Music Copyright Law

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Publisher : Course Technology
ISBN 13 : 9781435459724
Total Pages : 0 pages
Book Rating : 4.25/5 ( download)

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Book Synopsis Music Copyright Law by : David J. Moser

Download or read book Music Copyright Law written by David J. Moser and published by Course Technology. This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides an in-depth, yet easy to understand, exploration of copyright law and how it applies to the music industry.

The Music Copyright Manual

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Publisher : Bookbaby
ISBN 13 : 9781098342944
Total Pages : 286 pages
Book Rating : 4.41/5 ( download)

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Book Synopsis The Music Copyright Manual by : Jim Jesse

Download or read book The Music Copyright Manual written by Jim Jesse and published by Bookbaby. This book was released on 2020-12-08 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Music Copyright Manual (2nd ed.) is the essential guide to Music Copyright Law in this digital age. The book is divided in four main sections. In section one, you will learn what is copyright and how to establish one, along with copyright duration and transfer, and what is music publishing. In section two, you will learn all the exclusive rights you get with a copyright and the money streams associated with those rights and how to take advantage of those. You will also learn the keys to joint authorship and what a work-for-hire is and how to retain full ownership of your songs. Section three covers the new realities of the digital music world, including the most recent right of digital audio transmission. You will learn about the revenue sources from music streaming, Youtube, and master recordings. In the final section, music copyright infringement is discussed. You will learn what a plaintiff must prove, defenses, damages, and how to avoid being sued for copyright infringement.

Music Law in the Digital Age

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Publisher : Hal Leonard Corporation
ISBN 13 : 1495096742
Total Pages : 195 pages
Book Rating : 4.47/5 ( download)

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Book Synopsis Music Law in the Digital Age by : Allen Bargfrede

Download or read book Music Law in the Digital Age written by Allen Bargfrede and published by Hal Leonard Corporation. This book was released on 2017-05-01 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Berklee Press). With the free-form exchange of music files and musical ideas online, understanding copyright laws has become essential to career success in the new music marketplace. This cutting-edge, plain-language guide shows you how copyright law drives the contemporary music industry. By looking at the law and its recent history, you will understand the new issues introduced by the digital age, as well as continuing issues of traditional copyright law. Whether you are an artist, lawyer, entertainment Web site administrator, record label executive, student, or other participant in the music industry, this book will help you understand how copyright law affects you, helping you use the law to your benefit. * How do you get fair compensation for your work and avoid making costly mistakes? * Can you control who is selling your music on their website? * Is it legal to create mash-ups? * What qualifies as fair use? * How do you clear another artist's samples to use in your own recordings? * What is the Creative Commons/Copyleft movement? * How do you clear music for use in an online music service or store? * Who decides who gets paid how much and by whom? You will learn the answers to these questions as well as: * The basics of copyright law, looking at the Copyright Act while explaining it in plain language * How revenue streams for music are generated under copyright law * The reasoning behind high-profile court decisions related to copyright violations *What licenses are needed for the legal online delivery of music * The intricacies of using music on sites like YouTube, Pandora, and Spotify * Deficiencies in current copyright law and new business model ideas

Music and Copyright

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Publisher : Routledge
ISBN 13 : 1136090584
Total Pages : 228 pages
Book Rating : 4.85/5 ( download)

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Book Synopsis Music and Copyright by : Lee Marshall

Download or read book Music and Copyright written by Lee Marshall and published by Routledge. This book was released on 2013-09-05 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: "First Published in 2004, Routledge is an imprint of Taylor & Francis, an informa company."

United States Code

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Publisher :
ISBN 13 :
Total Pages : 1508 pages
Book Rating : 4.63/5 ( download)

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Book Synopsis United States Code by : United States

Download or read book United States Code written by United States and published by . This book was released on 1952 with total page 1508 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Copyright in the Music Industry

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Publisher : Edward Elgar Publishing
ISBN 13 : 183910127X
Total Pages : 272 pages
Book Rating : 4.74/5 ( download)

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Book Synopsis Copyright in the Music Industry by : Hayleigh Bosher

Download or read book Copyright in the Music Industry written by Hayleigh Bosher and published by Edward Elgar Publishing. This book was released on 2021-02-26 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This must-have book is a comprehensive yet accessible guide to copyright and related rights in the music industry, illustrated with relevant cases and real world examples. Key features include: • An engaging and approachable writing style • A practical orientation for those in the industry and their advisors • The impact of social media on copyright infringement, management and remedies • Accessible explanations of key concepts in copyright and related rights, as well as commonly misunderstood topics such as sampling and fair use.

The Teacher's Guide to Music, Media, and Copyright Law

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Publisher : Hal Leonard Corporation
ISBN 13 : 9781423443445
Total Pages : 284 pages
Book Rating : 4.46/5 ( download)

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Book Synopsis The Teacher's Guide to Music, Media, and Copyright Law by : James Frankel

Download or read book The Teacher's Guide to Music, Media, and Copyright Law written by James Frankel and published by Hal Leonard Corporation. This book was released on 2009-01-01 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: General Reference

Music, Money and Success

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Publisher : Schirmer Trade Books
ISBN 13 : 0857126466
Total Pages : 839 pages
Book Rating : 4.67/5 ( download)

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Book Synopsis Music, Money and Success by : Jeffrey Brabec

Download or read book Music, Money and Success written by Jeffrey Brabec and published by Schirmer Trade Books. This book was released on 2011-07-18 with total page 839 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Insider's Guide to Making Money in the Music Industry. Millions dream of attaining glamour and wealth through music. This book reveals the secrets of the music business that have made fortunes for the superstars. A must-have for every songwriter, performer and musician.

Concepts of Music and Copyright

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Publisher : Edward Elgar Publishing
ISBN 13 : 1783478195
Total Pages : 240 pages
Book Rating : 4.94/5 ( download)

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Book Synopsis Concepts of Music and Copyright by : Andreas Rahmatian

Download or read book Concepts of Music and Copyright written by Andreas Rahmatian and published by Edward Elgar Publishing. This book was released on 2015-10-30 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Copyright specialists have often focused on the exploitation of copyright of music and on infringement, but not on the question of how copyright conceptualises music. This highly topical volume brings together specialists in music, musicology and copyright law, providing a genuinely interdisciplinary research approach. It compares and contrasts the concepts of copyright law with those of music and musical performance. Several tensions emerge between the ideas of music as a living art and of the musical work as a basis for copyright protection. The expert contributors discuss the notions of the musical work, performance, originality, authorship in music and in copyright, and co-ownership from the disciplinary perspectives of music, musicology and copyright law. The book also examines the role of the Musicians’ Union in the evolution of performers’ rights in UK copyright law, and, in an empirical study, the transaction costs theory for notice-and-takedown regimes in relation to songs uploaded on YouTube. This unique study offers an interdisciplinary perspective for academics, policymakers and legal practitioners seeking a state-of-the-art understanding of music and copyright law.

Steal This Music

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Publisher : University of Georgia Press
ISBN 13 : 0820330752
Total Pages : 194 pages
Book Rating : 4.54/5 ( download)

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Book Synopsis Steal This Music by : Joanna Teresa Demers

Download or read book Steal This Music written by Joanna Teresa Demers and published by University of Georgia Press. This book was released on 2010-01-25 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is music property? Under what circumstances can music be stolen? Such questions lie at the heart of Joanna Demers’s timely look at how overzealous intellectual property (IP) litigation both stifles and stimulates musical creativity. A musicologist, industry consultant, and musician, Demers dissects works that have brought IP issues into the mainstream culture, such as DJ Danger Mouse’s “Grey Album” and Mike Batt’s homage-gone-wrong to John Cage’s silent composition “4’33.” Demers also discusses such artists as Ice Cube, DJ Spooky, and John Oswald, whose creativity is sparked by their defiant circumvention of licensing and copyright issues. Demers is concerned about the fate of transformative appropriation—the creative process by which artists and composers borrow from, and respond to, other musical works. In the United States, only two elements of music are eligible for copyright protection: the master recording and the composition (lyrics and melody) itself. Harmony, rhythm, timbre, and other qualities that make a piece distinctive are virtually unregulated. This two-tiered system had long facilitated transformative appropriation while prohibiting blatant forms of theft. The advent of digital file sharing and the specter of global piracy changed everything, says Demers. Now, record labels and publishers are broadening the scope of IP “infringement” to include allusive borrowing in all forms: sampling, celebrity impersonation—even Girl Scout campfire sing-alongs. Paying exorbitant licensing fees or risking even harsher penalties for unauthorized borrowing have become the only options for some musicians. Others, however, creatively sidestep not only the law but also the very infrastructure of the music industry. Moving easily between techno and classical, between corporate boardrooms and basement recording studios, Demers gives us new ways to look at the tension between IP law, musical meaning and appropriation, and artistic freedom.