Inventing Abstraction, 1910-1925

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Author :
Publisher : The Museum of Modern Art
ISBN 13 : 0870708287
Total Pages : 378 pages
Book Rating : 4.82/5 ( download)

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Book Synopsis Inventing Abstraction, 1910-1925 by : Leah Dickerman

Download or read book Inventing Abstraction, 1910-1925 written by Leah Dickerman and published by The Museum of Modern Art. This book was released on 2012 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).

A Companion to Curation

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Publisher : John Wiley & Sons
ISBN 13 : 1119206855
Total Pages : 517 pages
Book Rating : 4.59/5 ( download)

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Book Synopsis A Companion to Curation by : Brad Buckley

Download or read book A Companion to Curation written by Brad Buckley and published by John Wiley & Sons. This book was released on 2020-01-29 with total page 517 pages. Available in PDF, EPUB and Kindle. Book excerpt: The definitive reference text on curation both inside and outside the museum A Companion to Curation is the first collection of its kind, assembling the knowledge and experience of prominent curators, artists, art historians, scholars, and theorists in one comprehensive volume. Part of the Blackwell Companion series, this much-needed book provides up-to-date information and valuable insights on the field of curatorial studies and curation in the visual arts. Accessible and engaging chapters cover diverse, contemporary methods of curation, its origin and history, current and emerging approaches within the profession, and more. This timely publication fills a significant gap in literature on the role of the curator, the art and science of curating, and the historical arc of the field from the 17th century to the present. The Companion explores topics such as global developments in contemporary indigenous art, Asian and Chinese art since the 1980s, feminist and queer feminist curatorial practices, and new curatorial strategies beyond the museum. This unique volume: Offers readers a wide range of perspectives on curating in both theory and practice Includes coverage of curation outside of the Eurocentric and Anglosphere art worlds Presents clear and comprehensible information valuable for specialists and novices alike Discusses the movements, models, people and politics of curating Provides guidance on curating in a globalized world Broad in scope and detailed in content, A Companion to Curation is an essential text for professionals engaged in varied forms of curation, teachers and students of museum studies, and readers interested in the workings of the art world, museums, benefactors, and curators.

Cubism and Abstract Art

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Author :
Publisher : New York : Published for the Museum of Modern Art by Arno Press, 1966 [c1936]
ISBN 13 :
Total Pages : 262 pages
Book Rating : 4.34/5 ( download)

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Book Synopsis Cubism and Abstract Art by : Museum of Modern Art (New York, N.Y.)

Download or read book Cubism and Abstract Art written by Museum of Modern Art (New York, N.Y.) and published by New York : Published for the Museum of Modern Art by Arno Press, 1966 [c1936]. This book was released on 1966 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cubism and abstract art, by A.H. Barr, Jr.Catalog, by Dorothy C. Miller and Ernestine M. Fantl.Bibliography, by Beaumont Newhall (p. 234-249). Also contains a catalogue, compiled by Dorothy C. Miller and Ernestine M. Fantl, of an exhibition held at the Museum of Modern Art, New York, and a bibliography by Beaumont Newhall.

A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950

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Publisher : BRILL
ISBN 13 : 900438829X
Total Pages : 992 pages
Book Rating : 4.91/5 ( download)

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Book Synopsis A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 by :

Download or read book A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 written by and published by BRILL. This book was released on 2019-02-04 with total page 992 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first work to consider all the arts and to discuss the role of the avant-garde not only in aesthetic terms but in its cultural and political context.

Practices of Abstract Art

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 144385686X
Total Pages : 338 pages
Book Rating : 4.67/5 ( download)

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Book Synopsis Practices of Abstract Art by : Wiebke Gronemeyer

Download or read book Practices of Abstract Art written by Wiebke Gronemeyer and published by Cambridge Scholars Publishing. This book was released on 2016-12-14 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recent decades have seen a renewed interest in the phenomenon of abstract art, particularly regarding its ability to speak to the political, social, and cultural conditions of our times. This collection of essays, which looks at historical examples of artistic practice from the early pioneers of abstraction to late modernism, investigates the ambivalent role that abstraction has played in the visual arts and cultures of the last hundred years. In addition, it explores various theoretical and critical narratives that seek to articulate new perspectives on its legacy in the visual arts. From metaphysical considerations and philosophical reflections to debates on interculturality and global perspectives, the contributors examine and reconsider abstraction in the visual arts from a contemporary point of view that acknowledges the many social, economic, cultural, and political aspects of artistic practice. As such, the volume progressively expands the boundaries of thinking about abstract art by engaging it in its increasingly diverse cultural environment.

Modern Art, 19th and 20th Centuries

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Publisher : New York : G. Braziller, 1978, 1979 printing.
ISBN 13 : 9780807608999
Total Pages : 370 pages
Book Rating : 4.98/5 ( download)

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Book Synopsis Modern Art, 19th and 20th Centuries by : Meyer Schapiro

Download or read book Modern Art, 19th and 20th Centuries written by Meyer Schapiro and published by New York : G. Braziller, 1978, 1979 printing.. This book was released on 1978 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Kandinsky

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Publisher :
ISBN 13 : 9780500093979
Total Pages : 0 pages
Book Rating : 4.70/5 ( download)

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Book Synopsis Kandinsky by : Philippe Sers

Download or read book Kandinsky written by Philippe Sers and published by . This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: An authoritative chronology of the iconic work of one of the great figures of twentieth-century modernism, Wassily Kandinsky

Partners in Design

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Publisher : The Monacelli Press, LLC
ISBN 13 : 1580934331
Total Pages : 241 pages
Book Rating : 4.36/5 ( download)

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Book Synopsis Partners in Design by : David A. Hanks

Download or read book Partners in Design written by David A. Hanks and published by The Monacelli Press, LLC. This book was released on 2015-10-27 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 1920s and 1930s saw the birth of modernism in the United States, a new aesthetic, based on the principles of the Bauhaus in Germany: its merging of architecture with fine and applied arts; and rational, functional design devoid of ornament and without reference to historical styles. Alfred H. Barr Jr., the then 27-year-old founding director of the Museum of Modern Art, and 23-year-old Philip Johnson, director of its architecture department, were the visionary young proponents of the modern approach. Shortly after meeting at Wellesley College, where Barr taught art history, and as Johnson finished his studies in philosophy at Harvard, they set out on a path that would transform the museum world and change the course of design in America. The Museum of Modern Art opened just over a week after the stock market crash of 1929. In the depths of the Depression, using as their laboratories both MoMA and their own apartments in New York City, Barr and Johnson experimented with new ideas in museum ideology, extending the scope beyond painting and sculpture to include architecture, photography, graphic design, furniture, industrial design, and film; with exhibitions of ordinary, machine-made objects (including ball bearings and kitchenware) elevated to art by their elegant design; and with installations in dramatically lit galleries with smooth, white walls. Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York—1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City Ballet; their work to help Bauhaus artists like Josef and Anni Albers escape Nazi Germany—and the dissemination of their ideas across the United States through MoMA’s traveling exhibition program. Plentifully illustrated with icons of modernist design, MoMA installation views, and previously unpublished images of the Barr and Johnson apartments—domestic laboratories for modernism, and in Johnson’s case, designed and furnished by Ludwig Mies van der Rohe—this fascinating study sheds new light on the introduction and success in North America of a new kind of modernism, thanks to the combined efforts of two uniquely discerning and influential individuals.

World Receivers

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Publisher : Hirmer Verlag GmbH
ISBN 13 : 9783777431574
Total Pages : 0 pages
Book Rating : 4.75/5 ( download)

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Book Synopsis World Receivers by : Karin Althaus

Download or read book World Receivers written by Karin Althaus and published by Hirmer Verlag GmbH. This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Abstract paintings were being produced even before Kandinsky. Completely independently from each other, Georgiana Houghton (1814-1884) in England, Hilma af Klint (1862-1944) in Sweden and Emma Kunz (1892-1963) in Switzerland developed an individual, abstract pictorial language. What they had in common was a desire to make visible the laws of nature, the intellect and the supernatural. Their works are being presented side by side for the first time in an exhibition. The three women artists all found their artistic language within the context of the spiritual movements of their times: Houghton in spiritism, af Klint in theosophy and Kunz in naturopathy. Their artworks bear witness to a 'mediumistic' praxis: Houghton and af Klint were inspired by higher beings to paint, while Kunz developed her drawings with the help of a pendulum. In addition, the volume shows stills by Harry Smith and James and John Whitney, who - inspired by various occult movements - made experimental films during the 1940s"--Publisher's website.

Cubism and Culture

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Publisher : New York : Thames & Hudson
ISBN 13 : 9780500203422
Total Pages : 224 pages
Book Rating : 4.23/5 ( download)

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Book Synopsis Cubism and Culture by : Mark Antliff

Download or read book Cubism and Culture written by Mark Antliff and published by New York : Thames & Hudson. This book was released on 2001 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This is a book whose great achievement is to bring out the importance of the Cubists in a history far bigger than the history of art." Christopher Green, Courtauld Institute of Art"