Music Entries At Stationers Hall

Author : Michael Kassler
Publisher : Routledge
ISBN 13 : 131709204X
Total Pages : 851 pages
Book Rating : 4.49/5 ( download)

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Download or read book Music Entries at Stationers' Hall, 1710–1818 written by Michael Kassler and published by Routledge. This book was released on 2016-04-29 with total page 851 pages. Available in PDF, EPUB and Kindle. Book excerpt: The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.

Author :
Publisher :
ISBN 13 : 9781315596761
Total Pages : 735 pages
Book Rating : 4.68/5 ( download)

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Download or read book Music Entries at Stationers' Hall, 1710-1818 written by and published by . This book was released on 2004 with total page 735 pages. Available in PDF, EPUB and Kindle. Book excerpt:

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Publisher :
ISBN 13 : 9780754634584
Total Pages : 735 pages
Book Rating : 4.82/5 ( download)

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Download or read book Music Entries at Stationers' Hall written by and published by . This book was released on 2004 with total page 735 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author :
Publisher :
ISBN 13 :
Total Pages : 735 pages
Book Rating : 4.99/5 ( download)

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Download or read book Music Entries at Stationers' Hall, 1710-1818 written by and published by . This book was released on 2004 with total page 735 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Michael Kassler
Publisher : Routledge
ISBN 13 : 1317092058
Total Pages : 764 pages
Book Rating : 4.56/5 ( download)

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Download or read book Music Entries at Stationers' Hall, 1710–1818 written by Michael Kassler and published by Routledge. This book was released on 2016-04-29 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt: The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.

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ISBN 13 :
Total Pages : pages
Book Rating : 4.61/5 ( download)

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Download or read book Stationers' Hall music collection written by and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Leslie Ritchie
Publisher : Routledge
ISBN 13 : 1351536621
Total Pages : 280 pages
Book Rating : 4.22/5 ( download)

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Download or read book Women Writing Music in Late Eighteenth-Century England written by Leslie Ritchie and published by Routledge. This book was released on 2017-07-05 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barthmon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.

Author : Michael Kassler
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 9780754660644
Total Pages : 522 pages
Book Rating : 4.48/5 ( download)

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Download or read book A.F.C. Kollmann's Quarterly Musical Register (1812) written by Michael Kassler and published by Ashgate Publishing, Ltd.. This book was released on 2008 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt: A.F.C. Kollmann (1756-1829) was born in Germany and moved to London in 1782, where he was organist and schoolmaster of His Majesty's German Chapel. He was one of the most profound music theorists of his time, and a pioneer in introducing Bach's music to England. His most extensive effort to inform the public about developments in the whole field of music was The Quarterly Musical Register--the first number of which is dated 1 January 1812. The journal folded after its second number. Only eight copies of the first number and six of the second appear to be extant. This book reproduces in facsimile both numbers, and presents new information about Kollmann's life and works.

Author : Michael Kassler
Publisher : Routledge
ISBN 13 : 1351542168
Total Pages : 309 pages
Book Rating : 4.66/5 ( download)

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Download or read book The Music Trade in Georgian England written by Michael Kassler and published by Routledge. This book was released on 2017-07-05 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: In contrast to today's music industry, whose principal products are recorded songs sold to customers round the world, the music trade in Georgian England was based upon London firms that published and sold printed music and manufactured and sold instruments on which this music could be played. The destruction of business records and other primary sources has hampered investigation of this trade, but recent research into legal proceedings, apprenticeship registers, surviving correspondence and other archived documentation has enabled aspects of its workings to be reconstructed. The first part of the book deals with Longman & Broderip, arguably the foremost English music seller in the late eighteenth century, and the firm's two successors - Broderip & Wilkinson and Muzio Clementi's variously styled partnerships - who carried on after Longman & Broderip's assets were divided in 1798. The next part shows how a rival music seller, John Bland, and his successors, used textual and thematic catalogues to advertise their publications. This is followed by a comprehensive review of the development of musical copyright in this period, a report of efforts by a leading inventor, Charles 3rd Earl Stanhope, to transform the ways in which music was printed and recorded, and a study of Georg Jacob Vollweiler's endeavour to introduce music lithography into England. The book should appeal not only to music historians but also to readers interested in English business history, publishing history and legal history between 1714 and 1830.

Author : Michael Kassler
Publisher : Routledge
ISBN 13 : 135154487X
Total Pages : 478 pages
Book Rating : 4.70/5 ( download)

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Download or read book The English Bach Awakening written by Michael Kassler and published by Routledge. This book was released on 2017-07-05 with total page 478 pages. Available in PDF, EPUB and Kindle. Book excerpt: The English Bach Awakening concerns the introduction into England of J.S. Bach's music and information about him. Hitherto this subject has been called 'the English Bach revival', but that is a misnomer. 'Revival' implies prior life, yet no reference to Bach or to his music is known to have been made in England during his lifetime (1685-1750). The book begins with a comprehensive chronology of the English Bach Awakening. Eight chapters follow, written by Dr Philip Olleson, Dr Yo Tomita and the editor, Michael Kassler, which treat particular parts of the Awakening and show how they developed. A focus of the book is the history of the manuscripts and the printed editions of Bach's '48' - The Well-tempered Clavier - in England at this time, and its culmination in the 'analysed' edition that Samuel Wesley and Charles Frederick Horn published in 1810-1813 and later revised. Wesley's multifaceted role in the Bach Awakening is detailed, as are the several efforts that were made to translate Forkel's biography of Bach into English. A chapter is devoted to A.F.C. Kollmann's endeavour to prove the regularity of Bach's Chromatic Fantasy, and the book concludes with a discussion of portraits of Bach in England before 1830.