Music and Ideology

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Publisher : Routledge
ISBN 13 : 1351557718
Total Pages : 615 pages
Book Rating : 4.19/5 ( download)

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Book Synopsis Music and Ideology by : Mark Carroll

Download or read book Music and Ideology written by Mark Carroll and published by Routledge. This book was released on 2017-07-05 with total page 615 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume gathers together a cross-section of essays and book chapters dealing with the ways in which musicians and their music have been pressed into the service of political, nationalist and racial ideologies. Arranged chronologically according to their subject matter, the selections cover Western and non-Western musics, as well as art and popular musics, from the eighteenth century to the present day. The introduction features detailed commentaries on sources beyond those included in the volume, and as such provides an invaluable and comprehensive reading list for researchers and educators alike. The volume brings together for the first time seminal articles written by leading scholars, and presents them in such a way as to contribute significantly to our understanding of the use and abuse of music for ideological ends.

Style and Music

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Publisher : University of Chicago Press
ISBN 13 : 9780226521527
Total Pages : 396 pages
Book Rating : 4.24/5 ( download)

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Book Synopsis Style and Music by : Leonard B. Meyer

Download or read book Style and Music written by Leonard B. Meyer and published by University of Chicago Press. This book was released on 1996 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: Leonard Meyer proposes a theory of style and style change that relates the choices made by composers to the constraints of psychology, cultural context, and musical traditions. He explores why, out of the abundance of compositional possibilities, composers choose to replicate some patterns and neglect others. Meyer devotes the latter part of his book to a sketch-history of nineteenth-century music. He shows explicitly how the beliefs and attitudes of Romanticism influenced the choices of composers from Beethoven to Mahler and into our own time. "A monumental work. . . . Most authors concede the relation of music to its cultural milieu, but few have probed so deeply in demonstrating this interaction."—Choice "Probes the foundations of musical research precisely at the joints where theory and history fold into one another."—Kevin Korsyn, Journal of American Musicological Society "A remarkably rich and multifaceted, yet unified argument. . . . No one else could have brought off this immense project with anything like Meyer's command."—Robert P. Morgan, Music Perception "Anyone who attempts to deal with Romanticism in scholarly depth must bring to the task not only musical and historical expertise but unquenchable optimism. Because Leonard B. Meyer has those qualities in abundance, he has been able to offer fresh insight into the Romantic concept."—Donal Henahan, New York Times

Music/ideology

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Publisher : Psychology Press
ISBN 13 : 9789057013218
Total Pages : 336 pages
Book Rating : 4.15/5 ( download)

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Book Synopsis Music/ideology by : Jean-François Lyotard

Download or read book Music/ideology written by Jean-François Lyotard and published by Psychology Press. This book was released on 1998 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music/Ideology is a response to the question: Must the practice of music analysis and music theory always reinscribe the ideology of aesthetic autonomy? And, if not, under what circumstances does it reinscribe that ideology? The responses to these questions should appeal not only to music and cultural theorists, but also to a larger audience engaged in critical theory. These essays serve as an introduction to the broad array of issues arising from approaches that represent the full spectrum, from music-theoretical to marxist and feminist issues. Such questions are of vital importance, and not only to those who are engaged in establishing a connection among music theory, music analysis, and aesthetic ideology. Music/Ideology presents today's most interesting critical thinkers in postmodern theory and music theory, introducing an interdisciplinary approach and covering a wide range of subjects - both by implication and explication.

Music between Ontology and Ideology

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1527547582
Total Pages : 150 pages
Book Rating : 4.82/5 ( download)

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Book Synopsis Music between Ontology and Ideology by : Milena Bozhikova

Download or read book Music between Ontology and Ideology written by Milena Bozhikova and published by Cambridge Scholars Publishing. This book was released on 2020-02-26 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on two main topics related to the essence of music, the first of which problematizes the ontological unity of music, philosophy and mathematics. The second concern of the text is the direction of social ontology or the existence of music in the context of ideological debates about style. The book looks at music’s role as part of social ontology, and the part it played in documentarily recreating the post-Stalinism of the late 1950s and 1960s.

The Pleasure of Modernist Music

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Publisher : Boydell & Brewer
ISBN 13 : 1580461433
Total Pages : 417 pages
Book Rating : 4.36/5 ( download)

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Book Synopsis The Pleasure of Modernist Music by : Arved Mark Ashby

Download or read book The Pleasure of Modernist Music written by Arved Mark Ashby and published by Boydell & Brewer. This book was released on 2004 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: The debate over modernist music has continued for almost a century: from Berg's Wozzeck and Webern's Symphony Op.21 to John Cage's renegotiation of musical control, the unusual musical practices of the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux Aeterna in the epic film 2001. The composers discussed in these pages -- including Bartók, Stockhausen, Bernard Herrmann, Steve Reich, and many others -- are modernists in that they are defined by their individualism, whether covert or overt, and share a basic urge toward redesigning musical discourse. The aim of this volume is to negotiate a varied and open middle ground between polemical extremes of reception. The contributors sketch out the possible significance of a repertory that in past discussions has been deemed either meaningless or beyond describable meaning. With an emphasis on recent aesthetics and contexts -- including film music, sexuality, metaphor, and ideas of a listening grammar -- they trace the meanings that such works and composers have held for listeners of different kinds. None of them takes up the usual mandate of "educated listening" to modernist works: the notion that a person can appreciate "difficult" music if given enough time and schooling. Instead the book defines novel but meaningful avenues of significance for modernist music, avenues beyond those deemed appropriate or acceptable by the academy. While some contributors offer new listening strategies, most interpret the listening premise more loosely: as a metaphor for any manner of personal and immediate connection with music. In addition to a previously untranslated article by Pierre Boulez, the volume contains articles (all but one previously unpublished) by twelve distinctive and prominent composers, music critics, and music theorists from America, Europe, Australia, and South Africa: Arved Ashby, Amy Bauer, William Bolcom, Jonathan Bernard, Judy Lochhead, Fred Maus, Andrew Mead, Greg Sandow, Martin Scherzinger, Jeremy Tambling, Richard Toop, and Lloyd Whitesell. Arved Ashby is Associate Professor of Music at the Ohio State University.

The Ideology of Competition in School Music

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Publisher : Oxford University Press
ISBN 13 : 0197570836
Total Pages : 185 pages
Book Rating : 4.38/5 ( download)

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Book Synopsis The Ideology of Competition in School Music by : Sean Robert Powell

Download or read book The Ideology of Competition in School Music written by Sean Robert Powell and published by Oxford University Press. This book was released on 2023 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Ideology of Competition in School Music explores competition as a structuring force in school music and provides critiques of that system from multiple philosophical and theoretical perspectives. Competition is seen by many music teachers, students, and supporters as natural and inevitable--a taken-for-granted aspect of music education or an irresistible force, rather than a choice. This book uncovers this ideological nature of competition and examines its effect on student learning, teacher agency, and equity within music education. It considers ways in which music educators might reconsider the role of competition in their teaching practice and offers alternative frameworks for organizing school music. In this book, author Sean Robert Powell views competition as a microcosm of the wider neoliberal capitalist society, in which subjects are interpellated in an antagonistic competitive field as market logic dictates a system of accountability, reduction, and audit culture. Music teachers, students, and education administrators, consciously and unconsciously, reinforce, replicate, and sustain the competitive structure, even if they do so while expressing a cynical disavowal. Powell considers competition broadly, including, for example: formal competitions between schools in which ensembles are given numerical scores and ranked; "festivals" in which groups are given ratings based on pre-given criteria; state, regional, and national honor ensembles; hierarchical arrangements within school music programs; or simply the pursuit of social prestige, reputation, and ever-higher performance standards. Although the book provides examples from the competitive landscape of school music in the United States (and, especially, Texas, considered a "hyper" example of competitive culture), Powell's analyses and discussions are relevant to readers in any context around the world. Although the degree to which competitive achievement as an explicitly-stated aim of instruction varies from program to program and location to location, the "realism" of neoliberal capitalism--and its effect on all aspects of education--is a global phenomenon.

Music as Intangible Cultural Heritage

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Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409483584
Total Pages : 469 pages
Book Rating : 4.88/5 ( download)

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Book Synopsis Music as Intangible Cultural Heritage by : Professor Keith Howard

Download or read book Music as Intangible Cultural Heritage written by Professor Keith Howard and published by Ashgate Publishing, Ltd.. This book was released on 2012-10-28 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focussing on music traditions, these essays explore the policy, ideology and practice of preservation and promotion of East Asian intangible cultural heritage. For the first time, Japan, Korea, China and Taiwan - states that were amongst the first to establish legislation and systems for indigenous traditions - are considered together. Calls to preserve the intangible heritage have recently become louder, not least with increasing UNESCO attention. The imperative to preserve is, throughout the region, cast as a way to counter the perceived loss of cultural diversity caused by globalization, modernization, urbanization and the spread of the mass media. Four chapters - one each on China, Korea, Taiwan and Japan - incorporate a foundational overview of preservation policy and practice of musical intangible cultural heritage at the state level. These chapters are complemented by a set of chapters that explore how the practice of policy has impacted on specific musics, from Confucian ritual through Kam big song to the Okinawan sanshin. Each chapter is based on rich ethnographic data collected through extended fieldwork. The team of international contributors give both insider and outsider perspectives as they both account for, and critique, policy, ideology and practice in East Asian music as intangible cultural heritage.

Music and Ideology in Cold War Europe

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Publisher : Cambridge University Press
ISBN 13 : 0521031133
Total Pages : 257 pages
Book Rating : 4.34/5 ( download)

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Book Synopsis Music and Ideology in Cold War Europe by : Mark Carroll

Download or read book Music and Ideology in Cold War Europe written by Mark Carroll and published by Cambridge University Press. This book was released on 2006-11-02 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Places the radicalization of art music in early post-war France in its broader socio-cultural and political context.

Breaking Rocks

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Publisher : Berghahn Books
ISBN 13 : 1785333992
Total Pages : 272 pages
Book Rating : 4.96/5 ( download)

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Book Synopsis Breaking Rocks by : Joe Trapido

Download or read book Breaking Rocks written by Joe Trapido and published by Berghahn Books. This book was released on 2016-12-01 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on fieldwork in Kinshasa and Paris, Breaking Rocks examines patronage payments within Congolese popular music, where a love song dedication can cost 6,000 dollars and a simple name check can trade for 500 or 600 dollars. Tracing this system of prestige through networks of musicians and patrons – who include gangsters based in Europe, kleptocratic politicians in Congo, and lawless diamond dealers in northern Angola – this book offers insights into ideologies of power and value in central Africa’s troubled post-colonial political economy, as well as a glimpse into the economic flows that make up the hidden side of the globalization.

Music and Image

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Publisher : CUP Archive
ISBN 13 : 9780521448543
Total Pages : 270 pages
Book Rating : 4.49/5 ( download)

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Book Synopsis Music and Image by : Richard Leppert

Download or read book Music and Image written by Richard Leppert and published by CUP Archive. This book was released on 1993-06-24 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of the place and practice of musical life in eighteenth-century England among the upper classes.