Music in the Third Reich

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Author :
Publisher : Springer
ISBN 13 : 1349245828
Total Pages : 316 pages
Book Rating : 4.26/5 ( download)

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Book Synopsis Music in the Third Reich by : Erik Levi

Download or read book Music in the Third Reich written by Erik Levi and published by Springer. This book was released on 1996-04-15 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this authoritative study, one of the first to appear in English, Erik Levi explores the ambiguous relationship between music and politics during one of the darkest periods of recent cultural history. Utilising material drawn from contemporary documents, journals and newspapers, he traces the evolution of reactionary musical attitudes which were exploited by the Nazis in the final years of the Weimar Republic, chronicles the mechanisms that were established after 1933 to regiment musical life throughout Germany and the occupied territories, and examines the degree to which the climate of xenophobia, racism and anti-modernism affected the dissemination of music either in the opera house and concert hall, or on the radio and in the media.

Forbidden Music

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Publisher : Yale University Press
ISBN 13 : 0300154313
Total Pages : 505 pages
Book Rating : 4.13/5 ( download)

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Book Synopsis Forbidden Music by : Michael Haas

Download or read book Forbidden Music written by Michael Haas and published by Yale University Press. This book was released on 2013-04-15 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div

Mozart and the Nazis

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Publisher : Yale University Press
ISBN 13 : 030012306X
Total Pages : 426 pages
Book Rating : 4.67/5 ( download)

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Book Synopsis Mozart and the Nazis by : Erik Levi

Download or read book Mozart and the Nazis written by Erik Levi and published by Yale University Press. This book was released on 2010-01-01 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: T̀his book fills an important gap in our understanding of the ways in which composers - Mozart in particular - are co-opted for social, cultural and political ends. And it teaches us that reception is as significant a part of cultural history as understanding music in its own time and place.'--Cliff Eisen, Professor of Music History, King's College London.

Composers of the Nazi Era

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Publisher : Oxford University Press on Demand
ISBN 13 : 0195099249
Total Pages : 414 pages
Book Rating : 4.49/5 ( download)

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Book Synopsis Composers of the Nazi Era by : Michael H. Kater

Download or read book Composers of the Nazi Era written by Michael H. Kater and published by Oxford University Press on Demand. This book was released on 2000 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: How does creativity thrive in the face of fascism? How can a highly artistic individual function professionally in so threatening a climate? The final book in a critically acclaimed trilogy that includes Different Drummers (OUP 1992) and The Twisted Muse (OUP 1997), this is a detailed study of the often interrelated careers of eight outstanding German composers who lived and worked amid the dictatorship of the Third Reich: Werner Egk, Paul Hindemith, Kurt Weill, Karl Amadeus Hartmann, Carl Orff, Hans Pfitzner, Arnold Schoenberg, and Richard Strauss. Noted historian Michael H. Kater weighs issues of accommodation and resistance to ask whether these artists corrupted themselves in the service of a criminal regime -- and if so, whether this is evident in their music. He also considers the degrees to which the Nazis poetically, socially, economically, and aesthetically succeeded in their treatment of these individuals, whose lives and compositions represent diverse responses to totalitarianism.

Culture in the Third Reich

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Publisher : Oxford University Press, USA
ISBN 13 : 0198814607
Total Pages : 331 pages
Book Rating : 4.03/5 ( download)

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Book Synopsis Culture in the Third Reich by : Moritz Föllmer

Download or read book Culture in the Third Reich written by Moritz Föllmer and published by Oxford University Press, USA. This book was released on 2020-05-25 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'It's like being in a dream', commented Joseph Goebbels when he visited Nazi-occupied Paris in the summer of 1940. Dream and reality did indeed intermingle in the culture of the Third Reich, racialist fantasies and spectacular propaganda set-pieces contributing to this atmosphere alongside more benign cultural offerings such as performances of classical music or popular film comedies. A cultural palette that catered to the tastes of the majority helped encourage acceptance of the regime. The Third Reich was therefore eager to associate itself with comfortable middle-brow conventionality, while at the same time exploiting the latest trends that modern mass culture had to offer. And it was precisely because the culture of the Nazi period accommodated such a range of different needs and aspirations that it was so successfully able to legitimize war, imperial domination, and destruction. Moritz F�llmer turns the spotlight on this fundamental aspect of the Third Reich's successful cultural appeal in this ground-breaking new study, investigating what 'culture' meant for people in the years between 1933 and 1945: for convinced National Socialists at one end of the spectrum, via the legions of the apparently 'unpolitical', right through to anti-fascist activists, Jewish people, and other victims of the regime at the other end of the spectrum. Relating the everyday experience of people living under Nazism, he is able to give us a privileged insight into the question of why so many Germans enthusiastically embraced the regime and identified so closely with it.

A Jewish Orchestra in Nazi Germany

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Publisher : University of Michigan Press
ISBN 13 : 0472034979
Total Pages : 269 pages
Book Rating : 4.70/5 ( download)

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Book Synopsis A Jewish Orchestra in Nazi Germany by : Lily E. Hirsch

Download or read book A Jewish Orchestra in Nazi Germany written by Lily E. Hirsch and published by University of Michigan Press. This book was released on 2011-12-27 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the complicated history of a Jewish cultural organization supported by Nazi Germany

Music in the Holocaust

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Publisher : Oxford University Press on Demand
ISBN 13 : 0199277974
Total Pages : 262 pages
Book Rating : 4.71/5 ( download)

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Book Synopsis Music in the Holocaust by : Assistant Professor of History Shirli Gilbert

Download or read book Music in the Holocaust written by Assistant Professor of History Shirli Gilbert and published by Oxford University Press on Demand. This book was released on 2005-03-17 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description

Music after Hitler, 1945-1955

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Publisher : Routledge
ISBN 13 : 1351557831
Total Pages : 292 pages
Book Rating : 4.32/5 ( download)

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Book Synopsis Music after Hitler, 1945-1955 by : Toby Thacker

Download or read book Music after Hitler, 1945-1955 written by Toby Thacker and published by Routledge. This book was released on 2017-07-05 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: The political control of music in the Third Reich has been analysed from several perspectives, and with ever increasing sophistication. However, music in Germany after 1945 has not received anything like the same treatment. Rather, there is an assumption that two separate musical cultures emerged in East and West alongside the division of Germany into two states with differing economic and political systems. There is a widely accepted view of music in West Germany as 'free', and in the East subject to party control. Toby Thacker challenges these assumptions, asking how and why music was controlled in Germany under Allied Occupation from 1945-1949, and in the early years of 'semi-sovereignty' between 1949 and 1955. The 're-education' of Germany after the Hitler years was a unique historical experiment and the place of music within this is explored here for the first time. While emphasizing political, economic and broader social structures that influenced the production and reception of different musical forms, the book is informed by a sense of human agency, and explores the role of salient individuals in the reconstruction of music in post-war Germany. The focus is not restricted to any one kind of music, but concentrates on those aspects of music, professional and amateur, live and recorded, which appeared to be the mostly highly charged politically to contemporaries. Particular attention is given to 'denazification' and to the introduction of international music. Thacker traces the development of a divide between Communist and liberal-democratic understandings of the place of music in society. The contested celebrations of the Bach Year in 1950 are used to highlight the role of music in the broader cultural confrontation between East and West. Thacker examines the ways in which central governments in East and West Germany sought to control and influence music through mechanisms of censorship and positive support. The book will therefore be of interest not only

The Military Music & Bandsmen of Adolf Hitler's Third Reich, 1933-1945

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Publisher :
ISBN 13 :
Total Pages : 334 pages
Book Rating : 4.60/5 ( download)

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Book Synopsis The Military Music & Bandsmen of Adolf Hitler's Third Reich, 1933-1945 by : Brian Matthews

Download or read book The Military Music & Bandsmen of Adolf Hitler's Third Reich, 1933-1945 written by Brian Matthews and published by . This book was released on 2002 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Culture in Nazi Germany

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Publisher : Yale University Press
ISBN 13 : 0300245114
Total Pages : 388 pages
Book Rating : 4.10/5 ( download)

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Book Synopsis Culture in Nazi Germany by : Michael H. Kater

Download or read book Culture in Nazi Germany written by Michael H. Kater and published by Yale University Press. This book was released on 2019-05-21 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: “A much-needed study of the aesthetics and cultural mores of the Third Reich . . . rich in detail and documentation.” (Kirkus Reviews) Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler’s enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany’s military campaigns. Michael H. Kater’s engaging and deeply researched account of artistic culture within Nazi Germany considers how the German arts-and-letters scene was transformed when the Nazis came to power. With a broad purview that ranges widely across music, literature, film, theater, the press, and visual arts, Kater details the struggle between creative autonomy and political control as he looks at what became of German artists and their work both during and subsequent to Nazi rule. “Absorbing, chilling study of German artistic life under Hitler” —The Sunday Times “There is no greater authority on the culture of the Nazi period than Michael Kater, and his latest, most ambitious work gives a comprehensive overview of a dismally complex history, astonishing in its breadth of knowledge and acute in its critical perceptions.” —Alex Ross, music critic at The New Yorker and author of The Rest is Noise Listed on Choice's Outstanding Academic Titles List for 2019 Winner of the Jewish Literary Award in Scholarship