image controversy and ending with the Eastern Orthodox churches of the nineteenth century. The author argues that the image question played a large role in the divisions within European Protestantism and was intricately connected with the Eucharist controversy. He analyses the positions of the major Protestant reformers - Luther, Zwingli, Calvin and Karlstadt - on the legitimacy of religious paintings and investigates iconoclasm both as a form of religious and political protest and as a complex set of mock-revolutionary rites and denigration rituals. The book also contains new research on relations between Protestant iconoclasm and the extreme icon-worship of the Eastern Orthodox churches, and provides a brief discussion of Eastern protestantizing sects, especially in Russia.

Author : Sergiusz Michalski
Publisher : Taylor & Francis Group
ISBN 13 : 9786610069507
Total Pages : 232 pages
Book Rating : 4.06/5 ( download)

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Download or read book The Reformation and the visual arts [Electronic book] written by Sergiusz Michalski and published by Taylor & Francis Group. This book was released on 1993 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Striving to cover a broad geographical and chronological span, and to bring new material to light, this title aims to provide an overview of religious images and iconoclasm, starting with the consequences of the Byzantine image controversy and ending with the Eastern Orthodox churches of the nineteenth century. The author argues that the image question played a large role in the divisions within European Protestantism and was intricately connected with the Eucharist controversy. He analyzes the positions of the major Protestant reformers - Luther, Zwingli, Calvin and Karlstadt - on the legitimacy of religious paintings and investigates iconoclasm both as a form of religious and political protest and as a complex set of mock-revolutionary rites and denigration rituals. The book also contains research on relations between Protestant iconoclasm and the extreme icon-worship of the Eastern Orthodox churches, and provides a brief discussion of Eastern protestantizing sects, especially in Russia.

Author : Tara Hamling
Publisher :
ISBN 13 :
Total Pages : 316 pages
Book Rating : 4.35/5 ( download)

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Download or read book Art Re-formed written by Tara Hamling and published by . This book was released on 2007 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text fundamentally reassesses traditional understandings of the impact of the Reformation on the visual arts in Britain. It brings together the work of leading authorities in the fields of art history, Reformation history and literary studies, together with research by younger scholars.

Author : George Gordon Coulton
Publisher :
ISBN 13 :
Total Pages : 704 pages
Book Rating : 4.09/5 ( download)

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Download or read book Art and the Reformation written by George Gordon Coulton and published by . This book was released on 1928 with total page 704 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Jeanne Nuechterlein
Publisher : Penn State Press
ISBN 13 : 9780271036922
Total Pages : 266 pages
Book Rating : 4.23/5 ( download)

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Download or read book Translating Nature Into Art written by Jeanne Nuechterlein and published by Penn State Press. This book was released on 2011 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Explores how the Renaissance artist Hans Holbein the Younger came to develop his mature artistic styles through the key historical contexts framing his work: the controversies of the Reformation and Renaissance debates about rhetoric"--Provided by publisher.

Author : William A. Dyrness
Publisher : Baker Academic
ISBN 13 : 0801022975
Total Pages : 196 pages
Book Rating : 4.75/5 ( download)

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Download or read book Visual Faith written by William A. Dyrness and published by Baker Academic. This book was released on 2001-11 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: An intriguing, substantive look into the relationship between the church and the world of art.

Author : John Dillenberger
Publisher : Wipf and Stock Publishers
ISBN 13 : 1592449581
Total Pages : 294 pages
Book Rating : 4.83/5 ( download)

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Download or read book A Theology of Artistic Sensibilities written by John Dillenberger and published by Wipf and Stock Publishers. This book was released on 2004-10-19 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: For most of history, argues John Dillenberger, the visual arts were, for better or worse, part of the very fabric of the life and thought of the church. But with the Reformation and the Counter-Reformation a major change took place. Protestant rejection of the visual was matched in Roman Catholicism by the reduction of its formative power. While the visual arts dropped out of the lives of Protestant churches, they became a memory rather than a source of ennoblement or power in the Roman Catholic Church. Thus, in different but allied ways, Protestants and Catholics lost the power of the visual. Part art history, part historical theology, and part theological reflection, this book is both an argument and a program for the recovery of the visual arts in the life of the church, for reclaiming seeing as part of religious perception. It offers a theological understanding of the visual and provides a basis upon which the visual arts may again be incorporated into Protestantism and reinvigorated in Roman Catholicism. The first part is devoted to historical reconstruction, exploring those moments in Western history in which the relation between religion and the arts was in ferment. Part 2 is given to contemporary delineation and analysis: of spiritual perceptions in modern American painting and sculpture, of modern church art and architecture, and of the changing views of contemporary theologians toward the visual arts. Citing David Tracy, Karl Rahner, Langdon Gilkey, and others as examples, Dillenberger argues that contemporary theology is moving away from the modern rationalistic understanding of theological analogy to one far closer to the arts. Part 3 is constructive, developing a theological perspective that demands and includes the visual arts, and suggesting ways in which this can be accomplished in pastoral and theological education. The world of art, says Professor Dillenberger, is more aware of the role of religion in the arts than the world of religion is of art. Thus it is time for the church to resume its historic association with the visual arts, albeit in analogous rather than repristinating ways.

Author : David H. Price
Publisher : Oxford University Press
ISBN 13 : 0190074426
Total Pages : 441 pages
Book Rating : 4.25/5 ( download)

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Download or read book In the Beginning Was the Image written by David H. Price and published by Oxford University Press. This book was released on 2020-11-20 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: This pioneering study focuses on the decisive contributions of the three leading artists of the Northern Renaissance--Albrecht Dürer, Lucas Cranach the Elder, and Hans Holbein the Younger-- to the printed Bible and to the transformation of ecclesiastical art in the Protestant Reformation. A time of artistic and theological revolution, the Renaissance and Reformation also witnessed a visual reformation of the Bible. In David H. Price's new interpretation, these artists emerge as major reformers in their own right who created a dynamic and innovative visual culture of biblicism. In the Beginning Was the Image explicitly addresses a key paradox of the Bible's new cultural status: as divergent Bible editions and translations shattered the unity of Christianity, new artistic approaches arose to accommodate theological and textual diversity. Rulers and theologians produced new Bibles as foundations for transformative socio-political movements, and their success, according to Price's compelling research, depended on the inventiveness and creativity of these artists. Written in a style designed to be accessible to a broad range of readers, Price's richly nuanced study explores the art of Dürer, Cranach, and Holbein and the biblical iconographies they developed to connect the new biblicism to faith and political authority.

Author : Finney
Publisher : Wm. B. Eerdmans Publishing
ISBN 13 : 9780802838605
Total Pages : 600 pages
Book Rating : 4.0X/5 ( download)

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Download or read book Seeing Beyond the Word written by Finney and published by Wm. B. Eerdmans Publishing. This book was released on 1999-05-12 with total page 600 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays seeks to redefine the discussion of Calvinism's impact on the visual arts through an exploration of Reformed artistic influences in England, France, Switzerland, Germany, Hungary, the Netherlands, and America. 200+ illustrations, many in color.

Author : Joseph Leo Koerner
Publisher : University of Chicago Press
ISBN 13 : 9780226450063
Total Pages : 508 pages
Book Rating : 4.66/5 ( download)

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Download or read book The Reformation of the Image written by Joseph Leo Koerner and published by University of Chicago Press. This book was released on 2004-05-03 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt: With his 95 Theses, Martin Luther advanced the radical notion that all Christians could enjoy a direct, personal relationship with God—shattering years of Catholic tradition and obviating the need for intermediaries like priests and saints between the individual believer and God. The text of the Bible, the Word of God itself, Luther argued, revealed the only true path to salvation—not priestly ritual and saintly iconography. But if words—not iconic images—showed the way to salvation, why didn't religious imagery during the Reformation disappear along with indulgences? The answer, according to Joseph Leo Koerner, lies in the paradoxical nature of Protestant religious imagery itself, which is at once both iconic and iconoclastic. Koerner masterfully demonstrates this point not only with a multitude of Lutheran images, many never before published, but also with a close reading of a single pivotal work—Lucas Cranach the Elder's altarpiece for the City Church in Wittenberg (Luther's parish). As Koerner shows, Cranach, breaking all the conventions of traditional Catholic iconography, created an entirely new aesthetic for the new Protestant ethos. In the Crucifixion scene of the altarpiece, for instance, Christ is alone and stripped of all his usual attendants—no Virgin Mary, no John the Baptist, no Mary Magdalene—with nothing separating him from Luther (preaching the Word) and his parishioners. And while the Holy Spirit is nowhere to be seen—representation of the divine being impossible—it is nonetheless dramatically present as the force animating Christ's drapery. According to Koerner, it is this "iconoclash" that animates the best Reformation art. Insightful and breathtakingly original, The Reformation of the Image compellingly shows how visual art became indispensable to a religious movement built on words.