Letters To Miranda And Canova On The Abduction Of Antiquities From Rome And Athens

Author : Quatremère de Quincy (M., Antoine-Chrysostome)
Publisher : J Paul Getty Museum Publications
ISBN 13 : 9781606060995
Total Pages : 184 pages
Book Rating : 4.96/5 ( download)

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Download or read book Letters to Miranda and Canova on the Abduction of Antiquities from Rome and Athens written by Quatremère de Quincy (M., Antoine-Chrysostome) and published by J Paul Getty Museum Publications. This book was released on 2012 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Quatremére de Quincy, the most famous art critic at the end of the Enlightenment, published two sets of letters about the role of museums. He first implored them to return works of art to their original settings but later argued in favor of the museum as a place where artworks can be safely stored and made available for artists to study. Immensely contraversial and influential since they were written two centuries ago, Quatremére's texts sum up the most bewildering moment of the debate on museums: did the new institution inauguate the death of art, or bring it to its perfection? This volume offers the first English translation of the letters, as well as an extensive introduction that reveals their content, the reason for their intellectual success, and how they enlarge contemporary disputes about cultural property, national claims and universal beauty.

Author : Mari Lending
Publisher : Princeton University Press
ISBN 13 : 0691239622
Total Pages : 296 pages
Book Rating : 4.20/5 ( download)

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Download or read book Plaster Monuments written by Mari Lending and published by Princeton University Press. This book was released on 2022-06-14 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: We are taught to believe in originals. In art and architecture in particular, original objects vouch for authenticity, value, and truth, and require our protection and preservation. The nineteenth century, however, saw this issue differently. In a culture of reproduction, plaster casts of building fragments and architectural features were sold throughout Europe and America and proudly displayed in leading museums. The first comprehensive history of these full-scale replicas, Plaster Monuments examines how they were produced, marketed, sold, and displayed, and how their significance can be understood today. Plaster Monuments unsettles conventional thinking about copies and originals. As Mari Lending shows, the casts were used to restore wholeness to buildings that in reality lay in ruin, or to isolate specific features of monuments to illustrate what was typical of a particular building, style, or era. Arranged in galleries and published in exhibition catalogues, these often enormous objects were staged to suggest the sweep of history, synthesizing structures from vastly different regions and time periods into coherent narratives. While architectural plaster casts fell out of fashion after World War I, Lending brings the story into the twentieth century, showing how Paul Rudolph incorporated historical casts into the design for the Yale Art and Architecture building, completed in 1963. Drawing from a broad archive of models, exhibitions, catalogues, and writings from architects, explorers, archaeologists, curators, novelists, and artists, Plaster Monuments tells the fascinating story of a premodernist aesthetic and presents a new way of thinking about history’s artifacts.

Author : Johann Martin Wagner
Publisher : State University of New York Press
ISBN 13 : 1438464827
Total Pages : 346 pages
Book Rating : 4.24/5 ( download)

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Download or read book Report on the Aeginetan Sculptures written by Johann Martin Wagner and published by State University of New York Press. This book was released on 2017-04-24 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tells the story of Bavaria’s acquisition of ancient Greek sculptures that rivaled those acquired by England from the Parthenon. The controversial removal of the Parthenon sculptures from Greece to England in the first decade of the nineteenth century by Thomas Bruce, seventh Earl of Elgin, sparked an international competition for classical antiquities. This volume tells a lesser-known chapter of that story, concerning sculptures from the Temple of Aphaia on the Greek island of Aegina. Discovered in 1811 as the Parthenon project was nearing its completion, these ancient sculptures were acquired at auction by Johann Martin Wagner (1777–1858) on behalf of Crown Prince Ludwig of Bavaria. The sculptures turned out to be significant in a number of ways, offering important evidence for a transitional period of Greek art between the archaic and classical eras, for the existence of an independent Aeginetan school that was the equal of Athenian art at the time, and for Greek sculptures having been elaborately painted and adorned. Originally published in 1817 and presented here for the first time in English, this book reproduces the report commissioned by the crown prince that was written by Wagner and edited by F. W. J. Schelling and contained richly detailed descriptions of the sculptures. In addition, Louis A. Ruprecht Jr. provides a comprehensive historical introduction featuring a constellation of intellectual figures, an afterword, notes, appendices, and more than forty images to tell the fascinating story of the sculptures and their legacy from excavation to the present day. Louis A. Ruprecht Jr. holds the William M. Suttles Chair in Religious Studies and serves as Director of the Center for Hellenic Studies at Georgia State University. He is the author of many books, including Symposia: Plato, the Erotic, and Moral Value and Afterwords: Hellenism, Modernism, and the Myth of Decadence, both also published by SUNY Press; Classics at the Dawn of the Museum Era: The Life and Times of Antoine Chrysostome Quatremère de Quincy (1755–1849); and Winckelmann and the Vatican’s First Profane Museum.

Author : Jonah Siegel
Publisher : Stanford University Press
ISBN 13 : 1503632164
Total Pages : 438 pages
Book Rating : 4.65/5 ( download)

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Download or read book Overlooking Damage written by Jonah Siegel and published by Stanford University Press. This book was released on 2022-07-12 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean to look? How does looking relate to damage? These are the fundamental questions addressed in Overlooking Damage. From the Roman triumph to the iconoclasm of ISIS and the Taliban to the aerial views of looted landscapes and destroyed temples visible on Google, the relationship between beauty and violence is far more intimate than we sometimes acknowledge. Jonah Siegel makes the daring argument that a thoughtful reaction to images of damage need not stop at melancholy, but can lead us to a new reckoning. Would the objects we admire be more beautiful if they were not injured or displaced, if they did not remind us of unbearable violence? Siegel takes up writers from the time of the French Revolution to today who have reacted to the depredations of revolutionary iconoclasm, imperial looting, and industrial capitalism, and proposes that in these authors we may find resources with which to navigate our contemporary situation. Deftly bringing the methods of literary studies to bear on important debates in the study of heritage, archaeology, and visual culture, Overlooking Damage reflects on the ways in which concepts of beauty intersect with periods of epochal violence in an attempt to resist the separation of broken things from the worlds in which they have come to be embedded.

Author : Eva-Maria Troelenberg
Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3110341360
Total Pages : 382 pages
Book Rating : 4.62/5 ( download)

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Download or read book Images of the Art Museum written by Eva-Maria Troelenberg and published by Walter de Gruyter GmbH & Co KG. This book was released on 2017-02-06 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years, the emerging field of museum studies has seen rapid expansion in the critical study of museums and scholars started to question the institution and its functions. To contribute differentiated viewpoints to the currently evolving meta-discourse on the museum, this volume aims to investigate how the institution of the museum has been visualized and translated into different kinds of images and how these images have affected our perception of these institutions. In this interdisciplinary collection, scholars from a variety of academic backgrounds, including art history, heritage, museums studies and architectural history, explore a broad range of case studies stretching across the globe. The volume opens up debate about the epistemological and historiographical significance of a variety of different images and representations of the Art Museum, including the transformation or adaptation of the image of the art museum across periods and cultures. In this context, this volume aims to develop a new theoretical framework while proposing new methodological tools and resources for the analysis of museological representations on a global scale.

Author : Kevin L. Cope
Publisher : Rutgers University Press
ISBN 13 : 1684481724
Total Pages : 323 pages
Book Rating : 4.29/5 ( download)

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Download or read book 1650-1850 written by Kevin L. Cope and published by Rutgers University Press. This book was released on 2020-02-14 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: 1650-1850 publishes essays and reviews from and about a wide range of academic disciplines literature, philosophy, art history, history, religion, and science. Interdisciplinary in scope and approach, 1650-1850 emphasizes aesthetic manifestations and applications of ideas, and encourages studies that move between the arts and the sciences.

Author : Antoine Chrysostome Quatremère de Quincy
Publisher : Rowman & Littlefield
ISBN 13 : 1793642206
Total Pages : 137 pages
Book Rating : 4.02/5 ( download)

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Download or read book Quatremère de Quincy's Moral Considerations on the Place and Purpose of Works of Art written by Antoine Chrysostome Quatremère de Quincy and published by Rowman & Littlefield. This book was released on 2021-07-19 with total page 137 pages. Available in PDF, EPUB and Kindle. Book excerpt: Antoine Chrysostome Quatremère de Quincy (1755-1849) was the most important Neoclassical art historian in the generation after Johann Joachim Winckelmann (1717-1768). It is difficult now to appreciate his importance, due in part to the lack of translations of his 21 published books: three were rendered into English in the 19th century, and one in the 21st. The Moral Considerations has long been considered the most shattering polemic against public museums ever written. But I will show that Quatremère’s polemic was aimed, not against museums per se, but rather against the imperialist and secularist curatorial purposes of Parisian museums in the age of Revolution. His Neoclassical commitments maintained the centrality of religion, and of incarnation, to any proper understanding of the place and purpose of the fine arts.

Author : Fran�ois Hartog
Publisher : Columbia University Press
ISBN 13 : 0231163762
Total Pages : 286 pages
Book Rating : 4.67/5 ( download)

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Download or read book Regimes of Historicity written by Fran�ois Hartog and published by Columbia University Press. This book was released on 2015-01-13 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fran�ois Hartog explores crucial moments of change in societyÕs Òregimes of historicityÓ or its way of relating to the past, present, and future. Inspired by Arendt, Koselleck, and Ricoeur, Hartog analyzes a broad range of texts, positioning the The Odyssey as a work on the threshold of a historical consciousness and then contrasting it against an investigation of the anthropologist Marshall SahlinsÕs concept of Òheroic history.Ó He tracks changing perspectives on time in Ch‰teaubriandÕs Historical Essay and Travels in America, and sets them alongside other writings from the French Revolution. He revisits the insight of the French Annals School and situates Pierre NoraÕs Realms of Memory within a history of heritage and our contemporary presentism. Our presentist present is by no means uniform or clear-cut, and it is experienced very differently depending on oneÕs position in society. There are flows and acceleration, but also what the sociologist Robert Castel calls the Òstatus of casual workers,Ó whose present is languishing before their very eyes and who have no past except in a complicated way (especially in the case of immigrants, exiles, and migrants) and no real future (since the temporality of plans and projects is denied them). Presentism is therefore experienced as either emancipation or enclosure, in some cases with ever greater speed and mobility and in others by living from hand to mouth in a stagnating present. Hartog also accounts for the fact that the future is perceived as a threat and not a promise. We live in a time of catastrophe, one he feels we have brought upon ourselves.

Author : Heinrich Wolfflin
Publisher : Getty Publications
ISBN 13 : 1606064525
Total Pages : 370 pages
Book Rating : 4.28/5 ( download)

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Download or read book Principles of Art History written by Heinrich Wolfflin and published by Getty Publications. This book was released on 2015-05-07 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: Principles of Art History by Heinrich Wölfflin (1864–1945), a revolutionary attempt to construct a science of art through the study of the development of style, has been a foundational work of formalist art history since it was first published in 1915. At once systematic and subjective, and remarkable for its compelling descriptions of works of art, Wölfflin’s text has endured as an accessible yet rigorous approach to the study of style. Although Wölfflin applied his analysis to objects of early modern European art, Principles of Art History has been a fixture in the theoretical and methodological debates of the discipline of art history and has found a global audience. With translations in twenty-four languages and many reprints, Wölfflin’s work may be the most widely read and translated book of art history ever. This new English translation, appearing one hundred years after the original publication, returns readers to Wölfflin’s 1915 text and images. It also includes the first English translations of the prefaces and afterword that Wölfflin himself added to later editions. Introductory essays provide a historical and critical framework, referencing debates engendered byPrinciples in the twentieth century for a renewed reading of the text in the twenty-first.

Author : Samuel van Hoogstraten
Publisher : Getty Publications
ISBN 13 : 1606066676
Total Pages : 426 pages
Book Rating : 4.76/5 ( download)

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Download or read book Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World written by Samuel van Hoogstraten and published by Getty Publications. This book was released on 2021-01-19 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands. The only comprehensive work on painting written by a Dutch artist in the later seventeenth century, Samuel van Hoogstraten’s Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere werelt (Introduction to the Academy of Painting; or, The Visible World, 1678) has long served as a source of valuable insights on a range of topics, from firsthand reports of training in Rembrandt’s studio to contemporary engagements with perspective, optics, experimental philosophy, the economics of art, and more. Van Hoogstraten’s magnum opus—here available in an English print edition for the first time—brings textual sources into dialogue with the author’s own experience garnered during a multifaceted career. Presenting novel twists on traditional topics, he makes a distinctive case for the status of painting as a universal discipline basic to all the liberal arts. Van Hoogstraten’s arguments for the authority of what painters know about nature and art speak to contemporary notions of expertise and to the unsettled relations between theory and practice, making this book a valuable document of the intertwined histories of art and knowledge in the seventeenth century.