Looking Away; Hollywood and Vietnam

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Publisher :
ISBN 13 :
Total Pages : 264 pages
Book Rating : 4.53/5 ( download)

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Book Synopsis Looking Away; Hollywood and Vietnam by : Julian Smith

Download or read book Looking Away; Hollywood and Vietnam written by Julian Smith and published by . This book was released on 1975 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt:

From Hanoi to Hollywood

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Publisher : Rutgers University Press
ISBN 13 : 9780813515878
Total Pages : 410 pages
Book Rating : 4.74/5 ( download)

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Book Synopsis From Hanoi to Hollywood by : Linda Dittmar

Download or read book From Hanoi to Hollywood written by Linda Dittmar and published by Rutgers University Press. This book was released on 1990 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: Probing the large body of emotion-laden, controversial films, From Hanoi to Hollywood is concerned with the retelling of history and the retrospection that such a process involves. In this anthology, an awareness of film as a cultural artifact that molds beliefs and guides action is emphasized, an awareness that the contributors bring to a variety of films.

Hollywood and War, The Film Reader

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Publisher : Taylor & Francis
ISBN 13 : 1000938565
Total Pages : 464 pages
Book Rating : 4.62/5 ( download)

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Book Synopsis Hollywood and War, The Film Reader by : J. David Slocum

Download or read book Hollywood and War, The Film Reader written by J. David Slocum and published by Taylor & Francis. This book was released on 2023-04-28 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discussing such classic films as Sergeant York, Air Force, and All Quiet on the Western Front, as well as more modern blockbusters like Apocalypse Now and Saving Private Ryan, this outstanding volume focuses on Hollywood and its production of war films. Topics covered include: the early formation of war cinema the apotheosis of the Hollywood war film the ascendancy of ambivalence Hollywood and the war since Vietnam war as a way of seeing. For any student of film studies or American cultural studies, this is a valuable companion.

Visions of Empire

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 0313391068
Total Pages : 232 pages
Book Rating : 4.64/5 ( download)

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Book Synopsis Visions of Empire by : Stephen Prince

Download or read book Visions of Empire written by Stephen Prince and published by Bloomsbury Publishing USA. This book was released on 1992-06-30 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Visions of Empire explores film's function as a medium of political communication, recognizing not just the propaganda film, but the various ways that conventional narrative films embody, question, or critique established social values underlying American attitudes toward historical, social, and political events. Stephen Prince discusses Hollywood film productions of the 1980s in terms of salient political issues of the period, including anxieties about declining U.S. military power, the wars in Central America and the prospects for U.S. intervention, the legacy of the Vietnam War, and urban decay. In analyzing these images and narratives, the author also describes and evaluates the cinematic styles available in the Hollywood tradition to filmmakers who address political issues. Chapter 1 establishes the theoretical framework by considering features of the political landscape of the Reagan era. Theories about political representation and the place of ideology in film are also examined. Chapters 2 through 5 focus on the major cycles of political films. Chapter 2 examines the new Cold War films which played upon fears of the Soviet menace (Rambo, Invasion USA, Red Dawn, and Top Gun). Chapter 3 discusses the small group of films--Under Fire, Salvador, El Norte and others--that addressed the wars in Latin America and the ways they explained the origins of the conflicts and the U.S. role therein. Various histories and mythologies on film of the Vietnam War are examined in Chapter 4 as examples of the symbolic reconstruction of social memory. Chapter 5 looks at politicized science fiction films (Blade Runner, Aliens, Robocop, and Total Recall) offering critical commentaries on the pathologies of contemporary urban society and capitalism.

American Militarism on the Small Screen

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Publisher : Routledge
ISBN 13 : 1317402898
Total Pages : 286 pages
Book Rating : 4.93/5 ( download)

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Book Synopsis American Militarism on the Small Screen by : Anna Froula

Download or read book American Militarism on the Small Screen written by Anna Froula and published by Routledge. This book was released on 2016-03-17 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Anna Froula is Associate Professor of Film Studies in the Department of English at East Carolina University, USA Stacy Takacs is Associate Professor and Director of American Studies at Oklahoma State University, USA

The Films of the Eighties

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Publisher : SIU Press
ISBN 13 : 9780809320295
Total Pages : 358 pages
Book Rating : 4.90/5 ( download)

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Book Synopsis The Films of the Eighties by : William J. Palmer

Download or read book The Films of the Eighties written by William J. Palmer and published by SIU Press. This book was released on 1995 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this remarkable sequel to his Films of the Seventies: A Social History, William J. Palmer examines more than three hundred films as texts that represent, revise, parody, comment upon, and generate discussion about major events, issues, and social trends of the eighties. Palmer defines the dialectic between film art and social history, taking as his theoretical model the "holograph of history" that originated from the New Historicist theories of Hayden White and Dominick LaCapra. Combining the interests and methodologies of social history and film criticism, Palmer contends that film is a socially conscious interpreter and commentator upon the issues of contemporary social history. In the eighties, such issues included the war in Vietnam, the preservation of the American farm, terrorism, nuclear holocaust, changes in Soviet-American relations, neoconservative feminism, and yuppies. Among the films Palmer examines are Platoon, The Killing Fields, The River, Out of Africa, Little Drummer Girl, Kiss of the Spiderwoman, Silkwood, The Day After, Red Dawn, Moscow on the Hudson, Troop Beverly Hills, and Fatal Attraction. Utilizing the principles of New Historicism, Palmer demonstrates that film can analyze and critique history as well as present it.

Hollywood As Historian

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Publisher : University Press of Kentucky
ISBN 13 : 0813160308
Total Pages : 459 pages
Book Rating : 4.06/5 ( download)

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Book Synopsis Hollywood As Historian by : Peter C. Rollins

Download or read book Hollywood As Historian written by Peter C. Rollins and published by University Press of Kentucky. This book was released on 2021-03-17 with total page 459 pages. Available in PDF, EPUB and Kindle. Book excerpt: “A commendably comprehensive analysis of the issue of Hollywood’s ability to shape our minds . . . invigorating reading.” ?Booklist Film has exerted a pervasive influence on the American mind, and in eras of economic instability and international conflict, the industry has not hesitated to use motion pictures for propaganda purposes. During less troubled times, citizens’ ability to deal with political and social issues may be enhanced or thwarted by images absorbed in theaters. Tracking the interaction of Americans with important movie productions, this book considers such topics as racial and sexual stereotyping; censorship of films; comedy as a tool for social criticism; the influence of “great men” and their screen images; and the use of film to interpret history. Hollywood As Historian benefits from a variety of approaches. Literary and historical influences are carefully related to The Birth of a Nation and Apocalypse Now, two highly tendentious epics of war and cultural change. How political beliefs of filmmakers affected cinematic styles is illuminated in a short survey of documentary films made during the Great Depression. Historical distance has helped analysts decode messages unintended by filmmakers in the study of The Snake Pit and Dr. Strangelove. Hollywood As Historian offers a versatile, thought-provoking text for students of popular culture, American studies, film history, or film as history. Films considered include: The Birth of a Nation (1915), The Plow that Broke the Plains (1936), The River (1937), March of Time (1935-1953), City Lights (1931), Modern Times (1936), The Great Dictator (1940), The Grapes of Wrath (1940), Native Land (1942), Wilson (1944), The Negro Soldier (1944), The Snake Pit (1948), On the Waterfront (1954), Dr. Strangelove (1964), Who’s Afraid of Virginia Woolf? (1966), and Apocalypse Now (1979). “Recommended reading for anyone concerned with the influence of popular culture on the public perception of history.” ?American Journalism

Why We Fought

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Publisher : University Press of Kentucky
ISBN 13 : 0813172977
Total Pages : 624 pages
Book Rating : 4.72/5 ( download)

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Book Synopsis Why We Fought by : Peter C. Rollins

Download or read book Why We Fought written by Peter C. Rollins and published by University Press of Kentucky. This book was released on 2008-07-25 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film moves audiences like no other medium; both documentaries and feature films are especially remarkable for their ability to influence viewers. Best-selling author James Brady remarked that he joined the Marines to fight in Korea after seeing a John Wayne film, demonstrating how a motion picture can change the course of a human life—in this case, launching the career of a major historian and novelist. In Why We Fought: America's Wars in Film and History, editors Peter C. Rollins and John E. O'Connor explore the complexities of war films, describing the ways in which such productions interpret history and illuminate American values, politics, and culture. This comprehensive volume covers representations of war in film from the American Revolution in the 18th century to today's global War on Terror. The contributors examine iconic battle films such as The Big Parade (1925), All Quiet on the Western Front (1930), From Here to Eternity (1953), and Platoon (1986), considering them as historical artifacts. The authors explain how film shapes our cultural understanding of military conflicts, analyzing how war is depicted on television programs, through news media outlets, and in fictional and factual texts. With several essays examining the events of September 11, 2001, and their aftermath, the book has a timely relevance concerning the country's current military conflicts. Jeff Chown examines controversial documentary films about the Iraq War, while Stacy Takacs considers Jessica Lynch and American gender issues in a post-9/11 world, and James Kendrick explores the political messages and aesthetic implications of United 93. From filmmakers who reshaped our understanding of the history of the Alamo, to Ken Burns's popular series on the Civil War, to the uses of film and media in understanding the Vietnam conflict, Why We Fought offers a balanced outlook— one of the book's editors was a combat officer in the United States Marines, the other an antiwar activist—on the conflicts that have become touchstones of American history. As Air Force veteran and film scholar Robert Fyne notes in the foreword, American war films mirror a nation's past and offer tangible evidence of the ways millions of Americans have become devoted, as was General MacArthur, to "Duty, honor, and country." Why We Fought chronicles how, for more than half a century, war films have shaped our nation's consciousness.

Film Genre Reader IV

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Publisher : University of Texas Press
ISBN 13 : 0292745745
Total Pages : 785 pages
Book Rating : 4.42/5 ( download)

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Book Synopsis Film Genre Reader IV by : Barry Keith Grant

Download or read book Film Genre Reader IV written by Barry Keith Grant and published by University of Texas Press. This book was released on 2012-12-01 with total page 785 pages. Available in PDF, EPUB and Kindle. Book excerpt: From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.

Front Lines of Community

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Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3110468085
Total Pages : 388 pages
Book Rating : 4.83/5 ( download)

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Book Synopsis Front Lines of Community by : Hermann Kappelhoff

Download or read book Front Lines of Community written by Hermann Kappelhoff and published by Walter de Gruyter GmbH & Co KG. This book was released on 2018-04-23 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on the premise that a society’s sense of commonality depends upon media practices, this study examines how Hollywood responded to the crisis of democracy during the Second World War by creating a new genre - the war film. Developing an affective theory of genre cinema, the study’s focus on the sense of commonality offers a new characterization of the relationship between politics and poetics. It shows how the diverse ramifications of genre poetics can be explored as a network of experiental modalities that make history graspable as a continuous process of delineating the limits of community.