Medieval Christian Literary Imagery

Author : Robert Earl Kaske
Publisher : University of Toronto Press
ISBN 13 : 9780802066633
Total Pages : 276 pages
Book Rating : 4.31/5 ( download)

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Download or read book Medieval Christian Literary Imagery written by Robert Earl Kaske and published by University of Toronto Press. This book was released on 1988-01-01 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: If a reader of Chaucer suspects that an echo of a biblical verse may somehow depend for its meaning on traditional commentary on that verse, how does he or she go about finding the relevant commentaries? If one finds the word 'fire' in a context that suggests resonances beyond the literal, how does that reader go about learning what the traditional figurative meanings of fire were? It was to the solution of such difficulties that R.E. Kaske addressed himself in this volume setting out and analyzing the major repositories of traditional material: biblical exegesis, the liturgy, hymns and sequences, sermons and homilies, the pictorial arts, mythography, commentaries on individual authors, and a number of miscellaneous themes. An appendix deals with medieval encyclopedias. Kaske created a tool that will revolutionize research in its designated field: the discovery and interpretation of the traditional meanings reflected in medieval Christian imagery.

Author : Douglas Gray
Publisher : Routledge
ISBN 13 : 042959075X
Total Pages : 325 pages
Book Rating : 4.57/5 ( download)

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Download or read book Themes and Images in the Medieval English Religious Lyric written by Douglas Gray and published by Routledge. This book was released on 2019-07-05 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1972, Themes and Images in the Medieval English Religious Lyric discusses themes and images in religious lyric poetry in Medieval English poetry. The book looks at the affect that tradition and convention had on the religious poetry of the medieval period. It examines the background of the lyrics, including the Latin tradition which was inherited by medieval vernacular and shows how religious lyric poetry presents, through a rich variety of images, the significant incidents in the scheme of Christ’s redemption, such as the Annunciation, the Nativity, the Passion and the Resurrection. It also considers the lyrics which were designed to assist humanity in the task of living in a Christian life, as well as those which prepared them for death.

Author : Louisa Twining
Publisher :
ISBN 13 :
Total Pages : 438 pages
Book Rating : 4.55/5 ( download)

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Download or read book Symbols and emblems of early and medieval Christian art written by Louisa Twining and published by . This book was released on 1885 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Louisa Twining
Publisher :
ISBN 13 :
Total Pages : 406 pages
Book Rating : 4.75/5 ( download)

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Download or read book Symbols and Emblems of Early and Mediaeval Christian Art written by Louisa Twining and published by . This book was released on 1852 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Author : Michael Camille
Publisher : Reaktion Books
ISBN 13 : 1780232500
Total Pages : 178 pages
Book Rating : 4.08/5 ( download)

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Download or read book Image on the Edge written by Michael Camille and published by Reaktion Books. This book was released on 2013-06-01 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: What do they all mean – the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished. Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be.

Author : Ellen M. Ross
Publisher : Oxford University Press, USA
ISBN 13 : 019510451X
Total Pages : 239 pages
Book Rating : 4.16/5 ( download)

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Download or read book The Grief of God written by Ellen M. Ross and published by Oxford University Press, USA. This book was released on 1997 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyzing a wide range of textual and pictorial evidence, the author finds that the bleeding flesh of the wounded Savior manifests divine presence; in the intensified corporeality of the suffering Jesus whose flesh not only condemns, but also nurtures, heals, and feeds, believers meet a trinitarian God of mercy.

Author : Ellen M. Ross
Publisher : Oxford University Press
ISBN 13 : 0195344537
Total Pages : 239 pages
Book Rating : 4.30/5 ( download)

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Download or read book The Grief of God written by Ellen M. Ross and published by Oxford University Press. This book was released on 1997-03-20 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Graphic portrayals of the suffering Jesus Christ pervade late medieval English art, literature, drama, and theology. These images have been interpreted as signs of a new emphasis on the humanity of Jesus. To others they indicate a fascination with a terrifying God of vengeance and a morbid obsession with death. In The Grief of God, however, Ellen Ross offers a different understanding of the purpose of this imagery and its meaning to the people of the time. Analyzing a wide range of textual and pictorial evidence, the author finds that the bleeding flesh of the wounded Savior manifests divine presence; in the intensified corporeality of the suffering Jesus whose flesh not only condemns, but also nurtures, heals, and feeds, believers meet a trinitarian God of mercy. Ross explores the rhetoric of transformation common to English medieval artistic, literary, and devotional sources. The extravagant depictions of pain and anguish, the author shows, constitute an urgent appeal to respond to Jesus' expression of love. She also explains how the inscribing of Christ's pain on the bodies of believers at times erased the boundaries between human and divine so that holy persons, and in particular, holy women, participated in the transformative power of Christ. In analyzing the dialects of mercy and justice; the construction of sacred space and time; sacraments and ritual celebration, social action, and divine judgment; and the dynamics of women's public religious authority, this study of religion and culture explores the meaning of the late medieval Christian affirmation that God bled and wept and suffered on the cross to draw persons to Godself. This interdisciplinary study of sermon literature, manuscript illuminations and church wall paintings, drama, hagiographic narratives, and spiritual treaties illuminates the religious sensibilities, practices, and beliefs that constellate around the late medieval fascination with the bleeding body of the suffering Jesus Christ.

Author : David Lyle Jeffrey
Publisher : Wm. B. Eerdmans Publishing
ISBN 13 : 9780802836342
Total Pages : 1000 pages
Book Rating : 4.48/5 ( download)

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Download or read book A Dictionary of Biblical Tradition in English Literature written by David Lyle Jeffrey and published by Wm. B. Eerdmans Publishing. This book was released on 1992 with total page 1000 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over 15 years in the making, an unprecedented one-volume reference work. Many of today's students and teachers of literature, lacking a familiarity with the Bible, are largely ignorant of how Biblical tradition has influenced and infused English literature through the centuries. An invaluable research tool. Contains nearly 800 encyclopedic articles written by a distinguished international roster of 190 contributors. Three detailed annotated bibliographies. Cross-references throughout.

Author : Barbara Zimbalist
Publisher : University of Notre Dame Pess
ISBN 13 : 0268202214
Total Pages : 426 pages
Book Rating : 4.17/5 ( download)

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Download or read book Translating Christ in the Middle Ages written by Barbara Zimbalist and published by University of Notre Dame Pess. This book was released on 2022-02-15 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study reveals how women’s visionary texts played a central role within medieval discourses of authorship, reading, and devotion. From the twelfth to the fifteenth centuries, women across northern Europe began committing their visionary conversations with Christ to the written word. Translating Christ in this way required multiple transformations: divine speech into human language, aural event into textual artifact, visionary experience into linguistic record, and individual encounter into communal repetition. This ambitious study shows how women’s visionary texts form an underexamined literary tradition within medieval religious culture. Barbara Zimbalist demonstrates how, within this tradition, female visionaries developed new forms of authorship, reading, and devotion. Through these transformations, the female visionary authorized herself and her text, and performed a rhetorical imitatio Christi that offered models of interpretive practice and spoken devotion to her readers. This literary-historical tradition has not yet been fully recognized on its own terms. By exploring its development in hagiography, visionary texts, and devotional literature, Zimbalist shows how this literary mode came to be not only possible but widespread and influential. She argues that women’s visionary translation reconfigured traditional hierarchies and positions of spiritual power for female authors and readers in ways that reverberated throughout late-medieval literary and religious cultures. In translating their visionary conversations with Christ into vernacular text, medieval women turned themselves into authors and devotional guides, and formed their readers into textual communities shaped by gendered visionary experiences and spoken imitatio Christi. Comparing texts in Latin, Dutch, French, and English, Translating Christ in the Middle Ages explores how women’s visionary translation of Christ’s speech initiated larger transformations of gendered authorship and religious authority within medieval culture. The book will interest scholars in different linguistic and religious traditions in medieval studies, history, religious studies, and women’s and gender studies.

Author : Louisa Twining
Publisher : Andesite Press
ISBN 13 : 9781298562586
Total Pages : 412 pages
Book Rating : 4.89/5 ( download)

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Download or read book Symbols and Emblems of Early and Medieval Christian Art written by Louisa Twining and published by Andesite Press. This book was released on 2015-08-08 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.