Music And Theatre In France 1600 1680

Author : John S. Powell
Publisher : Clarendon Press
ISBN 13 : 9780198165996
Total Pages : 622 pages
Book Rating : 4.94/5 ( download)

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Download or read book Music and Theatre in France, 1600-1680 written by John S. Powell and published by Clarendon Press. This book was released on 2000 with total page 622 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the course of the 17th century, the dramatic arts reached a pinnacle of development in France; but despite the volumes devoted to the literature and theatre of the ancien régime, historians have largely neglected the importance of music and dance. This study defines the musical practices of comedy, tragicomedy, tragedy, and mythological and non-mythological pastoral drama, from the arrival of the first repertory companies in Paris until the establishment of the Comédie-Française.

Author : Robert Henke
Publisher : Bloomsbury Publishing
ISBN 13 : 1350135380
Total Pages : 280 pages
Book Rating : 4.83/5 ( download)

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Download or read book A Cultural History of Theatre in the Early Modern Age written by Robert Henke and published by Bloomsbury Publishing. This book was released on 2019-08-08 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: For both producers and consumers of theatre in the early modern era, art was viewed as a social rather than an individual activity. Emerging in the context of new capitalistic modes of production, the birth of the nation state and the rise of absolute monarchies, theatre also proved a highly mobile medium across geolinguistic boundaries. This volume provides a comprehensive and interdisciplinary overview of the cultural history of theatre from 1400 to 1650, and examines the socioeconomically heterodox nature of theatre and performance during this period. Highly illustrated with 48 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.

Author : M. A. Katritzky
Publisher : Manchester University Press
ISBN 13 : 1526139197
Total Pages : 487 pages
Book Rating : 4.91/5 ( download)

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Download or read book Transnational connections in early modern theatre written by M. A. Katritzky and published by Manchester University Press. This book was released on 2019-11-25 with total page 487 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the transnationality and interculturality of early modern performance in multiple languages, cultures, countries and genres. Its twelve essays compose a complex image of theatre connections as a socially, economically, politically and culturally rich tissue of networks and influences. With particular attention to itinerant performers, court festival, and the Black, Muslim and Jewish impact, they combine disciplines and methods to place Shakespeare and his contemporaries in the wider context of performance culture in English, Spanish, French, Dutch, German, Czech and Italian speaking Europe. The authors examine transnational connections by offering multidisciplinary perspectives on the theatrical significance of concrete historical facts: archaeological findings, archival records, visual artefacts, and textual evidence.

Author : Ralph P. Locke
Publisher : Cambridge University Press
ISBN 13 : 1316298205
Total Pages : 473 pages
Book Rating : 4.06/5 ( download)

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Download or read book Music and the Exotic from the Renaissance to Mozart written by Ralph P. Locke and published by Cambridge University Press. This book was released on 2015-05-07 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history, and by the challenges of cross-cultural (mis)understanding.

Author : Andrew R. Walkling
Publisher : Routledge
ISBN 13 : 1315524198
Total Pages : 344 pages
Book Rating : 4.91/5 ( download)

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Download or read book English Dramatick Opera, 1661–1706 written by Andrew R. Walkling and published by Routledge. This book was released on 2019-03-19 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).

Author : Andrew R. Walkling
Publisher : Taylor & Francis
ISBN 13 : 1317099702
Total Pages : 354 pages
Book Rating : 4.03/5 ( download)

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Download or read book Masque and Opera in England, 1656-1688 written by Andrew R. Walkling and published by Taylor & Francis. This book was released on 2016-08-25 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Masque and Opera in England, 1656–1688 presents a comprehensive study of the development of court masque and through-composed opera in England from the mid-1650s to the Revolution of 1688–89. In seeking to address the problem of generic categorization within a highly fragmentary corpus for which a limited amount of documentation survives, Walkling argues that our understanding of the distinctions between masque and opera must be premised upon a thorough knowledge of theatrical context and performance circumstances. Using extensive archival and literary evidence, detailed textual readings, rigorous tabular analysis, and meticulous collation of bibliographical and musical sources, this interdisciplinary study offers a host of new insights into a body of work that has long been of interest to musicologists, theatre historians, literary scholars and historians of Restoration court and political culture, but which has hitherto been imperfectly understood. A companion volume will explore the phenomenon of "dramatick opera" and its precursors on London’s public stages between the early 1660s and the first decade of the eighteenth century.

Author : Jennifer Nevile
Publisher : Indiana University Press
ISBN 13 : 0253351537
Total Pages : 392 pages
Book Rating : 4.31/5 ( download)

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Download or read book Dance, Spectacle, and the Body Politick, 1250-1750 written by Jennifer Nevile and published by Indiana University Press. This book was released on 2008 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: An engaging overview of dance from the Medieval era through the Baroque

Author :
Publisher : Cambridge University Press
ISBN 13 : 0521823595
Total Pages : 379 pages
Book Rating : 4.93/5 ( download)

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Download or read book The Cambridge Companion to Seventeenth-Century Opera written by and published by Cambridge University Press. This book was released on with total page 379 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Jutta Wimmler
Publisher : BRILL
ISBN 13 : 9004336087
Total Pages : 243 pages
Book Rating : 4.87/5 ( download)

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Download or read book The Sun King's Atlantic written by Jutta Wimmler and published by BRILL. This book was released on 2017-02-06 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Sun King’s Atlantic, Jutta Wimmler reveals the many surprising ways in which Africa and America channeled cultural developments in France, exploring their impact on material culture, theatre, science and religion.

Author : Michael Hüttler
Publisher : Hollitzer Wissenschaftsverlag
ISBN 13 : 3990120751
Total Pages : 365 pages
Book Rating : 4.50/5 ( download)

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Download or read book Ottoman Empire and European Theatre V written by Michael Hüttler and published by Hollitzer Wissenschaftsverlag. This book was released on 2019-05-22 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book series "Ottomania" researches cultural transfers between the Ottoman Empire and Europe, with the performing arts as its focus. The fifth volume of the sub-series Ottoman Empire and European Theatre focuses on The Turkish Subject in Ballet and Dance from the seventeenth century to the time of Christoph W. Gluck (1714-1787). The Turkish theme was a popular topic on European ballet stages throughout the seventeenth and eighteenth centuries, and most influential choreographers had 'Turkish' ballets in their repertoire. Taking as its departure point Ch. W. Gluck and Gasparo Angiolini (1741-1803), succesful composer and choreographer of ballets at the French theatre in Vienna, this publication discusses the topic from a historical perspective, presents new findings, and introduces the latest scholarly achievements of the research field. Contributions by Emre Aracı, Bruce Alan Brown, David Chataignier, Sibylle Dahms, Vera Grund, Bert Gstettner, Bent Holm, Michael Hüttler, Evren Kutlay, Dóra Kiss, Laura Naudeix, Strother Purdy, Katalin Rumpler, Käthe Springer-Dissmann, Dirk Van Waelderen, Hans Ernst Weidinger