Music in Eighteenth-Century Britain

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Author :
Publisher : Routledge
ISBN 13 : 1351557408
Total Pages : 427 pages
Book Rating : 4.05/5 ( download)

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Book Synopsis Music in Eighteenth-Century Britain by : DavidWyn Jones

Download or read book Music in Eighteenth-Century Britain written by DavidWyn Jones and published by Routledge. This book was released on 2017-07-05 with total page 427 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.

Music as a Science of Mankind in Eighteenth-century Britain

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Author :
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 9781409428688
Total Pages : 208 pages
Book Rating : 4.80/5 ( download)

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Book Synopsis Music as a Science of Mankind in Eighteenth-century Britain by : Maria Semi

Download or read book Music as a Science of Mankind in Eighteenth-century Britain written by Maria Semi and published by Ashgate Publishing, Ltd.. This book was released on 2012 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music as a Science of Mankind offers a philosophical and historical perspective on the intellectual representation of music in British eighteenth-century culture. A particularly rich field of investigation, developed between the seventeenth and eighteenth centuries, was the British philosophy of the mind and of human understanding which looked at music and found in its realm a way of understanding human experience. Maria Semi sheds light on how these reflections moved towards a Science of Music: the discipline that was later to be known as 'musicology'.

Music and the Benefit Performance in Eighteenth-Century Britain

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Author :
Publisher : Cambridge University Press
ISBN 13 : 1108492932
Total Pages : 303 pages
Book Rating : 4.35/5 ( download)

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Book Synopsis Music and the Benefit Performance in Eighteenth-Century Britain by : Matthew Gardner

Download or read book Music and the Benefit Performance in Eighteenth-Century Britain written by Matthew Gardner and published by Cambridge University Press. This book was released on 2019-10-31 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.

Concert Life in Eighteenth-Century Britain

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Author :
Publisher : Routledge
ISBN 13 : 1351571206
Total Pages : 336 pages
Book Rating : 4.03/5 ( download)

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Book Synopsis Concert Life in Eighteenth-Century Britain by : Susan Wollenberg

Download or read book Concert Life in Eighteenth-Century Britain written by Susan Wollenberg and published by Routledge. This book was released on 2017-07-05 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years there has been a considerable revival of interest in music in eighteenth-century Britain. This interest has now expanded beyond the consideration of composers and their music to include the performing institutions of the period and their relationship to the wider social scene. The collection of essays presented here offers a portrayal of concert life in Britain that contributes greatly to the wider understanding of social and cultural life in the eighteenth century. Music was not merely a pastime but was irrevocably linked with its social, political and literary contexts. The perspectives of performers, organisers, patrons, audiences, publishers, copyists and consumers are considered here in relation to the concert experience. All of the essays taken together construct an understanding of musical communities and the origins of the modern concert system. This is achieved by focusing on the development of music societies; the promotion of musical events; the mobility and advancement of musicians; systems of patronage; the social status of musicians; the repertoire performed and published; the role of women pianists and the 'topography' of concerts. In this way, the book will not only appeal to music specialists, but also to social and cultural historians.

The Politics of Songs in Eighteenth-Century Britain, 1723–1795

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Author :
Publisher : Routledge
ISBN 13 : 1317318013
Total Pages : 272 pages
Book Rating : 4.19/5 ( download)

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Book Synopsis The Politics of Songs in Eighteenth-Century Britain, 1723–1795 by : Kate Horgan

Download or read book The Politics of Songs in Eighteenth-Century Britain, 1723–1795 written by Kate Horgan and published by Routledge. This book was released on 2015-10-06 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Horgan analyses the importance of songs in British eighteenth-century culture with specific reference to their political meaning. Using an interdisciplinary methodology, combining the perspectives of literary studies and cultural history, the utilitarian power of songs emerges across four major case studies.

The Power of Pastiche

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Author :
Publisher : Liverpool University Press
ISBN 13 : 1942954786
Total Pages : 336 pages
Book Rating : 4.81/5 ( download)

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Book Synopsis The Power of Pastiche by : Alison DeSimone

Download or read book The Power of Pastiche written by Alison DeSimone and published by Liverpool University Press. This book was released on 2021-04-01 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: In eighteenth-century England, “variety” became a prized aesthetic in musical culture. Not only was variety—of counterpoint, harmony, melody, and orchestration—expected for good composition, but it also manifested in cultural mediums such as songbook anthologies, which compiled miscellaneous songs and styles in single volumes; pasticcio operas, which were cobbled together from excerpts from other operas; and public concerts, which offered a hodgepodge assortment of different types and styles of performance. I call this trend of producing music through the collection, assemblage, and juxtaposition of various smaller pieces as musical miscellany; like a jigsaw puzzle (also invented in the eighteenth century), the urge to construct a whole out of smaller, different parts reflected a growing desire to appeal to a quickly diversifying England. This book explores the phenomenon of musical miscellany in early eighteenth-century England both in performance culture and as an aesthetic. Chapters offer analyses of concert programming, early music criticism, the compilation of pasticcio operas and songbook miscellanies, and even the ways in which composers and performers shaped their freelancing careers. Musical miscellany, in its many forms, juxtaposed foreign and homegrown musical practices and styles in order to stimulate discourse surrounding English musical culture during a time of cosmopolitan transformation as the eighteenth century unfolded.

Music and Culture in Eighteenth-Century Europe

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Author :
Publisher : University of Chicago Press
ISBN 13 : 9780226267326
Total Pages : 436 pages
Book Rating : 4.26/5 ( download)

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Book Synopsis Music and Culture in Eighteenth-Century Europe by : Enrico Fubini

Download or read book Music and Culture in Eighteenth-Century Europe written by Enrico Fubini and published by University of Chicago Press. This book was released on 1994-08-15 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book collects key writings about eighteenth century music . It brings together for the first time in one place, a wide selection of essential documents not only about music theory and practice, but about the historical, philosophical, aesthetic, ideological, and literary debates which held sway during a century when musical thought and criticism gained a privileged position in the culture of Europe. Enrico Fubini offers a sampling of English, French, German, and Italian writings on topics ranging from Enlightenment rationalism and the theories of harmony to German musical culture and the polemics on J. S. Bach. Organized by topic and historical period these selections go beyond writings dealing exclusively with specific musical works to larger issues of theory and the reception of musical ideas in the culture at large. The selections are from books, journals, newspapers, pamphlets, and letters; the contributors include Diderot, Rousseau, Voltaire, Grimm, Alfieri, Rameau, Quantz, Gluck, Tartini, Leopold and W. A. Mozart, and C. P .E. Bach. Many are translated here for the first time. With general and chapter introductions, restored footnotes, and other valuable annotations, and a biographical appendix, this anthology will interest music scholars, students, and teachers.

Concert Life in Eighteenth-century Britain

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Author :
Publisher : Routledge
ISBN 13 : 9780754638681
Total Pages : 299 pages
Book Rating : 4.85/5 ( download)

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Book Synopsis Concert Life in Eighteenth-century Britain by : Susan Wollenberg

Download or read book Concert Life in Eighteenth-century Britain written by Susan Wollenberg and published by Routledge. This book was released on 2004 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years there has been a considerable revival of interest in music in eighteenth-century Britain. This interest has now expanded beyond the consideration of composers and their music to include the performing institutions of the period and their relationship to the wider social scene. The collection of essays presented here offers a portrayal of concert life in Britain that contributes greatly to the wider understanding of social and cultural life in the eighteenth century. Music was not merely a pastime but was irrevocably linked with its social, political and literary contexts. The perspectives of performers, organisers, patrons, audiences, publishers, copyists and consumers are considered here in relation to the concert experience. All of the essays taken together construct an understanding of musical communities and the origins of the modern concert system. This is achieved by focusing on the development of music societies; the promotion of musical events; the mobility and advancement of musicians; systems of patronage; the social status of musicians; the repertoire performed and published; the role of women pianists and the 'topography' of concerts. In this way, the book will not only appeal to music specialists, but also to social and cultural historians.

Music in Eighteenth-Century England

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Author :
Publisher : Cambridge University Press
ISBN 13 : 9780521235259
Total Pages : 298 pages
Book Rating : 4.51/5 ( download)

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Book Synopsis Music in Eighteenth-Century England by : Charles Cudworth

Download or read book Music in Eighteenth-Century England written by Charles Cudworth and published by Cambridge University Press. This book was released on 1983 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this book are devoted to the social and intellectual background of eighteenth-century music.

Music in the Eighteenth Century

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Author :
Publisher : W. W. Norton & Company
ISBN 13 : 9780393929188
Total Pages : 0 pages
Book Rating : 4.83/5 ( download)

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Book Synopsis Music in the Eighteenth Century by : John A. Rice

Download or read book Music in the Eighteenth Century written by John A. Rice and published by W. W. Norton & Company. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eighteenth Century Music in its cultural, social, and intellectual contexts. John Rice's Music in the Eighteenth Century takes the reader on an engrossing Grand Tour of Europe's musical centers, from Naples, to London, Berlin, Vienna, Prague, and St. Petersburg —with a side trip to the colonial New World. Against the backdrop of Europe's largely peaceful division into Catholic and Protestant realms, Rice shows how "learned" and "galant" styles developed and commingled. While considering Mozart, Haydn, and early Beethoven in depth, he broadens his focus to assess the contributions of lesser-known but significant figures like Johann Adam Hiller, Francois-André Philidor, and Anna Bon. Western Music in Context: A Norton History comprises six volumes of moderate length, each written in an engaging style by a recognized expert. Authoritative and current, the series examines music in the broadest sense—as sounds notated, performed, and heard—focusing not only on composers and works, but also on broader social and intellectual currents.