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Author : Stacy Thompson
Publisher : State University of New York Press
ISBN 13 : 0791484602
Total Pages : 229 pages
Book Rating : 4.09/5 ( download)
Download or read book Punk Productions written by Stacy Thompson and published by State University of New York Press. This book was released on 2012-02-01 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history and social psychology of punk music.
Author : Rombes Nicholas Rombes
Publisher : Edinburgh University Press
ISBN 13 : 1474472168
Total Pages : 224 pages
Book Rating : 4.66/5 ( download)
Download or read book New Punk Cinema written by Rombes Nicholas Rombes and published by Edinburgh University Press. This book was released on 2019-08-07 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: New Punk Cinema is the first book to examine a new breed of film that is indebted to the punk spirit of experimentation, do-it-yourself ethos, and an uneasy, often defiant relationship with the mainstream. An array of established and emerging scholars trace and map the contours of new punk cinema, from its roots in neorealism and the French New Wave, to its flowering in the work of Lars von Trier and the Dogma 95 movement. Subsequent chapters explore the potentially democratic and even anarchic forces of digital filmmaking, the influences of hypertext and other new media, the increased role of the viewer in arranging and manipulating the chronology of a film, and the role of new punk cinema in plotting a course beyond the postmodern. The book examines a range of films, including The Blair Witch Project, Time Code, Run Lola Run, Memento, The Celebration, Gummo, and Requiem for a Dream.New Punk Cinema is ideal for classroom use at the undergraduate and graduate levels, as well as for film scholars interested in fresh approaches to the emergence of this vital new turn in cinema.Features* Offers a comprehensive examination of the term 'new punk' cinema.* Provides several new approaches for the study of digital cinema.* Includes close analysis of several key new punk films and directors.
Author : Geoff King
Publisher : John Wiley & Sons
ISBN 13 : 1118758323
Total Pages : 542 pages
Book Rating : 4.28/5 ( download)
Download or read book A Companion to American Indie Film written by Geoff King and published by John Wiley & Sons. This book was released on 2016-12-19 with total page 542 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to American Indie Film features a comprehensive collection of newly commissioned essays that represent a state-of-the-art resource for understanding key aspects of the field of indie films produced in the United States. Takes a comprehensive and fresh new look at the topic of American indie film Features newly commissioned essays from top film experts and emerging scholars that represent the state-of-the-art reference to the indie film field Topics covered include: indie film culture; key historical moments and movements in indie film history; relationships between indie film and other indie media; and issues including class, gender, regional identity and stardom in in the indie field Includes studies of many types of indie films and film genres, along with various filmmakers and performers that have come to define the field
Author : Pete Dale
Publisher : Routledge
ISBN 13 : 1317180259
Total Pages : 256 pages
Book Rating : 4.58/5 ( download)
Download or read book Anyone Can Do It: Empowerment, Tradition and the Punk Underground written by Pete Dale and published by Routledge. This book was released on 2016-04-15 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: For more than three decades, a punk underground has repeatedly insisted that 'anyone can do it'. This underground punk movement has evolved via several micro-traditions, each offering distinct and novel presentations of what punk is, isn't, or should be. Underlying all these punk micro-traditions is a politics of empowerment that claims to be anarchistic in character, in the sense that it is contingent upon a spontaneous will to liberty (anyone can do it - in theory). How valid, though, is punk's faith in anarchistic empowerment? Exploring theories from Derrida and Marx, Anyone Can Do It: Empowerment, Tradition and the Punk Underground examines the cultural history and politics of punk. In its political resistance, punk bears an ideological relationship to the folk movement, but punk's faith in novelty and spontaneous liberty distinguish it from folk: where punk's traditions, from the 1970s onwards, have tended to search for an anarchistic 'new-sense', folk singers have more often been socialist/Marxist traditionalists, especially during the 1950s and 60s. Detailed case studies show the continuities and differences between four micro-traditions of punk: anarcho-punk, cutie/'C86', riot grrrl and math rock, thus surveying UK and US punk-related scenes of the 1980s, 1990s and beyond.
Author : Michael Grecco
Publisher : Abrams
ISBN 13 : 1647000661
Total Pages : 240 pages
Book Rating : 4.60/5 ( download)
Download or read book Punk, Post Punk, New Wave written by Michael Grecco and published by Abrams. This book was released on 2020-11-10 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Iconic and never-before-seen images of punk and post-punk’s quintessential bands In the late 70s, punk rock music began to evolve into the post-punk and new wave movements that dominated until the early 90s. During this time, prolific photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York, and getting shots on- and backstage with bands such as The Cramps, Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others. Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. Punk, Post Punk, New Wave: Onstage, Backstage, In Your Face, 1978–1991 features stunning, never-before-seen photography from this iconic period in music. In addition to concert photography, he also shot album covers and promotional pieces that round out this impressively extensive photo collection. Featuring a foreword from Fred Schneider of the B-52’s, Punk, Post Punk, New Wave is a quintessential piece of music history for anyone looking for backstage access into the careers of punk and post punk’s most beloved bands.
Author : Brian Cogan
Publisher : Greenwood
ISBN 13 :
Total Pages : 320 pages
Book Rating : 4.20/5 ( download)
Download or read book Encyclopedia of Punk Music and Culture written by Brian Cogan and published by Greenwood. This book was released on 2006-05-30 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Table of contents
Author :
Publisher :
ISBN 13 :
Total Pages : 640 pages
Book Rating : 4.33/5 ( download)
Download or read book Film International written by and published by . This book was released on 2006 with total page 640 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : David Laderman
Publisher : University of Texas Press
ISBN 13 : 0292721706
Total Pages : 201 pages
Book Rating : 4.08/5 ( download)
Download or read book Punk Slash! Musicals written by David Laderman and published by University of Texas Press. This book was released on 2010-04-01 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: Punk Slash! Musicals is the first book to deal extensively with punk narrative films, specifically British and American punk rock musicals produced from roughly 1978 to 1986. Films such as Jubilee, Breaking Glass, Times Square, Smithereens, Starstruck, and Sid and Nancy represent a convergence between independent, subversive cinema and formulaic classical Hollywood and pop musical genres. Guiding this project is the concept of "slip-sync." Riffing on the commonplace lip-sync phenomenon, "slip-sync" refers to moments in the films when the punk performer "slips" out of sync with the performance spectacle, and sometimes the sound track itself, engendering a provocative moment of tension. This tension frequently serves to illustrate other thematic and narrative conflicts, central among these being the punk negotiation between authenticity and inauthenticity. Laderman emphasizes the strong female lead performer at the center of most of these films, as well as each film's engagement with gender and race issues. Additionally, he situates his analyses in relation to the broader cultural and political context of the neo-conservatism and new electronic audio-visual technologies of the 1980s, showing how punk's revolution against the mainstream actually depends upon a certain ironic embrace of pop culture.
Author :
Publisher :
ISBN 13 :
Total Pages : 548 pages
Book Rating : 4.06/5 ( download)
Download or read book Proceedings of the ... Annual Convention of the Texas Press Association ... written by and published by . This book was released on 1917 with total page 548 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Sue Clayton
Publisher : Watkins Media Limited
ISBN 13 : 191092427X
Total Pages : 300 pages
Book Rating : 4.73/5 ( download)
Download or read book Post-Punk Then and Now written by Sue Clayton and published by Watkins Media Limited. This book was released on 2016-09-13 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: What were the conditions of possibility for art and music-making before the era of neoliberal capitalism? What role did punk play in turning artists to experiment with popular music in the late 1970s and early 1980s? And why does the art and music of these times seem so newly pertinent to our political present, despite the seeming remoteness of its historical moment? Focusing upon the production of post-punk art, film, music, and publishing, this book offers new perspectives on an overlooked period of cultural activity, and probes the lessons that might be learnt from history for artists and musicians working under 21st century conditions of austerity. Contemporary reflections by those who shaped avant-garde and contestatory culture in the UK, US, Brazil and Poland in the 1970s and 1980s. Alongside these are contributions by contemporary artists, curators and scholars that provide critical perspectives on post-punk then, and its generative relation to the aesthetics and politics of cultural production today.
