L.A. Xicano

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Publisher : CSRC Press
ISBN 13 : 9780895511454
Total Pages : 0 pages
Book Rating : 4.52/5 ( download)

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Book Synopsis L.A. Xicano by : Chon A. Noriega

Download or read book L.A. Xicano written by Chon A. Noriega and published by CSRC Press. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalog of exhibitions held at the Autry National Center, Los Angeles, Calif., Oct. 14-2011-Jan. 8, 2012, the Fowler Museum at UCLA, Los Angeles, Calif., Sept. 25, 2011-Feb. 26, 2012 and Oct. 16, 2011-Feb. 26, 2012, and LACMA, Los Angeles, Calif., Oct. 16, 2011-Jan. 22, 2012.

Give Me Life

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Publisher : University of New Mexico Press
ISBN 13 : 0826357482
Total Pages : 384 pages
Book Rating : 4.89/5 ( download)

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Book Synopsis Give Me Life by : Holly Barnet-Sanchez

Download or read book Give Me Life written by Holly Barnet-Sanchez and published by University of New Mexico Press. This book was released on 2016-12-15 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chicanismo, the idea of what it means to be Chicano, was born in the 1970s, when grassroots activists, academics, and artists joined forces in the civil rights movimiento that spread new ideas about Mexican American history and identity. The community murals those artists painted in the barrios of East Los Angeles were a powerful part of that cultural vitality, and these artworks have been an important feature of LA culture ever since. This book offers detailed analyses of individual East LA murals, sets them in social context, and explains how they were produced. The authors, leading experts on mural art, use a distinctive methodology, analyzing the art from aesthetic, political, and cultural perspectives to show how murals and graffiti reflected and influenced the Chicano civil rights movement. This publication is made possible in part by a generous contribution from Furthermore, a program of the J. M. Kaplan Fund.

Chicano and Chicana Art

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Publisher : Duke University Press
ISBN 13 : 1478003405
Total Pages : 552 pages
Book Rating : 4.03/5 ( download)

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Book Synopsis Chicano and Chicana Art by : Jennifer A. González

Download or read book Chicano and Chicana Art written by Jennifer A. González and published by Duke University Press. This book was released on 2019-01-15 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art—which includes many of Chicano/a art's landmark and foundational texts and manifestos—artists, curators, and cultural critics trace the development of Chicano/a art from its early role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented volume they address a number of themes, including the politics of border life, public art practices such as posters and murals, and feminist and queer artists' figurations of Chicano/a bodies. They also chart the multiple cultural and artistic influences—from American graffiti and Mexican pre-Columbian spirituality to pop art and modernism—that have informed Chicano/a art's practice. Contributors. Carlos Almaraz, David Avalos, Judith F. Baca, Raye Bemis, Jo-Anne Berelowitz, Elizabeth Blair, Chaz Bojóroquez, Philip Brookman, Mel Casas, C. Ondine Chavoya, Karen Mary Davalos, Rupert García, Alicia Gaspar de Alba, Shifra Goldman, Jennifer A. González, Rita Gonzalez, Robb Hernández, Juan Felipe Herrera, Louis Hock, Nancy L. Kelker, Philip Kennicott, Josh Kun, Asta Kuusinen, Gilberto “Magu” Luján, Amelia Malagamba-Ansotegui, Amalia Mesa-Bains, Dylan Miner, Malaquias Montoya, Judithe Hernández de Neikrug, Chon Noriega, Joseph Palis, Laura Elisa Pérez, Peter Plagens, Catherine Ramírez, Matthew Reilly, James Rojas, Terezita Romo, Ralph Rugoff, Lezlie Salkowitz-Montoya, Marcos Sanchez-Tranquilino, Cylena Simonds, Elizabeth Sisco, John Tagg, Roberto Tejada, Rubén Trejo, Gabriela Valdivia, Tomás Ybarra-Frausto, Victor Zamudio-Taylor

A Companion to Modern and Contemporary Latin American and Latina/o Art

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Publisher : John Wiley & Sons
ISBN 13 : 1118475399
Total Pages : 612 pages
Book Rating : 4.93/5 ( download)

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Book Synopsis A Companion to Modern and Contemporary Latin American and Latina/o Art by : Alejandro Anreus

Download or read book A Companion to Modern and Contemporary Latin American and Latina/o Art written by Alejandro Anreus and published by John Wiley & Sons. This book was released on 2021-10-26 with total page 612 pages. Available in PDF, EPUB and Kindle. Book excerpt: In-depth scholarship on the central artists, movements, and themes of Latin American art, from the Mexican revolution to the present A Companion to Modern and Contemporary Latin American and Latinx Art consists of over 30 never-before-published essays on the crucial historical and theoretical issues that have framed our understanding of art in Latin America. This book has a uniquely inclusive focus that includes both Spanish-speaking Caribbean and contemporary Latinx art in the United States. Influential critics of the 20th century are also covered, with an emphasis on their effect on the development of artistic movements. By providing in-depth explorations of central artists and issues, alongside cross-references to illustrations in major textbooks, this volume provides an excellent complement to wider surveys of Latin American and Latinx art. Readers will engage with the latest scholarship on each of five distinct historical periods, plus broader theoretical and historical trends that continue to influence how we understand Latinx, Indigenous, and Latin American art today. The book’s areas of focus include: The development of avant-garde art in the urban centers of Latin America from 1910-1945 The rise of abstraction during the Cold War and the internationalization of Latin American art from 1945-1959 The influence of the political upheavals of the 1960s on art and art theory in Latin America The rise of conceptual art as a response to dictatorship and social violence in the 1970s and 1980s The contemporary era of neoliberalism and globalization in Latin American and Latino Art, 1990-2010 With its comprehensive approach and informative structure, A Companion to Modern and Contemporary Latin American and Latinx Art is an excellent resource for advanced students in Latin American culture and art. It is also a valuable reference for aspiring scholars in the field.

Chicana/o Remix

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Publisher : NYU Press
ISBN 13 : 1479849502
Total Pages : 336 pages
Book Rating : 4.05/5 ( download)

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Book Synopsis Chicana/o Remix by : Karen Mary Davalos

Download or read book Chicana/o Remix written by Karen Mary Davalos and published by NYU Press. This book was released on 2017-07-25 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rewrites our understanding of the last 50 years of Chicana/o cultural production. Chicana/o Remix casts new light not only on artists—such as Sandra de la Loza, Judy Baca, and David Botello, among others—but on the exhibitions that feature their work, and the collectors, curators, critics, and advocates who engage it. Combining feminist theory, critical ethnic studies, art historical analysis, and extensive archival and field research, Karen Mary Davalos argues that narrow notions of identity, politics, and aesthetics limit our ability to understand the full capacities of Chicana/o art. She employs fresh vernacular concepts such as the “errata exhibit,” or the staging of exhibits that critically question mainstream art museums, and the “remix,” or the act of bringing new narratives and forgotten histories from the background and into the foreground. These concepts, which emerge out of art practice itself, drive her analysis and reinforce the rejection of familiar narratives that evaluate Chicana/o art in simplistic, traditional terms, such as political versus commercial, or realist versus conceptual. Throughout Chicana/o Remix, Davalos explores undocumented or previously ignored information about artists, their cultural production, and the exhibitions and collections that feature their work. Each chapter exposes and challenges conventions in art history and Chicana/o studies, documenting how Chicana artists were the first to critically challenge exhibitions of Chicana/o art, tracing the origins of the first Chicano arts organizations, and highlighting the influence of Europe and Asia on Chicana/o artists who traveled abroad. As a leading scholar in the study of Chicana/o artists, art spaces, and exhibition practices, Davalos presents her most ambitious project to date in this re-examination of fifty years of Chicana/o art production.

¡Printing the Revolution!

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Publisher : Princeton University Press
ISBN 13 : 0691210802
Total Pages : 326 pages
Book Rating : 4.03/5 ( download)

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Book Synopsis ¡Printing the Revolution! by : Claudia E. Zapata

Download or read book ¡Printing the Revolution! written by Claudia E. Zapata and published by Princeton University Press. This book was released on 2020-12 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.

Curating Differently

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443887382
Total Pages : 190 pages
Book Rating : 4.80/5 ( download)

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Book Synopsis Curating Differently by : Jessica Sjöholm Skrubbe

Download or read book Curating Differently written by Jessica Sjöholm Skrubbe and published by Cambridge Scholars Publishing. This book was released on 2016-01-14 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exhibitionary spaces and curatorial strategies ideologically frame the encounter between art and its publics. For more than forty years, feminist art curating, as a practice of art interpretation and a politics of display, has intersected with the diverse area of feminist art historical research and feminist artistic practices. It is only recently, however, that a theorization of feminist art curating and feminist exhibition histories as a specific field of knowledge has emerged.Curating Differently is a collection of essays that offers critical perspectives on, and analyses of, the intersections of feminisms, art exhibitions, and curatorial spaces from the 1970s onward. It brings together case studies from Australia, Israel, Europe, and North America that critically account for diverse strategies and interventions in curatorial space. The essays contribute with historical perspectives on feminist exhibition practices and curatorial models and first-hand accounts of feminist interventions within the art museum, as well as timely analyses of current intersections of feminisms within curating in the contemporary global art world.As a major contribution to the ongoing scholarly debate on the institutionalization of feminisms in art and its relative success, or failure, Curating Differently will provide new insights and provoke further discussion on the history and theory of feminist art exhibitions and curatorial spaces.

Xicano Progeny

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Publisher : University of Washington Press
ISBN 13 :
Total Pages : 70 pages
Book Rating : 4.14/5 ( download)

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Book Synopsis Xicano Progeny by : Armando Rascón

Download or read book Xicano Progeny written by Armando Rascón and published by University of Washington Press. This book was released on 1995 with total page 70 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Investigative Agents, Executive council, and Other Representatives from the Sovereign State of Aztlan is the catalog for the 1995 show at The Mexican Museum in San Francisco curated by Armando Rascon. Intro by Tere Romo. Artists include Lucia Grossberger-Morales, Marisa Hernandez, Elisa Jimenez, Daniel J. Martinez, Inigo Manglano-Ovalle, Ruben Ortiz, Francesco X. Siqueiros."--Abebooks.com viewed November 13, 2020

Anarchism & The Mexican Working Class, 1860-1931

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Publisher : University of Texas Press
ISBN 13 : 0292704003
Total Pages : 260 pages
Book Rating : 4.08/5 ( download)

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Book Synopsis Anarchism & The Mexican Working Class, 1860-1931 by : John M. Hart

Download or read book Anarchism & The Mexican Working Class, 1860-1931 written by John M. Hart and published by University of Texas Press. This book was released on 1978-04-01 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: The anarchist movement had a crucial impact upon the Mexican working class between 1860 and 1931. John M. Hart destroys some old myths and brings new information to light as he explores anarchism's effect on the development of the Mexican urban working-class and agrarian movements. Hart shows how the ideas of European anarchist thinkers took root in Mexico, how they influenced revolutionary tendencies there, and why anarchism was ultimately unsuccessful in producing real social change in Mexico. He explains the role of the working classes during the Mexican Revolution, the conflict between urban revolutionary groups and peasants, and the ensuing confrontation between the new revolutionary elite and the urban working class. The anarchist tradition traced in this study is extremely complex. It involves various social classes, including intellectuals, artisans, and ordinary workers; changing social conditions; and political and revolutionary events which reshaped ideologies. During the nineteenth century the anarchists could be distinguished from their various working- class socialist and trade unionist counterparts by their singular opposition to government. In the twentieth century the lines became even clearer because of hardening anarchosyndicalist, anarchistcommunist, trade unionist, and Marxist doctrines. In charting the rise and fall of anarchism, Hart gives full credit to the roles of other forms of socialism and Marxism in Mexican working-class history. Mexican anarchists whose contributions are examined here include nineteenth-century leaders Plotino Rhodakanaty, Santiago Villanueva, Francisco Zalacosta, and José María Gonzales; the twentieth-century revolutionary precursor Ricardo Flores Magón; the Casa del Obrero founders Amadeo Ferrés, Juan Francisco Moncaleano, and Rafael Quintero; and the majority of the Centro Sindicalista Ubertario, leaders of the General Confederation of Workers. This work is based largely on primary sources, and the bibliography contains a definitive listing of anarchist and radical working-class newspapers for the period.

Flying Under the Radar with the Royal Chicano Air Force

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Publisher : University of Texas Press
ISBN 13 : 1477312420
Total Pages : 336 pages
Book Rating : 4.21/5 ( download)

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Book Synopsis Flying Under the Radar with the Royal Chicano Air Force by : Ella Maria Diaz

Download or read book Flying Under the Radar with the Royal Chicano Air Force written by Ella Maria Diaz and published by University of Texas Press. This book was released on 2017-04-11 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Royal Chicano Air Force produced major works of visual art, poetry, prose, music, and performance during the second half of the twentieth century and first decades of the twenty-first. Materializing in Sacramento, California, in 1969 and established between 1970 and 1972, the RCAF helped redefine the meaning of artistic production and artwork to include community engagement projects such as breakfast programs, community art classes, and political and labor activism. The collective's work has contributed significantly both to Chicano/a civil rights activism and to Chicano/a art history, literature, and culture. Blending RCAF members' biographies and accounts of their artistic production with art historical, cultural, and literary scholarship, Flying under the Radar with the Royal Chicano Air Force is the first in-depth study of this vanguard Chicano/a arts collective and activist group. Ella Maria Diaz investigates how the RCAF questioned and countered conventions of Western art, from the canon taught in US institutions to Mexican national art history, while advancing a Chicano/a historical consciousness in the cultural borderlands. In particular, she demonstrates how women significantly contributed to the collective's output, navigating and challenging the overarching patriarchal cultural norms of the Chicano Movement and their manifestations in the RCAF. Diaz also shows how the RCAF's verbal and visual architecture—a literal and figurative construction of Chicano/a signs, symbols, and texts—established the groundwork for numerous theoretical interventions made by key scholars in the 1990s and the twenty-first century.