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Author : Daniel Bernardi
Publisher : Greenwood
ISBN 13 :
Total Pages : 1026 pages
Book Rating : 4.32/5 ( download)
Download or read book Race in American Film: A-F written by Daniel Bernardi and published by Greenwood. This book was released on 2017 with total page 1026 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Camille R. Michaels
Publisher : Greenhaven Publishing LLC
ISBN 13 : 1534560815
Total Pages : 106 pages
Book Rating : 4.19/5 ( download)
Download or read book African Americans in Film written by Camille R. Michaels and published by Greenhaven Publishing LLC. This book was released on 2017-07-15 with total page 106 pages. Available in PDF, EPUB and Kindle. Book excerpt: The whitewashing of roles in films and the lack of representation at awards shows such as the Oscars are only two of the career obstacles African American actors and filmmakers have historically faced. Although blackface is now taboo, racism is still prevalent in Hollywood. Readers explore the causes of the systemic oppression that has made it difficult for African Americans to break into the movie business. Through full-color photographs and primary sources, readers will learn how to become more thoughtful viewers of movies and television.
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Author : Daniel Bernardi
Publisher : Bloomsbury Publishing USA
ISBN 13 : 0313398402
Total Pages : 1127 pages
Book Rating : 4.07/5 ( download)
Download or read book Race in American Film [3 volumes] written by Daniel Bernardi and published by Bloomsbury Publishing USA. This book was released on 2017-07-07 with total page 1127 pages. Available in PDF, EPUB and Kindle. Book excerpt: This expansive three-volume set investigates racial representation in film, providing an authoritative cross-section of the most racially significant films, actors, directors, and movements in American cinematic history. Hollywood has always reflected current American cultural norms and ideas. As such, film provides a window into attitudes about race and ethnicity over the last century. This comprehensive set provides information on hundreds of films chosen based on scholarly consensus of their importance regarding the subject, examining aspects of race and ethnicity in American film through the historical context, themes, and people involved. This three-volume set highlights the most important films and artists of the era, identifying films, actors, or characterizations that were considered racist, were tremendously popular or hugely influential, attempted to be progressive, or some combination thereof. Readers will not only learn basic information about each subject but also be able to contextualize it culturally, historically, and in terms of its reception to understand what average moviegoers thought about the subject at the time of its popularity—and grasp how the subject is perceived now through the lens of history.
Author : Daniel Bernardi
Publisher : Greenwood
ISBN 13 : 9781440845857
Total Pages : 1026 pages
Book Rating : 4.59/5 ( download)
Download or read book Race in American Film written by Daniel Bernardi and published by Greenwood. This book was released on 2017 with total page 1026 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This expansive three-volume set investigates racial representation in film, providing an authoritative cross-section of the most racially significant films, actors, directors, and movements in American cinematic history. Hollywood has always reflected current American cultural norms and ideas. As such, film provides a window into attitudes about race and ethnicity over the last century. This comprehensive set provides information on hundreds of films chosen based on scholarly consensus of their importance regarding the subject, examining aspects of race and ethnicity in American film through the historical context, themes, and people involved. This three-volume set highlights the most important films and artists of the era, identifying films, actors, or characterizations that were considered racist, were tremendously popular or hugely influential, attempted to be progressive, or some combination thereof. Readers will not only learn basic information about each subject but also be able to contextualize it culturally, historically, and in terms of its reception to understand what average moviegoers thought about the subject at the time of its popularity--and grasp how the subject is perceived now through the lens of history."--Publisher's description.
![Download Race in American Film [3 Volumes] PDF Online Free](https://books.google.com/books/content/images/frontcover/8NrCEAAAQBAJ?fife=w200-h370)
Author : Daniel Bernardi
Publisher : Greenwood
ISBN 13 : 0313398399
Total Pages : 0 pages
Book Rating : 4.91/5 ( download)
Download or read book Race in American Film [3 Volumes] written by Daniel Bernardi and published by Greenwood. This book was released on 2017-07-07 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This expansive three-volume set investigates racial representation in film, providing an authoritative cross-section of the most racially significant films, actors, directors, and movements in American cinematic history. Hollywood has always reflected current American cultural norms and ideas. As such, film provides a window into attitudes about race and ethnicity over the last century. This comprehensive set provides information on hundreds of films chosen based on scholarly consensus of their importance regarding the subject, examining aspects of race and ethnicity in American film through the historical context, themes, and people involved. This three-volume set highlights the most important films and artists of the era, identifying films, actors, or characterizations that were considered racist, were tremendously popular or hugely influential, attempted to be progressive, or some combination thereof. Readers will not only learn basic information about each subject but also be able to contextualize it culturally, historically, and in terms of its reception to understand what average moviegoers thought about the subject at the time of its popularity--and grasp how the subject is perceived now through the lens of history. Views the films via a historical approach in which every subject is considered both through a contemporary lens and in terms of the time of its production and initial reception Provides up-to-date information on recent movies such as Selma (2014), The Fast and The Furious (2001-2015), 12 Years a Slave (2013), Django Unchained (2012), and Lone Survivor (2013) Provides readers with the information and background necessary to form informed views about racial representation in film--still an important "hot-button" subject today Edited by top scholars in the field, Daniel Bernardi and Michael Green, and contains entries by other important experts, such as Andrew Gordon and Priscilla Ovalle
Author : Daniel Bernardi
Publisher : Rutgers University Press
ISBN 13 : 9780813522760
Total Pages : 396 pages
Book Rating : 4.65/5 ( download)
Download or read book The Birth of Whiteness written by Daniel Bernardi and published by Rutgers University Press. This book was released on 1996 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: As indelible components of the history of the United States, race and racism have permeated nearly all aspects of life: cultural, economic, political, and social. In this first anthology on race in early cinema, fourteen scholars examine the origins, dynamics, and ramifications of racism and Eurocentrism and the resistance to both during the early years of American motion pictures. Any discussion of racial themes and practices in any arena inevitably begins with the definition of race. Is race an innate and biologically determined "essence" or is it a culturally constructed category? Is the question irrelevant? Perhaps race exists as an ever-changing historical and social formation that, regardless of any standard definition, involves exploitation, degradation, and struggle. In his introduction, Daniel Bernardi writes that "early cinema has been a clear partner in the hegemonic struggle over the meaning of race" and that it was steadfastly aligned with a Eurocentric world view at the expense of those who didn't count as white. The contributors to this work tackle these problems and address such subjects as biological determinism, miscegenation, Manifest Destiny, assimilation, and nativism and their impact on early cinema. Analyses of The Birth of a Nation, Romona, Nanook of the North and Madame Butterfly and the directorial styles of D. W. Griffith, Oscar Micheaux, and Edwin Porter are included in the volume.
Author : Daniel Bernardi
Publisher : Greenwood
ISBN 13 :
Total Pages : 1026 pages
Book Rating : 4.32/5 ( download)
Download or read book Race in American Film: G-O written by Daniel Bernardi and published by Greenwood. This book was released on 2017 with total page 1026 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Daniel Bernardi
Publisher : Greenwood
ISBN 13 :
Total Pages : 1026 pages
Book Rating : 4.32/5 ( download)
Download or read book Race in American Film: P-Z written by Daniel Bernardi and published by Greenwood. This book was released on 2017 with total page 1026 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Hernan Vera
Publisher : Rowman & Littlefield
ISBN 13 : 9780847699476
Total Pages : 220 pages
Book Rating : 4.71/5 ( download)
Download or read book Screen Saviors written by Hernan Vera and published by Rowman & Littlefield. This book was released on 2003 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Screen Saviors studies how the self of whites is imagined in Hollywood movies--by white directors featuring white protagonists interacting with people of another color. This collaboration by a sociologist and a film critic, using the new perspective of critical "white studies," offers a bold and sweeping critique of almost a century's worth of American film, from Birth of Nation (1915) through Black Hawk Down (2001). Screen Saviors studies the way in which the social relations that we call "race" are fictionalized and pictured in the movies. It argues that films are part of broader projects that lead us to ignore or deny the nature of the racial divide in which Americans live. Even as the images of racial and ethnic minorities change across the twentieth century, Hollywood keeps portraying the ideal white American self as good-looking, powerful, brave, cordial, kind, firm, and generous: a natural-born leader worthy of the loyalty of those of another color. The book invites readers to conduct their own analyses of films by showing how this can be done in over 50 Hollywood movies. Among these are some films about the Civil War--Birth of a Nation, Gone with the Wind, and Glory; some about white messiahs who rescue people of another color--Stargate, To Kill a Mockingbird, Mississippi Burning, Three Kings, and The Matrix; the three versions of Mutiny on the Bounty (1935, 1962, and 1984) and interracial romance--Guess Who's Coming to Dinner. Forty years of Hollywood fantasies of interracial harmony, from The Defiant Ones and In the Heat of the Night through the Lethal Weapon series and Men in Black are examined. This work in the sociology of knowledge and cultural studies relates the movies of Hollywood to the large political agendas on race relation in the United States. Screen Saviors appeals to the general reader interested in the movies or in race and ethnicity as well as to students of com
Author : Barbara Lupack
Publisher : Routledge
ISBN 13 : 1317434242
Total Pages : 297 pages
Book Rating : 4.45/5 ( download)
Download or read book Early Race Filmmaking in America written by Barbara Lupack and published by Routledge. This book was released on 2016-05-26 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: The early years of the twentieth century were a formative time in the long history of struggle for black representation. More than any other medium, movies reflected the tremendous changes occurring in American society. Unfortunately, since they drew heavily on the nineteenth-century theatrical conventions of blackface minstrelsy and the "Uncle Tom Show" traditions, early pictures persisted in casting blacks in demeaning and outrageous caricatures that marginalized and burlesqued them and emphasized their comic or servile behavior. By contrast, race films—that is, movies that were black-cast, black-oriented, and viewed primarily by black audiences in segregated theaters—attempted to counter the crude stereotyping and regressive representations by presenting more authentic racial portrayals. This volume examines race filmmaking from numerous perspectives. By reanimating a critical but neglected period of early cinema—the years between the turn-of-the-century and 1930, the end of the silent film era—it provides a fascinating look at the efforts of early race film pioneers and offers a vibrant portrait of race and racial representation in American film and culture.
