The Musical Experience of Composer, Performer, Listener

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Publisher :
ISBN 13 :
Total Pages : 148 pages
Book Rating : 4.97/5 ( download)

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Book Synopsis The Musical Experience of Composer, Performer, Listener by : Roger Sessions

Download or read book The Musical Experience of Composer, Performer, Listener written by Roger Sessions and published by . This book was released on 1950 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt:

“The” musical experience of composer, performer, listener

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Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.76/5 ( download)

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Book Synopsis “The” musical experience of composer, performer, listener by : Roger Sessions

Download or read book “The” musical experience of composer, performer, listener written by Roger Sessions and published by . This book was released on 1974 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Musical Experience of Composer, Performer, Listener

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Publisher : Princeton University Press
ISBN 13 : 1400871042
Total Pages : 134 pages
Book Rating : 4.49/5 ( download)

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Book Synopsis Musical Experience of Composer, Performer, Listener by : Roger Sessions

Download or read book Musical Experience of Composer, Performer, Listener written by Roger Sessions and published by Princeton University Press. This book was released on 2015-03-08 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of America's foremost contemporary composers, professor of music at the University of California, Roger Sessions here discusses the musical experience of the composer, the performer, the listener. He believes this experience to be shared, on in which all three participants play vital roles, and in this book he speaks especially to the listener. Mr. Sessions finds that the artist-public relationships has been shifted to that of producer and consumer in big business. But his reply to his own question about a threat to the future of music is both a challenge and an expression of hope. A fascinating little book that will be read with pleasure by people at all levels of musical education. Originally published in 1950. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Roger Sessions on Music

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Publisher : Princeton University Press
ISBN 13 : 1400871050
Total Pages : 401 pages
Book Rating : 4.56/5 ( download)

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Book Synopsis Roger Sessions on Music by : Roger Sessions

Download or read book Roger Sessions on Music written by Roger Sessions and published by Princeton University Press. This book was released on 2015-03-08 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the past fifty years Roger Sessions has developed, in articles, lectures, and addresses, various themes that reflect the stages of his own musical and intellectual growth. These themes form the basis of the present collection of essays. Many of the essays deal with specific problems that musicians, especially composers, have faced during the past five decades: problems related to new musical styles and techniques, to the position of composers in society, to their responsibilities as teachers, to their role during the period of the world wars, to the mutual reactions of composer and audience, and to the basic questions of musical form and expression. The collection also includes a set of critical essays on such seminal figures as Bloch, Schoenberg, and Stravinsky. Roger Sessions is the composer of a recently recorded cantata on Whitman's "When Lilacs Last in the Dooryard Bloom'd" as well as numerous other works. He is the author of The Musical Experience of Composer, Performer, and Listener (Princeton). Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Roger Sessions

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Publisher : Oxford University Press
ISBN 13 : 9780195355208
Total Pages : 382 pages
Book Rating : 4.02/5 ( download)

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Book Synopsis Roger Sessions by : Frederik Prausnitz

Download or read book Roger Sessions written by Frederik Prausnitz and published by Oxford University Press. This book was released on 2002-08-22 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: For more than half of his long life, composer Roger Sessions was a commanding figure on the American musical scene. He enjoyed the solid respect of his peers, and as a teacher of a generation of composers and author of compelling writings on his craft, his influence on musical thought remains profound. Yet, even in his lifetime, his music endured vastly disrespectful neglect. He was a "difficult" composer. Sessions was well aware of it. In a New York Times article, he wrote, "I have sometimes been told that my music is 'difficult' for the listener. There are those who consider this as praise, those who consider it a reproach. For my part I regard it as, in itself, neither one or the other...it is the way the music comes, the way it has to come." The way Sessions's music "had to come" is a recurrent focus of this biography. As the story is told, often in the composer's own words, the complex picture emerges of a remarkable man who, gradually and not very willingly, learned to accept his unexpected lot as a "difficult" composer. Frederik Prausnitz, an acquaintance of Sessions and conductor of his work, combines personal and musical insights to present this fascinating portrait of an influential, yet often overlooked, modernist composer.

The Musical Experience

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Publisher :
ISBN 13 :
Total Pages : 584 pages
Book Rating : 4.45/5 ( download)

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Book Synopsis The Musical Experience by : John Gillespie

Download or read book The Musical Experience written by John Gillespie and published by . This book was released on 1972 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Music Therapy

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Publisher : SAGE
ISBN 13 : 9780761957775
Total Pages : 178 pages
Book Rating : 4.74/5 ( download)

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Book Synopsis Music Therapy by : Rachel Darnley-Smith

Download or read book Music Therapy written by Rachel Darnley-Smith and published by SAGE. This book was released on 2003-02-18 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is an introductin to contemporary training and practice in music therapy.

Experiencing Music

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Publisher :
ISBN 13 :
Total Pages : 152 pages
Book Rating : 4.12/5 ( download)

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Book Synopsis Experiencing Music by : Vagn Holmboe

Download or read book Experiencing Music written by Vagn Holmboe and published by . This book was released on 1991 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: Here, Holmboe discusses many issues facing the composer, performer and listener, giving especial attention to the most basic questions about musical experience. Vagn Holmboe [1909-96], was one of the most important composers of his era, and arguably the most important Danish composer after Carl Nielsen. A composer for over 60 years, and a teacher for more than 30, he wrote over 300 compositions in nearly every musical genre, music criticism, many other articles and two other books. Here, in a volume intended for the general reader, he discusses the nature of music, from the point of view of the composer, the performer and the listener. Where do musical ideas come from? What are composers' working methods, and how much are they really aware of them? What is the role of performers, and what sort of freedom do they have in interpreting music?What do listeners do in listening to music? What, essentially, is the musical experience? Professor Paul Rapoport contributes a lengthy introduction to this book, although, as he points out, `this is not a book about Vagn Holmboe nor a book addressed solely to musicians ... Holmboe's prose, like his music, is addressed to his fellow human beings, whoever and wherever they may be'.

The Composer as Listener

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Publisher : New York : Collier
ISBN 13 :
Total Pages : 328 pages
Book Rating : 4.72/5 ( download)

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Book Synopsis The Composer as Listener by : Irving Kolodin

Download or read book The Composer as Listener written by Irving Kolodin and published by New York : Collier. This book was released on 1962 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Contemporary Composers On Contemporary Music

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Publisher : Da Capo Press
ISBN 13 : 0786748338
Total Pages : 510 pages
Book Rating : 4.34/5 ( download)

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Book Synopsis Contemporary Composers On Contemporary Music by : Elliott Schwartz

Download or read book Contemporary Composers On Contemporary Music written by Elliott Schwartz and published by Da Capo Press. This book was released on 2009-06-16 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology of essays, interviews, and autobiographical pieces provides an invaluable overview of the evolution of contemporary music—from chromaticism, serialism, and indeterminacy to jazz, vernacular, electronic, and non-Western influences. Featuring classic essays by Stravinsky, Stockhausen, and Reich, as well as writings by lesser-known but equally innovative composers such as Jack Beeson, Richard Maxfield, and T. J. Anderson, this collection covers a broad range of styles and approaches. Here you will find Busoni's influential "Sketch of a New Esthetic of Music"; Partch's exploration of a new notation system; Babbitt's defense of advanced composition in his controversial "Who Cares If You Listen?"; and Pauline Oliveros's meditations on sound. Now updated with fifteen new composers including Michael Tippet, György Ligeti, Gunther Schuller, Ben Johnston, Sofia Gubaidulina, and William Bolcom, this important book gathers together forty-nine pieces—many out of print and some newly written for this volume—which serve as a documentary history of twentieth-century music, in theory and practice. Impassioned, provocative, and eloquent, these writings are as exciting and diverse as the music they discuss.