Realism, Photography and Nineteenth-Century Fiction

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Publisher : Cambridge University Press
ISBN 13 : 0521885256
Total Pages : 0 pages
Book Rating : 4.56/5 ( download)

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Book Synopsis Realism, Photography and Nineteenth-Century Fiction by : Daniel A. Novak

Download or read book Realism, Photography and Nineteenth-Century Fiction written by Daniel A. Novak and published by Cambridge University Press. This book was released on 2008-05 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illustrated study of the interactions between photographic technique and literary representation in the nineteenth century.

Fiction in the Age of Photography

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Publisher : Harvard University Press
ISBN 13 : 0674008014
Total Pages : 354 pages
Book Rating : 4.14/5 ( download)

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Book Synopsis Fiction in the Age of Photography by : Nancy Armstrong

Download or read book Fiction in the Age of Photography written by Nancy Armstrong and published by Harvard University Press. This book was released on 2002-05-03 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this study of British realism, Armstrong explains how fiction entered into a relationship with the new popular art of Victorian photography that transformed the world into a picture.

Framing the Victorians

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Publisher : Cornell University Press
ISBN 13 : 9780801432767
Total Pages : 284 pages
Book Rating : 4.66/5 ( download)

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Book Synopsis Framing the Victorians by : Jennifer Green-Lewis

Download or read book Framing the Victorians written by Jennifer Green-Lewis and published by Cornell University Press. This book was released on 1996 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: A wide-ranging exploration of the complex and often conflicting discourse on photography in the nineteenth century, Framing the Victorians traces various descriptions of photography as art, science, magic, testimony, proof, document, record, illusion, and diagnosis. Victorian photography, argues Jennifer Green-Lewis, inspired such universal fascination that even two so self-consciously opposed schools as positivist realism and metaphysical romance claimed it as their own. Photography thus became at once the symbol of the inadequacy of nineteenth-century empiricism and the proof of its totalizing vision. Green-Lewis juxtaposes textual descriptions with pictorial representations of a diverse array of cultural activities from war and law enforcement to novel writing and psychiatry. She compares, for example, the exhibition of Roger Fenton's Crimean War photographs (1855) with W. H. Russell's written accounts of the war published in the Times of London (1884 and 1886). Nineteenth-century photography, she maintains, must be reread in the context of Victorian written texts from and against which it developed. Green-Lewis also draws on works by Thomas Hardy, Nathaniel Hawthorne, and Henry James, as well as published writing by Victorian photographers, in support of her view that photography provides an invaluable model for understanding the act of writing itself. We cannot talk about realism in the nineteenth century without talking about visuality, claims Green-Lewis, and Framing the Victorians explores the connections.

Art, Vision, and Nineteenth-Century Realist Drama

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Publisher : Routledge
ISBN 13 : 1136768432
Total Pages : 275 pages
Book Rating : 4.39/5 ( download)

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Book Synopsis Art, Vision, and Nineteenth-Century Realist Drama by : Amy Holzapfel

Download or read book Art, Vision, and Nineteenth-Century Realist Drama written by Amy Holzapfel and published by Routledge. This book was released on 2014-01-03 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Realism in theatre is traditionally defined as a mere seed of modernism, a crude attempt to reproduce an exact copy of reality on stage. Art, Vision & Nineteenth-Century Realist Drama redefines realism as a complex and under-examined form of visual modernism, one that positioned theatre at the crux of the encounter between consciousness and the visible world. Tracing a historical continuum of "acts of seeing" on the realist stage, Holzapfel demonstrates how theatre participated in modernity’s aggressive interrogation of vision’s residence in the human body. New findings by scientists and philosophers—such as Diderot, Goethe, Müller, Helmholtz, and Galton—exposed how the visible world is experienced and framed by the unstable relativism of the physiological body rather than the fixed idealism of the mind. Realist artists across media paradoxically embraced this paradigm shift by focusing on the embodied observer. Drawing from extensive archival research, Holzapfel conducts close readings of iconic dramas and their productions—including Scribe’s The Glass of Water, Zola’s Thérèse Raquin, Ibsen’s A Doll House, Strindberg’s The Father, and Hauptmann’s Before Sunrise—alongside analyses of artwork by major painters and photographers—such as Chardin, Nadar, Millais, Rejlander, and Liebermann. In a radical challenge to existing criticism, Holzapfel argues that realism in theatre was never the attempt to reproduce an exact copy of the seen world but rather the struggle to make visible the act of seeing.

The Cambridge History of Literary Criticism: Volume 6, The Nineteenth Century, c.1830–1914

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Publisher : Cambridge University Press
ISBN 13 : 1316175170
Total Pages : 796 pages
Book Rating : 4.70/5 ( download)

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Book Synopsis The Cambridge History of Literary Criticism: Volume 6, The Nineteenth Century, c.1830–1914 by : M. A. R. Habib

Download or read book The Cambridge History of Literary Criticism: Volume 6, The Nineteenth Century, c.1830–1914 written by M. A. R. Habib and published by Cambridge University Press. This book was released on 2013-02-07 with total page 796 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the nineteenth century, literary criticism first developed into an autonomous, professional discipline in the universities. This volume provides a comprehensive and authoritative study of the vast field of literary criticism between 1830 and 1914. In over thirty essays written from a broad range of perspectives, international scholars examine the growth of literary criticism as an institution, and the major critical developments in diverse national traditions and in different genres, as well as the major movements of Realism, Naturalism, Symbolism and Decadence. The History offers a detailed focus on some of the era's great critical figures, such as Sainte-Beuve, Hippolyte Taine and Matthew Arnold, and includes essays devoted to the connections of literary criticism with other disciplines in science, the arts and Biblical studies. The publication of this volume marks the completion of the monumental Cambridge History of Literary Criticism from antiquity to the present day.

Representing Realists in Victorian Literature and Criticism

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Publisher : Springer
ISBN 13 : 3319406795
Total Pages : 194 pages
Book Rating : 4.94/5 ( download)

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Book Synopsis Representing Realists in Victorian Literature and Criticism by : Daniel Brown

Download or read book Representing Realists in Victorian Literature and Criticism written by Daniel Brown and published by Springer. This book was released on 2016-12-15 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is about the historical moment when writers and critics first used the term “realism” to describe representation in literature and painting. While scholarship on realism tends to proceed from an assumption that the term has a long-established meaning and history, this book reveals that mid-nineteenth-century critics and writers first used the term reluctantly, with much confusion over what it might actually mean. It did not acquire the ready meaning we now take for granted until the end of the nineteenth century. In fact, its first definitions came primarily by way of example and analogy, through descriptions of current practitioners, or through fictionalized representations of artists. By investigating original debates over the term “realism,” this book shows how writers simultaneously engaged with broader concerns about the changing meanings of what was real and who had the authority to decide this.

Media, Technology, and Literature in the Nineteenth Century

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Publisher : Routledge
ISBN 13 : 131709865X
Total Pages : 316 pages
Book Rating : 4.52/5 ( download)

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Book Synopsis Media, Technology, and Literature in the Nineteenth Century by : Margaret Linley

Download or read book Media, Technology, and Literature in the Nineteenth Century written by Margaret Linley and published by Routledge. This book was released on 2016-04-29 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Operating at the intersection where new technology meets literature, this collection discovers the relationship among image, sound, and touch in the long nineteenth century. The chapters speak to the special mixed-media properties of literature, while exploring the important interconnections of science, technology, and art at the historical moment when media was being theorized, debated, and scrutinized. Each chapter focuses on a specific visual, acoustic, or haptic dimension of media, while also calling attention to the relationships among the three. Famous works such as Wordsworth's "I wandered lonely as a cloud" and Shelley's Frankenstein are discussed alongside a range of lesser-known literary, scientific, and pornographic writings. Topics include the development of a print culture for the visually impaired; the relationship between photography and narrative; the kaleidoscope and modern urban experience; Christmas gift books; poetry, painting and music as remediated forms; the interface among the piano, telegraph, and typewriter; Ernst Heinrich Weber's model of rationalized tactility; and how the shift from visual to auditory telegraphic instruments amplified anxieties about the place of women in nineteenth-century information networks. Full of surprising insights and connections, the collection offers new impetus for stimulating historical conversations and debates about nineteenth-century media, while also contributing fresh perspectives on new media and (re)mediation today.

Biopolitics and Animal Species in Nineteenth Century Literature and Science

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Publisher : Cambridge University Press
ISBN 13 : 1009409956
Total Pages : 265 pages
Book Rating : 4.57/5 ( download)

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Book Synopsis Biopolitics and Animal Species in Nineteenth Century Literature and Science by : Matthew Rowlinson

Download or read book Biopolitics and Animal Species in Nineteenth Century Literature and Science written by Matthew Rowlinson and published by Cambridge University Press. This book was released on 2024-02 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Centring on Darwin and on literature throughout the nineteenth century, this book documents a general crisis in the species concept.

Fashionable Fictions and the Currency of the Nineteenth-Century British Novel

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Publisher : Cambridge University Press
ISBN 13 : 1009296566
Total Pages : 327 pages
Book Rating : 4.64/5 ( download)

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Book Synopsis Fashionable Fictions and the Currency of the Nineteenth-Century British Novel by : Lauren Gillingham

Download or read book Fashionable Fictions and the Currency of the Nineteenth-Century British Novel written by Lauren Gillingham and published by Cambridge University Press. This book was released on 2023-05-31 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lauren Gillingham reveals how a modern notion of fashion helped to transform the novel in nineteenth-century Britain.

Discourses of Vision in Nineteenth-Century Britain

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Publisher : Springer
ISBN 13 : 3319897373
Total Pages : 269 pages
Book Rating : 4.70/5 ( download)

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Book Synopsis Discourses of Vision in Nineteenth-Century Britain by : Jonathan Potter

Download or read book Discourses of Vision in Nineteenth-Century Britain written by Jonathan Potter and published by Springer. This book was released on 2018-09-22 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers an innovative reassessment of the way Victorians thought and wrote about visual experience. It argues that new visual technologies gave expression to new ways of seeing, using these to uncover the visual discourses that facilitated, informed and shaped the way people conceptualised and articulated visual experience. In doing so, the book reconsiders literary and non-fiction works by well-known authors including George Eliot, Charles Dickens, G.H. Lewes, Max Nordau, Herbert Spencer, and Joseph Conrad, as well as shedding light on less-known works drawn from the periodical press. By revealing the discourses that formed around visual technologies, the book challenges and builds upon existing scholarship to provide a powerful new model by which to understand how the Victorians experienced, conceptualised, and wrote about vision.