Poetics Of The Iconotext

Author : Professor Liliane Louvel
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409478890
Total Pages : 220 pages
Book Rating : 4.98/5 ( download)

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Download or read book Poetics of the Iconotext written by Professor Liliane Louvel and published by Ashgate Publishing, Ltd.. This book was released on 2013-05-28 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Poetics of the Iconotext makes available for the first time in English the theories of the respected French text/image specialist, Professor Liliane Louvel. A consolidation of the most significant theoretical materials of Louvel's two acclaimed books, L'Oeil du Texte: Texte et image dans la littérature anglophone and Texte/Image: Images à lire, textes à voir, this newly conceived work introduces English readers to the most current thinking in French text/image theory and visual studies. Focusing on the full spectrum of text/image relations, from medieval illuminated manuscripts to digital books, Louvel begins by introducing key terms and situating her work in the context of significant debates in text/image studies. Part II introduces Louvel's s typology of pictorial saturation through which she establishes a continuum along which to measure the effect of the most figurative to the most literal images upon writerly and readerly textual 'spaces.' Part III adopts a phenomenological approach towards the reading-viewing experience as expressed in conceptual categories that include the trace, focal range, synesthesia, and rhythm and speed. The result is a provocative interplay of the categorical and the subjective that invites readers to think at once more precisely and more inventively about texts, images, and the intersections between the two.

Author : Liliane Louvel
Publisher : Routledge
ISBN 13 : 1317079477
Total Pages : 236 pages
Book Rating : 4.77/5 ( download)

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Download or read book Poetics of the Iconotext written by Liliane Louvel and published by Routledge. This book was released on 2016-04-22 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Poetics of the Iconotext makes available for the first time in English the theories of the respected French text/image specialist, Professor Liliane Louvel. A consolidation of the most significant theoretical materials of Louvel's two acclaimed books, L'Oeil du Texte: Texte et image dans la littérature anglophone and Texte/Image: Images à lire, textes à voir, this newly conceived work introduces English readers to the most current thinking in French text/image theory and visual studies. Focusing on the full spectrum of text/image relations, from medieval illuminated manuscripts to digital books, Louvel begins by introducing key terms and situating her work in the context of significant debates in text/image studies. Part II introduces Louvel's s typology of pictorial saturation through which she establishes a continuum along which to measure the effect of the most figurative to the most literal images upon writerly and readerly textual 'spaces.' Part III adopts a phenomenological approach towards the reading-viewing experience as expressed in conceptual categories that include the trace, focal range, synesthesia, and rhythm and speed. The result is a provocative interplay of the categorical and the subjective that invites readers to think at once more precisely and more inventively about texts, images, and the intersections between the two.

Author : Liliane Louvel
Publisher : Routledge
ISBN 13 : 0429941633
Total Pages : 228 pages
Book Rating : 4.34/5 ( download)

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Download or read book The Pictorial Third written by Liliane Louvel and published by Routledge. This book was released on 2018-05-23 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Pictorial Third: An Essay into Intermedial Criticism examines the extent to which poetry intertwines with painting and the visual at large, and studies the singular relationship established between language and image, observesing the modalities and workings of what is termed ‘intermedial transposition‘. By following a critical method of the close analysis of texts, the book examines to what extent the "pictorial" tool may be of help to analyze literary texts and thus enlarge and enrich literary criticism. Examining the technical notions typical of the medium and its history, including perspective, framing, colour, anamorphosis, trompe-l’œil, Veronica veil, still life, portrait, figure, illusion, apparatus, genres and styles, this volume presents a pragmatics of image-in-text and of the visual-in-text as an operative tool. This "pictorial" reading necessarily includes synesthesia and the senses; it also functions as a reading event , or what happens to one when one unawares encounters a picture (be it present in the book or the object of an ekprhasis). Thus the body is eventually given back a role to play. The sensitive approach has its own resonances and the eye or the gaze sometimes sees double in such intermedially oriented texts. This volume proposes to identify the pictorial third as the phenomenon which can be apprehended in terms of effect or affect not only as a concept.

Author : Nandini B. Pandey
Publisher : Cambridge University Press
ISBN 13 : 1108422659
Total Pages : 317 pages
Book Rating : 4.59/5 ( download)

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Download or read book The Poetics of Power in Augustan Rome written by Nandini B. Pandey and published by Cambridge University Press. This book was released on 2018-10-11 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the dynamic interactions among Latin poets, artists, and audiences in constructing and critiquing imperial power in Augustan Rome.

Author : David Kennedy
Publisher : Manchester University Press
ISBN 13 : 1526125811
Total Pages : 394 pages
Book Rating : 4.11/5 ( download)

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Download or read book Ekphrastic encounters written by David Kennedy and published by Manchester University Press. This book was released on 2018-12-05 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a comprehensive reassessment of ekphrasis: the verbal representation of visual art. Ekphrasis has been traditionally regarded as a form of paragone (competition) between word and image. This interdisciplinary collection of essays seeks to complicate this critical paradigm and proposes a more reciprocal model of ekphrasis that involves an encounter or exchange between visual and textual cultures. This critical and theoretical shift demands a new form of ekphrastic poetics, which is less concerned with representational and institutional struggles, and more concerned with ideas of ethics, affect and intersubjectivity. Ekphrastic encounters brings together leading scholars working in the field of word-and-image studies and offers a fresh exploration of ekphrastic texts from the Renaissance to the present day. Taken together, the chapters establish a new set of theoretical frameworks for exploring the ekphrastic encounter.

Author : Thomas M. Leitch
Publisher : Oxford University Press
ISBN 13 : 0199331006
Total Pages : 785 pages
Book Rating : 4.00/5 ( download)

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Download or read book The Oxford Handbook of Adaptation Studies written by Thomas M. Leitch and published by Oxford University Press. This book was released on 2017 with total page 785 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of forty new essays, written by the leading scholars in adaptation studies and distinguished contributors from outside the field, is the most comprehensive volume on adaptation ever published. Written to appeal alike to specialists in adaptation, scholars in allied fields, and general readers, it hearkens back to the foundations of adaptation studies a century and more ago, surveys its ferment of activity over the past twenty years, and looks forward to the future. It considers the very different problems in adapting the classics, from the Bible to Frankenstein to Philip Roth, and the commons, from online mashups and remixes to adult movies. It surveys a dizzying range of adaptations around the world, from Latin American telenovelas to Czech cinema, from Hong Kong comics to Classics Illustrated, from Bollywood to zombies, and explores the ways media as different as radio, opera, popular song, and videogames have handled adaptation. Going still further, it examines the relations between adaptation and such intertextual practices as translation, illustration, prequels, sequels, remakes, intermediality, and transmediality. The volume's contributors consider the similarities and differences between adaptation and history, adaptation and performance, adaptation and revision, and textual and biological adaptation, casting an appreciative but critical eye on the theory and practice of adaptation scholars--and, occasionally, each other. The Oxford Handbook of Adaptation Studies offers specific suggestions for how to read, teach, create, and write about adaptations in order to prepare for a world in which adaptation, already ubiquitous, is likely to become ever more important.

Author : Peter Wagner
Publisher : Walter de Gruyter
ISBN 13 : 3110882590
Total Pages : 428 pages
Book Rating : 4.99/5 ( download)

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Download or read book Icons - Texts - Iconotexts written by Peter Wagner and published by Walter de Gruyter. This book was released on 2012-10-25 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Emmanouil Aretoulakis
Publisher : Lexington Books
ISBN 13 : 1498513131
Total Pages : 184 pages
Book Rating : 4.35/5 ( download)

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Download or read book Forbidden Aesthetics, Ethical Justice, and Terror in Modern Western Culture written by Emmanouil Aretoulakis and published by Lexington Books. This book was released on 2016-05-19 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Forbidden Aesthetics, Ethical Justice, and Terror in Modern Western Culture explores the subjective experience of the beautiful in the face of terror and human tragedy. Emmanouil Aretoulakis proposes that behind the horror, repulsion, and outrage felt by humanity before images of natural or man-made catastrophes/acts of terror(ism) throughout the centuries lurks a kind of inexplicable individual fascination which is closely connected to the Kantian idea of the disinterested judgement of the beautiful as well as the Burkean concept of delight before real catastrophe. At stake is an aesthetic experience of the beautiful, that most of us, eye witnesses or other, would not be willing to acknowledge due to the immorality of such a concession. That feeling which goes unacknowledged because improper is a forbidden feeling and the aesthetics connected with it is a forbidden aesthetics. The forbidden aesthetics Aretoulakis proposes is naturally dominant in representations of the par excellence terrorist event of the twenty-first century, 11 September 2001, but shows itself also in other catastrophic landmarks in history. For instance, the Hiroshima/Nagasaki nuclear bombing in 1945, or the 1755 Lisbon tsunami, both of which could be characterized, radically, as terrorist manifestations too, regardless of whether the former event took place in the context of a generalized war while the latter emerged as a symptom of natural terrorism, the terrorism of nature. This book will be of interest to philosophers who work on aesthetics and ethics and students in literary studies and psychology.

Author : Philipp Schweighauser
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1441139931
Total Pages : 264 pages
Book Rating : 4.31/5 ( download)

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Download or read book Terrorism, Media, and the Ethics of Fiction written by Philipp Schweighauser and published by Bloomsbury Publishing USA. This book was released on 2010-08-19 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: >

Author : Madelena Gonzalez
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443818399
Total Pages : 255 pages
Book Rating : 4.91/5 ( download)

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Download or read book Generic Instability and Identity in the Contemporary Novel written by Madelena Gonzalez and published by Cambridge Scholars Publishing. This book was released on 2009-12-14 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary aesthetics is characterized by generic mixing on the level of both form and content. The barriers between different media and different genres have been broken down in all literary art forms, whether it be theatre, poetry, or the novel. While the publishing industry is increasingly keen to label novels according to genre or sub-genre (“Chick Lit”, “Lad Lit”, “Gay fiction”, “Scottish fiction”, “New Historical Fiction”, “Crime fiction”, “Post-9/11 Fiction”), the novel itself (and novelists) persist in resisting generic categorizations as well as inviting them. Is this a move towards a new artistic liberty or does it simply testify to a confusion of identity? The “aesthetic supermarket” evoked by Lodge in 1992 does indeed seem to sum up the variety of choices open to writers of fiction today and a literary landscape characterized by crossover and hybridization. The familiar dialectic of realism versus experimentation has segued into a middle ground of consensus which is neither radical nor populist, but both at the same time. The techniques of postmodernism have become selling points for novels, and the Postmodern Condition itself seems little more than a narrative posture marketed for an increasingly wide audience. Whether they have recourse to a “repertoire of imposture” (Amis, Self, Winterson), as Richard Bradford would have it (The Novel Now, 2007), in other words “the abandonment of any obligation to explain or justify their excursions from credulity and mimesis”, or, like the New Puritans, make use of narrative minimalism in order to foreground their own peculiarities, contemporary novelists consistently draw attention to the fundamental instability of narrative process and genre. The much-feared apocalypse of the novel has failed to take place with the arrival of the new millennium, but generic game-playing and flickering, narrative hesitation and uncertainty continue to pose the question of what constitutes a novel today and to challenge its identity in a world where all culture is increasingly public, increasingly contested and increasingly multifarious. Thanks to theoretical approaches as well as analyses of specific works, this collection of essays aims to examine the concepts of generic instability and cross-fertilization, of narrative postures and impostures, and their constant redefinition of identity, which contaminates the very concept of genre. It demonstrates the diversity of generic practices in the novel today and furnishes us with undeniable evidence of how generic instability is fundamentally constitutive of the contemporary novel’s identity.