Music and Musical Life in Soviet Russia

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Publisher :
ISBN 13 :
Total Pages : 744 pages
Book Rating : 4.74/5 ( download)

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Book Synopsis Music and Musical Life in Soviet Russia by : Boris Schwarz

Download or read book Music and Musical Life in Soviet Russia written by Boris Schwarz and published by . This book was released on 1983 with total page 744 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Music and Musical Life in Soviet Russia, 1917-1970

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Publisher :
ISBN 13 :
Total Pages : 572 pages
Book Rating : 4.01/5 ( download)

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Book Synopsis Music and Musical Life in Soviet Russia, 1917-1970 by : Boris Schwarz

Download or read book Music and Musical Life in Soviet Russia, 1917-1970 written by Boris Schwarz and published by . This book was released on 1972 with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Music and Musical Life in Soviet Russia, 1917-1981

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Publisher :
ISBN 13 : 9780835739504
Total Pages : 735 pages
Book Rating : 4.03/5 ( download)

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Book Synopsis Music and Musical Life in Soviet Russia, 1917-1981 by : Boris Schwarz

Download or read book Music and Musical Life in Soviet Russia, 1917-1981 written by Boris Schwarz and published by . This book was released on 1983-01-01 with total page 735 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Music of the Soviet Era: 1917-1991

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Publisher : Taylor & Francis
ISBN 13 : 1317091876
Total Pages : 512 pages
Book Rating : 4.75/5 ( download)

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Book Synopsis Music of the Soviet Era: 1917-1991 by : Levon Hakobian

Download or read book Music of the Soviet Era: 1917-1991 written by Levon Hakobian and published by Taylor & Francis. This book was released on 2016-11-25 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a comprehensive and detailed survey of music and musical life of the entire Soviet era, from 1917 to 1991, which takes into account the extensive body of scholarly literature in Russian and other major European languages. In this considerably updated and revised edition of his 1998 publication, Hakobian traces the strikingly dramatic development of the music created by outstanding and less well-known, ‘modernist’ and ‘conservative’, ‘nationalist’ and ‘cosmopolitan’ composers of the Soviet era. The book’s three parts explore, respectively, the musical trends of the 1920s, music and musical life under Stalin, and the so-called ’Bronze Age’ of Soviet music after Stalin’s death. Music of the Soviet Era: 1917–1991 considers the privileged position of music in the USSR in comparison to the written and visual arts. Through his examination of the history of the arts in the Soviet state, Hakobian’s work celebrates the human spirit’s wonderful capacity to derive advantage even from the most inauspicious conditions.

Creative Union

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Publisher : Cornell University Press
ISBN 13 : 1501730029
Total Pages : 336 pages
Book Rating : 4.23/5 ( download)

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Book Synopsis Creative Union by : Kiril Tomoff

Download or read book Creative Union written by Kiril Tomoff and published by Cornell University Press. This book was released on 2018-11-15 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why did the Stalin era, a period characterized by bureaucratic control and the reign of Socialist Realism in the arts, witness such an extraordinary upsurge of musical creativity and the prominence of musicians in the cultural elite? This is one of the questions that Kiril Tomoff seeks to answer in Creative Union, the first book about any of the professional unions that dominated Soviet cultural life at the time. Drawing on hitherto untapped archives, he shows how the Union of Soviet Composers established control over the music profession and negotiated the relationship between composers and the Communist Party leadership. Central to Tomoff's argument is the institutional authority and prestige that the musical profession accrued and deployed within Soviet society, enabling musicians to withstand the postwar disciplinary campaigns that were so crippling in other artistic and literary spheres. Most accounts of Soviet musical life focus on famous individuals or the campaign against Shostakovich's Lady Macbeth and Zhdanov's postwar attack on musical formalism. Tomoff's approach, while not downplaying these notorious events, shows that the Union was able to develop and direct a musical profession that enjoyed enormous social prestige. The Union's leadership was able to use its expertise to determine the criteria of musical value with a degree of independence. Tomoff's book reveals the complex and mutable interaction of creative intelligentsia and political elite in a period hitherto characterized as one of totalitarian control.

Music for the Revolution

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Publisher : Penn State Press
ISBN 13 : 9780271023694
Total Pages : 354 pages
Book Rating : 4.94/5 ( download)

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Book Synopsis Music for the Revolution by : Amy Nelson

Download or read book Music for the Revolution written by Amy Nelson and published by Penn State Press. This book was released on 2004 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Music for the Revolution examines musicians' responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties." --book jacket.

Soviet Music and Society Under Lenin and Stalin

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Publisher : Routledge
ISBN 13 : 113441563X
Total Pages : 258 pages
Book Rating : 4.32/5 ( download)

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Book Synopsis Soviet Music and Society Under Lenin and Stalin by : Neil Edmunds

Download or read book Soviet Music and Society Under Lenin and Stalin written by Neil Edmunds and published by Routledge. This book was released on 2004-06 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates the place of music in Soviet society during the eras of Lenin and Stalin. It examines the different strategies adopted by composers and musicians in their attempts to carve out careers in a rapidly evolving society, discusses the role of music in Soviet society and people's lives, and shows how political ideology proved an inspiration as well as an inhibition. It explores how music and politics interacted in the lives of two of the twentieth century's greatest composers - Shostakovich and Prokofiev - and also in the lives of less well-known composers. In addition it considers the specialist composers of early Soviet musical propaganda, amateur music making, and musical life in the non-Russian republics. The book will appeal to specialists in Soviet music history, those with an interest in twentieth century music in general, and also to students of the history, culture and politics of the Soviet Union.

Historical Dictionary of Russian Music

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Publisher : Scarecrow Press
ISBN 13 : 0810879808
Total Pages : 459 pages
Book Rating : 4.05/5 ( download)

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Book Synopsis Historical Dictionary of Russian Music by : Daniel Jaffé

Download or read book Historical Dictionary of Russian Music written by Daniel Jaffé and published by Scarecrow Press. This book was released on 2012-03-08 with total page 459 pages. Available in PDF, EPUB and Kindle. Book excerpt: Russian music today has a firm hold around the world in the repertoire of opera houses, ballet companies, and orchestras. The music of Pyotr Tchaikovsky, Nikolay Rimsky-Korsakov, Sergey Rachmaninov, Sergey Prokofiev, and Dmitri Shostakovich is very much today’s lingua franca both in the concert hall and on the soundtracks of international blockbusters from Hollywood. Meanwhile the innovations of Modest Mussorgsky, Alexander Borodin, and Igor Stravinsky have played their crucial role in the development of Western music in the last century, influencing the work of virtually every notable composer of the last century. The Historical Dictionary of Russian Music covers the history of Russian music starting from the earliest archaeological discoveries to the present, including folk music, sacred music, and secular art music. The book contains a chronology, an introductory essay, an extensive bibliography, and over 500 cross-referenced dictionary entries on every major composer in Russia’s history, as well as several leading composers of today, such as Sofia Gubaidulina, Rodion Shchedrin, Leonid Desyatnikov, Elena Firsova, and Pavel Karmanov. It also includes the patrons and institutions that commissioned works by those composers and the choreographers and dancers who helped shape the great ballet masterpieces. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian music.

The Alexander Scriabin Companion

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Publisher : Rowman & Littlefield
ISBN 13 : 1442232625
Total Pages : 441 pages
Book Rating : 4.24/5 ( download)

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Book Synopsis The Alexander Scriabin Companion by : Lincoln Ballard

Download or read book The Alexander Scriabin Companion written by Lincoln Ballard and published by Rowman & Littlefield. This book was released on 2017-06-27 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: This unique collaboration between a musicologist and two pianists – all experts in Russian music – takes a fresh look at the supercharged music and polarizing reception of the Russian composer Alexander Scriabin. From his Chopin-inspired miniatures to his genre-bending symphonies and avant-garde late works, Scriabin left a unique mark on music history. Scriabin’s death centennial in 2015 brought wider exposure and renewed attention to this pioneering composer. Music lovers who are curious about Scriabin have been torn between specialized academic studies and popular sources that glamorize his interests and activities, often at the expense of historical accuracy. This book bridges the divide between these two branches of literature, and brings a modern perspective to his music and legacy. Drawing on archival materials, primary sources in Russian, and recently published books and articles, Part One details the reception and performance history of Scriabin’s solo piano and orchestral music. High quality recordings are recommended for each piece. Part Two explores four topics in Scriabin’s reception: the myths generated by Scriabin’s biographers, his claims to synaesthesia or “color-hearing,” his revival in 1960s America as a proto-Flower Child, and the charges of anti-Russianness leveled against his music. Part Three investigates stylistic context and performance practice in the piano music, and considers the domains of sound, rhythm, and harmony. It offers interpretive strategies for deciphering Scriabin’s challenging scores at the keyboard. Students, scholars, and music enthusiasts will benefit from the historical insights offered in this interdisciplinary book. Armed with this knowledge, readers will be able to better appreciate the stylistic innovations and colorful imagination of this extraordinary composer.

Virtuosi Abroad

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Publisher : Cornell University Press
ISBN 13 : 1501701827
Total Pages : 277 pages
Book Rating : 4.25/5 ( download)

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Book Synopsis Virtuosi Abroad by : Kiril Tomoff

Download or read book Virtuosi Abroad written by Kiril Tomoff and published by Cornell University Press. This book was released on 2015-08-12 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the 1940s and 1950s, Soviet musicians and ensembles were acclaimed across the globe. They toured the world, wowing critics and audiences, projecting an image of the USSR as a sophisticated promoter of cultural and artistic excellence. In Virtuosi Abroad, Kiril Tomoff focuses on music and the Soviet Union's star musicians to explore the dynamics of the cultural Cold War. He views the competition in the cultural sphere as part of the ongoing U.S. and Soviet efforts to integrate the rest of the world into their respective imperial projects. Tomoff argues that the spectacular Soviet successes in the system of international music competitions, taken together with the rapturous receptions accorded touring musicians, helped to persuade the Soviet leadership of the superiority of their system. This, combined with the historical triumphalism central to the Marxist-Leninist worldview, led to confidence that the USSR would be the inevitable winner in the global competition with the United States. Successes masked the fact that the very conditions that made them possible depended on a quiet process by which the USSR began to participate in an international legal and economic system dominated by the United States. Once the Soviet leadership transposed its talk of system superiority to the economic sphere, focusing in particular on consumer goods and popular culture, it had entered a competition that it could not win.