Questions Of Third Cinema

Author : Jim Pines
Publisher : British Film Institute
ISBN 13 :
Total Pages : 266 pages
Book Rating : 4.38/5 ( download)

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Download or read book Questions of Third Cinema written by Jim Pines and published by British Film Institute. This book was released on 1989 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is there an international film language? Are national, ethnic and cultural differences in how films are made and understood merely differences of dialect? Such questions have been increasingly debated in recent years with the emergence of the idea of a Third Cinema, which means not simply the films made by the so-called Third World countries, but any cinema which offers a radical challenge to entrenched Western notions of what the cinema is. In a wide-ranging series of essays, this book extends the debate about Third Cinema—in Britain and the United States as well as in Africa and Asia—and offers a provocative analysis of the political problems and aesthetic possibilities of a different kind of film-making.

Author : Wimal Dissanayake
Publisher : Routledge
ISBN 13 : 1134613237
Total Pages : 260 pages
Book Rating : 4.36/5 ( download)

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Download or read book Rethinking Third Cinema written by Wimal Dissanayake and published by Routledge. This book was released on 2004-06-02 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: This important anthology addresses established notions about Third Cinema theory, and the cinema practice of developing and postcolonial nations. The 'Third Cinema' movement called for a politicised film-making practice in Africa, Asia and Latin America, one which would take on board issues of race, class, religion, and national integrity. The films which resulted from the movement, from directors such as Ousmane Sembene, Satyajit Ray and Nelson Pereira dos Santos, are among the most culturally signficant, politically sophisticated and frequently studied films of the 1960s and 1970s. However, despite the contemporary popularity and critical attention enjoyed by films from Asia and Latin America in particular, Third Cinema and Third Cinema theory appears to have lost its momentum. Rethinking Third Cinema seeks to bring Third Cinema and Third Cinema theory back into the critical spotlight. The contributors address the most difficult and challenging questions Third Cinema poses, suggesting new methodologies and redirections of existing ones. Crucially, they also re-examine the entire phenomenon of film-making in a fast-vanishing 'Third World', with case studies of the cinemas of India, Iran and Hong Kong, among others.

Author : Glen M. Mimura
Publisher : U of Minnesota Press
ISBN 13 : 0816648301
Total Pages : 219 pages
Book Rating : 4.06/5 ( download)

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Download or read book Ghostlife of Third Cinema written by Glen M. Mimura and published by U of Minnesota Press. This book was released on 2009 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: Asian American filmmakers and video artists have created a substantial, diverse, and challenging body of work that reimagines the cultural and political representation of Asian Americans. Yet much of this work remains unknown. Ghostlife of Third Cinema examines such potent issues as diasporic identity, historical memory, and queer sexuality through sophisticated readings of a wide range of film and video projects, includingTrinh T. Minh-ha's experimental documentary Surname Viet Given Name Nam;avant-garde works by Japanese American filmmakers Rea Tajiri, Lise Yasui, andJanice Tanaka; and queer videos exploring the intersection of race, nation, andsexuality by Pablo Bautista, Ming-Yuen Ma, and Nguyen Tan Hoang.

Author : Mike Wayne
Publisher : Pluto Press
ISBN 13 : 9780745316697
Total Pages : 178 pages
Book Rating : 4.97/5 ( download)

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Download or read book Political Film written by Mike Wayne and published by Pluto Press. This book was released on 2001-06-20 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wayne (Brunel U.) analyzes The Battle of Algiers as an example of films that fall within the body of theory and filmmaking practice committed to social and cultural emancipation that emerged a decade after and was influenced by the 1959 Cuban Revolution. Then he traces the changing dialectics of the First, Second, and Third Cinema movements. Distributed in the US by Stylus. Annotation copyrighted by Book News, Inc., Portland, OR

Author : Stephen Heath
Publisher :
ISBN 13 : 9780253159137
Total Pages : 272 pages
Book Rating : 4.3X/5 ( download)

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Download or read book Questions of Cinema written by Stephen Heath and published by . This book was released on 1981 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: "It is essential reading for anyone concerned with the theoretical discussion of cinema, and ideology in general." -- Semiotica ..". Heath is an antidote to the Cinema 101 worldview." -- Voice Literary Supplement Heath's study of film draws on Lacanian psychoanalysis, semiotics, and Marxism, presenting film as a signifying practice and the cinema as a social institution of meanings.

Author : Frieda Ekotto
Publisher : LIT Verlag Münster
ISBN 13 : 3825818047
Total Pages : 232 pages
Book Rating : 4.43/5 ( download)

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Download or read book Rethinking Third Cinema written by Frieda Ekotto and published by LIT Verlag Münster. This book was released on 2009 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1968, Argentinean Filmmakers Fernando Solanas and Octavio Getino first articulated the theory of a "Third Cinema" - a revolutionary genre of cinema that would counter oppression on a global scale. Intended to be a "guerilla cinema" geared at contesting the overwhelming dominance of Western cinema, Solana and Getino distinguished "Third Cinema" from other forms of cinema, classifying these other types as First Cinema (commercial cinema epitomized by Hollywood) and Second Cinema. "Third Cinema" was supposed to be a liberationary tool - particularly for the bulk of the world that was subject to European imperialism, such as Latin America, Africa and Asia. Spanning a wide geographical spread of cinemas ranging from Latin America, North and Sub-Saharan Africa, the Caribbean and Asia, this book addresses the following questions: how can we rethink the concept of "Third Cinema" for today? How do new national cinemas - and their accompanying media industries - reflect the concerns of societies that are struggling with the implications of accelerated modernization - and how are these concerns configured in new genres of aesthetics? Is there still a "Third Cinema" component in contemporary cinemas, and if so, how can it be understood?

Author : Scott MacKenzie
Publisher : University of California Press
ISBN 13 : 0520377478
Total Pages : 674 pages
Book Rating : 4.79/5 ( download)

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Download or read book Film Manifestos and Global Cinema Cultures written by Scott MacKenzie and published by University of California Press. This book was released on 2021-01-21 with total page 674 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.

Author : Michael T. Martin
Publisher : Wayne State University Press
ISBN 13 : 9780814325865
Total Pages : 546 pages
Book Rating : 4.66/5 ( download)

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Download or read book New Latin American Cinema written by Michael T. Martin and published by Wayne State University Press. This book was released on 1997 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mapping the historical and cultural contexts of film practices in Latin America, this two-volume collection of programmatic statements, esays and interviews is devoted to the study of a theorized, dynamic and unfinished cinematic movement. Forged by Latin America's post-colonial environment of underdevelopment and dependency, the New Latin American Cinema movement has sought to inscribe itself in Latin America's struggles for cultural and economic autonomy. This volume comprises essays on the development of the New Latin American Cinema as a comparative national project. Essays are grouped by nation into two regions - Middle and Central America and Caribbean and South America - for comparitive study, particularly between capitalist and post-revolutionary socialist formations. The selected essays examine the relationship between cinema and nationhood and the ambiguous categories of culture, identity and nation within the socio-historical specificities of the movement's development, especially in Cuba, Brazil, Mexico, Chile and Argentina. This collection will serve as an essential reference and research tool for the study of world cinema. The collection, while celebrating the diversity and innovation of the New Latin American Cinema, explicates the historical importance of filmmaking as a cultural form and political practice in Latin America.

Author : K. Moti Gokulsing
Publisher : Stylus Publishing, LLC.
ISBN 13 : 9781858563299
Total Pages : 180 pages
Book Rating : 4.91/5 ( download)

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Download or read book Indian Popular Cinema written by K. Moti Gokulsing and published by Stylus Publishing, LLC.. This book was released on 2004 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book reviews nine decades of Indian popular cinema and examines its immense influence on people in India and its diaspora. Since it was published in 1998, Indian film has developed in new directions. As films today vie with Indian soap operas for popularity, film making in India has acquired 'industry status' and consequently has greater accountability to its public. All this is reflected in this new and extensively revised edition of "Indian Popular Cinema". It tracks the rise of "designer cinema," reviews the increasingly significant Tamil cinema, and considers films made by Indians in the diaspora.

Author : Bill Nichols
Publisher : Univ of California Press
ISBN 13 : 9780520054097
Total Pages : 770 pages
Book Rating : 4.91/5 ( download)

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Download or read book Movies and Methods written by Bill Nichols and published by Univ of California Press. This book was released on 1976 with total page 770 pages. Available in PDF, EPUB and Kindle. Book excerpt: VOLUME 2: "Movies and Methods," Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights. In his thoughtful introduction, Nichols provides a context for the paradoxes that confront film studies today. He shows how shared methods and approaches continue to stimulate much of the best writing about film, points to common problems most critics and theorists have tried to resolve, and describes the internal contraditions that have restricted the usefulness of post-structuralism. Mini-introductions place each essay in a larger context and suggest its linkages with other essays in the volume. A great variety of approaches and methods characterize film writing today, and the final part conveys their diversity--from statistical style analysis to phenomenology and from gay criticisms to neoformalism. This concluding part also shows how the rigorous use of a broad range of approaches has helped remove post-structuralist criticism from its position of dominance through most of the seventies and early eighties. -- Publisher description.