Professing Performance

Author : Shannon Jackson
Publisher : Cambridge University Press
ISBN 13 : 1107320046
Total Pages : 326 pages
Book Rating : 4.48/5 ( download)

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Download or read book Professing Performance written by Shannon Jackson and published by Cambridge University Press. This book was released on 2004-04-08 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today's academic discourse is filled with the word 'perform'. Nestled amongst a variety of prefixes and suffixes (re-, post-, -ance, -ivity?), the term functions as a vehicle for a host of contemporary inquiries. For students, artists, and scholars of performance and theatre, this development is intriguing and complex. By examining the history of theatre studies and related institutions and by comparing the very different disciplinary interpretations and developments that led to this engagement, Professing Performance offers ways of placing performance theory and performance studies in context. This 2004 book considers the connection amongst a range of performance forms such as oratory, theatre, dance, and performance art and explores performance as both a humanistic and technical field of education. Throughout, she explores the institutional history of performance in the US academy in order to revise current debates around the role of the arts and humanities in higher education.

Author : Shannon Jackson
Publisher : Cambridge University Press
ISBN 13 : 9780521656054
Total Pages : 276 pages
Book Rating : 4.52/5 ( download)

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Download or read book Professing Performance written by Shannon Jackson and published by Cambridge University Press. This book was released on 2004-04-08 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today's academic discourse is filled with the word 'perform'. Nestled amongst a variety of prefixes and suffixes (re-, post-, -ance, -ivity?), the term functions as a vehicle for a host of contemporary inquiries. For students, artists, and scholars of performance and theatre, this development is intriguing and complex. By examining the history of theatre studies and related institutions and by comparing the very different disciplinary interpretations and developments that led to this engagement, Professing Performance offers ways of placing performance theory and performance studies in context.

Author : Peter Harrop
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443850071
Total Pages : 160 pages
Book Rating : 4.70/5 ( download)

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Download or read book Performance and Ethnography written by Peter Harrop and published by Cambridge Scholars Publishing. This book was released on 2013-07-16 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performance and Ethnography: Dance, Drama, Music revisits the territory of the performance orientation, touching on anthropology, dance, folklore, music and theatre to look for present trends in both the ethnography of performance and performance ethnography. One of the main concerns of this volume is with an embodied, affective and sensory ethnography that privileges encounters between ethnographer, participants and practices as key to understanding and knowledge. Another is the extent to which individuals are shaped by their engagement with ethnographic practice in the midst of migration, diffusion, revival, appropriation and commodification of performance. A third is the interface of academic disciplines with the idea of performance, and the way in which academics and practitioners are drawn to ethnography to better understand, negotiate, perform and profess their diverse fields. Individual chapters include a refreshed interface for performance studies and anthropology through new approaches to ritual; a consideration of performance studies through an ethnography of PSi; the emplaced body as a tool for ethnographic research; somatic practice in dance as a mode of ethnography; artisanal musical instrument making as performance; the commodification of traditional performance; and an introductory overview that reflects shifting ethnographic perspectives on traditional performances.

Author : Shannon Jackson
Publisher :
ISBN 13 : 9781107316836
Total Pages : 268 pages
Book Rating : 4.39/5 ( download)

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Download or read book Professing Performance written by Shannon Jackson and published by . This book was released on 2004 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 2004 book shows the relationship between past institutional histories and tradition and current scholarly and artistic practices in performance.

Author : Kimberly Jannarone
Publisher : University of Michigan Press
ISBN 13 : 0472121391
Total Pages : 334 pages
Book Rating : 4.97/5 ( download)

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Download or read book Vanguard Performance Beyond Left and Right written by Kimberly Jannarone and published by University of Michigan Press. This book was released on 2015-11-06 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vanguard Performance Beyond Left and Right challenges assumptions regarding “radical” and “experimental” performance that have long dominated thinking about the avant-garde. The book brings to light vanguard performances rarely discussed: those that support totalitarian regimes, promote conservative values, or have been effectively snapped up by right-wing regimes the performances intended to oppose. In so doing, the volume explores a central paradox: how innovative performances that challenge oppressive power structures can also be deployed in deliberate, passionate support of oppressive power. Essays by leading international scholars pose engaging questions about the historical avant-garde, vanguard acts, and the complex role of artistic innovation and live performance in global politics. Focusing on performances that work against progressive and democratic ideas (including scripted drama, staged suicide, choral dance, terrorism, rallies, and espionage), the book demonstrates how many compelling performance ideals—unification, exaltation, immersion—are, in themselves, neither moral nor immoral; they are only emotional and aesthetic urges that can be powerfully channeled into a variety of social and political outlets.

Author : Diana Taylor
Publisher : Duke University Press
ISBN 13 : 0822375125
Total Pages : 240 pages
Book Rating : 4.28/5 ( download)

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Download or read book Performance written by Diana Taylor and published by Duke University Press. This book was released on 2016-01-15 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Performance" has multiple and often overlapping meanings that signify a wide variety of social behaviors. In this invitation to reflect on the power of performance, Diana Taylor explores many of its uses and iterations: artistic, economic, sexual, political, and technological performance; the performance of everyday life; and the gendered, sexed, and racialized performance of bodies. This book performs its argument. Images and texts interact to show how performance is at once a creative act, a means to comprehend power, a method of transmitting memory and identity, and a way of understanding the world.

Author : Elizabeth Bell
Publisher : SAGE
ISBN 13 : 1412926386
Total Pages : 641 pages
Book Rating : 4.86/5 ( download)

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Download or read book Theories of Performance written by Elizabeth Bell and published by SAGE. This book was released on 2008-02-11 with total page 641 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theories of Performance invites students to explore the possibilities of performance for creating, knowing, and staking claims to the world. Each chapter surveys, explains, and illustrates classic, modern, and postmodern theories that answer the questions, "What is performance?" "Why do people perform?" and "How does performance constitute our social and political worlds?" The chapters feature performance as the entry point for understanding texts, drama, culture, social roles, identity, resistance, and technologies.

Author : Erika Fischer-Lichte
Publisher : Routledge
ISBN 13 : 1135083886
Total Pages : 215 pages
Book Rating : 4.85/5 ( download)

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Download or read book The Routledge Introduction to Theatre and Performance Studies written by Erika Fischer-Lichte and published by Routledge. This book was released on 2014-04-03 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: Erika Fischer-Lichte's introduction to the discipline of Theatre and Performance Studies is a strikingly authoritative and wide ranging guide to the study of theatre in all of its forms. Its three-part structure moves from the first steps in starting to think about performance, through to the diverse and interrelated concerns required of higher-level study: Part 1 – Central Concepts for Theatre and Performance Research – introduces the language and key ideas that are used to discuss and think about theatre: concepts of performance; the emergence of meaning; and the theatrical event as an experience shared by actors and spectators. Part 1 contextualizes these concepts by tracing the history of Theatre and Performance Studies as a discipline. Part 2 – Fields, Theories and Methods – looks at how to analyse a performance and how to conduct theatre-historiographical research. This section is concerned with the 'doing' of Theatre and Performance Studies: establishing and understanding different methodological approaches; using sources effectively; and building theoretical frameworks. Part 3 – Pushing Boundaries – expands on the lessons of Parts 1 and 2 in order to engage with theatre and performance in a global context. Part 3 introduces the concept of 'interweaving performance cultures'; explores the interrelation of theatre with the other arts; and develops a transformative aesthetics of performance. Case studies throughout the book root its theoretical discussion in theatrical practice. Focused accounts of plays, practitioners and performances map the development of Theatre and Performance Studies as an academic discipline, and of the theatre itself as an art form. This is the most comprehensive and sophisticated introduction to the field available, written by one of its foremost scholars.

Author : Paul Allain
Publisher : Routledge
ISBN 13 : 1134517963
Total Pages : 258 pages
Book Rating : 4.61/5 ( download)

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Download or read book The Routledge Companion to Theatre and Performance written by Paul Allain and published by Routledge. This book was released on 2013-05-13 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discussing some of the pivotal questions relating to the complementary fields of theatre and performance studies, this engaging, easy-to-use text is undoubtedly a perfect reference guide for the keen student and passionate theatre-goer alike.

Author : Elina Gertsman
Publisher : Routledge
ISBN 13 : 1351537377
Total Pages : 367 pages
Book Rating : 4.77/5 ( download)

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Download or read book Visualizing Medieval Performance written by Elina Gertsman and published by Routledge. This book was released on 2017-07-05 with total page 367 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking a fresh look at the interconnections between medieval images, texts, theater, and practices of viewing, reading and listening, this explicitly interdisciplinary volume explores various manifestations of performance and meanings of performativity in the Middle Ages. The contributors - from their various perspectives as scholars of art history, religion, history, literary studies, theater studies, music and dance - combine their resources to reassess the complexity of expressions and definitions of medieval performance in a variety of different media. Among the topics considered are interconnections between ritual and theater; dynamics of performative readings of illuminated manuscripts, buildings and sculptures; linguistic performances of identity; performative models of medieval spirituality; social and political spectacles encoded in ceremonies; junctures between spatial configurations of the medieval stage and mnemonic practices used for meditation; performances of late medieval music that raise questions about the issues of historicity, authenticity, and historical correctness in performance; and tensions inherent in the very notion of a medieval dance performance.