National Identity In 21st Century Cuban Cinema

Author : Dunja Fehimović
Publisher : Springer
ISBN 13 : 3319931032
Total Pages : 281 pages
Book Rating : 4.36/5 ( download)

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Download or read book National Identity in 21st-Century Cuban Cinema written by Dunja Fehimović and published by Springer. This book was released on 2018-08-10 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: National Identity in 21st-Century Cuban Cinema tours early 21st-century Cuban cinema through four key figures—the monster, the child, the historic icon, and the recluse—in order to offer a new perspective on the relationship between the Revolution, culture, and national identity in contemporary Cuba. Exploring films chosen to convey a recent diversification of subject matters, genres, and approaches, it depicts a changing industrial landscape in which the national film institute (ICAIC) coexists with international co-producers and small, ‘independent’ production companies. By tracing the reappearance, reconfiguration, and recycling of national identity in recent fiction feature films, the book demonstrates that the spectre of the national haunts Cuban cinema in ways that reflect intensified transnational flows of people, capital, and culture. Moreover, it shows that the creative manifestations of this spectre screen—both hiding and revealing—a persistent anxiety around Cubanness even as national identity is transformed by connections to the outside world.

Author : Louis A. Pérez Jr.
Publisher : UNC Press Books
ISBN 13 : 1469601419
Total Pages : 608 pages
Book Rating : 4.10/5 ( download)

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Download or read book On Becoming Cuban written by Louis A. Pérez Jr. and published by UNC Press Books. This book was released on 2012-09-01 with total page 608 pages. Available in PDF, EPUB and Kindle. Book excerpt: With this masterful work, Louis A. Perez Jr. transforms the way we view Cuba and its relationship with the United States. On Becoming Cuban is a sweeping cultural history of the sustained encounter between the peoples of the two countries and of the ways that this encounter helped shape Cubans' identity, nationality, and sense of modernity from the early 1850s until the revolution of 1959. Using an enormous range of Cuban and U.S. sources--from archival records and oral interviews to popular magazines, novels, and motion pictures--Perez reveals a powerful web of everyday, bilateral connections between the United States and Cuba and shows how U.S. cultural forms had a critical influence on the development of Cubans' sense of themselves as a people and as a nation. He also articulates the cultural context for the revolution that erupted in Cuba in 1959. In the middle of the twentieth century, Perez argues, when economic hard times and political crises combined to make Cubans painfully aware that their American-influenced expectations of prosperity and modernity would not be realized, the stage was set for revolution.

Author : Michael Chanan
Publisher : U of Minnesota Press
ISBN 13 : 9780816634248
Total Pages : 564 pages
Book Rating : 4.46/5 ( download)

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Download or read book Cuban Cinema written by Michael Chanan and published by U of Minnesota Press. This book was released on 2004 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: New chapters express ongoing concerns about freedom of expression, the role of the Havana Film Festival in restoring Havana's central position in Latin American cinema, & the changing audience for Cuban films.

Author : Damián J. Fernández
Publisher :
ISBN 13 : 9780813018003
Total Pages : 317 pages
Book Rating : 4.05/5 ( download)

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Download or read book Cuba, the Elusive Nation written by Damián J. Fernández and published by . This book was released on 2000 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: "New readings by major exile scholars on the unsettling but weighty question of defining who the Cubans are, what constitutes their national identity, and how they might define themselves as Cubans with respect to their distant island culture. The perspectives presented cover the fields of history, political science, sociology, art, music, literature, anthropology, religion, and gender studies."--Ivan A. Schulman, University of Illinois This anthology brings together scholars from a variety of disciplines who look at one main question: What constitutes Cuban identity? Encouraged to go beyond received ideas and time-worn methodologies, they offer revisionist perspectives that argue for a "Cubanness" marked more by tension and diversity than by harmony and similarity, more impure than pure, more elastic than static. By examining issues often misrepresented or simply ignored in the past, sources and voices contribute to a fluidity that resonates with the collection's title. Contents Interpretations of National Identity, by Damián J. Fernández and Madeline Cámara Betancourt I. The Nation as Historical Narration 1. Reconstructing Cubanness: Changing Discourses of National Identity on the Island and in the Diaspora during the Twentieth Century, by Jorge Duany 2. Rethinking Tradition and Identity: The Virgin of Charity of El Cobre, by María Elena Díaz 3. Rethinking Race and Nation in Cuba, by Ada Ferrer II. The Nation as Incomplete Desire 4. Cuba and Lo Cubano, or the Story of Desire and Disenchantment, by Damián J. Fernández 5. Between Myth and Stereotype: The Image of the Mulatta in Cuban Culture in the Nineteenth Century, a Truncated Symbol of Nationality, by Madeline Cámara Betancourt 6. Boleros, Divas, and Identity Models, by José Quiroga 7. Post-Utopia: The Erotics of Power and Cuba's Revolutionary Children, by Ruth Behar 8. Cuban CondemNation of Queer Bodies, by Emilio Bejel III. The Nation as Metaphor 9. The Nation without a Story, by Antonio Vera-León 10. Bondage in Paradise: Fredrika Bremer's Travels to Cuba and the Inscape of National Identity, by Adriana Méndez Rodenas 11. The Sea, the Sea, Once and Again: Lo Cubano and the Literature of the Novismas, by Nara Araújo 12. Gallery of Cuban Writing, by Rafael Rojas IV. The National as the Transnational 13. The Musicalia of Twentieth-Century Cuban Popular Musicians, by Raúl Fernández 14. Lo Blanco-Criollo as Lo Cubano: The Symbolization of a Cuban National Identity in Modernist Painting of the 1940s, by Juan A. Martínez 15. The Trouble with Collusion: Paradoxes of the Cuban-American Way, by Max J. Castro Damián J. Fernández is associate professor and chair of the International Relations Department at Florida International University. He is the editor of Cuban Studies since the Revolution (UPF, 1992) and the author of Cuba and the Politics of Passion. Madeline Cámara Betancourt is assistant professor in the Division of Humanities at San Diego State University, Imperial Valley. She is the author of Vocación de Casandra: La poesía de María Elena Cruz Varela.

Author : Megan Feeney
Publisher : University of Chicago Press
ISBN 13 : 022659372X
Total Pages : 320 pages
Book Rating : 4.22/5 ( download)

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Download or read book Hollywood in Havana written by Megan Feeney and published by University of Chicago Press. This book was released on 2019-01-11 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the turn of the twentieth century through the late 1950s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, John Wayne, and Marlon Brando. In fact, Hollywood was seemingly everywhere in pre-Castro Havana, with movie theaters three to a block in places, widely circulated silver screen fanzines, and terms like “cowboy” and “gangster” entering Cuban vernacular speech. Hollywood in Havana uses this historical backdrop as the catalyst for a startling question: Did exposure to half a century of Hollywood pave the way for the Cuban Revolution of 1959? Megan Feeney argues that the freedom fighting extolled in American World War II dramas and the rebellious values and behaviors seen in postwar film noir helped condition Cuban audiences to expect and even demand purer forms of Cuban democracy and national sovereignty. At the same time, influential Cuban intellectuals worked to translate Hollywood ethics into revolutionary rhetoric—which, ironically, led to pointed critiques and subversions of the US presence in Cuba. Hollywood in Havana not only expands our notions of how American cinema was internalized around the world—it also broadens our view of the ongoing history of US-Cuban interactions, both cultural and political.

Author : Karen Ruth Kornweibel
Publisher : Rowman & Littlefield
ISBN 13 : 1683930983
Total Pages : 175 pages
Book Rating : 4.83/5 ( download)

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Download or read book Writing for Inclusion written by Karen Ruth Kornweibel and published by Rowman & Littlefield. This book was released on 2018-09-15 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: Writing for Inclusion is a study of some of the ways the idea of national identity developed in the nineteenth century in two neighboring nations, Cuba and The United States. The book examines symbolic, narrative, and sociological commonalities in the writings of four Afro-Cuban and African American writers: Juan Francisco Manzano and Frederick Douglass, fugitive slaves during mid-century; and Martín Morúa Delgado and Charles W. Chesnutt from the post-slavery period. All four share sensitivity to their imperfect inclusion as full citizens, engage in an examination of the process of racialization that hinders them in seeking such inclusion, and contest their definition as non-citizens. Works discussed include the slave narratives of Manzano and Douglass, Manzano’s poetry and play Zafira, andDouglass’s oratory and novella The Heroic Slave. Also considered, within the context provided by Manzano and Douglass, are Morúa and Chesnutt’s non-fiction writings about race and nation as well as their second-generation “tragic mulata” novels Sofía and The House Behind the Cedars. Based on an examination of the works of these four authors, Writing for Inclusion provides a detailed examination of examples of self-emancipation, the authors’ symbolic use of language, their expression of social anxieties or irony within the quest for recognition, and their arguments for an inclusive vision of national identity beyond the quagmires of race. By focusing on the process of racialization and ideas of race and national identity in a comparative context, the study seeks to highlight the artificial and contested nature of both terms and suggest new ways to interrogate them in our present day.

Author : Laura-Zoë Humphreys
Publisher : Duke University Press
ISBN 13 : 1478007141
Total Pages : 177 pages
Book Rating : 4.42/5 ( download)

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Download or read book Fidel between the Lines written by Laura-Zoë Humphreys and published by Duke University Press. This book was released on 2019-10-25 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Fidel between the Lines Laura-Zoë Humphreys traces the changing dynamics of criticism and censorship in late socialist Cuba through a focus on cinema. Following the collapse of the Soviet Union, the Cuban state strategically relaxed censorship, attempting to contain dissent by giving it an outlet in the arts. Along with this shift, foreign funding and digital technologies gave filmmakers more freedom to criticize the state than ever before, yet these openings also exacerbated the political paranoia that has long shaped the Cuban public sphere. Drawing on ethnographic fieldwork, textual analysis, and archival research, Humphreys shows how Cuban filmmakers have historically turned to allegory to communicate an ambivalent relationship to the Revolution, and how such efforts came up against new forms of suspicion in the 1990s and the twenty-first century. Offering insights that extend beyond Cuba, Humphreys reveals what happens to public debate when freedom of expression can no longer be distinguished from complicity while demonstrating the ways in which combining anthropology with film studies can shed light on cinema's broader social and political import.

Author : H. James Birx
Publisher : SAGE
ISBN 13 : 1412957389
Total Pages : 1139 pages
Book Rating : 4.80/5 ( download)

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Download or read book 21st Century Anthropology: A Reference Handbook written by H. James Birx and published by SAGE. This book was released on 2010 with total page 1139 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Andrea Easley Morris
Publisher : Lexington Books
ISBN 13 : 1611484235
Total Pages : 205 pages
Book Rating : 4.36/5 ( download)

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Download or read book Afro-Cuban Identity in Post-Revolutionary Novel and Film written by Andrea Easley Morris and published by Lexington Books. This book was released on 2011-11-25 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: Afro-Cuban Identity in Post-Revolutionary Novel and Film examines the changing discourse on race as portrayed in Cuban novels and films produced after 1959. Andrea Easley Morris analyzes the artists’ participation in and questioning of the revolutionary government’s revision of national identity to include the unique experience and contributions of Cuban men and women of African descent. While the Cuban revolution brought sweeping changes that vastly improved the material condition of many Afro-Cubans, at the time overrepresented among Cuba’s poor and marginalized, the government’s official position was that racial inequities had been resolved as early as 1962. Although a more open dialogue on race was cut short, the work of several novelists and film directors from the late 1960s and 70s expresses the need to explore what was gained and lost by Afro-Cubans in the early years of the revolution, among them Manuel Granados, Miguel Barnet, Nivaria Tejera, Sara Gómez, César Leante, Tomás Gutiérrez Alea, Sergio Giral, and Manuel Cofiño. Their works participate in the process of redefining Cuban national identity that took place after the revolution and, more specifically, they explore the place of Afro-Cuban identity within a broader notion of revolutionary “Cubanness.” This occurs through an emphasis on Afro-Cuban cultural practices that have constituted forms of resistance to colonial and neo-colonial oppression. This book examines the identity conflicts portrayed in these works and takes into account the artists’ negotiation of their own status within the revolutionary context by looking at the narrative strategies used to address racial issues within the constraints placed on cultural production in Cuba after 1962.

Author : Ann Marie Stock
Publisher : Univ of North Carolina Press
ISBN 13 : 9780807894194
Total Pages : 368 pages
Book Rating : 4.92/5 ( download)

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Download or read book On Location in Cuba written by Ann Marie Stock and published by Univ of North Carolina Press. This book was released on 2009-05-15 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 1990s were a time of dramatic transformation for Cuba. With the collapse of its Cold War relationship with the Soviet Union, the island nation plummeted into an era of scarcity and uncertainty known as the Special Period, a time from which it emerged only slowly in the new century. On Location in Cuba views these pivotal decades through the lens of cinema. Ann Marie Stock conducted hundreds of interviews and conversations in Cuba to examine individual artists' lives and creative output--including film, video, and audiovisual art. She explores the impact of the Cold War's end, the economic crisis that ensued, and the decentralization of the state's political, economic, and cultural apparatus. Stock focuses on what she calls Street Filmmaking--the production of emerging audiovisual artists who work outside the state film industry--to examine the island's transformation and changing notions of Cuban identity. Employing entrepreneurial approaches to producing art and to negotiating the exigencies of globalization, this younger generation of filmmakers offers fresh perspectives on what it means to be Cuban in an increasingly complex and connected world.