Modernist Parody

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Author :
Publisher : Oxford University Press
ISBN 13 : 0192849247
Total Pages : 305 pages
Book Rating : 4.43/5 ( download)

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Book Synopsis Modernist Parody by : Sarah Davison

Download or read book Modernist Parody written by Sarah Davison and published by Oxford University Press. This book was released on 2023-06-08 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Parody often stands accused of producing derivative art deficient in taste and skill. But in the hands of writers such as Ezra Pound, Wyndham Lewis, T. S. Eliot, James Joyce, Ford Madox Ford, and Virginia Woolf, the mode engendered revolutionary self-reflexive, critical, and creative practices that were crucial to the development of truly modern art. This book contends that the jauntiness, verve, and daring of high modernism is fundamentally parodic. It arguesthat parody is central to the whole modernist project. As a literary technique, parody provided the means for modernists of many stripes to learn their craft, sharpen their historical sense, definethemselves as post-Victorians, and respond to sources of inspiration while composing.

Modernist Parody

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Author :
Publisher : Oxford University Press
ISBN 13 : 019266591X
Total Pages : 305 pages
Book Rating : 4.11/5 ( download)

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Book Synopsis Modernist Parody by : Sarah Davison

Download or read book Modernist Parody written by Sarah Davison and published by Oxford University Press. This book was released on 2023-06-28 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Parody often stands accused of producing derivative art deficient in taste and skill. But in the hands of writers such as Ezra Pound, Wyndham Lewis, T. S. Eliot, James Joyce, Ford Madox Ford, and Virginia Woolf, the mode engendered revolutionary self-reflexive, critical, and creative practices that were crucial to the development of truly modern art. This book contends that the jauntiness, verve, and daring of high modernism is fundamentally parodic. It argues that parody is central to the whole modernist project, even to supposedly earnest movements such as Imagism, and not just to the extreme avant-garde antics of Dada. As a literary technique, parody provided the means for modernists of many stripes to learn their craft, sharpen their historical sense, define themselves as post-Victorians, and respond to sources of inspiration while composing. It offered a ready method to laugh at folly, amuse friends, criticize opponents, spike enemies, and transgress conventions. Being double-coded, parody proved a powerful weapon in the culture wars, enabling modernists to present and simultaneously challenge prevailing ideologies in all their historically determined complexity. Its fundamentally dialogic and palimpsestual form exposed the limitations of naïve mimesis, insisting that literature is always language in unstable play, while simultaneously foregrounding the relational structures that underwrote the modernists' paradoxical claims to originality and modernity. As a principle of continual genesis-and a spur to the production of yet more forcefully experimental art-parody therefore became the modernists' primary reflex as they negotiated their position in literary culture and made it new.

Parody

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Author :
Publisher : Cambridge University Press
ISBN 13 : 9780521429245
Total Pages : 332 pages
Book Rating : 4.42/5 ( download)

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Book Synopsis Parody by : Margaret A. Rose

Download or read book Parody written by Margaret A. Rose and published by Cambridge University Press. This book was released on 1993-09-09 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this definitive work Margaret Rose presents an analysis and history of theories and uses of parody from ancient to contemporary times and offers a new approach to the analysis and classification of modern, late-modern, and post-modern theories of the subject. The author's Parody/Meta-Fiction (1979) was influential in broadening awareness of parody as a 'double-coded' device which could be used for more than mere ridicule. In the present study she both expands and revises the introductory section of her 1979 text and adds substantial new sections on modern and post-modern theories and uses of parody and pastiche which also discuss the work of theorists and writers including the Russian formalists, Mikhail Bakhtin, Hans Robert Jauss, Wolfgang Iser, Julia Kristeva, Roland Barthes, Michel Foucault, Jacques Derrida, Ihab Hassan, Jean Baudrillard, Fredric Jameson, A. S. Byatt, Martin Amis, Charles Jencks, Umberto Eco, David Lodge, Malcolm Bradbury and others.

Rethinking G.K. Chesterton and Literary Modernism

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Author :
Publisher : Routledge
ISBN 13 : 1317192605
Total Pages : 296 pages
Book Rating : 4.02/5 ( download)

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Book Synopsis Rethinking G.K. Chesterton and Literary Modernism by : Michael Shallcross

Download or read book Rethinking G.K. Chesterton and Literary Modernism written by Michael Shallcross and published by Routledge. This book was released on 2017-11-27 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book comprehensively rethinks the relationship between G.K. Chesterton and a range of key literary modernists. When Chesterton and modernism have previously been considered in relation to one another, the dynamic has typically been conceived as one of mutual hostility, grounded in Chesterton’s advocacy of popular culture and modernist literature’s appeal to an aesthetic elite. In setting out to challenge this binary narrative, Shallcross establishes for the first time the depth and ambivalence of Chesterton’s engagement with modernism, as well as the reciprocal fascination of leading modernist writers with Chesterton’s fiction and thought. Shallcross argues that this dynamic was defined by various forms of parody and performance, and that these histrionic expressions of cultural play not only suffused the era, but found particular embodiment in Chesterton’s public persona. This reading not only enables a far-reaching reassessment of Chesterton’s corpus, but also produces a framework through which to re-evaluate the creative and critical projects of a host of modernist writers—most sustainedly, T.S. Eliot, Wyndham Lewis, and Ezra Pound—through the prism of Chesterton's disruptive presence. The result is an innovative study of the literary performance of popular and ‘high’ culture in early twentieth-century Britain, which adds a valuable new perspective to continuing critical debates on the parameters of modernism.

Mock Modernism

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Author :
Publisher : University of Toronto Press
ISBN 13 : 1442644826
Total Pages : 442 pages
Book Rating : 4.23/5 ( download)

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Book Synopsis Mock Modernism by : Leonard Diepeveen

Download or read book Mock Modernism written by Leonard Diepeveen and published by University of Toronto Press. This book was released on 2014-01-01 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: How was the modernist movement understood by the general public when it was first emerging? This question can be addressed by looking at how modernist literature and art were interpreted by journalists in daily newspapers, mainstream magazines likePunch and Vanity Fair, and literary magazines. In the earliest decades of the movement – before modernist artists were considered important, and before modernism's meaning was clearly understood – many of these interpretations took the form of parodies. Mock Modernism is an anthology of these amusing pieces, the overwhelming majority of which have not been in print since the first decades of the twentieth century. They include Max Beerbohm's send-up of Henry James; J.C. Squire's account of how a poet, writing deliberately incomprehensible poetry as a hoax, became the poet laureate of the British Bolshevist Revolution; and theChicago Record-Herald's account of some art students' “trial” of Henri Matisse for “crimes against anatomy.” An introduction and headnotes by Leonard Diepeveen highlight the usefulness of these pieces for comprehending media and public perceptions of a form of art that would later develop an almost unassailable power.

Defining Literary Postmodernism for the Twenty-First Century

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Author :
Publisher : Springer
ISBN 13 : 3030156931
Total Pages : 206 pages
Book Rating : 4.30/5 ( download)

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Book Synopsis Defining Literary Postmodernism for the Twenty-First Century by : Matthias Stephan

Download or read book Defining Literary Postmodernism for the Twenty-First Century written by Matthias Stephan and published by Springer. This book was released on 2019-04-25 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a definition of literary postmodernism, using detective and science fictions as a frame. Through an exploration of both prior theoretical approaches, and indicators through characteristics of postmodernist fiction, this book identifies a structural framework to both understand and apply the lessons of postmodernism for the next generation. Within a growing consensus that the postmodern era has passed, this book examines the different conceptions of postmodernism and posits a meaningful definition, one which can provide the foundation for future literary expression. This theory is then applied to genre fiction, particularly detective fiction and science fiction, demonstrating that postmodernism is found in the structure, rather than questions posed about literary expression. Finally, Matthias Stephan considers post-postmodern movements, and how they can be expressed given this definition of literary postmodernism, moving forward to the twenty-first century.

The Concept of Modernism

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Publisher : Cornell University Press
ISBN 13 : 9780801480775
Total Pages : 278 pages
Book Rating : 4.79/5 ( download)

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Book Synopsis The Concept of Modernism by : Astradur Eysteinsson

Download or read book The Concept of Modernism written by Astradur Eysteinsson and published by Cornell University Press. This book was released on 1990 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: The term "modernism" is central to any discussion of twentieth-century literature and critical theory. Astradur Eysteinsson here maintains that the concept of modernism does not emerge directly from the literature it subsumes, but is in fact a product of critical practices relating to nontraditional literature. Intervening in these practices, and correlating them with modernist works and with modern literary theory, Eysteinsson undertakes a comprehensive reexamination of the idea of modernism. Eysteinsson critically explores various manifestations of modernism in a rich array of American, British, and European literature, criticism, and theory. He first examines many modernist paradigms, detecting in them a conflict between modernism's culturally subversive potential and its relatively conservative status as a formalist project. He then considers these paradigms as interpretations-and fabrications-of literary history. Seen in this light, modernism both signals a historical change on the literary scene and implies the context of that change. Laden with the implications of tradition and modernity, modernism fills its major function: that of highlighting and defining the complex relations between history and postrealist literature. Eysteinsson focuses on the ways in which the concept of modernism directs our understanding of literature and literary history and influences our judgment of experimental and postrealist works in literature and art. He discusses in detail the relation of modernism to the key concepts postmodernism, the avant-garde, and realism. Enacting a crisis of subject and reference, modernism is not so much a form of discourse, he asserts, as its interruption-a possible "other" modernity that reveals critical aspects of our social and linguistic experience in Western culture. Comparatists, literary theorists, cultural historians, and others interested in twentieth-century literature and art will profit from this provocative book.

T.S. Eliot's Orchestra

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Author :
Publisher : Routledge
ISBN 13 : 1136523715
Total Pages : 378 pages
Book Rating : 4.17/5 ( download)

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Book Synopsis T.S. Eliot's Orchestra by : John Xiros Cooper

Download or read book T.S. Eliot's Orchestra written by John Xiros Cooper and published by Routledge. This book was released on 2020-04-13 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2000. Nearly everyone who addresses T. S. Eliot's imaginative and critical work must acknowledge the importance of music in thematic and formal terms. This collection of original essays thoroughly explores this aspect of his work from a number of perspectives.

Violent Minds

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Publisher : Cambridge University Press
ISBN 13 : 110842886X
Total Pages : 251 pages
Book Rating : 4.66/5 ( download)

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Book Synopsis Violent Minds by : Matthew Levay

Download or read book Violent Minds written by Matthew Levay and published by Cambridge University Press. This book was released on 2019-01-03 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: Levay analyzes representations of the criminal in British and American modernism from the late nineteenth century to the 1950s.

Gender and Contemporary Horror in Film

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Author :
Publisher : Emerald Group Publishing
ISBN 13 : 1787698998
Total Pages : 272 pages
Book Rating : 4.94/5 ( download)

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Book Synopsis Gender and Contemporary Horror in Film by : Samantha Holland

Download or read book Gender and Contemporary Horror in Film written by Samantha Holland and published by Emerald Group Publishing. This book was released on 2019-03-13 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited collection focuses on gender and contemporary horror in film, examining how and if representations of gender in horror have changed.