Music And The Moderni 1300 1350

Author : Karen Desmond
Publisher : Cambridge University Press
ISBN 13 : 1316733289
Total Pages : 325 pages
Book Rating : 4.88/5 ( download)

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Download or read book Music and the moderni, 1300–1350 written by Karen Desmond and published by Cambridge University Press. This book was released on 2018-08-23 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music theorists labelled the musical art of the 1330s and 1340s as 'new' and 'modern'. A close reading of writings on music theory and the polyphonic repertory from the first half of the fourteenth century reveals a modern musical art that arose due to specific innovations in music notation. The French ars nova employed as its theoretical fundament a new system for arranging musical time proposed by the astronomer and mathematician Jean des Murs. Challenging prevailing accounts of the ars nova, this book presents the 'new art' within the intellectual context of its time, revises the datings of Jean des Murs's writings on music theory, and presents the intersection of theory and practice for a crucial era in the history of music. Through contemporaneous accounts, Desmond explores how individuals were involved in 'changing' music in early fourteenth-century France, and the technical developments they pursued that precipitated this stylistic change.

Author : Sarah Ann Long
Publisher : Boydell & Brewer
ISBN 13 : 1580469965
Total Pages : 377 pages
Book Rating : 4.68/5 ( download)

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Download or read book Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300-1550 written by Sarah Ann Long and published by Boydell & Brewer. This book was released on 2021 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first study focusing on the composition of new plainchant in northern-French confraternities for masses and offices in honor of saints thought to have healing powers

Author : Mark Everist
Publisher : Cambridge University Press
ISBN 13 : 1108577075
Total Pages : pages
Book Rating : 4.76/5 ( download)

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Download or read book The Cambridge History of Medieval Music written by Mark Everist and published by Cambridge University Press. This book was released on 2018-08-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.

Author : James Grier
Publisher : Cambridge University Press
ISBN 13 : 0521898161
Total Pages : 287 pages
Book Rating : 4.64/5 ( download)

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Download or read book Musical Notation in the West written by James Grier and published by Cambridge University Press. This book was released on 2021-02-18 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: A detailed critical and historical investigation of the development of musical notation as a powerful system of symbolic communication.

Author : Tess Knighton
Publisher : Boydell & Brewer
ISBN 13 : 1783275561
Total Pages : 511 pages
Book Rating : 4.64/5 ( download)

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Download or read book Music and Instruments of the Middle Ages written by Tess Knighton and published by Boydell & Brewer. This book was released on 2020 with total page 511 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on important topics in early music.

Author : Karen M. Cook
Publisher : Routledge
ISBN 13 : 1000398803
Total Pages : 129 pages
Book Rating : 4.09/5 ( download)

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Download or read book Music Theory in Late Medieval Avignon written by Karen M. Cook and published by Routledge. This book was released on 2021-06-04 with total page 129 pages. Available in PDF, EPUB and Kindle. Book excerpt: The manuscript Seville, Biblioteca Colombina y Capitular 5-2-25, a composite of dozens of theoretical treatises, is one of the primary witnesses to late medieval music theory. Its numerous copies of significant texts have been the focus of substantial scholarly attention to date, but the shorter, unattributed, or fragmentary works have not yet received the same scrutiny. In this monograph, Cook demonstrates that a small group of such works, linked to the otherwise unknown Magister Johannes Pipudi, is in fact much more noteworthy than previous scholarship has observed. The not one but two copies of De arte cantus are in fact one of the earliest known sources for the Libellus cantus mensurabilis, purportedly by Jean des Murs and the most widely copied music theory treatise of its day, while Regulae contrapunctus, Nota quod novem sunt species contrapunctus, and a concluding set of notes in Catalan are early witnesses to the popular Ars contrapuncti treatises also attributed to des Murs. Disclosing newly discovered biographical information, it is revealed that Pipudi is most likely one Johannes Pipardi, familiar to Cardinal Jean de Blauzac, Vicar-General of Avignon. Cook provides the first biographical assessment for him and shows that late fourteenth-century Avignon was a plausible chronological and geographical milieu for the Seville treatises, hinting provocatively at a possible route of transmission for the Libellus from Paris to Italy. The monograph concludes with new transcriptions and the first English translations of the treatises.

Author : Isabella Lazzarini
Publisher : Oxford University Press
ISBN 13 : 0192529331
Total Pages : 319 pages
Book Rating : 4.36/5 ( download)

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Download or read book The Later Middle Ages written by Isabella Lazzarini and published by Oxford University Press. This book was released on 2021-04-29 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: Of all the sub-periods in which European medieval history has been divided over time, the later middle ages is possibly the one on which the burden of past and current grand narratives weighs the most. Its chronological and geopolitical boundaries are shaped by a heavy narrative of decline or transition, and consequently this period is often interpreted through the lenses of previous or following developments, becoming in turn the tail-end of the 'feudal', 'communal', 'imperial versus papal' era or the announcement of modernity. The Later Middle Ages addresses the urgent need to revise and rewrite the story of this period, forging new critical and technical vocabularies not derived from the study of other periods. By adopting a conscious approach towards temporal and spatial variety, and by breaking the traditional and unitary narrative of decline and transition into one of many changes and continuities, it charts the principal developments of late medieval Europe while opening up to different political cultures and societies, throwing new light on older concepts, and revealing analogies and differences with other geopolitical contexts. Including maps, illustrations, a detailed chronology and a rich range of reading suggestions, The Later Middle Ages aims at providing a first introduction to a very complex, dynamic, and fascinating period for Europe and beyond.

Author : Anna Zayaruznaya
Publisher : Routledge
ISBN 13 : 1351398601
Total Pages : 158 pages
Book Rating : 4.02/5 ( download)

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Download or read book Upper-Voice Structures and Compositional Process in the Ars Nova Motet written by Anna Zayaruznaya and published by Routledge. This book was released on 2018-05-11 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the motets of Philippe de Vitry, Guillaume de Machaut, and their contemporaries, tenors have often been characterized as the primary shaping forces, prior in conception as well as in construction to the upper voices. Tenors are shaped by the interaction of talea and color, medieval terms now used to refer to the independent repetition of rhythms and pitches, respectively. The presence in the upper voices of the periodically repeating rhythmic patterns, often referred to as "isorhythm," has been characterized as an amplification of tenor structure. But a fresh look at the medieval treatises suggests a revised analytical vocabulary: for many fourteenth- and fifteenth-century writers, both color and talea involved rhythmic repetition, the latter in the upper voices specifically. And attention to upper-voice taleae independently of tenor structures brings renewed emphasis to the significant portion of the repertory in which upper voices evince formal schemes that differ from those in the tenors. These structures in turn suggest a revision of the presumed compositional process for motets, implying that in some cases upper-voice text and forms may have preceded the selection and organization of tenors. Such revisions have implications for hermeneutic endeavors, since not only the forms of motet voices but the meanings of their texts change, depending on whether analysis proceeds from the tenor up, or from the top down. Where the presumed compositional and structural primacy afforded to tenors has encouraged a strand of interpretation that reads the upper-voice poetry as conforming to, and amplifying, the tenor text snippets and their liturgical contexts, a "bottom-down" view casts tenors in a supporting role and reveals the poetic impulse of the upper voices as the organizing principle of motets.

Author : Giovanni Varelli
Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3110717905
Total Pages : 426 pages
Book Rating : 4.07/5 ( download)

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Download or read book Disiecta Membra Musicae written by Giovanni Varelli and published by Walter de Gruyter GmbH & Co KG. This book was released on 2020-12-07 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although fragments from music manuscripts have occupied a place of considerable importance since the very early days of modern musicology, a collective, up-to-date, and comprehensive discussion of the various techniques and approaches for their study was lacking. On-line resources have also become increasingly crucial for the identification, study, and textual/musical reconstruction of fragmentary sources. Disiecta Membra Musicae. Studies in Musical Fragmentology aims at reviewing the state of the art in the study of medieval music fragments in Europe, the variety of methodologies for studying the repertory and its transmission, musical palaeography, codicology, liturgy, historical and cultural contexts, etc. This collection of essays provides an opportunity to reflect also on broader issues, such as the role of fragments in last century’s musicology, how fragmentary material shaped our conception of the written transmission of early European music, and how new fragments are being discovered in the digital age. Known fragments and new technology, new discoveries and traditional methodology alternate in this collection of essays, whose topics range from plainchant to ars nova and fifteenth- to sixteenth-century polyphony.

Author : Margaret Bent
Publisher : Boydell & Brewer
ISBN 13 : 1783276185
Total Pages : 419 pages
Book Rating : 4.89/5 ( download)

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Download or read book The Dorset Rotulus written by Margaret Bent and published by Boydell & Brewer. This book was released on 2021 with total page 419 pages. Available in PDF, EPUB and Kindle. Book excerpt: From its origins in the thirteenth century, the Latin-texted motet in England and France became the most significant and diverse polyphonic genre of the fourteenth, a body of music important both for its texts and its variety of musical structures. However, although the motet in England plays a vital role in the music-historical narrative of the first decades of the 1300s, it has too often been overlooked in modern scholarship, due largely to its preservation in numerous but almost entirely fragmentary sources.0In 2017, substantial new fragments of medieval polyphony came to light. They originated at the Benedictine monastery of Abbotsbury, a major institution located high above Chesil Beach on Dorset's Jurassic Coast. The two leaves once headed an imposing musical scroll, and preserve significant portions of four large-scale Latin-texted motets from early fourteenth-century England.0This book introduces the manuscript and its provenance in Abbotsbury, relates it to other scrolls of late medieval music, contextualizes its motets within the larger corpus of contemporary Latin-texted motets, and analyses and reconstructs each of the motets, providing complete performable transcriptions of three of these compositions as well as three of its large-scale comparands. Spurred by the Dorset discovery, this monograph, the first in thirty-five years devoted to the medieval motet in England, offers a new evaluation of the richness of the English repertory in its own terms.