Music And Historical Critique

Author : Gary Tomlinson
Publisher : Routledge
ISBN 13 : 1351557769
Total Pages : 417 pages
Book Rating : 4.64/5 ( download)

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Download or read book Music and Historical Critique written by Gary Tomlinson and published by Routledge. This book was released on 2017-07-05 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music and Historical Critique provides a definitive collection of Gary Tomlinson's influential studies on critical musicology, with the watchword throughout being history. This collection gathers his most innovative essays and lectures, some of them published here for the first time, along with an introduction outlining the context of the contributions and commenting on their aims and significance. Music and Historical Critique provides a retrospective view of the author's achievements in bringing to the heart of musicological discourse both deep-seated experiences of the past and meditations on the historian's ways of understanding them.

Author : Christopher Dingle
Publisher : Cambridge University Press
ISBN 13 : 1108637981
Total Pages : pages
Book Rating : 4.85/5 ( download)

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Download or read book The Cambridge History of Music Criticism written by Christopher Dingle and published by Cambridge University Press. This book was released on 2019-08-31 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Music criticism has played a fundamental and influential role throughout music history, with numerous composers such as Berlioz, Schumann, and Wagner, as well as many contemporary musicians, also maintaining careers as writers and critics. The Cambridge History of Music Criticism goes beyond these better-known accounts, reaching back to medieval times, expanding the geographical reach both within and beyond Europe, and including key issues such as women and criticism of recordings, as well as the story of criticism in jazz, popular music and world music. Drawing on a blend of established and talented young scholars, this is the first substantial historical survey of music criticism and critics, bringing unprecedented scope to a rapidly expanding area of musicological research. An indispensable point of reference, The Cambridge History of Music Criticism provides a broad historical overview of the field while also addressing specific issues and events.

Author : Leo Treitler
Publisher : Harvard University Press
ISBN 13 : 9780674591295
Total Pages : 352 pages
Book Rating : 4.91/5 ( download)

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Download or read book Music and the Historical Imagination written by Leo Treitler and published by Harvard University Press. This book was released on 1989 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Leo Treitler is a central figure in American musicology, both for his writings on medieval and Renaissance music and for his influential work on historical analysis. In this elegant book he develops a powerful statement of what music analysis and criticism in relation to historical understanding can be. His aim is an understanding of the music of the past not only in its own historical context but also as we apprehend it now, and as we assimilate it to our current interests and concerns. He elucidates his views through unique new interpretations of major works from the fifteenth through the twentieth centuries.

Author : Questlove
Publisher : Abrams
ISBN 13 : 1647001846
Total Pages : 353 pages
Book Rating : 4.41/5 ( download)

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Download or read book Music Is History written by Questlove and published by Abrams. This book was released on 2021-10-19 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: New York Times bestselling Music Is History combines Questlove’s deep musical expertise with his curiosity about history, examining America over the past fifty years—now in paperback Focusing on the years 1971 to the present, Questlove finds the hidden connections in the American tapes, whether investigating how the blaxploitation era reshaped Black identity or considering the way disco took an assembly-line approach to Black genius. And these critical inquiries are complemented by his own memories as a music fan and the way his appetite for pop culture taught him about America. A history of the last half-century and an intimate conversation with one of music’s most influential and original voices, Music Is History is a singular look at contemporary America.

Author : Kevin Karnes
Publisher : Oxford University Press
ISBN 13 : 0190451343
Total Pages : 240 pages
Book Rating : 4.49/5 ( download)

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Download or read book Music, Criticism, and the Challenge of History written by Kevin Karnes and published by Oxford University Press. This book was released on 2008-08-22 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: More than a century after Guido Adler's appointment to the first chair in musicology at the University of Vienna, Music, Criticism, and the Challenge of History provides a first look at the discipline in this earliest period, and at the ideological dilemmas and methodological anxieties that characterized it upon its institutionalization. Author Kevin Karnes contends that some of the most vital questions surrounding musicology's disciplinary identities today-the relationship between musicology and criticism, the role of the subject in analysis and the narration of history, and the responsibilities of the scholar to the listening public-originate in these conflicted and largely forgotten beginnings. Karnes lays bare the nature of music study in the late nineteenth century through insightful readings of long-overlooked contributions by three of musicology's foremost pioneers-Adler, Eduard Hanslick, and Heinrich Schenker. Shaped as much by the skeptical pronouncements of the likes of Nietzsche and Wagner as it was by progressivist ideologies of scientific positivism, the new discipline comprised an array of oft-contested and intensely personal visions of music study, its value, and its future. Karnes introduces readers to a Hanslick who rejected the call of positivist scholarship and dedicated himself to penning an avowedly subjective history of Viennese musical life. He argues that Schenker's analytical experiments had roots in a Wagner-inspired search for a critical alternative to Adler's style-obsessed scholarship. And he illuminates Adler's determined response to Nietzsche's warnings about the vitality of artistic and cultural life in an increasingly scientific age. Through sophisticated and meticulous presentation, Music, Criticism, and the Challenge of History demonstrates that the new discipline of musicology was inextricably tied in with the cultural discourse of its time.

Author : Gary Tomlinson
Publisher :
ISBN 13 : 9781315090993
Total Pages : 384 pages
Book Rating : 4.96/5 ( download)

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Download or read book Music and Historical Critique written by Gary Tomlinson and published by . This book was released on with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Music and Historical Critique provides a definitive collection of Gary Tomlinson's influential studies on critical musicology, with the watchword throughout being history. This collection gathers his most innovative essays and lectures, some of them published here for the first time, along with an introduction outlining the context of the contributions and commenting on their aims and significance. Music and Historical Critique provides a retrospective view of the author's achievements in bringing to the heart of musicological discourse both deep-seated experiences of the past and meditations on the historian's ways of understanding them."--Provided by publisher.

Author : Alex Ross
Publisher : Farrar, Straus and Giroux
ISBN 13 : 1429932880
Total Pages : 640 pages
Book Rating : 4.82/5 ( download)

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Download or read book The Rest Is Noise written by Alex Ross and published by Farrar, Straus and Giroux. This book was released on 2007-10-16 with total page 640 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

Author : Gary Tomlinson
Publisher : Routledge
ISBN 13 : 1351557777
Total Pages : 377 pages
Book Rating : 4.71/5 ( download)

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Download or read book Music and Historical Critique written by Gary Tomlinson and published by Routledge. This book was released on 2017-07-05 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music and Historical Critique provides a definitive collection of Gary Tomlinson's influential studies on critical musicology, with the watchword throughout being history. This collection gathers his most innovative essays and lectures, some of them published here for the first time, along with an introduction outlining the context of the contributions and commenting on their aims and significance. Music and Historical Critique provides a retrospective view of the author's achievements in bringing to the heart of musicological discourse both deep-seated experiences of the past and meditations on the historian's ways of understanding them.

Author : Gary Tomlinson
Publisher : Routledge
ISBN 13 :
Total Pages : 384 pages
Book Rating : 4.45/5 ( download)

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Download or read book Music and Historical Critique written by Gary Tomlinson and published by Routledge. This book was released on 2007 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: The titles in this series bring together a selection of previously published and some unpublished essays by leading authorities in the field of critical musicology. Each author has made a selection of their own work in one volume with an introduction which discusses the essays chosen and puts them into context.

Author : Kelefa Sanneh
Publisher : Penguin
ISBN 13 : 0525559604
Total Pages : 497 pages
Book Rating : 4.03/5 ( download)

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Download or read book Major Labels written by Kelefa Sanneh and published by Penguin. This book was released on 2021-10-05 with total page 497 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of Oprah Daily's 20 Favorite Books of 2021 • Selected as one of Pitchfork's Best Music Books of the Year “One of the best books of its kind in decades.” —The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.