Interpreting The Musical Past Early Music In Nineteenth Century France

Author : Katharine Ellis
Publisher : Oxford University Press
ISBN 13 : 0195346505
Total Pages : 321 pages
Book Rating : 4.03/5 ( download)

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Download or read book Interpreting the Musical Past written by Katharine Ellis and published by Oxford University Press. This book was released on 2005-09-22 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of the French early music revival gives us a vivid sense of how music's cultural meanings were contested in the nineteenth century. It surveys the main patterns of revivalist activity while also providing in-depth studies of repertories stretching from Adam de la Halle to Rameau.

Author : University of London Katharine Ellis Reader in Music Royal Holloway
Publisher : Oxford University Press, USA
ISBN 13 : 0199710856
Total Pages : 322 pages
Book Rating : 4.50/5 ( download)

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Download or read book Interpreting the Musical Past : Early Music in Nineteenth-Century France written by University of London Katharine Ellis Reader in Music Royal Holloway and published by Oxford University Press, USA. This book was released on 2005-08-24 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of the French early music revival gives us a vivid sense of how music's cultural meanings were contested in the nineteenth century. It surveys the main patterns of revivalist activity while also providing in-depth studies of repertories stretching from Adam de la Halle to Rameau.

Author : Donna Marie Di Grazia
Publisher : Routledge
ISBN 13 : 0415988527
Total Pages : 543 pages
Book Rating : 4.20/5 ( download)

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Download or read book Nineteenth-century Choral Music written by Donna Marie Di Grazia and published by Routledge. This book was released on 2013 with total page 543 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nineteenth-Century Choral Music is a collection of essays studying choral music making as a cultural phenomenon, one that had an impact on multiple parts of society. Rather than merely offering a collection of raw descriptions of works, the contributors focus their discussions on what these pieces reveal about their composers as craftsmen/women. Major works as well as other equally rich parts of the repertoire are discussed, including smaller choral works and contributions by composers such as Fanny Mendelssohn, Amy Beach, Charles Stanford,

Author : Jeanice Brooks
Publisher : Cambridge University Press
ISBN 13 : 1107009146
Total Pages : 307 pages
Book Rating : 4.41/5 ( download)

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Download or read book The Musical Work of Nadia Boulanger written by Jeanice Brooks and published by Cambridge University Press. This book was released on 2013-04-25 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh look at the career of Nadia Boulanger, among the most influential musical figures of the entire twentieth century.

Author : Tim Carter
Publisher : Cambridge University Press
ISBN 13 : 9780521792738
Total Pages : 636 pages
Book Rating : 4.38/5 ( download)

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Download or read book The Cambridge History of Seventeenth-Century Music written by Tim Carter and published by Cambridge University Press. This book was released on 2005-12-22 with total page 636 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2005, this title provides extensive knowledge on seventeenth-century music.

Author : Katharine Ellis
Publisher : Oxford University Press
ISBN 13 : 0197600166
Total Pages : 445 pages
Book Rating : 4.60/5 ( download)

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Download or read book French Musical Life written by Katharine Ellis and published by Oxford University Press. This book was released on 2022 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explicitly or not, the historical musicology of post-Revolutionary France has focused on Paris as a proxy for the rest of the country. This distorting lens is the legacy of political and cultural struggle during the long nineteenth century, indicating a French Revolution unresolved both then and now. In light of the capital's power as the seat of a centralizing French state (which provincials found 'colonizing') and as a cosmopolitan musical crossroads of nineteenth-century Europe, the struggles inherent in creating sustainable musical cultures outside Paris, and in composing local and regionalist music, are ripe for analysis. Replacement of 'France' with Paris has encouraged normative history-writing articulated by the capital's opera and concert life. Regional practices have been ignored, disparaged or treated piecemeal. This book is a study of French musical centralization and its discontents during the period leading up to and beyond the "provincial awakening" of the Belle Époque. The book explains how different kinds of artistic decentralization and regionalism were hard won (or not) across a politically turbulent century from the 1830s to World War II. In doing so it redraws the historical map of musical power relations in mainland France. Based on work in over 70 archives, chapters on conservatoires, concert life, stage music, folk music and composition reveal how tensions of State and locality played out differently depending on the structures and funding mechanisms in place, the musical priorities of different communities, and the presence or absence of galvanizing musicians. Progressively, the book shifts from musical contexts to musical content, exploring the pressure point of folk music and its translation into "local color" for officials who perpetually feared national division. Control over composition on the one hand, and the emotional intensity of folk-based musical experience on the other, emerges as a matter of consistent official praxis. In terms of "French music" and its compositional styles, what results is a surprising new historiography of French neoclassicism, bound into and growing out of a study of diversity and its limits in daily musical life.

Author : Jane F. Fulcher
Publisher : Oxford University Press
ISBN 13 : 0199711984
Total Pages : pages
Book Rating : 4.87/5 ( download)

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Download or read book The Oxford Handbook of the New Cultural History of Music written by Jane F. Fulcher and published by Oxford University Press. This book was released on 2013-11-01 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: As the field of Cultural History grows in prominence in the academic world, an understanding of the history of culture has become vital to scholars across disciplines. The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music. In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture and in many forms of art. The Oxford Handbook of the New Cultural History of Music fosters and reflects a sustained dialogue about their shared goals and techniques, rejuvenating their work with new insights into the field itself.

Author : Colin Lawson
Publisher : Cambridge University Press
ISBN 13 : 1316184420
Total Pages : 1066 pages
Book Rating : 4.24/5 ( download)

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Download or read book The Cambridge History of Musical Performance written by Colin Lawson and published by Cambridge University Press. This book was released on 2012-02-16 with total page 1066 pages. Available in PDF, EPUB and Kindle. Book excerpt: The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.

Author : R.J. Arnold
Publisher : Taylor & Francis
ISBN 13 : 1134803699
Total Pages : 244 pages
Book Rating : 4.99/5 ( download)

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Download or read book Grétry's Operas and the French Public written by R.J. Arnold and published by Taylor & Francis. This book was released on 2017-07-05 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer? The death of André Ernest Modeste Grétry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To understand this singular event, this interdisciplinary study looks back to Grétry’s earliest encounters with the French public during the 1760s and 1770s, seeking the roots of his reputation in the reactions of his listeners. The result is not simply an exploration of the relationship between a musician and his audiences, but of developments in musical thought and discursive culture, and of the formation of public opinion over a period of intense social and political change. The core of Grétry’s appeal was his mastery of song. Distinctive, direct and memorable, his melodies were exported out of the opera house into every corner of French life, serving as folkloristic tokens of celebration and solidarity, longing and regret. Grétry’s attention to the subjectivity of his audiences had a profound effect on operatic culture, forging a new sense of democratic collaboration between composer and listener. This study provides a reassessment of Grétry’s work and musical thought, positioning him as a major figure who linked the culture of feeling and the culture of reason - and who paved the way for Romantic notions of spectatorial absorption and the power of music.

Author : Katharine Ellis
Publisher : Oxford University Press
ISBN 13 : 0197600182
Total Pages : 445 pages
Book Rating : 4.84/5 ( download)

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Download or read book French Musical Life written by Katharine Ellis and published by Oxford University Press. This book was released on 2021-10-05 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explicitly or not, the historical musicology of post-Revolutionary France has focused on Paris as a proxy for the rest of the country. This distorting lens is the legacy of political and cultural struggle during the long nineteenth century, indicating a French Revolution unresolved both then and now. In light of the capital's power as the seat of a centralizing French state (which provincials found 'colonizing') and as a cosmopolitan musical crossroads of nineteenth-century Europe, the struggles inherent in creating sustainable musical cultures outside Paris, and in composing local and regionalist music, are ripe for analysis. Replacement of 'France' with Paris has encouraged normative history-writing articulated by the capital's opera and concert life. Regional practices have been ignored, disparaged or treated piecemeal. This book is a study of French musical centralization and its discontents during the period leading up to and beyond the "provincial awakening" of the Belle ?poque. The book explains how different kinds of artistic decentralization and regionalism were hard won (or not) across a politically turbulent century from the 1830s to World War II. In doing so it redraws the historical map of musical power relations in mainland France. Based on work in over 70 archives, chapters on conservatoires, concert life, stage music, folk music and composition reveal how tensions of State and locality played out differently depending on the structures and funding mechanisms in place, the musical priorities of different communities, and the presence or absence of galvanizing musicians. Progressively, the book shifts from musical contexts to musical content, exploring the pressure point of folk music and its translation into "local color" for officials who perpetually feared national division. Control over composition on the one hand, and the emotional intensity of folk-based musical experience on the other, emerges as a matter of consistent official praxis. In terms of "French music" and its compositional styles, what results is a surprising new historiography of French neoclassicism, bound into and growing out of a study of diversity and its limits in daily musical life.