Kumar Shahani

Author : Laleen Jayamanne
Publisher : Indiana University Press
ISBN 13 : 025301414X
Total Pages : 316 pages
Book Rating : 4.46/5 ( download)

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Download or read book The Epic Cinema of Kumar Shahani written by Laleen Jayamanne and published by Indiana University Press. This book was released on 2014-10-22 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Laleen Jayamanne examines the major works of leading Indian film director, Kumar Shahani, and explores the reaches of modernist film aesthetics in its international form. More than an auteur study, Jayamanne approaches Shahani's films conceptually, as those that reveal cinema's synaesthetic capabilities, or "cinaesthesia." As the author shows, Shahani's cinematic project entails a modern reformulation of the ancient oral tradition of epic narration and performance in order to address the contemporary world, establishing a new cinematic expression, "an epic idiom." As evidenced by his films, constructing cinematic history becomes more than an archival project of retrieval, and is instead a living history of the present which can intervene in the current moment through sensory experiences, propelling thought.

Author : Kumar Shahani
Publisher :
ISBN 13 : 9789382381617
Total Pages : 0 pages
Book Rating : 4.19/5 ( download)

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Download or read book Kumar Shahani written by Kumar Shahani and published by . This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fifty-one essays compiled in this book were written over a forty-year period by India's leading independent filmmaker. They provide new insights into a turbulent era in modern India's cultural history. Although known primarily as a filmmaker, Kumar Shahani has taught, spoken and written on a variety of subjects over this period, that include the cinema, but also politics, aesthetics, history and psychoanalysis. In these essays Shahani addresses diverse political issues, aesthetic practice, questions of artistic freedom and censorship. There are also personal essays on filmmakers and artists including his teachers and colleagues. Shahani's often polemical positions, as they occur in several previously unpublished essays and presentations, are essential contributions to film and cultural histories of the Indian cinema as well as of the New Cinema worldwide. The book includes a comprehensive introductory essay, "Kumar Shahani Now," by Ashish Rajadhyaksha.

Author : Aparna Sharma
Publisher : Springer
ISBN 13 : 1137395443
Total Pages : 274 pages
Book Rating : 4.43/5 ( download)

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Download or read book Documentary Films in India written by Aparna Sharma and published by Springer. This book was released on 2015-05-26 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book introduces the diverse practices of three non-canonical practitioners: David MacDougall, Desire Machine Collective and Kumar Shahani. It offers analysis of their documentary methods and aesthetics, exploring how their oeuvres constitute a critical and self-reflexive approach to documentary-making in India.

Author : Fredric Jameson
Publisher : Duke University Press
ISBN 13 : 9780822321699
Total Pages : 420 pages
Book Rating : 4.96/5 ( download)

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Download or read book The Cultures of Globalization written by Fredric Jameson and published by Duke University Press. This book was released on 1998 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: A pervasive force, globalization has come to represent the export and import of culture, the speed and intensity of which has increased to unprecedented levels in recent years. Here an international panel of intellectuals consider the process of globalization and how the global character of technology, communication networks, consumer culture, intellectual discourse, the arts, and mass entertainment have all been affected by recent worldwide trends. Photos.

Author : Clive Myer
Publisher : Columbia University Press
ISBN 13 : 023150456X
Total Pages : 491 pages
Book Rating : 4.60/5 ( download)

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Download or read book Critical Cinema written by Clive Myer and published by Columbia University Press. This book was released on 2012-04-10 with total page 491 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critical Cinema: Beyond the Theory of Practice purges the obstructive line between the making of and the theorising on film, uniting theory and practice in order to move beyond the commercial confines of Hollywood. Opening with an introduction by Bill Nichols, one of the world's leading writers on nonfiction film, this volume features contributions by such prominent authors as Noel Burch, Laura Mulvey, Peter Wollen, Brian Winston and Patrick Fuery. Seminal filmmakers such as Peter Greenaway and Mike Figgis also contribute to the debate, making this book a critical text for students, academics, and independent filmmakers as well as for any reader interested in new perspectives on culture and film.

Author : V. Kishore
Publisher : Springer
ISBN 13 : 1137426500
Total Pages : 222 pages
Book Rating : 4.05/5 ( download)

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Download or read book Bollywood and its Other(s) written by V. Kishore and published by Springer. This book was released on 2016-01-26 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do we define the globalized cinema and media cultures of Bollywood in an age when it has become part of the cultural diplomacy of an emerging superpower? Bollywood and Its Other(s) explores the aesthetic-philosophical questions of the other through, for example, discussions on Indian diaspora's negotiations with national identity.

Author : Giulia Battaglia
Publisher : Routledge
ISBN 13 : 1351375636
Total Pages : 248 pages
Book Rating : 4.34/5 ( download)

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Download or read book Documentary Film in India written by Giulia Battaglia and published by Routledge. This book was released on 2017-11-22 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book maps a hundred years of documentary film practices in India. It demonstrates that in order to study the development of a film practice, it is necessary to go beyond the classic analysis of films and filmmakers and focus on the discourses created around and about the practice in question. The book navigates different historical moments of the growth of documentary filmmaking in India from the colonial period to the present day. In the process, it touches upon questions concerning practices and discourses about colonial films, postcolonial institutions, independent films, filmmakers and filmmaking, the influence of feminism and the articulation of concepts of performance and performativity in various films practices. It also reflects on the centrality of technological change in different historical moments and that of film festivals and film screenings across time and space. Grounded in anthropological fieldwork and archival research and adopting Foucault’s concept of ‘effective history’, this work searches for points of origin that creates ruptures and deviations taking distance from conventional ways of writing film histories. Rather than presenting a univocal set of arguments and conclusions about changes or new developments of film techniques, the originality of the book is in offering an open structure (or an open archive) to enable the reader to engage with mechanisms of creation, engagement and participation in film and art practices at large. In adopting this form, the book conceptualises ‘Anthropology’ as also an art practice, interested, through its theoretico-methodological approach, in creating an open archive of engagement rather than a representation of a distant ‘other’. Similarly, documentary filmmaking in India is seen as primarily a process of creation based on engagement and participation rather than a practice interested in representing an objective reality. Proposing an innovative way of perceiving the growth of the documentary film genre in the subcontinent, this book will be of interest to film historians and specialists in Indian cinema(s) as well as academics in the field of anthropology of art, media and visual practices and Asian media studies.

Author : Rochona Majumdar
Publisher : Columbia University Press
ISBN 13 : 0231553900
Total Pages : 222 pages
Book Rating : 4.02/5 ( download)

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Download or read book Art Cinema and India’s Forgotten Futures written by Rochona Majumdar and published by Columbia University Press. This book was released on 2021-10-12 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Co-Winner, 2023 Chidananda Dasgupta Award for the Best Writing on Cinema, Chidananda Dasgupta Memorial Trust Shortlisted, 2022 MSA Book Prize, Modernist Studies Association Longlisted, 2022 Moving Image Book Award, Kraszna-Krausz Foundation The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. Majumdar details how filmmakers as well as a host of film societies and publications sought to foster a new cinematic culture for the new nation, fueled by enthusiasm for a future of progress and development. Good films would help make good citizens: art cinema would not only earn global prestige but also shape discerning individuals capable of exercising aesthetic and political judgment. During the 1960s, however, Satyajit Ray, Mrinal Sen, and Ritwik Ghatak—the leading figures of Indian art cinema—became disillusioned with the belief that film was integral to national development. Instead, Majumdar contends, their works captured the unresolvable contradictions of the postcolonial present, which pointed toward possible, yet unrealized futures. Analyzing the films of Ray, Sen, and Ghatak, and working through previously unexplored archives of film society publications, Majumdar offers a radical reinterpretation of Indian film history. Art Cinema and India’s Forgotten Futures offers sweeping new insights into film’s relationship with the postcolonial condition and its role in decolonial imaginations of the future.

Author : Ashvin Immanuel Devasundaram
Publisher : Routledge
ISBN 13 : 1000577171
Total Pages : 125 pages
Book Rating : 4.74/5 ( download)

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Download or read book Indian Indies written by Ashvin Immanuel Devasundaram and published by Routledge. This book was released on 2022-02-10 with total page 125 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a concise and cutting-edge repository of essential information on new independent Indian films, which have orchestrated a recent renaissance in the Bollywood-dominated Indian cinema sphere. Spotlighting a specific timeline, from the Indies’ consolidated emergence in 2010 across a decade of their development, the book takes note of recent transformations in the Indian political, economic, cultural and social matrix and the concurrent release of unflinchingly interrogative and radically evocative films that traverse LGBTQ+ issues, female empowerment, caste discrimination, populist politics and religious violence. A combination of essential Indie-specific information and concise case studies makes this a must-have quick guide to the future torchbearers of Indian cinema for scholars, students, early career researchers and a global audience interested in intersecting aspects of cinema, culture, politics and society in contemporary India.

Author : BIBEKANANDA RAY
Publisher : Publications Division Ministry of Information & Broadcasting
ISBN 13 : 8123026617
Total Pages : 631 pages
Book Rating : 4.19/5 ( download)

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Download or read book Conscience of The Race written by BIBEKANANDA RAY and published by Publications Division Ministry of Information & Broadcasting. This book was released on with total page 631 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book is a detailed and wonderful study on the Offbeat cinema in India. The author through the title says that the offbeat genre, more than the mainstream, truly reflects the conscience of the Indian people.