Prose Fiction: An Introduction to the Semiotics of Narrative

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Publisher : Open Book Publishers
ISBN 13 : 1783748125
Total Pages : 122 pages
Book Rating : 4.29/5 ( download)

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Book Synopsis Prose Fiction: An Introduction to the Semiotics of Narrative by : Ignasi Ribó

Download or read book Prose Fiction: An Introduction to the Semiotics of Narrative written by Ignasi Ribó and published by Open Book Publishers. This book was released on 2019-12-13 with total page 122 pages. Available in PDF, EPUB and Kindle. Book excerpt: This concise and highly accessible textbook outlines the principles and techniques of storytelling. It is intended as a high-school and college-level introduction to the central concepts of narrative theory – concepts that will aid students in developing their competence not only in analysing and interpreting short stories and novels, but also in writing them. This textbook prioritises clarity over intricacy of theory, equipping its readers with the necessary tools to embark on further study of literature, literary theory and creative writing. Building on a ‘semiotic model of narrative,’ it is structured around the key elements of narratological theory, with chapters on plot, setting, characterisation, and narration, as well as on language and theme – elements which are underrepresented in existing textbooks on narrative theory. The chapter on language constitutes essential reading for those students unfamiliar with rhetoric, while the chapter on theme draws together significant perspectives from contemporary critical theory (including feminism and postcolonialism). This textbook is engaging and easily navigable, with key concepts highlighted and clearly explained, both in the text and in a full glossary located at the end of the book. Throughout the textbook the reader is aided by diagrams, images, quotes from prominent theorists, and instructive examples from classical and popular short stories and novels (such as Jane Austen’s Pride and Prejudice, Franz Kafka’s ‘The Metamorphosis,’ J. K. Rowling’s Harry Potter, or Dostoyevsky’s The Brothers Karamazov, amongst many others). Prose Fiction: An Introduction to the Semiotics of Narrative can either be incorporated as the main textbook into a wider syllabus on narrative theory and creative writing, or it can be used as a supplementary reference book for readers interested in narrative fiction. The textbook is a must-read for beginning students of narratology, especially those with no or limited prior experience in this area. It is of especial relevance to English and Humanities major students in Asia, for whom it was conceived and written.

Romantic Prose Fiction

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Publisher : John Benjamins Publishing
ISBN 13 : 9789027234568
Total Pages : 772 pages
Book Rating : 4.66/5 ( download)

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Book Synopsis Romantic Prose Fiction by : Gerald Ernest Paul Gillespie

Download or read book Romantic Prose Fiction written by Gerald Ernest Paul Gillespie and published by John Benjamins Publishing. This book was released on 2008 with total page 772 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume a team of three dozen international experts presents a fresh picture of literary prose fiction in the Romantic age seen from cross-cultural and interdisciplinary perspectives. The work treats the appearance of major themes in characteristically Romantic versions, the power of Romantic discourse to reshape imaginative writing, and a series of crucial reactions to the impact of Romanticism on cultural life down to the present, both in Europe and in the New World. Through its combination of chapters on thematic, generic, and discursive features, Romantic Prose Fiction achieves a unique theoretical stance, by considering the opinions of primary Romantics and their successors not as guiding “truths” by which to define the permanent “meaning” of Romanticism, but as data of cultural history that shed important light on an evolving civilization.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series' total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of “irony” as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism's own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the “Old” and “New” Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.

Romantic Prose Fiction

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Publisher : John Benjamins Publishing
ISBN 13 : 9027291640
Total Pages : 760 pages
Book Rating : 4.46/5 ( download)

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Book Synopsis Romantic Prose Fiction by : Gerald Gillespie

Download or read book Romantic Prose Fiction written by Gerald Gillespie and published by John Benjamins Publishing. This book was released on 2008-02-14 with total page 760 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume a team of three dozen international experts presents a fresh picture of literary prose fiction in the Romantic age seen from cross-cultural and interdisciplinary perspectives. The work treats the appearance of major themes in characteristically Romantic versions, the power of Romantic discourse to reshape imaginative writing, and a series of crucial reactions to the impact of Romanticism on cultural life down to the present, both in Europe and in the New World. Through its combination of chapters on thematic, generic, and discursive features, Romantic Prose Fiction achieves a unique theoretical stance, by considering the opinions of primary Romantics and their successors not as guiding “truths” by which to define the permanent “meaning” of Romanticism, but as data of cultural history that shed important light on an evolving civilization.SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series’ total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of “irony” as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism’s own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the “Old” and “New” Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.

The Spread of Novels

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Publisher : Princeton University Press
ISBN 13 : 1400831377
Total Pages : 267 pages
Book Rating : 4.71/5 ( download)

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Book Synopsis The Spread of Novels by : Mary Helen McMurran

Download or read book The Spread of Novels written by Mary Helen McMurran and published by Princeton University Press. This book was released on 2009-08-24 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fiction has always been in a state of transformation and circulation: how does this history of mobility inform the emergence of the novel? The Spread of Novels explores the active movements of English and French fiction in the eighteenth century and argues that the new literary form of the novel was the result of a shift in translation. Demonstrating that translation was both the cause and means by which the novel attained success, Mary Helen McMurran shows how this period was a watershed in translation history, signaling the end of a premodern system of translation and the advent of modern literary exchange. McMurran illuminates aspects of prose fiction translation history, including the radical revision of fiction's origins from that of cross-cultural transfer to one rooted by nation; the contradictory pressures of the book trade, which relied on translators to energize the market, despite the increasing devaluation of their labor; and the dynamic role played by prose fiction translation in Anglo-French relations across the Channel and in the New World. McMurran examines French and British novels, as well as fiction that circulated in colonial North America, and she considers primary source materials by writers as varied as Frances Brooke, Daniel Defoe, Samuel Richardson, and Françoise Graffigny. The Spread of Novels reassesses the novel's embodiment of modernity and individualism, discloses the novel's surprisingly unmodern characteristics, and recasts the genre's rise as part of a burgeoning vernacular cosmopolitanism.

A Pocketful of Prose

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Publisher : Cengage Learning
ISBN 13 : 9781413015591
Total Pages : 0 pages
Book Rating : 4.9X/5 ( download)

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Book Synopsis A Pocketful of Prose by : David Madden

Download or read book A Pocketful of Prose written by David Madden and published by Cengage Learning. This book was released on 2006 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Save money with CENGAGE ADVANTAGE BOOKS: POCKETFUL OF PROSE: VINTAGE SHORT FICTION, VOLUME I! An inexpensive alternative to the more expensive anthologies, this slim volume contains only the essentials of the most familiar and most taught favorites. The Quick and Easy Guide for Critical Reading, located conveniently for easy access, contains questions that center your study of the works in the book and also serve as a useful guide for reading any work, in or outside of class.

Romance for Sale in Early Modern England

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Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 9780754654698
Total Pages : 284 pages
Book Rating : 4.99/5 ( download)

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Book Synopsis Romance for Sale in Early Modern England by : Steve Mentz

Download or read book Romance for Sale in Early Modern England written by Steve Mentz and published by Ashgate Publishing, Ltd.. This book was released on 2006 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Steve Mentz provides a comprehensive historicist and formalist account of prose romance, the most important genre of Elizabethan fiction. He explores how authors and publishers of prose fiction in late sixteenth-century England produced books that combined traditional narrative forms with a dynamic new understanding of the relationship between text and audience. Though prose fiction would not dominate English literary culture until the eighteenth century, Mentz demonstrates that the form began to invent itself as a distinct literary kind in England nearly two centuries earlier.

The Cambridge Companion to Early Modern Women's Writing

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Publisher : Cambridge University Press
ISBN 13 : 0521885272
Total Pages : 339 pages
Book Rating : 4.70/5 ( download)

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Book Synopsis The Cambridge Companion to Early Modern Women's Writing by : Laura Lunger Knoppers

Download or read book The Cambridge Companion to Early Modern Women's Writing written by Laura Lunger Knoppers and published by Cambridge University Press. This book was released on 2009-10-08 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ideal for courses, this Companion examines the range, historical importance, and aesthetic merit of women's writing in Britain, 1500-1700.

Early Modern Prose Fiction

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Publisher : Routledge
ISBN 13 : 1134245114
Total Pages : 202 pages
Book Rating : 4.16/5 ( download)

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Book Synopsis Early Modern Prose Fiction by : Naomi Conn Liebler

Download or read book Early Modern Prose Fiction written by Naomi Conn Liebler and published by Routledge. This book was released on 2006-12-05 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: Emphasizing the significance of early modern prose fiction as a hybrid genre that absorbed cultural, ideological and historical strands of the age, this fascinating study brings together an outstanding cast of critics including: Sheila T. Cavanaugh, Stephen Guy-Bray, Mary Ellen Lamb, Joan Pong Linton, Steve Mentz, Constance C. Relihan, Goran V. Stanivukovic with an afterword from Arthur Kinney. Each of the essays in this collection considers the reciprocal relation of early modern prose fiction to class distinctions, examining factors such as: the impact of prose fiction on the social, political and economic fabric of early modern England the way in which a growing emphasis on literacy allowed for increased class mobility and newly flexible notions of class how the popularity of reading and the subsequent demand for books led to the production and marketing of books as an industry complications for critics of prose fiction, as it began to be considered an inferior and trivial art form. Early modern prose fiction had a huge impact on the social and economic fabric of the time, creating a new culture of reading and writing for pleasure which became accessible to those previously excluded from such activities, resulting in a significant challenge to existing class structures.

Visual Devices in Contemporary Prose Fiction

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Publisher : Springer
ISBN 13 : 1137467363
Total Pages : 202 pages
Book Rating : 4.62/5 ( download)

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Book Synopsis Visual Devices in Contemporary Prose Fiction by : Simon Barton

Download or read book Visual Devices in Contemporary Prose Fiction written by Simon Barton and published by Springer. This book was released on 2016-01-26 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book acknowledges that the reader of a novel looks at and sees the page before they begin to read any text placed upon it. Thus, any disruptions to how a traditional page 'should look' can have a large impact on the reading process. The book critically engages with the visual appearance of graphically innovative contemporary prose fiction.

The Crises of "Language and Dead Signs" in Ludwig Tieck's Prose Fiction

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Author :
Publisher : Camden House
ISBN 13 : 9781571130143
Total Pages : 222 pages
Book Rating : 4.44/5 ( download)

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Book Synopsis The Crises of "Language and Dead Signs" in Ludwig Tieck's Prose Fiction by : William Crisman

Download or read book The Crises of "Language and Dead Signs" in Ludwig Tieck's Prose Fiction written by William Crisman and published by Camden House. This book was released on 1996 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critical account of the works of Ludwig Tieck, the German Romantic writer, from a linguistic viewpoint. Although twentieth-century literary criticism has focused on language as a topic of discussion, critical evalutions of Romanticism and Romantic writers rarely deal with it in terms derived from the philosophy of language. This book evaluates the most prolific German Romanticist, Ludwig Tieck (1773-1853), from such a linguistic viewpoint, arguing that concerns in his work can be seen as forerunners of later language analysis, from speech-act theory to theories of reference. It covers Tieck's whole career, from his youth to his final novel, Vittoria Accorombona, providing a comprehensive analysis of this major author's work; it will also be of interest to those interested in the linguistic aspects of Romanticism.