New Digital Cinema

Author : Holly Willis
Publisher : Columbia University Press
ISBN 13 : 023150277X
Total Pages : 147 pages
Book Rating : 4.71/5 ( download)

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Download or read book New Digital Cinema written by Holly Willis and published by Columbia University Press. This book was released on 2019-06-11 with total page 147 pages. Available in PDF, EPUB and Kindle. Book excerpt: This introduction to contemporary digital cinema tracks its intersection with video art, music video, animation, print design and live club events to create an avant-garde for the new millennium. It begins by investigating digital cinema and its contribution to innovations in the feature-film format, examining animation and live-action hybrids, the gritty aesthetic of the Dogme 95 filmmakers, the explosions of frames within frames and the evolution of the ‘ambient narrative’ film. This study then looks at the creation of new genres and moving-image experiences as what we know as ‘cinema’ enters new venues and formats.

Author : Charles S. Swartz
Publisher : Taylor & Francis
ISBN 13 : 0240806174
Total Pages : 354 pages
Book Rating : 4.74/5 ( download)

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Download or read book Understanding Digital Cinema written by Charles S. Swartz and published by Taylor & Francis. This book was released on 2005 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: The definitive work on digital cinema by all the Hollywood insiders!

Author : Nicholas Rombes
Publisher : Columbia University Press
ISBN 13 : 0231851189
Total Pages : 250 pages
Book Rating : 4.83/5 ( download)

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Download or read book Cinema in the Digital Age written by Nicholas Rombes and published by Columbia University Press. This book was released on 2017-12-19 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes—blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera. With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)—both shot digitally—have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization.

Author : Carol Vernallis
Publisher : Oxford University Press, USA
ISBN 13 : 0199767009
Total Pages : 366 pages
Book Rating : 4.07/5 ( download)

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Download or read book Unruly Media written by Carol Vernallis and published by Oxford University Press, USA. This book was released on 2013-11 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: Unruly Media is the first book to account for the current audiovisual landscape across media and platform. It includes new theoretical models and close readings of current media as well as the oeuvre of popular and influential directors.

Author : Glenn Kennel
Publisher : Taylor & Francis
ISBN 13 : 1136033378
Total Pages : 204 pages
Book Rating : 4.77/5 ( download)

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Download or read book Color and Mastering for Digital Cinema written by Glenn Kennel and published by Taylor & Francis. This book was released on 2012-07-26 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Color and Mastering for Digital Cinema explores the implications for motion picture post production processes and changes required to the supporting equipment and software. While a new concept to the motion picture community, the selection of the wide gamut, output-referred XYZ color space for digital cinema distribution is based on decades of color science and experience in other industries. The rationale for choosing XYZ and the other color encoding parameters is explained and the book also provides a full case study of the development of DLP Cinema® projectors by Texas Instruments. Finally, this book explores how the XYZ color encoding concept can be extended to support enhanced display technologies in the future. This book contains: * Brilliant 4-color illustrations that compliment the color science explanations * Never before published industry information from author Glenn Kennel, a world leader in digital cinema color technology * Descriptions of key issues and background on decisions that were made in the standardization process By Glenn Kennel, Glenn Kennel is VP/GM of Feature Film Services at Laser Pacific Media Corporation, a leading provider of a full range of post production services for television and feature film. Recently, he worked for the DLP Cinema group of Texas Instruments in a role that included technology and business development. Previously, in a twenty year career with Kodak, he led the development of the Cineon digital film scanners and laser recorders and the prototype HDTV telecine that became the Spirit Datacine. As a consultant, he helped DCI draft the technical specifications for digital cinema. Kennel also chairs the SMPTE DC28 Color ad hoc group and the DC28.20 Distribution working group. He is a SMPTE Fellow and has received the SMPTE Journal Award. He is also a member of the Academy of Motion Picture Arts and Sciences.

Author : Lasse Svanberg
Publisher : Taylor & Francis
ISBN 13 : 0240806638
Total Pages : 180 pages
Book Rating : 4.31/5 ( download)

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Download or read book The EDCF Guide to Digital Cinema Production written by Lasse Svanberg and published by Taylor & Francis. This book was released on 2004 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Author : Mitsuyo Wada-Marciano
Publisher : University of Hawaii Press
ISBN 13 : 082486588X
Total Pages : 194 pages
Book Rating : 4.87/5 ( download)

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Download or read book Japanese Cinema in the Digital Age written by Mitsuyo Wada-Marciano and published by University of Hawaii Press. This book was released on 2012-05-31 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: Digital technology has transformed cinema’s production, distribution, and consumption patterns and pushed contemporary cinema toward increasingly global markets. In the case of Japanese cinema, a once moribund industry has been revitalized as regional genres such as anime and Japanese horror now challenge Hollywood’s preeminence in global cinema. In her rigorous investigations of J-horror, personal documentary, anime, and ethnic cinema, Mitsuyo Wada-Marciano deliberates on the role of the transnational in bringing to the mainstream what were formerly marginal B-movie genres. She argues persuasively that convergence culture, which these films represent, constitutes Japan’s response to the variegated flows of global economics and culture. With its timely analysis of new modes of production emerging from the struggles of Japanese filmmakers and animators to finance and market their work in a post-studio era, this book holds critical implications for the future of other national cinemas fighting to remain viable in a global marketplace. As academics in film and media studies prepare a wholesale shift toward a transnational perspective of film, Wada-Marciano cautions against jettisoning the entire national cinema paradigm. Discussing the technological advances and the new cinematic flows of consumption, she demonstrates that while contemporary Japanese film, on the one hand, expresses the transnational as an object of desire (i.e., a form of total cosmopolitanism), on the other hand, that desire is indeed inseparable from Japan’s national identity. Drawing on a substantial number of interviews with auteur directors such as Kore’eda Hirokazu, Kurosawa Kiyoshi, and Kawase Naomi, and incisive analysis of select film texts, this compelling, original work challenges the presumption that Hollywood is the only authentically “global” cinema.

Author : Mike Figgis
Publisher : Faber & Faber
ISBN 13 : 0571305067
Total Pages : 146 pages
Book Rating : 4.63/5 ( download)

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Download or read book Digital Film-making Revised Edition written by Mike Figgis and published by Faber & Faber. This book was released on 2014-02-04 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this indispensable guide to digital film-making, leading film-maker Mike Figgis offers the reader a step-by-step tutorial in how to use digital technology so as to get the best from it. Mike Figgis, with experience from films such as Miss Julie and Leaving Las Vegas - for which he received two Oscar nominations - is an authoritative and insightful guide through the details of film-making. He outlines the equipment and its uses, and provides an authoritative guide to the shooting process - from working with actors to lighting, framing, and camera movement. He further dispenses wisdom on the editing process and the use of sound and music, all the while establishing a sound aesthetic basis for the digital format. This handbook is essential whether your goal is to make no-budget movies, or simply to put your video camera to more use than just holidays and weddings.

Author : Brian McKernan
Publisher : McGraw Hill Professional
ISBN 13 : 0071467009
Total Pages : 226 pages
Book Rating : 4.01/5 ( download)

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Download or read book Digital Cinema written by Brian McKernan and published by McGraw Hill Professional. This book was released on 2005-04-21 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: With its huge cost-saving potential, digital cinema is the biggest thing to happen to the movies since sound -- this book details how each phase of the digital movie-making process, shooting, postproduction, delivery, and exhibition -- differs from film and provides clear answers to the cost vs. quality controversy. * Nonlinear editing -- software, basic technique, cost savings * Digital video color correction * CGI -- changing the shot after the shoot * Digital composition for film * Universal mastering (film, DVD, TV, Internet) * Digital distribution and exhibition

Author : Kristen Whissel
Publisher : Duke University Press
ISBN 13 : 0822377144
Total Pages : 224 pages
Book Rating : 4.46/5 ( download)

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Download or read book Spectacular Digital Effects written by Kristen Whissel and published by Duke University Press. This book was released on 2014-02-05 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: By developing the concept of the "digital effects emblem," Kristen Whissel contributes a new analytic rubric to cinema studies. An "effects emblem" is a spectacular, computer-generated visual effect that gives stunning expression to a film's key themes. Although they elicit feelings of astonishment and wonder, effects emblems do not interrupt narrative, but are continuous with story and characterization and highlight the narrative stakes of a film. Focusing on spectacular digital visual effects in live-action films made between 1989 and 2011, Whissel identifies and examines four effects emblems: the illusion of gravity-defying vertical movement, massive digital multitudes or "swarms," photorealistic digital creatures, and morphing "plasmatic" figures. Across films such as Avatar, The Matrix, the Lord of the Rings trilogy, Jurassic Park, Titanic, and Crouching Tiger, Hidden Dragon, these effects emblems heighten the narrative drama by contrasting power with powerlessness, life with death, freedom with constraint, and the individual with the collective.