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Download or read book Musical Representations, Subjects, and Objects written by and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Jairo Moreno
Publisher : Indiana University Press
ISBN 13 : 9780253111197
Total Pages : 266 pages
Book Rating : 4.96/5 ( download)
Download or read book Musical Representations, Subjects, and Objects written by Jairo Moreno and published by Indiana University Press. This book was released on 2004-12-21 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jairo Moreno adapts the methodologies and nomenclature of Foucault's "archaeology of knowledge" and applies it through individual case studies to the theoretical writings of Zarlino, Descartes, Rameau, and Weber. His conclusion summarizes the conditions -- musical, philosophical, and historical -- that "make a certain form of thought about music necessary and possible at the time it emerges." Musical Meaning and Interpretation -- Robert S. Hatten, editor
Author : Stefan Lorenz Sorgner
Publisher : University of Chicago Press
ISBN 13 : 0226768392
Total Pages : 312 pages
Book Rating : 4.97/5 ( download)
Download or read book Music in German Philosophy written by Stefan Lorenz Sorgner and published by University of Chicago Press. This book was released on 2011-01-15 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though many well-known German philosophers have devoted considerable attention to music and its aesthetics, surprisingly few of their writings on the subject have been translated into English. Stefan Lorenz Sorgner, a philosopher, and Oliver Fürbeth, a musicologist, here fill this important gap for musical scholars and students alike with this compelling guide to the musical discourse of ten of the most important German philosophers, from Kant to Adorno. Music in German Philosophy includes contributions from a renowned group of ten scholars, including some of today’s most prominent German thinkers, all of whom are specialists in the writers they treat. Each chapter consists of a short biographical sketch of the philosopher concerned, a summary of his writings on aesthetics, and finally a detailed exploration of his thoughts on music. The book is prefaced by the editors’ original introduction, presenting music philosophy in Germany before and after Kant, as well as a new introduction and foreword to this English-language addition, which places contemplations on music by these German philosophers within a broader intellectual climate.
Author : Naomi Waltham-Smith
Publisher : Oxford University Press
ISBN 13 : 019066200X
Total Pages : 281 pages
Book Rating : 4.04/5 ( download)
Download or read book Music and Belonging Between Revolution and Restoration written by Naomi Waltham-Smith and published by Oxford University Press. This book was released on 2017 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: How is music implicated in the politics of belonging? Provocatively fusing recent European philosophy with music theory, this book explores the instrumental music of Haydn, Mozart and Beethoven, reveals connections between listening and constructions of community and testifies to Classical music's enduring political significance in an age of neoliberal exclusion.
Author : Benedict Taylor
Publisher : Cambridge University Press
ISBN 13 : 1009178490
Total Pages : 381 pages
Book Rating : 4.95/5 ( download)
Download or read book Music, Subjectivity, and Schumann written by Benedict Taylor and published by Cambridge University Press. This book was released on 2022-04-07 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: The concept of subjectivity is one of the most popular in recent scholarly accounts of music; it is also one of the obscurest and most ill-defined. Multifaceted and hard to pin down, subjectivity nevertheless serves an important, if not indispensable purpose, underpinning various assertions made about music and its effect on us. We may not be exactly sure what subjectivity is, but much of the reception of Western music over the last two centuries is premised upon it. Music, Subjectivity, and Schumann offers a critical examination of the notion of musical subjectivity and the first extended account of its applicability to one of the composers with whom it is most closely associated. Adopting a fluid and multivalent approach to a topic situated at the intersection of musicology, philosophy, literature, and cultural history, it seeks to provide a critical refinement of this idea and to elucidate both its importance and limits.
Author : Emily I. Dolan
Publisher : Oxford University Press
ISBN 13 : 0190637226
Total Pages : 740 pages
Book Rating : 4.24/5 ( download)
Download or read book The Oxford Handbook of Timbre written by Emily I. Dolan and published by Oxford University Press. This book was released on 2021 with total page 740 pages. Available in PDF, EPUB and Kindle. Book excerpt: "With essays covering an array of topics including ancient Homeric texts, contemporary sound installations, violin mutes, birdsong, and cochlear implants, this volume reveals the richness of what it means to think and talk about timbre and the materiality of the experience of sound"--
Author : Steve Larson
Publisher : Indiana University Press
ISBN 13 : 0253005493
Total Pages : 243 pages
Book Rating : 4.96/5 ( download)
Download or read book Musical Forces written by Steve Larson and published by Indiana University Press. This book was released on 2012-01-31 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: Steve Larson drew on his 20 years of research in music theory, cognitive linguistics, experimental psychology, and artificial intelligence—as well as his skill as a jazz pianist—to show how the experience of physical motion can shape one's musical experience. Clarifying the roles of analogy, metaphor, grouping, pattern, hierarchy, and emergence in the explanation of musical meaning, Larson explained how listeners hear tonal music through the analogues of physical gravity, magnetism, and inertia. His theory of melodic expectation goes beyond prior theories in predicting complete melodic patterns. Larson elegantly demonstrated how rhythm and meter arise from, and are given meaning by, these same musical forces.
Author : Robert S. Hatten
Publisher : Indiana University Press
ISBN 13 : 0253038014
Total Pages : 249 pages
Book Rating : 4.12/5 ( download)
Download or read book A Theory of Virtual Agency for Western Art Music written by Robert S. Hatten and published by Indiana University Press. This book was released on 2018-09-06 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: In his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds.
Author : William Echard
Publisher : Indiana University Press
ISBN 13 : 0253026598
Total Pages : 306 pages
Book Rating : 4.90/5 ( download)
Download or read book Psychedelic Popular Music written by William Echard and published by Indiana University Press. This book was released on 2017-05-22 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recognized for its distinctive musical features and its connection to periods of social innovation and ferment, the genre of psychedelia has exerted long-term influence in many areas of cultural production, including music, visual art, graphic design, film, and literature. William Echard explores the historical development of psychedelic music and its various stylistic incarnations as a genre unique for its fusion of rock, soul, funk, folk, and electronic music. Through the theory of musical topics—highly conventional musical figures that signify broad cultural concepts—and musical meaning, Echard traces the stylistic evolution of psychedelia from its inception in the early 1960s, with the Beatles' Rubber Soul and Revolver and the Kinks and Pink Floyd, to the German experimental bands and psychedelic funk of the 1970s, with a special emphasis on Parliament/Funkadelic. He concludes with a look at the 1980s and early 1990s, touching on the free festival scene, rave culture, and neo–jam bands. Set against the cultural backdrop of these decades, Echard's study of psychedelia lays the groundwork and offers lessons for analyzing the topic of popular music in the twentieth and twenty-first centuries.
Author : Jacquelyn E. C. Sholes
Publisher : Indiana University Press
ISBN 13 : 0253033179
Total Pages : 332 pages
Book Rating : 4.78/5 ( download)
Download or read book Allusion as Narrative Premise in Brahms's Instrumental Music written by Jacquelyn E. C. Sholes and published by Indiana University Press. This book was released on 2018-05-24 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: A musicologist offers a fresh look at how Brahms used the inspiration of earlier composers in his own instrumental works. As Jacquelyn E. C. Sholes reveals in this study, an essential aspect of Johannes Brahms’s art was the canny use of musical references to the works of others. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, Sholes demonstrates how a historical reference in one movement can resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. Brahms masterfully wove such references into broad, movement-spanning narratives. Sholes argues that these narratives served as expressive outlets for his complicated attitudes toward the material to which he alludes. Ultimately, Brahms’s music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to establish his own artistic voice and place in musical history.
