Modernity Between Wagner And Nietzsche

Author : Brayton Polka
Publisher : Lexington Books
ISBN 13 : 0739193163
Total Pages : 219 pages
Book Rating : 4.67/5 ( download)

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Download or read book Modernity between Wagner and Nietzsche written by Brayton Polka and published by Lexington Books. This book was released on 2015-01-06 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modernity between Wagner and Nietzsche analyzes the operas and writings of Wagner in order to prove that the ideas on which they are based contradict and falsify the values that are fundamental to modernity. This book also analyzes the ideas that are central to the philosophy of Nietzsche, demonstrating that the values on the basis of which he breaks with Wagner and repudiates their common mentor, Schopenhauer, are those fundamental to modernity. Brayton Polka makes use of the critical distinction that Kierkegaard draws between Christianity and Christendom. Christianity represents what Nietzsche calls the faith that is presupposed in unconditionally willing the truth in saying yes to life. Christendom, in contrast, represents the bad faith of nihilism in saying no to life. Polka then shows that Wagner, in following Schopenhauer, represents Christendom with the demonstration in his operas that life is nothing but death and death is nothing but life. In other words, the purpose of the will for Wagner is to annihilate the will, since it is only in and through death that human beings are liberated from life as willfully sinful. Nietzsche, in contrast, is consistent with the biblical concept that existence is created from nothing, from nothing that is not made in the image of God, that any claim that the will can will not to will is contradictory and hence false. For not to will is, in truth, still to will nothing. There is then, Nietzsche shows, no escape from the will. Either human beings will the truth in saying yes to life as created from nothing, or in truly willing nothing, they say no to life in worshiping the God of Christendom who is dead.

Author : Andrea Gogröf-Voorhees
Publisher : Peter Lang
ISBN 13 : 9780820437934
Total Pages : 218 pages
Book Rating : 4.3X/5 ( download)

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Download or read book Defining Modernism written by Andrea Gogröf-Voorhees and published by Peter Lang. This book was released on 1999 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Defining Modernism investigates the intellectual connections among three leading nineteenth-century European modernists - Baudelaire, Nietzsche, and Richard Wagner. Through a close reading of Baudelaire's and Nietzsche's essays on art and culture, Wagner's role in the two writers' attempts to define the radically new concept of «modernism» is elucidated. Gogröf-Voorhees explores the affinity between the two writers, which emerges from a juxtaposition of their formulations of the idea of a fractured, contradictory modernity that at once embraces, scatters, and reevaluates an entire constellation of ideas, including romanticism, pessimism, decadence, and nihilism.

Author : Tom Stern
Publisher : Cambridge University Press
ISBN 13 : 1107161363
Total Pages : 467 pages
Book Rating : 4.68/5 ( download)

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Download or read book The New Cambridge Companion to Nietzsche written by Tom Stern and published by Cambridge University Press. This book was released on 2019-04-18 with total page 467 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides comprehensive and up-to-date coverage of Nietzsche's philosophy, his key works and themes, his major influences and his legacy.

Author : Friedrich Nietzsche
Publisher : Livraria Press
ISBN 13 : 3689382475
Total Pages : 106 pages
Book Rating : 4.76/5 ( download)

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Download or read book Nietzsche versus Wagner written by Friedrich Nietzsche and published by Livraria Press. This book was released on with total page 106 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Nietzsche versus Wagner", sometimes translated "Nietzsche against Wagner", is a critical examination of the composer Richard Wagner, whom Nietzsche praised in his early years and later declared his enemy. Nietzsche was close to the entire Wagner family, even Wagner's wives, but later had a falling out and spent a significant amount of energy attacking him. In this work, Nietzsche distances himself from Wagner's music and ideology, criticizing the composer's embrace of German nationalism and his turn to Christianity. Nietzsche contrasts Wagner's decadent, pessimistic art with his own vision of a life-affirming, Dionysian aesthetic. The book reflects Nietzsche's broader concerns about the role of art and culture in society and his ongoing exploration of the tensions between Apollonian and Dionysian forces. Nietzsche also addresses the psychological and philosophical implications of Wagner's music, arguing that it represents a retreat from the complexities of reality into the comforting illusions of myth and religion. He sees Wagner's work as symptomatic of a broader cultural malaise characterized by a loss of vitality and authenticity. Through his critique of Wagner, Nietzsche seeks to reaffirm the values of individualism, creativity, and the joyful affirmation of life that he believes are essential to the rejuvenation of culture and the realization of human potential. This is one of three major works attacking Wager's music and legacy Nietzsche issued. This work was assembled and published at the end of 1888 under the title Nietzsche contra Wagner, shortly before his final mental collapse in January 1889. The text was published in December 1888 by C. G. Naumann in Leipzig. This new 2024 translation of the original 1888 German manuscript includes a new afterword by the translator, a timeline of Nietzsche's life and works, an index with descriptions of his key concepts, and summaries of his complete works. This translation is designed to allow the armchair philosopher to engage deeply with Nietzsche's works without having to be a full-time Academic. The language is modern and clean, with simplified sentence structures and diction to make Nietzsche's complex language and arguments as accessible as possible. This Reader's Edition also contains extra material that amplifies the manuscript with autobiographical, historical and linguistic context. This provides the reader a holistic view of this very enigmatic philosopher as both an introduction and an exploration of Nietzsche's works; from his general understanding of his philosophic project to an exploration of the depths of his metaphysics and unique contributions. This edition contains: • An Afterword by the Translator on the history, impact and intellectual legacy of Nietzsche • Translation notes on the original German, Latin and Greek manuscript • An index of Philosophical concepts used by Nietzsche with a focus on Existentialism and Phenomenology • A chronological list of Nietzsche's entire body of works • A detailed timeline of Nietzsche's life and works

Author : Ryan Harvey
Publisher : Edinburgh Critical Guides to N
ISBN 13 : 9781474459396
Total Pages : 208 pages
Book Rating : 4.90/5 ( download)

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Download or read book Nietzsche's the Case of Wagner and Nietzsche Contra Wagner written by Ryan Harvey and published by Edinburgh Critical Guides to N. This book was released on 2022-01-31 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first full-length critical introduction in English to Nietzsche's lifelong obsession with Wagner, and why it matters for understanding Nietzsche's philosophy as a whole

Author : Matthew Rampley
Publisher : Cambridge University Press
ISBN 13 : 0521651557
Total Pages : 302 pages
Book Rating : 4.54/5 ( download)

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Download or read book Nietzsche, Aesthetics and Modernity written by Matthew Rampley and published by Cambridge University Press. This book was released on 2000 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nietzsche, Aesthetics and Modernity analyzes Nietzsche's response to the aesthetic tradition, tracing in particular the complex relationship between the work and thought of Nietzsche, Kant, and Hegel. Focusing in particular on the critical role of negation and sublimity in Nietzsche's account of art, it explores his confrontation with modernity and his attempt to posit a revitalized artistic practice as the counter-movement to modern nihilism. It also highlights the extent to which Nietzsche counters the culture of his own time with a dialectical notion of aesthetic interpretation and practice.

Author : Carl Dahlhaus
Publisher : Univ of California Press
ISBN 13 : 0520341880
Total Pages : 135 pages
Book Rating : 4.83/5 ( download)

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Download or read book Between Romanticism and Modernism written by Carl Dahlhaus and published by Univ of California Press. This book was released on 2023-11-10 with total page 135 pages. Available in PDF, EPUB and Kindle. Book excerpt: Carl Dahlhaus here treats Nietzsche's youthful analysis of the contradictions in Wagner's doctrine (and, more generally, in romantic musical aesthetics); the question of periodicization in romantic and neo-romantic music; the underlying kinship between Brahms's and Wagner's responses to the central musical problems of their time; and the true significance of musical nationalism. Included in this volume is Walter Kauffman's translation of the previously unpublished fragment, "On Music and Words," by the young Nietzsche.

Author : Joachim Köhler
Publisher : Yale University Press
ISBN 13 : 9780300076400
Total Pages : 204 pages
Book Rating : 4.01/5 ( download)

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Download or read book Nietzsche and Wagner written by Joachim Köhler and published by Yale University Press. This book was released on 1998-01-01 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This is the second and final volume of Tim Hilton's life of John Ruskin, one of the greatest writers and thinkers of the nineteenth century. Ruskin was the most prolific English writer there has ever been. His published works alone number some 250 titles and this is besides lectures, diaries, correspondence and tens of thousands of letters that remain unpublished. This is the first biography of Ruskin to return to the original source material, some of which has been read for the first time by the author." "It begins in 1859 with Ruskin, famous as the author of Modern Painters, The Seven Lamps of Architecture and The Stones of Venice, living in south London with his parents, his disastrous marriage over, continuing to write and travel and to tutor, amongst other pupils, Rose La Touche, a girl of ten, with whom he slowly fell in love. This relationship would develop into one of the saddest love affairs of literary history ending in tragedy in 1875, and from which Ruskin would never recover." "From 1875 onwards Ruskin was plagued by bouts of insanity and despair that would lead to total breakdown for the last ten years of his life, but, as Hilton shows, the later years, far from being a period merely of decline, were a time when the great man's intellect and imagination reached new heights. It was in these years that Ruskin produced Praeterita and most of Fors Clavigera the series of monthly letters to British workers which Hilton discusses in the context of the writer's life." "As Slade Professor of Art at the University of Oxford he founded his drawing schools, today the Ruskin School of Art. His books and lectures were on subjects ranging from history of art to social reform to botany."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author : Friedrich Nietzsche
Publisher : Vintage
ISBN 13 : 030743298X
Total Pages : 239 pages
Book Rating : 4.88/5 ( download)

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Download or read book The Birth of Tragedy and The Case of Wagner written by Friedrich Nietzsche and published by Vintage. This book was released on 2010-05-05 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Two representative and important works in one volume by one of the greatest German philosophers. The Birth of Tragedy (1872) was Nietzsche's first book. Its youthful faults were exposed by Nietzsche in the brilliant "Attempt at a Self-Criticism" which he added to the new edition of 1886. But the book, whatever its excesses, remains one of the most relevant statements on tragedy ever penned. It exploded the conception of Greek culture that was prevalent down through the Victorian era, and it sounded themes developed in the twentieth century by classicists, existentialists, psychoanalysts, and others. The Case of Wagner (1888) was one Nietzsche's last books, and his wittiest. In attitude and style it is diametrically opposed to The Birth of Tragedy. Both works transcend their ostensible subjects and deal with art and culture, as well as the problems of the modern age generally. Each book in itself gives us an inadequate idea of its author; together, they furnish a striking image of Nietzsche's thought. The distinguished translations by Walter Kaufmann superbly reflect in English Nietzsche's idiom and the vitality of his style. Professor Kaufmann has also furnished running footnote commentaries, relevant passages from Nietzsche's correspondence, a bibliography, and, for the first time in any edition, an extensive index to each book.

Author : T. K. Seung
Publisher : Lexington Books
ISBN 13 : 0739155679
Total Pages : 401 pages
Book Rating : 4.77/5 ( download)

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Download or read book Goethe, Nietzsche, and Wagner written by T. K. Seung and published by Lexington Books. This book was released on 2006-03-27 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author reads Goethe's Faust as the first epic written under Spinoza's influence. He shows how its thematic development is governed by Spinoza's pantheistic naturalism. He further contends that Wagner and Nietzsche have tried to surpass their mentor Goethe's work by writing their own Spinozan epics of love and power in The Ring of the Nibelung and Thus Spoke Zarathustra. These Spinozan epics are designed to succeed the Christian epics in the Western literary tradition. Whereas the Christian epics dared to groom human beings for their destiny in the supernatural world, the Spinozan epics try to reinstate humanity as the children of Mother Nature and overcome their alienation from the natural world, which had been dictated by the long reign of Christianity. However, it has been well noted that none of these new epics seems to hang together thematically as a coherent work. By his Spinozan reading, the author not only demonstrates the thematic unity of each of them singly, but further illustrates their thematic relation with each other.