Postmodernity's Musical Pasts

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Publisher : Boydell & Brewer
ISBN 13 : 1783274964
Total Pages : 328 pages
Book Rating : 4.63/5 ( download)

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Book Synopsis Postmodernity's Musical Pasts by : Tina Frühauf

Download or read book Postmodernity's Musical Pasts written by Tina Frühauf and published by Boydell & Brewer. This book was released on 2020 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Postmodernity's Musical Pasts considers music after 1945 as a representation of concepts such as "historicity" and "temporality". The volume understands postmodernity as a period in which both modernism and postmodernism co-exist. It is attracted to a wider interpretation of "historicity" that focuses on the complex nexus of past-present-future. "Historicity" is understood as leaning closely on "temporality", generally thought of as the linear progression of past, present and future. The volume broadens the absolutist understanding of temporality to include processes which can occur in circular, spiral, transcending and other formations. The book covers an extensive spectrum of topics from classical to popular and neo-traditional musics to concerns of the disciplines of musicology. Such a wide range of topics from both the centre and the periphery of the musicological canon mirrors the eclectic and diverse nature of the postwar era itself. The first section investigates how to understand manifestations of the past in musical composition with regard to time, on the one hand, and with regard to genre, style and idiom, on the other. A second section shows how time and history manifest themselves in art music. A third section takes the contrasts and transitional moments of post-1945 practices further by looking at the temporality of reception from different angles. A final part investigates questions of nostalgia and temporalities of belonging. TINA FR HAUF is Adjunct Assistant Professor at Columbia University, New York and serves on the faculty of The Graduate Center, CUNY. CONTRIBUTORS: Michael Arnold, Susana Asensio Llamas, Georg Burgstaller, Caitlin Carlos, Daniela Fugellie, Tina Fr hauf, John Koslovsky, Lawrence Kramer, Beate Kutschke, Laurenz L tteken, Max Noubel, Joshua S. Walden

Postmodernism in Music

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Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.84/5 ( download)

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Book Synopsis Postmodernism in Music by : Kenneth Gloag

Download or read book Postmodernism in Music written by Kenneth Gloag and published by . This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Postmodern Music/postmodern Thought

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Publisher : Taylor & Francis
ISBN 13 : 9780815338208
Total Pages : 396 pages
Book Rating : 4.01/5 ( download)

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Book Synopsis Postmodern Music/postmodern Thought by : Judith Irene Lochhead

Download or read book Postmodern Music/postmodern Thought written by Judith Irene Lochhead and published by Taylor & Francis. This book was released on 2002 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Classical Music and Postmodern Knowledge

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Publisher : Univ of California Press
ISBN 13 : 0520918428
Total Pages : 315 pages
Book Rating : 4.29/5 ( download)

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Book Synopsis Classical Music and Postmodern Knowledge by : Lawrence Kramer

Download or read book Classical Music and Postmodern Knowledge written by Lawrence Kramer and published by Univ of California Press. This book was released on 2023-04-28 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: A leading cultural theorist and musicologist opens up new possibilities for understanding mainstream Western art music—the "classical" music composed between the eighteenth and early twentieth centuries that is, for many, losing both its prestige and its appeal. When this music is regarded esoterically, removed from real-world interests, it increasingly sounds more evasive than transcendent. Now Lawrence Kramer shows how classical music can take on new meaning and new life when approached from postmodernist standpoints. Kramer draws out the musical implications of contemporary efforts to understand reason, language, and subjectivity in relation to concrete human activities rather than to universal principles. Extending the rethinking of musical expression begun in his earlier Music as Cultural Practice, he regards music not only as an object that invites aesthetic reception but also as an activity that vitally shapes the personal, social, and cultural identities of its listeners. In language accessible to nonspecialists but informative to specialists, Kramer provides an original account of the postmodernist ethos, explains its relationship to music, and explores that relationship in a series of case studies ranging from Haydn and Mendelssohn to Ives and Ravel.

Postmodern Music/Postmodern Thought

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Publisher : Routledge
ISBN 13 : 1135717850
Total Pages : 392 pages
Book Rating : 4.58/5 ( download)

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Book Synopsis Postmodern Music/Postmodern Thought by : Judy Lochhead

Download or read book Postmodern Music/Postmodern Thought written by Judy Lochhead and published by Routledge. This book was released on 2013-10-08 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is postmodern music and how does it differ from earlier styles, including modernist music? What roles have electronic technologies and sound production played in defining postmodern music? Has postmodern music blurred the lines between high and popular music? Addressing these and other questions, this ground-breaking collection gathers together for the first time essays on postmodernism and music written primarily by musicologists, covering a wide range of musical styles including concert music, jazz, film music, and popular music. Topics include: the importance of technology and marketing in postmodern music; the appropriation and reworking of Western music by non-Western bands; postmodern characteristics in the music of Górecki, Rochberg, Zorn, and Bolcom, as well as Björk and Wu Tang Clan; issues of music and race in such films as The Bridges of Madison County, Batman, Bullworth, and He Got Game; and comparisons of postmodern architecture to postmodern music. Also includes 20 musical examples.

Postmodernism in Music

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Publisher : Cambridge University Press
ISBN 13 : 0521151570
Total Pages : 223 pages
Book Rating : 4.73/5 ( download)

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Book Synopsis Postmodernism in Music by : Kenneth Gloag

Download or read book Postmodernism in Music written by Kenneth Gloag and published by Cambridge University Press. This book was released on 2012-06-21 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is postmodernism? How does it relate to music? This introduction clarifies the concept, providing ways of interpreting postmodern music.

The Last Post

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Publisher : Manchester University Press
ISBN 13 : 9780719036095
Total Pages : 208 pages
Book Rating : 4.97/5 ( download)

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Book Synopsis The Last Post by : Simon Shaw-Miller

Download or read book The Last Post written by Simon Shaw-Miller and published by Manchester University Press. This book was released on 1993 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Rocking Around the Clock

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Publisher : Routledge
ISBN 13 : 1317227670
Total Pages : 204 pages
Book Rating : 4.70/5 ( download)

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Book Synopsis Rocking Around the Clock by : E. Ann Kaplan

Download or read book Rocking Around the Clock written by E. Ann Kaplan and published by Routledge. This book was released on 2016-04-14 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first non-stop rock video channel was launched in the US in 1981. As a unique popular culture form, MTV warrants attention, and in this, the first study of the medium, originally published in 1987, Ann Kaplan examines the cultural context of MTV and its relationship to the history of rock music. The first part of the book focuses on MTV as a commercial institution, on the contexts of production and exhibition of videos, on their similarity to ads, and on the different perspectives of directors and viewers. Does the adoption of adolescent styles and iconography signal an open-minded acceptance of youth’s subversive stances; or does it rather suggest a cynicism by which profit has become the only value? In the second part of the book, Kaplan turns to the rock videos themselves, and from the mass of material that flows through MTV she identifies five distinct types of video: the ‘romantic’, the ‘socially conscious’, the ‘nihilistic’, the ‘classical’, and the ‘postmodern’. There are detailed analyses of certain videos; and Kaplan focuses particularly on gender issues in videos by both male and female stars. The final chapter explores the wider implications of MTV. What does the channel tell us about the state of youth culture at the time?

Postmodern Music, Postmodern Listening

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501306030
Total Pages : 400 pages
Book Rating : 4.37/5 ( download)

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Book Synopsis Postmodern Music, Postmodern Listening by : Jonathan D. Kramer

Download or read book Postmodern Music, Postmodern Listening written by Jonathan D. Kramer and published by Bloomsbury Publishing USA. This book was released on 2016-08-11 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in his almost completed text written before his untimely death in 2004, he examines the concept of postmodernism in music. Kramer created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, Postmodern Music, Postmodern Listening leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. Postmodern Music, Postmodern Listening is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand.

Music after the Fall

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Publisher : Univ of California Press
ISBN 13 : 0520959043
Total Pages : 368 pages
Book Rating : 4.40/5 ( download)

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Book Synopsis Music after the Fall by : Tim Rutherford-Johnson

Download or read book Music after the Fall written by Tim Rutherford-Johnson and published by Univ of California Press. This book was released on 2017-02-01 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: "...the best extant map of our sonic shadowlands, and it has changed how I listen."—Alex Ross, The New Yorker "...an essential survey of contemporary music."—New York Times "…sharp, provacative and always on the money. The listening list alone promises months of fresh discovery, the main text a fresh new way of navigating the world of sound."—The Wire 2017 Music Book of the Year—Alex Ross, The New Yorker Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post–Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss.