Mapping Tonal Harmony Workbook 1

Author : Ariel Ramos
Publisher :
ISBN 13 : 9781482361759
Total Pages : 170 pages
Book Rating : 4.52/5 ( download)

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Download or read book Mapping Tonal Harmony Workbook 1 written by Ariel Ramos and published by . This book was released on 2013-02-04 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volumes in the Mapping Tonal Harmony collection have been envisioned as auxiliary material in the study of Tonal Harmony. The main objective of these books is to provide the student, teachers, composers and/or songwriters with a tool that will aid them in hearing, analyzing, foreseeing, and composing harmonic progressions without struggle, in all keys alike.These workbooks are based on the map used in the Mapping Tonal Harmony Pro app by mDecks Music, which is recommended as accompanying material/tool for all volumes.All maps, progression examples and exercises in these books, were designed to improve and expand the student?s view of the harmonic surroundings around each and every tonal center. The volumes in this collection are organized in a progressive manner, each volume expanding the previous volume's map by introducing new harmonic concepts and/or functions, based on the premise that all functions introduced in earlier volumes have been understood and assimilated. Each new concept or function adds some level of detail to the map and/or extends the known area around the tonic.Many of the concepts presented in these books are simply mentioned for mapping purposes only, and should be carefully studied by using other sources such as: a harmony course, tonalharmony books, teachers, etc.Voice-leading and inversions are not covered in these volumes since their main objective is to map essential harmonic functions in every key.Vol. 1The basic major & minor diatonic neighborhoodsTonic - Sub-Dominant - Dominant. Basic harmonic progressions.Perfect Authentic Cadence (PAC). The use of V7 vs. V as a triad. Standard/Basic Harmonic Progressions in the nearby diatonic neighborhood. Use of the Tonic- Subdominant - Dominant - Tonic progressions.Progression over the Circle of Fifths: vi-ii-V-ISubstitution: IVMaj7 in place of IIm7Vol. 2Mapping IIIm , I64, V7sus4 and deceptive cadencesThe complete diatonic neighborhood for Major-MinorDeceptive and Plagal Cadences.The IIIm (ambiguous chord : Tonic vs. Dominant).Cadential I64 or I/5, Im64 or Im/5 and the V7sus4: all preceding the V7.Borrowing chords from other modesVol. 3More harmonic progressions and cadences in the diatonic neighborhoodMapping the SubV7 and its use as a Neapolitan chordInverted bass and bass lines. Pedal points: Tonic Pedal and Dominant Pedal.Backward progressions and other progressions outside the circle of fifths.The half cadence to V7 without secondary dominants.The Neapolitan Sixth Chord (bII/3 or N6) and the SubV7 (bII7).Vol. 4Basic Secondary dominants and their related IIm7V7/x, viio7/x, IIm7/xBasic Secondary functions. Creating a temporary key center in the diatonic neighborhood.Secondary Dominants (V7 and VIIo7 and the related IIm7). Extended Dominants.?Vol. 5Mapping blues I7 IV7. Additional minor mode functionsThe bIIMaj7 subdominant minor and its related IIm7-V7More borrowed chords from other modes and paths to modulations.The IV7 from dorian minor. The modal Vm.The bIIMaj7 subdominant minor chord (or root-altered IIm7b5) and its related IIm7 and V7. The I7 as tonic in the Blues and Blues form.Vol. 6Advanced secondary functions and deceptive secondary cadencesSecondary cadential I64s & V7sus. Mapping IV/x , bVI/x, bVII7/x, viio7/xOther Secondary functions: IV/x bVI/x and bVII/xCreating a temporary Tonic in the diatonic neighborhood using secondary IV/x, bVI/x and bVII/x. More borrowing from other modes and paths to modulations.Secondary cadential 64s & V7sus.Vol. 7The entire MAP, including all secondary functionsMapping all secondary subVs/x and their related IIm. The N6 and Gr+6More Secondary functions: SubV7/X . The Neapolitan 6 N6/X (same as SubV/3 no 7)The Augmented 6th chords. Gr+6, It+6, Fr+6.The related IIm7/X for the SubV7/X. Extended dominants. Reinterpreting chord functions. New paths to modulations.

Author : Ariel Ramos
Publisher :
ISBN 13 : 9781482362671
Total Pages : 100 pages
Book Rating : 4.78/5 ( download)

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Download or read book Mapping Tonal Harmony Workbook 7 written by Ariel Ramos and published by . This book was released on 2013-02-04 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volumes in the Mapping Tonal Harmony collection have been envisioned as auxiliary material in the study of Tonal Harmony. The main objective of these books is to provide the student, teachers, composers and/or songwriters with a tool that will aid them in hearing, analyzing, foreseeing, and composing harmonic progressions without struggle, in all keys alike.These workbooks are based on the map used in the Mapping Tonal Harmony Pro app by mDecks Music, which is recommended as accompanying material/tool for all volumes.All maps, progression examples and exercises in these books, were designed to improve and expand the student?s view of the harmonic surroundings around each and every tonal center. The volumes in this collection are organized in a progressive manner, each volume expanding the previous volume's map by introducing new harmonic concepts and/or functions, based on the premise that all functions introduced in earlier volumes have been understood and assimilated. Each new concept or function adds some level of detail to the map and/or extends the known area around the tonic.Many of the concepts presented in these books are simply mentioned for mapping purposes only, and should be carefully studied by using other sources such as: a harmony course, tonalharmony books, teachers, etc.Voice-leading and inversions are not covered in these volumes since their main objective is to map essential harmonic functions in every key.Vol. 1The basic major & minor diatonic neighborhoodsTonic - Sub-Dominant - Dominant. Basic harmonic progressions.Perfect Authentic Cadence (PAC). The use of V7 vs. V as a triad. Standard/Basic Harmonic Progressions in the nearby diatonic neighborhood. Use of the Tonic- Subdominant - Dominant - Tonic progressions.Progression over the Circle of Fifths: vi-ii-V-ISubstitution: IVMaj7 in place of IIm7Vol. 2Mapping IIIm , I64, V7sus4 and deceptive cadencesThe complete diatonic neighborhood for Major-MinorDeceptive and Plagal Cadences.The IIIm (ambiguous chord : Tonic vs. Dominant).Cadential I64 or I/5, Im64 or Im/5 and the V7sus4: all preceding the V7.Borrowing chords from other modesVol. 3More harmonic progressions and cadences in the diatonic neighborhoodMapping the SubV7 and its use as a Neapolitan chordInverted bass and bass lines. Pedal points: Tonic Pedal and Dominant Pedal.Backward progressions and other progressions outside the circle of fifths.The half cadence to V7 without secondary dominants.The Neapolitan Sixth Chord (bII/3 or N6) and the SubV7 (bII7).Vol. 4Basic Secondary dominants and their related IIm7V7/x, viio7/x, IIm7/xBasic Secondary functions. Creating a temporary key center in the diatonic neighborhood.Secondary Dominants (V7 and VIIo7 and the related IIm7). Extended Dominants.?Vol. 5Mapping blues I7 IV7. Additional minor mode functionsThe bIIMaj7 subdominant minor and its related IIm7-V7More borrowed chords from other modes and paths to modulations.The IV7 from dorian minor. The modal Vm.The bIIMaj7 subdominant minor chord (or root-altered IIm7b5) and its related IIm7 and V7. The I7 as tonic in the Blues and Blues form.Vol. 6Advanced secondary functions and deceptive secondary cadencesSecondary cadential I64s & V7sus. Mapping IV/x , bVI/x, bVII7/x, viio7/xOther Secondary functions: IV/x bVI/x and bVII/xCreating a temporary Tonic in the diatonic neighborhood using secondary IV/x, bVI/x and bVII/x. More borrowing from other modes and paths to modulations.Secondary cadential 64s & V7sus.Vol. 7The entire MAP, including all secondary functionsMapping all secondary subVs/x and their related IIm. The N6 and Gr+6More Secondary functions: SubV7/X . The Neapolitan 6 N6/X (same as SubV/3 no 7)The Augmented 6th chords. Gr+6, It+6, Fr+6.The related IIm7/X for the SubV7/X. Extended dominants. Reinterpreting chord functions. New paths to modulations.

Author : W. A. Mathieu
Publisher : Simon and Schuster
ISBN 13 : 1620554011
Total Pages : 576 pages
Book Rating : 4.12/5 ( download)

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Download or read book Harmonic Experience written by W. A. Mathieu and published by Simon and Schuster. This book was released on 1997-08-01 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of musical harmony from its ancient fundamentals to its most complex modern progressions, addressing how and why it resonates emotionally and spiritually in the individual. W. A. Mathieu, an accomplished author and recording artist, presents a way of learning music that reconnects modern-day musicians with the source from which music was originally generated. As the author states, "The rules of music--including counterpoint and harmony--were not formed in our brains but in the resonance chambers of our bodies." His theory of music reconciles the ancient harmonic system of just intonation with the modern system of twelve-tone temperament. Saying that the way we think music is far from the way we do music, Mathieu explains why certain combinations of sounds are experienced by the listener as harmonious. His prose often resembles the rhythms and cadences of music itself, and his many musical examples allow readers to discover their own musical responses.

Author : Ariel Ramos
Publisher :
ISBN 13 : 9781482362527
Total Pages : 100 pages
Book Rating : 4.2X/5 ( download)

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Download or read book Mapping Tonal Harmony Workbook 5 written by Ariel Ramos and published by . This book was released on 2013-02-04 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volumes in the Mapping Tonal Harmony collection have been envisioned as auxiliary material in the study of Tonal Harmony. The main objective of these books is to provide the student, teachers, composers and/or songwriters with a tool that will aid them in hearing, analyzing, foreseeing, and composing harmonic progressions without struggle, in all keys alike.These workbooks are based on the map used in the Mapping Tonal Harmony Pro app by mDecks Music, which is recommended as accompanying material/tool for all volumes.All maps, progression examples and exercises in these books, were designed to improve and expand the student?s view of the harmonic surroundings around each and every tonal center. The volumes in this collection are organized in a progressive manner, each volume expanding the previous volume's map by introducing new harmonic concepts and/or functions, based on the premise that all functions introduced in earlier volumes have been understood and assimilated. Each new concept or function adds some level of detail to the map and/or extends the known area around the tonic.Many of the concepts presented in these books are simply mentioned for mapping purposes only, and should be carefully studied by using other sources such as: a harmony course, tonalharmony books, teachers, etc.Voice-leading and inversions are not covered in these volumes since their main objective is to map essential harmonic functions in every key.Vol. 1The basic major & minor diatonic neighborhoodsTonic - Sub-Dominant - Dominant. Basic harmonic progressions.Perfect Authentic Cadence (PAC). The use of V7 vs. V as a triad. Standard/Basic Harmonic Progressions in the nearby diatonic neighborhood. Use of the Tonic- Subdominant - Dominant - Tonic progressions.Progression over the Circle of Fifths: vi-ii-V-ISubstitution: IVMaj7 in place of IIm7Vol. 2Mapping IIIm , I64, V7sus4 and deceptive cadencesThe complete diatonic neighborhood for Major-MinorDeceptive and Plagal Cadences.The IIIm (ambiguous chord : Tonic vs. Dominant).Cadential I64 or I/5, Im64 or Im/5 and the V7sus4: all preceding the V7.Borrowing chords from other modesVol. 3More harmonic progressions and cadences in the diatonic neighborhoodMapping the SubV7 and its use as a Neapolitan chordInverted bass and bass lines. Pedal points: Tonic Pedal and Dominant Pedal.Backward progressions and other progressions outside the circle of fifths.The half cadence to V7 without secondary dominants.The Neapolitan Sixth Chord (bII/3 or N6) and the SubV7 (bII7).Vol. 4Basic Secondary dominants and their related IIm7V7/x, viio7/x, IIm7/xBasic Secondary functions. Creating a temporary key center in the diatonic neighborhood.Secondary Dominants (V7 and VIIo7 and the related IIm7). Extended Dominants.?Vol. 5Mapping blues I7 IV7. Additional minor mode functionsThe bIIMaj7 subdominant minor and its related IIm7-V7More borrowed chords from other modes and paths to modulations.The IV7 from dorian minor. The modal Vm.The bIIMaj7 subdominant minor chord (or root-altered IIm7b5) and its related IIm7 and V7. The I7 as tonic in the Blues and Blues form.Vol. 6Advanced secondary functions and deceptive secondary cadencesSecondary cadential I64s & V7sus. Mapping IV/x , bVI/x, bVII7/x, viio7/xOther Secondary functions: IV/x bVI/x and bVII/xCreating a temporary Tonic in the diatonic neighborhood using secondary IV/x, bVI/x and bVII/x. More borrowing from other modes and paths to modulations.Secondary cadential 64s & V7sus.Vol. 7The entire MAP, including all secondary functionsMapping all secondary subVs/x and their related IIm. The N6 and Gr+6More Secondary functions: SubV7/X . The Neapolitan 6 N6/X (same as SubV/3 no 7)The Augmented 6th chords. Gr+6, It+6, Fr+6.The related IIm7/X for the SubV7/X. Extended dominants. Reinterpreting chord functions. New paths to modulations.

Author : Ariel Ramos
Publisher :
ISBN 13 : 9781482362435
Total Pages : 100 pages
Book Rating : 4.30/5 ( download)

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Download or read book Mapping Tonal Harmony Workbook 4 written by Ariel Ramos and published by . This book was released on 2013-02-04 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volumes in the Mapping Tonal Harmony collection have been envisioned as auxiliary material in the study of Tonal Harmony. The main objective of these books is to provide the student, teachers, composers and/or songwriters with a tool that will aid them in hearing, analyzing, foreseeing, and composing harmonic progressions without struggle, in all keys alike.These workbooks are based on the map used in the Mapping Tonal Harmony Pro app by mDecks Music, which is recommended as accompanying material/tool for all volumes.All maps, progression examples and exercises in these books, were designed to improve and expand the student?s view of the harmonic surroundings around each and every tonal center. The volumes in this collection are organized in a progressive manner, each volume expanding the previous volume's map by introducing new harmonic concepts and/or functions, based on the premise that all functions introduced in earlier volumes have been understood and assimilated. Each new concept or function adds some level of detail to the map and/or extends the known area around the tonic.Many of the concepts presented in these books are simply mentioned for mapping purposes only, and should be carefully studied by using other sources such as: a harmony course, tonalharmony books, teachers, etc.Voice-leading and inversions are not covered in these volumes since their main objective is to map essential harmonic functions in every key.Vol. 1The basic major & minor diatonic neighborhoodsTonic - Sub-Dominant - Dominant. Basic harmonic progressions.Perfect Authentic Cadence (PAC). The use of V7 vs. V as a triad. Standard/Basic Harmonic Progressions in the nearby diatonic neighborhood. Use of the Tonic- Subdominant - Dominant - Tonic progressions.Progression over the Circle of Fifths: vi-ii-V-ISubstitution: IVMaj7 in place of IIm7Vol. 2Mapping IIIm , I64, V7sus4 and deceptive cadencesThe complete diatonic neighborhood for Major-MinorDeceptive and Plagal Cadences.The IIIm (ambiguous chord : Tonic vs. Dominant).Cadential I64 or I/5, Im64 or Im/5 and the V7sus4: all preceding the V7.Borrowing chords from other modesVol. 3More harmonic progressions and cadences in the diatonic neighborhoodMapping the SubV7 and its use as a Neapolitan chordInverted bass and bass lines. Pedal points: Tonic Pedal and Dominant Pedal.Backward progressions and other progressions outside the circle of fifths.The half cadence to V7 without secondary dominants.The Neapolitan Sixth Chord (bII/3 or N6) and the SubV7 (bII7).Vol. 4Basic Secondary dominants and their related IIm7V7/x, viio7/x, IIm7/xBasic Secondary functions. Creating a temporary key center in the diatonic neighborhood.Secondary Dominants (V7 and VIIo7 and the related IIm7). Extended Dominants.?Vol. 5Mapping blues I7 IV7. Additional minor mode functionsThe bIIMaj7 subdominant minor and its related IIm7-V7More borrowed chords from other modes and paths to modulations.The IV7 from dorian minor. The modal Vm.The bIIMaj7 subdominant minor chord (or root-altered IIm7b5) and its related IIm7 and V7. The I7 as tonic in the Blues and Blues form.Vol. 6Advanced secondary functions and deceptive secondary cadencesSecondary cadential I64s & V7sus. Mapping IV/x , bVI/x, bVII7/x, viio7/xOther Secondary functions: IV/x bVI/x and bVII/xCreating a temporary Tonic in the diatonic neighborhood using secondary IV/x, bVI/x and bVII/x. More borrowing from other modes and paths to modulations.Secondary cadential 64s & V7sus.Vol. 7The entire MAP, including all secondary functionsMapping all secondary subVs/x and their related IIm. The N6 and Gr+6More Secondary functions: SubV7/X . The Neapolitan 6 N6/X (same as SubV/3 no 7)The Augmented 6th chords. Gr+6, It+6, Fr+6.The related IIm7/X for the SubV7/X. Extended dominants. Reinterpreting chord functions. New paths to modulations.

Author : Ariel Ramos
Publisher :
ISBN 13 : 9781482362626
Total Pages : 100 pages
Book Rating : 4.27/5 ( download)

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Download or read book Mapping Tonal Harmony Workbook 6 written by Ariel Ramos and published by . This book was released on 2013-02-04 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volumes in the Mapping Tonal Harmony collection have been envisioned as auxiliary material in the study of Tonal Harmony. The main objective of these books is to provide the student, teachers, composers and/or songwriters with a tool that will aid them in hearing, analyzing, foreseeing, and composing harmonic progressions without struggle, in all keys alike.These workbooks are based on the map used in the Mapping Tonal Harmony Pro app by mDecks Music, which is recommended as accompanying material/tool for all volumes.All maps, progression examples and exercises in these books, were designed to improve and expand the student?s view of the harmonic surroundings around each and every tonal center. The volumes in this collection are organized in a progressive manner, each volume expanding the previous volume's map by introducing new harmonic concepts and/or functions, based on the premise that all functions introduced in earlier volumes have been understood and assimilated. Each new concept or function adds some level of detail to the map and/or extends the known area around the tonic.Many of the concepts presented in these books are simply mentioned for mapping purposes only, and should be carefully studied by using other sources such as: a harmony course, tonalharmony books, teachers, etc.Voice-leading and inversions are not covered in these volumes since their main objective is to map essential harmonic functions in every key.Vol. 1The basic major & minor diatonic neighborhoodsTonic - Sub-Dominant - Dominant. Basic harmonic progressions.Perfect Authentic Cadence (PAC). The use of V7 vs. V as a triad. Standard/Basic Harmonic Progressions in the nearby diatonic neighborhood. Use of the Tonic- Subdominant - Dominant - Tonic progressions.Progression over the Circle of Fifths: vi-ii-V-ISubstitution: IVMaj7 in place of IIm7Vol. 2Mapping IIIm , I64, V7sus4 and deceptive cadencesThe complete diatonic neighborhood for Major-MinorDeceptive and Plagal Cadences.The IIIm (ambiguous chord : Tonic vs. Dominant).Cadential I64 or I/5, Im64 or Im/5 and the V7sus4: all preceding the V7.Borrowing chords from other modesVol. 3More harmonic progressions and cadences in the diatonic neighborhoodMapping the SubV7 and its use as a Neapolitan chordInverted bass and bass lines. Pedal points: Tonic Pedal and Dominant Pedal.Backward progressions and other progressions outside the circle of fifths.The half cadence to V7 without secondary dominants.The Neapolitan Sixth Chord (bII/3 or N6) and the SubV7 (bII7).Vol. 4Basic Secondary dominants and their related IIm7V7/x, viio7/x, IIm7/xBasic Secondary functions. Creating a temporary key center in the diatonic neighborhood.Secondary Dominants (V7 and VIIo7 and the related IIm7). Extended Dominants.?Vol. 5Mapping blues I7 IV7. Additional minor mode functionsThe bIIMaj7 subdominant minor and its related IIm7-V7More borrowed chords from other modes and paths to modulations.The IV7 from dorian minor. The modal Vm.The bIIMaj7 subdominant minor chord (or root-altered IIm7b5) and its related IIm7 and V7. The I7 as tonic in the Blues and Blues form.Vol. 6Advanced secondary functions and deceptive secondary cadencesSecondary cadential I64s & V7sus. Mapping IV/x , bVI/x, bVII7/x, viio7/xOther Secondary functions: IV/x bVI/x and bVII/xCreating a temporary Tonic in the diatonic neighborhood using secondary IV/x, bVI/x and bVII/x. More borrowing from other modes and paths to modulations.Secondary cadential 64s & V7sus.Vol. 7The entire MAP, including all secondary functionsMapping all secondary subVs/x and their related IIm. The N6 and Gr+6More Secondary functions: SubV7/X . The Neapolitan 6 N6/X (same as SubV/3 no 7)The Augmented 6th chords. Gr+6, It+6, Fr+6.The related IIm7/X for the SubV7/X. Extended dominants. Reinterpreting chord functions. New paths to modulations.

Author : Ariel Ramos
Publisher :
ISBN 13 : 9781482362299
Total Pages : 100 pages
Book Rating : 4.95/5 ( download)

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Download or read book Mapping Tonal Harmony Workbook 3 written by Ariel Ramos and published by . This book was released on 2013-02-04 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volumes in the Mapping Tonal Harmony collection have been envisioned as auxiliary material in the study of Tonal Harmony. The main objective of these books is to provide the student, teachers, composers and/or songwriters with a tool that will aid them in hearing, analyzing, foreseeing, and composing harmonic progressions without struggle, in all keys alike.These workbooks are based on the map used in the Mapping Tonal Harmony Pro app by mDecks Music, which is recommended as accompanying material/tool for all volumes.All maps, progression examples and exercises in these books, were designed to improve and expand the student?s view of the harmonic surroundings around each and every tonal center. The volumes in this collection are organized in a progressive manner, each volume expanding the previous volume's map by introducing new harmonic concepts and/or functions, based on the premise that all functions introduced in earlier volumes have been understood and assimilated. Each new concept or function adds some level of detail to the map and/or extends the known area around the tonic.Many of the concepts presented in these books are simply mentioned for mapping purposes only, and should be carefully studied by using other sources such as: a harmony course, tonalharmony books, teachers, etc.Voice-leading and inversions are not covered in these volumes since their main objective is to map essential harmonic functions in every key.Vol. 1The basic major & minor diatonic neighborhoodsTonic - Sub-Dominant - Dominant. Basic harmonic progressions.Perfect Authentic Cadence (PAC). The use of V7 vs. V as a triad. Standard/Basic Harmonic Progressions in the nearby diatonic neighborhood. Use of the Tonic- Subdominant - Dominant - Tonic progressions.Progression over the Circle of Fifths: vi-ii-V-ISubstitution: IVMaj7 in place of IIm7Vol. 2Mapping IIIm , I64, V7sus4 and deceptive cadencesThe complete diatonic neighborhood for Major-MinorDeceptive and Plagal Cadences.The IIIm (ambiguous chord : Tonic vs. Dominant).Cadential I64 or I/5, Im64 or Im/5 and the V7sus4: all preceding the V7.Borrowing chords from other modesVol. 3More harmonic progressions and cadences in the diatonic neighborhoodMapping the SubV7 and its use as a Neapolitan chordInverted bass and bass lines. Pedal points: Tonic Pedal and Dominant Pedal.Backward progressions and other progressions outside the circle of fifths.The half cadence to V7 without secondary dominants.The Neapolitan Sixth Chord (bII/3 or N6) and the SubV7 (bII7).Vol. 4Basic Secondary dominants and their related IIm7V7/x, viio7/x, IIm7/xBasic Secondary functions. Creating a temporary key center in the diatonic neighborhood.Secondary Dominants (V7 and VIIo7 and the related IIm7). Extended Dominants.?Vol. 5Mapping blues I7 IV7. Additional minor mode functionsThe bIIMaj7 subdominant minor and its related IIm7-V7More borrowed chords from other modes and paths to modulations.The IV7 from dorian minor. The modal Vm.The bIIMaj7 subdominant minor chord (or root-altered IIm7b5) and its related IIm7 and V7. The I7 as tonic in the Blues and Blues form.Vol. 6Advanced secondary functions and deceptive secondary cadencesSecondary cadential I64s & V7sus. Mapping IV/x , bVI/x, bVII7/x, viio7/xOther Secondary functions: IV/x bVI/x and bVII/xCreating a temporary Tonic in the diatonic neighborhood using secondary IV/x, bVI/x and bVII/x. More borrowing from other modes and paths to modulations.Secondary cadential 64s & V7sus.Vol. 7The entire MAP, including all secondary functionsMapping all secondary subVs/x and their related IIm. The N6 and Gr+6More Secondary functions: SubV7/X . The Neapolitan 6 N6/X (same as SubV/3 no 7)The Augmented 6th chords. Gr+6, It+6, Fr+6.The related IIm7/X for the SubV7/X. Extended dominants. Reinterpreting chord functions. New paths to modulations.

Author : Ariel Ramos
Publisher :
ISBN 13 : 9781482362114
Total Pages : 100 pages
Book Rating : 4.12/5 ( download)

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Download or read book Mapping Tonal Harmony Workbook 2 written by Ariel Ramos and published by . This book was released on 2013-02-04 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volumes in the Mapping Tonal Harmony collection have been envisioned as auxiliary material in the study of Tonal Harmony. The main objective of these books is to provide the student, teachers, composers and/or songwriters with a tool that will aid them in hearing, analyzing, foreseeing, and composing harmonic progressions without struggle, in all keys alike.These workbooks are based on the map used in the Mapping Tonal Harmony Pro app by mDecks Music, which is recommended as accompanying material/tool for all volumes.All maps, progression examples and exercises in these books, were designed to improve and expand the student?s view of the harmonic surroundings around each and every tonal center. The volumes in this collection are organized in a progressive manner, each volume expanding the previous volume's map by introducing new harmonic concepts and/or functions, based on the premise that all functions introduced in earlier volumes have been understood and assimilated. Each new concept or function adds some level of detail to the map and/or extends the known area around the tonic.Many of the concepts presented in these books are simply mentioned for mapping purposes only, and should be carefully studied by using other sources such as: a harmony course, tonalharmony books, teachers, etc.Voice-leading and inversions are not covered in these volumes since their main objective is to map essential harmonic functions in every key.Vol. 1The basic major & minor diatonic neighborhoodsTonic - Sub-Dominant - Dominant. Basic harmonic progressions.Perfect Authentic Cadence (PAC). The use of V7 vs. V as a triad. Standard/Basic Harmonic Progressions in the nearby diatonic neighborhood. Use of the Tonic- Subdominant - Dominant - Tonic progressions.Progression over the Circle of Fifths: vi-ii-V-ISubstitution: IVMaj7 in place of IIm7Vol. 2Mapping IIIm , I64, V7sus4 and deceptive cadencesThe complete diatonic neighborhood for Major-MinorDeceptive and Plagal Cadences.The IIIm (ambiguous chord : Tonic vs. Dominant).Cadential I64 or I/5, Im64 or Im/5 and the V7sus4: all preceding the V7.Borrowing chords from other modesVol. 3More harmonic progressions and cadences in the diatonic neighborhoodMapping the SubV7 and its use as a Neapolitan chordInverted bass and bass lines. Pedal points: Tonic Pedal and Dominant Pedal.Backward progressions and other progressions outside the circle of fifths.The half cadence to V7 without secondary dominants.The Neapolitan Sixth Chord (bII/3 or N6) and the SubV7 (bII7).Vol. 4Basic Secondary dominants and their related IIm7V7/x, viio7/x, IIm7/xBasic Secondary functions. Creating a temporary key center in the diatonic neighborhood.Secondary Dominants (V7 and VIIo7 and the related IIm7). Extended Dominants.?Vol. 5Mapping blues I7 IV7. Additional minor mode functionsThe bIIMaj7 subdominant minor and its related IIm7-V7More borrowed chords from other modes and paths to modulations.The IV7 from dorian minor. The modal Vm.The bIIMaj7 subdominant minor chord (or root-altered IIm7b5) and its related IIm7 and V7. The I7 as tonic in the Blues and Blues form.Vol. 6Advanced secondary functions and deceptive secondary cadencesSecondary cadential I64s & V7sus. Mapping IV/x , bVI/x, bVII7/x, viio7/xOther Secondary functions: IV/x bVI/x and bVII/xCreating a temporary Tonic in the diatonic neighborhood using secondary IV/x, bVI/x and bVII/x. More borrowing from other modes and paths to modulations.Secondary cadential 64s & V7sus.Vol. 7The entire MAP, including all secondary functionsMapping all secondary subVs/x and their related IIm. The N6 and Gr+6More Secondary functions: SubV7/X . The Neapolitan 6 N6/X (same as SubV/3 no 7)The Augmented 6th chords. Gr+6, It+6, Fr+6.The related IIm7/X for the SubV7/X. Extended dominants. Reinterpreting chord functions. New paths to modulations.

Author : Dmitri Tymoczko
Publisher : OUP USA
ISBN 13 : 0195336674
Total Pages : 469 pages
Book Rating : 4.72/5 ( download)

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Download or read book A Geometry of Music written by Dmitri Tymoczko and published by OUP USA. This book was released on 2011-03-21 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.

Author : Elliott Carter
Publisher : Carl Fischer, L.L.C.
ISBN 13 : 9780825845949
Total Pages : 390 pages
Book Rating : 4.47/5 ( download)

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Download or read book Harmony Book written by Elliott Carter and published by Carl Fischer, L.L.C.. This book was released on 2002 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive resource features more than 400 projections and colour illustrations augmented by MRI images for added detail to enhance the anatomy and positioning presentations.