Phenomenology and the Future of Film

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Publisher : Springer
ISBN 13 : 1137283742
Total Pages : 387 pages
Book Rating : 4.40/5 ( download)

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Book Synopsis Phenomenology and the Future of Film by : J. Chamarette

Download or read book Phenomenology and the Future of Film written by J. Chamarette and published by Springer. This book was released on 2012-09-28 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using hybrid phenomenological approaches to film, this book focuses on how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Its close engagements with films and installations by four contemporary French filmmakers explore the limits and possibilities of 'cinematic' subjectivity.

Phenomenology of Film

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Publisher : Lexington Books
ISBN 13 : 1498519032
Total Pages : 221 pages
Book Rating : 4.38/5 ( download)

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Book Synopsis Phenomenology of Film by : Shawn Loht

Download or read book Phenomenology of Film written by Shawn Loht and published by Lexington Books. This book was released on 2017-08-25 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: Phenomenology of Film: A Heideggerian Account of the Film Experience uses the philosophy of Martin Heidegger as a framework for addressing key issues in the philosophy of film. This study grapples with the question of how we can reconcile film as a popular entertainment medium with Heidegger’s own various critiques of popular media and culture throughout his career. Shawn Loht also explores topics such as the ontology of film and moving images; the phenomenological character of the viewer experience; film conceived as an art medium; and the function of films as vehicles for philosophical thought. He further discusses important concepts from Heidegger’s philosophy--Dasein, existentiality, world, art and poetry, and the nature of philosophy. The first four chapters take up these issues from a theoretical perspective. The remaining chapters provide robust application of the theoretical material to the films of three contemporary filmmakers: Terrence Malick, Michael Haneke, and David Gordon Green. As the first single-author monograph that takes up Heidegger’s relevance to film, Phenomenology of Film will be of particular interest to philosophers of film and specialists of film and media studies working in the intersection of phenomenology and film or phenomenological approaches to issues in popular culture.

Phenomenology and the Future of Film

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Author :
Publisher : Springer
ISBN 13 : 1137283742
Total Pages : 271 pages
Book Rating : 4.40/5 ( download)

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Book Synopsis Phenomenology and the Future of Film by : J. Chamarette

Download or read book Phenomenology and the Future of Film written by J. Chamarette and published by Springer. This book was released on 2012-09-28 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using hybrid phenomenological approaches to film, this book focuses on how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Its close engagements with films and installations by four contemporary French filmmakers explore the limits and possibilities of 'cinematic' subjectivity.

James Joyce and the Phenomenology of Film

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Publisher : Oxford University Press
ISBN 13 : 0198768915
Total Pages : 159 pages
Book Rating : 4.13/5 ( download)

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Book Synopsis James Joyce and the Phenomenology of Film by : Cleo Hanaway

Download or read book James Joyce and the Phenomenology of Film written by Cleo Hanaway and published by Oxford University Press. This book was released on 2017 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: James Joyce and the Phenomenology of Film reappraises the lines of influence said to exist between Joyce's writing and early cinema and provides an alternative to previous psychoanalytic readings of Joyce and film. Through a compelling combination of historical research and critical analysis, Cleo Hanaway-Oakley demonstrates that Joyce, early film-makers, and phenomenologists (Maurice Merleau-Ponty, in particular) share a common enterprise: all are concerned with showing, rather than explaining, the 'inherence of the self in the world'. Instead of portraying an objective, neutral world, bereft of human input, Joyce, the film-makers, and the phenomenologists present embodied, conscious engagement with the environment and others: they are interested in the world-as-it-is-lived and transcend the seemingly-rigid binaries of seer/seen, subject/object, absorptive/theatrical, and personal/impersonal. This book re-evaluates the history of body- and spectator-focused film theories, placing Merleau-Ponty at the centre of the discussion, and considers the ways in which Joyce may have encountered such theories. In a wealth of close analyses, Joyce's fiction is read alongside the work of early film-makers such as Charlie Chaplin, Georges Melies, and Mitchell and Kenyon, and in relation to the philosophical dimensions of early-cinematic devices such as the Mutoscope, the stereoscope, and the panorama. By putting Joyce's literary work--Ulysses above all--into dialogue with both early cinema and phenomenology, this book elucidates and enlivens literature, film, and philosophy.

Film Phenomenology and Adaptation

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Publisher : Amsterdam University Press
ISBN 13 : 9048543053
Total Pages : 250 pages
Book Rating : 4.52/5 ( download)

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Book Synopsis Film Phenomenology and Adaptation by : David E. Richard

Download or read book Film Phenomenology and Adaptation written by David E. Richard and published by Amsterdam University Press. This book was released on 2021-03-30 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film Phenomenology and Adaptation: Sensuous Elaboration argues that in order to make sense of film adaptation, we must first apprehend their sensual form. Across its chapters, this book brings the philosophy and research methodology of phenomenology into contact with adaptation studies, examining how vision, hearing, touch, and the structures of the embodied imagination and memory thicken and make tangible an adaptation's source. In doing so, this book not only conceives adaptation as an intertextual layering of source material and adaptation, but also an intersubjective and textural experience that includes the materiality of the body.

The Address of the Eye

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Publisher : Princeton University Press
ISBN 13 : 0691213275
Total Pages : 356 pages
Book Rating : 4.79/5 ( download)

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Book Synopsis The Address of the Eye by : Vivian Sobchack

Download or read book The Address of the Eye written by Vivian Sobchack and published by Princeton University Press. This book was released on 2020-05-05 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical situations of both the spectator and the film, the author makes the radical proposal that the cinematic experience depends on two "viewers" viewing: the spectator and the film, each existing as both subject and object of vision. Drawing on existential and semiotic phenomenology, and particularly on the work of Merleau-Ponty, Sobchack shows how the film experience provides empirical insight into the reversible, dialectical, and signifying nature of that embodied vision we each live daily as both "mine" and "another's." In this attempt to account for cinematic intelligibility and signification, the author explores the possibility of human choice and expressive freedom within the bounds of history and culture.

Documentary Time

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Publisher :
ISBN 13 :
Total Pages : 208 pages
Book Rating : 4.87/5 ( download)

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Book Synopsis Documentary Time by : Malin Wahlberg

Download or read book Documentary Time written by Malin Wahlberg and published by . This book was released on 2008 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Finding the theoretical space where cinema and philosophy meet, Malin Wahlberg's sophisticated approach to the experience of documentary film aligns with attempts to reconsider the premises of existential phenomenology. The configuration of time is crucial in organizing the sensory affects of film in general but, as Wahlberg adroitly demonstrates, in nonfiction films the problem of managing time is writ large by the moving image's interaction with social memory and historical figures. Wahlberg discusses a thought-provoking corpus of classical and recent experiments in film and video (including Andy Warhol's films) in which creative approaches to the time of the image and the potential archive memory of filmic representation illuminates meanings of temporality and time experience. She also offers a methodological account of film and brings Deleuze and Ricoeur into dialogue with Bazin and Mitry on the subject of cinema and phenomenology. Drawing attention to the cultural significance of the images' imprint as a trace of the past, Documentary Time brings to bear phenomenological inquiry on nonfiction film while at the same time reconsidering the existential dimensions of time that have always puzzled humans. Malin Wahlberg is a research fellow in cinema studies at Stockholm University.

Film and Phenomenology

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Publisher : Cambridge University Press
ISBN 13 : 9780521411325
Total Pages : 184 pages
Book Rating : 4.27/5 ( download)

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Book Synopsis Film and Phenomenology by : Allan Casebier

Download or read book Film and Phenomenology written by Allan Casebier and published by Cambridge University Press. This book was released on 1991-10-25 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film and Phenomenology presents a new approach to the question of cinematic representation, which runs contrary to the course of contemporary film theory.Film and Phenomenology presents a new approach to the question of cinematic representation which runs contrary to the course of contemporary film theory.

The Body and the Screen

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1623565812
Total Pages : 209 pages
Book Rating : 4.17/5 ( download)

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Book Synopsis The Body and the Screen by : Kate Ince

Download or read book The Body and the Screen written by Kate Ince and published by Bloomsbury Publishing USA. This book was released on 2017-01-12 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examination of how the exploration of female subjectivity by selected French and British women film-makers has expanded and reinvigorated the "language" of contemporary cinema.

The Routledge Companion to Cinema & Gender

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Publisher : Taylor & Francis
ISBN 13 : 1317408055
Total Pages : 492 pages
Book Rating : 4.55/5 ( download)

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Book Synopsis The Routledge Companion to Cinema & Gender by : Kristin Lené Hole

Download or read book The Routledge Companion to Cinema & Gender written by Kristin Lené Hole and published by Taylor & Francis. This book was released on 2016-11-10 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comprised of 43 innovative contributions, this companion is both an overview of, and intervention into the field of cinema and gender. The essays included here address a variety of geographical contexts, from an analysis of cinema. Islam and women and television under Eastern European socialism, to female audience reception in Nigeria, to changing class and race norms in Bollywood dance sequences. A special focus is on women directors in a global context that includes films and filmmakers from Asia, Africa, Australia, Europe, North and South America. The collection also offers a solid overview of feminist contributions to thinking on genre from the "chick flick" to the action or Western film, to film noir and the slasher. Readers will find contributions on a variety of approaches to spectatorship, reception studies and fandom, as well as transnational approaches to star studies and essays addressing the relationship between feminist film theory and new media. Other topics include queer and trans* cinema, eco-cinema and the post-human. Finally, readers interested in the history of film will find essays addressing the methodological dimensions of feminist film history, essays on silent and studio era women in film, and histories of female filmmakers in a variety of non-Western contexts.