Modernism And Japanese Culture

Author : R. Starrs
Publisher : Springer
ISBN 13 : 0230353878
Total Pages : 323 pages
Book Rating : 4.79/5 ( download)

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Download or read book Modernism and Japanese Culture written by R. Starrs and published by Springer. This book was released on 2011-10-12 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: An in-depth and comprehensive account of the complex history of Japanese modernism from the mid-19th century 'opening to the West' until the 21st century globalized world of 'postmodernism.' Its concept of modernism encompasses not just the aesthetic avant-garde but a wide spectrum of social, political and cultural phenomena.

Author : Roy Starrs
Publisher : Global Oriental
ISBN 13 : 9004211306
Total Pages : 561 pages
Book Rating : 4.08/5 ( download)

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Download or read book Rethinking Japanese Modernism written by Roy Starrs and published by Global Oriental. This book was released on 2011-10-14 with total page 561 pages. Available in PDF, EPUB and Kindle. Book excerpt: By adopting an open, multidisciplinary, and transnational approach, this book sheds new light both on the specific achievements and on the often-unexpected interrelationships of the writers, artists and thinkers who helped to define the Japanese version of modernism and modernity.

Author : William J. Tyler
Publisher : University of Hawaii Press
ISBN 13 : 0824863666
Total Pages : 625 pages
Book Rating : 4.61/5 ( download)

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Download or read book Modanizumu written by William J. Tyler and published by University of Hawaii Press. This book was released on 2008-01-04 with total page 625 pages. Available in PDF, EPUB and Kindle. Book excerpt: Remarkably little has been written on the subject of modernism in Japanese fiction. Until now there has been neither a comprehensive survey of Japanese modernist fiction nor an anthology of translations to provide a systematic introduction. Only recently have the terms "modernism" and "modernist" become part of the standard discourse in English on modern Japanese literature and doubts concerning their authenticity vis-a-vis Western European modernism remain. This anomaly is especially ironic in view of the decidedly modan prose crafted by such well-known Japanese writers as Kawabata Yasunari, Nagai Kafu, and Tanizaki Jun’ichiro­. By contrast, scholars in the visual and fine arts, architecture, and poetry readily embraced modanizumu as a key concept for describing and analyzing Japanese culture in the 1920s and 1930s. This volume addresses this discrepancy by presenting in translation for the first time a collection of twenty-five stories and novellas representative of Japanese authors who worked in the modernist idiom from 1913 to 1938. Its prefatory materials provide a systematic overview of the literary movement’s salient features—anti-naturalism, cosmopolitanism, the concept of the double self, and actionism—and describe how modanizumu evolved from its early "jagged edges" into a sophisticated yet popular expression of Japanese urban life in the first half of the twentieth century. The modanist style, characterized by youthful exuberance, a tongue-in-cheek tone, and narrative techniques like superimposition, is amply illustrated. Modanizumu introduces faces altogether new or relatively unknown: Abe Tomoji, Kajii Motojiro, Murayama Kaita, Osaki Midori, Tachibana Sotoo, Takeda Rintaro, Tani Joji, Yoshiyuki Eisuke, and Yumeno Kyusaku. It also revisits such luminaries as Kawabata, Tanizaki, and the detective novelist Edogawa Ranpo. Key works that it culls from the modernist repertoire include Funahashi Seiichi’s Diving, Hagiwara Sakutaro’s "Town of Cats," Ito Sei’s Streets of Fiendish Ghosts, and Kawabata’s film scenario Page of Madness. This volume moves beyond conventional views to place this important movement in Japanese fiction within a global context: an indigenous expression born of the fission of local creativity and the fusion of cross-cultural interaction.

Author : Elise K. Tipton
Publisher : University of Hawaii Press
ISBN 13 : 9780824823603
Total Pages : 230 pages
Book Rating : 4.05/5 ( download)

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Download or read book Being Modern in Japan written by Elise K. Tipton and published by University of Hawaii Press. This book was released on 2000-01-01 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is a multi-faceted study of the development of modernism in Japan, with authors from Japan, the United States, and Australia spanning the fields of art history, social history, and literature.

Author : Charles Wei-hsun Fu
Publisher : State University of New York Press
ISBN 13 : 1438403445
Total Pages : 368 pages
Book Rating : 4.41/5 ( download)

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Download or read book Japan in Traditional and Postmodern Perspectives written by Charles Wei-hsun Fu and published by State University of New York Press. This book was released on 1995-07-01 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, each of the chapters offers an analysis of the origins and development of an important aspect of Japanese culture, including religion (Pure Land Buddhism and Zen, Shinto and folk religions, Confucianism and Tokugawa era ideology), philosophy (classical Buddhism and the contemporary Kyoto School), literature and the arts (medieval poetry and drama, modern fiction and films), and social behavior (family system, feminism, nationalism, and economic growth). The central, underlying theme is the uniqueness and creativity of Japan as seen from twentieth century perspectives. One of the fascinating things about Japanese culture is that, on the one hand, it seems to have held onto its traditional foundations with a greater sense of determination and celebration than most societies and, at the same time, it appears to have attained a position at the forefront of international modernist and postmodernist developments. The authors explore several approaches to this issue. One school of thought is influenced by recent Japanese writers and intellectual historians such as Mishima, Tanizaki, Watsuji, and Nakamura. Another approach is influenced by Western poststructuralist commentators such as Barthes, Derrida, and Lyotard. A third approach is to argue against the thesis known as nihonjinron ("Japanism" or cultural exceptionalism), by suggesting that the notion of Japanese uniqueness is itself a cultural myth generated by nationalist and particularist trends originating in the Tokugawa era. The volume features an essay by Kenzaburo Oe, winner of the Nobel Prize for Literature, entitled "Japan, the Dubious, and Myself."

Author : Harry D. Harootunian
Publisher : Princeton University Press
ISBN 13 : 0691095485
Total Pages : 474 pages
Book Rating : 4.86/5 ( download)

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Download or read book Overcome by Modernity written by Harry D. Harootunian and published by Princeton University Press. This book was released on 2000 with total page 474 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between the two world wars, Japanese society underwent a massive industrial transformation. The author explores the differences between the United States, England and France which safely modernised and Japan which moved unfortunately towards fascism.

Author : Sharon Minichiello
Publisher : University of Hawaii Press
ISBN 13 : 9780824820800
Total Pages : 416 pages
Book Rating : 4.00/5 ( download)

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Download or read book Japan's Competing Modernities written by Sharon Minichiello and published by University of Hawaii Press. This book was released on 1998-09-01 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scholars, Japanese and non-Japanese alike, have studied the greater Taisho era (1900-1930) within the framework of Taisho demokurashii (democracy). While this concept has proved useful, students of the period in more recent years have sought alternative ways of understanding the late Meiji-Taisho period. This collection of essays, each based on new research, offers original insights into various aspects of modern Japanese cultural history from "modernist" architecture to women as cultural symbols, popular songs to the rhetoric of empire-building, and more. The volume is organized around three general topics: geographical and cultural space; cosmopolitanism and national identity; and diversity, autonomy, and integration. Within these the authors have identified a number of thematic tensions that link the essays: high and low culture in cultural production and dissemination; national and ethnic identities; empire and ethnicity; the center and the periphery; naichi (homeland) and gaichi (overseas); urban and rural; public and private; migration and barriers. The volume opens up new avenues of exploration for the study of modern Japanese history and culture. If, as one of the authors contends, the imperative is " to understand more fully the historical forces that made Japan what it is today," these studies of Japan's "competing modernities" point the way to answers to some of the country's most challenging historical questions in this century. Contributors: Gail L. Bernstein, Barbara Brooks, Lonny E. Carlile, Kevin M. Doak, Joshua A. Fogel, Sheldon Garon, Elaine Gerbert, Jeffrey E. Hanes, Helen Hardacre, Sharon A. Minichiello, Tessa Morris-Suzuki, Jonathan M. Reynolds, Michael Robinson, Roy Starrs, Mariko Asano Tamanoi, Julia Adeney Thomas, E. Patricia Tsurumi, Christine R. Yano.

Author : Thomas R. H. Havens
Publisher : University of Hawaii Press
ISBN 13 : 9780824830113
Total Pages : 326 pages
Book Rating : 4.13/5 ( download)

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Download or read book Radicals and Realists in the Japanese Nonverbal Arts written by Thomas R. H. Havens and published by University of Hawaii Press. This book was released on 2006-07-31 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Radicals and Realists is the first book in any language to discuss Japan’s avant-garde artists, their work, and the historical environment in which they produced it during the two most creative decades of the twentieth century, the 1950s and 1960s. Many of the artists were radicals, rebelling against existing canons and established authority. Yet at the same time they were realists in choosing concrete materials, sounds, and themes from everyday life for their art and in gradually adopting tactics of protest or resistance through accommodation rather than confrontation. Whatever the means of expression, the production of art was never devoid of historical context or political implication. Focusing on the nonverbal genres of painting, sculpture, dance choreography, and music composition, this work shows that generational and political differences, not artistic doctrines, largely account for the divergent stances artists took vis-a-vis modernism, the international arts community, Japan’s ties to the United States, and the alliance of corporate and bureaucratic interests that solidified in Japan during the 1960s. After surveying censorship and arts policy during the American occupation of Japan (1945–1952), the narrative divides into two chronological sections dealing with the 1950s and 1960s, bisected by the rise of an artistic underground in Shinjuku and the security treaty crisis of May 1960. The first section treats Japanese artists who studied abroad as well as the vast and varied experiments in each of the nonverbal avant-garde arts that took place within Japan during the 1950s, after long years of artistic insularity and near-stasis throughout war and occupation. Chief among the intellectuals who stimulated experimentation were the art critic Takiguchi Shuzo, the painter Okamoto Taro, and the businessman-painter Yoshihara Jiro. The second section addresses the multifront assault on formalism (confusingly known as "anti-art") led by visual artists nationwide. Likewise, composers of both Western-style and contemporary Japanese-style music increasingly chose everyday themes from folk music and the premodern musical repertoire for their new presentations. Avant-garde print makers, sculptors, and choreographers similarly moved beyond the modern—and modernism—in their work. A later chapter examines the artistic apex of the postwar period: Osaka’s 1970 world exposition, where more avant-garde music, painting, sculpture, and dance were on display than at any other point in Japan’s history, before or since. Radicals and Realists is based on extensive archival research; numerous concerts, performances, and exhibits; and exclusive interviews with more than fifty leading choreographers, composers, painters, sculptors, and critics active during those two innovative decades. Its accessible prose and lucid analysis recommend it to a wide readership, including those interested in modern Japanese art and culture as well as the history of the postwar years.

Author : Chinghsin Wu
Publisher : University of California Press
ISBN 13 : 0520299825
Total Pages : 247 pages
Book Rating : 4.25/5 ( download)

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Download or read book Parallel Modernism written by Chinghsin Wu and published by University of California Press. This book was released on 2019-11-12 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: This significant historical study recasts modern art in Japan as a “parallel modernism” that was visually similar to Euroamerican modernism, but developed according to its own internal logic. Using the art and thought of prominent Japanese modern artist Koga Harue (1895–1933) as a lens to understand this process, Chinghsin Wu explores how watercolor, cubism, expressionism, and surrealism emerged and developed in Japan in ways that paralleled similar trends in the west, but also rejected and diverged from them. In this first English-language book on Koga Harue, Wu provides close readings of virtually all of the artist’s major works and provides unprecedented access to the critical writing about modernism in Japan during the 1920s and 1930s through primary source documentation, including translations of period art criticism, artist statements, letters, and journals.

Author : Jeffrey Angles
Publisher : U of Minnesota Press
ISBN 13 : 0816669694
Total Pages : 313 pages
Book Rating : 4.91/5 ( download)

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Download or read book Writing the Love of Boys written by Jeffrey Angles and published by U of Minnesota Press. This book was released on 2011 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: A pioneering look at same-sex desire in Japanese modernist writing.