Music In Edwardian London

Author : Simon McVeigh
Publisher : Boydell & Brewer
ISBN 13 : 1837651345
Total Pages : 345 pages
Book Rating : 4.44/5 ( download)

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Download or read book Music in Edwardian London written by Simon McVeigh and published by Boydell & Brewer. This book was released on 2024-05-21 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traversing London's musical culture, this book boldly illuminates the emergence of Edwardian London as a beacon of musical innovation. The dawning of a new century saw London emerge as a hub in a fast-developing global music industry, mirroring Britain's pivotal position between the continent, the Americas and the British Empire. It was a period of expansion, experiment and entrepreneurial energy. Rather than conservative and inward-looking, London was invigorated by new ideas, from pioneering musical comedy and revue to the modernist departures of Debussy and Stravinsky. Meanwhile, Elgar, Holst, Vaughan Williams, and a host of ambitious younger composers sought to reposition British music in a rapidly evolving soundscape. Music was central to society at every level. Just as opulent theatres proliferated in the West End, concert life was revitalised by new symphony orchestras, by the Queen's Hall promenade concerts, and by Sunday concerts at the vast Albert Hall. Through innumerable band and gramophone concerts in the parks, music from Wagner to Irving Berlin became available as never before. The book envisions a burgeoning urban culture through a series of snapshots - daily musical life in all its messy diversity. While tackling themes of cosmopolitanism and nationalism, high and low brows, centres and peripheries, it evokes contemporary voices and characterful individuals to illuminate the period. Challenging issues include the barriers faced by women and people of colour, and attitudes inhibiting the new generation of British composers - not to mention embedded imperialist ideologies reflecting London's precarious position at the centre of Empire. Engagingly written, Simon McVeigh's groundbreaking book reveals the exhilarating transformation of music in Edwardian London, which laid the foundations for the century to come.

Author : Ronald Pearsall
Publisher :
ISBN 13 :
Total Pages : 248 pages
Book Rating : 4.48/5 ( download)

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Download or read book Victorian Popular Music written by Ronald Pearsall and published by . This book was released on 1973 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Ronald Pearsall
Publisher : Newton Abbot, [Eng.] ; North Pomfret, Vt. : David & Charles
ISBN 13 :
Total Pages : 216 pages
Book Rating : 4.49/5 ( download)

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Download or read book Edwardian Popular Music written by Ronald Pearsall and published by Newton Abbot, [Eng.] ; North Pomfret, Vt. : David & Charles. This book was released on 1975 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Christina Bashford
Publisher : Boydell Press
ISBN 13 : 9781843832980
Total Pages : 434 pages
Book Rating : 4.84/5 ( download)

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Download or read book The Pursuit of High Culture written by Christina Bashford and published by Boydell Press. This book was released on 2007 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: This monograph investigates the promotion and consumption of high musical culture among leisured society in Victorian London, by focusing on the activities of the concert manager John Ella and his Musical Union. This monograph investigates the promotion and consumption of high musical culture among leisured society in Victorian London, by focusing on the activities of the concert manager John Ella and his Musical Union [1845-81], an eminent, long-lived institution for chamber music, much fêted across Europe in its day. It combines a biography of Ella with a social-economic history of the Musical Union, its players, repertoire and audiences, and sets them against the gradually shifting contexts for London concerts, chamber music and cultural life. Ella's extraordinary life story, which began in provincial, artisan-class obscurity and ended in the upper echelons of London society, shapes thenarrative. Such themes as entrepreneurship, concert management, taste shaping, music appreciation and elite social networks are discussed throughout, as is the curious interplay between the desire to 'sacralize' chamber music, especially Beethoven's, on the one hand, and the need to survive amid the increasing commercial imperatives of London concert life on the other. CHRISTINA BASHFORD is Assistant Professor of Musicology at the University of Illinois at Urbana-Champaign.

Author : Alexandra Carter
Publisher : Routledge
ISBN 13 : 1351163620
Total Pages : 187 pages
Book Rating : 4.20/5 ( download)

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Download or read book Dance and Dancers in the Victorian and Edwardian Music Hall Ballet written by Alexandra Carter and published by Routledge. This book was released on 2017-11-28 with total page 187 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2005. The Victorian and Edwardian music hall ballet has been a neglected facet of dance historiography, falling prey principally to the misguided assumption that any ballet not performed at the Opera House or 'legitimate' theatre necessarily meant it was of low cultural and artistic merit. Here Alexandra Carter identifies the traditional marginalization of the working class female participants in ballet historiography, and moves on to reinstate the 'lost' period of the music hall ballet and to apply a critical account of that period. Carter examines the working conditions of the dancers, the identities and professional lives of the ballet girls and the ways in which the ballet of the music hall embodied the sexual psyche of the period, particularly in its representations of the ballet girl and the ballerina. By drawing on newspapers, journals, theatre programmes, contemporary fiction, poetry and autobiography, Carter firmly locates the period in its social, economic and artistic context. The book culminates in the argument that there are direct links between the music hall ballet and what has been termed the 'birth' of British ballet in the 1930s; a link so long ignored by dance historians. This work will appeal not only to those interested in nineteenth century studies, but also to those working in the fields of dance studies, gender studies, cultural studies and the performing arts.

Author : Rosemary Golding
Publisher : Routledge
ISBN 13 : 1351965743
Total Pages : 230 pages
Book Rating : 4.43/5 ( download)

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Download or read book The Music Profession in Britain, 1780-1920 written by Rosemary Golding and published by Routledge. This book was released on 2018-03-15 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Professionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attempt to impose order and standards amid rapid social change, urbanisation and technological development. The structures and expectations governing the music profession were no exception, and were central to changing perceptions of musicians and music itself during the long nineteenth century. The central themes of status and identity run throughout this book, charting ways in which the music profession engaged with its place in society. Contributors investigate the ways in which musicians viewed their own identities, public perceptions of the working musician, the statuses of different sectors of the profession and attempts to manipulate both status and identity. Ten chapters examine a range of sectors of the music profession, from publishers and performers to teachers and military musicians, and overall themes include class, gender and formal accreditation. The chapters demonstrate the wide range of sectors within the music profession, the different ways in which these took on status and identity, and the unique position of professional musicians both to adopt and to challenge social norms.

Author : Dave Russell
Publisher : Manchester University Press
ISBN 13 : 9780719052613
Total Pages : 366 pages
Book Rating : 4.10/5 ( download)

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Download or read book Popular Music in England 1840-1914 written by Dave Russell and published by Manchester University Press. This book was released on 1997 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this important study, Dave Russell explores a wide range of Victorian and Edwardian musical life including brass bands, choral societies, music hall and popular concerts. He analyzes the way in which popular cultural practice was shaped by and, in turn, helped shape social and economic structures. Critically acclaimed on publication in 1987, the book has been fully revised in order to consider recent work in the field.

Author : Sarah Collins
Publisher : Cambridge University Press
ISBN 13 : 1108480055
Total Pages : 269 pages
Book Rating : 4.55/5 ( download)

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Download or read book Music and Victorian Liberalism written by Sarah Collins and published by Cambridge University Press. This book was released on 2019-06-06 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the interaction between music and liberal discourses in Victorian Britain, revealing the close interdependence of political and aesthetic practices.

Author : Sarah Kirby
Publisher : Boydell & Brewer
ISBN 13 : 1783276738
Total Pages : 264 pages
Book Rating : 4.38/5 ( download)

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Download or read book Exhibitions, Music and the British Empire written by Sarah Kirby and published by Boydell & Brewer. This book was released on 2022 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: "International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, trading these through the networks of communication that existed within the British Empire at the time. Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into broader debates about music's role in society"--Page 4 of cover.

Author : Kerry Powell
Publisher : Cambridge University Press
ISBN 13 : 9780521795364
Total Pages : 312 pages
Book Rating : 4.62/5 ( download)

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Download or read book The Cambridge Companion to Victorian and Edwardian Theatre written by Kerry Powell and published by Cambridge University Press. This book was released on 2004-02-19 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Companion is designed for readers interested in the creation, production and interpretation of Victorian and Edwardian theatre in its own time and on the contemporary stage. The volume opens with an introduction surveying the theatre of the time, followed by an essay contextualizing the theatre within the culture as a whole. Succeeding chapters examine performance, production, and theatre, including the music, the actors, stagecraft and the audience; plays and playwriting and issues of class and gender. Chapters also deal with comedy, farce, melodrama, and the economics of the theatre.