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Author : Achille Bonito Oliva
Publisher :
ISBN 13 :
Total Pages : 322 pages
Book Rating : 4.02/5 ( download)
Download or read book International Trans-avantgarde written by Achille Bonito Oliva and published by . This book was released on 1982 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Achille Bonito Oliva
Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.30/5 ( download)
Download or read book The international trans-avantgarde written by Achille Bonito Oliva and published by . This book was released on 1981 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Trans-Avantgarde International written by and published by . This book was released on 1982 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Achille Bonito Oliva
Publisher : Politi
ISBN 13 :
Total Pages : 142 pages
Book Rating : 4.58/5 ( download)
Download or read book The Italian Trans-avantgarde written by Achille Bonito Oliva and published by Politi. This book was released on 1990 with total page 142 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Achille Bonito Oliva
Publisher :
ISBN 13 :
Total Pages : 319 pages
Book Rating : 4.88/5 ( download)
Download or read book Trans Avant Garde International written by Achille Bonito Oliva and published by . This book was released on 1987 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Alison Pearlman
Publisher : University of Chicago Press
ISBN 13 : 9780226651453
Total Pages : 288 pages
Book Rating : 4.52/5 ( download)
Download or read book Unpackaging Art of the 1980s written by Alison Pearlman and published by University of Chicago Press. This book was released on 2003-06-15 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: American art of the 1980s is as misunderstood as it is notorious. Critics of the time feared that market hype and self-promotion threatened the integrity of art. They lashed out at contemporary art, questioning the validity of particular media and methods and dividing the art into opposing camps. While controversies have since subsided, critics still view art of the 1980s as a stylistic battlefield. Alison Pearlman rejects this picture, which is truer of the period's criticism than of its art. Pearlman reassesses the works and careers of six artists who became critics' biggest targets. In each of three chapters, she pairs two artists the critics viewed as emblematic of a given trend: Julian Schnabel and David Salle in association with Neo-Expressionism; Jean-Michel Basquiat and Keith Haring vis-à-vis Graffiti Art; and Peter Halley and Jeff Koons in relation to Simulationism. Pearlman shows how all these artists shared important but unrecognized influences and approaches: a crucial and overwhelming inheritance of 1960s and 1970s Conceptualism, a Warholian understanding of public identity, and a deliberate and nuanced use of past styles and media. Through in-depth discussions of works, from Haring's body-paintings of Grace Jones to Schnabel's movie Basquiat, Pearlman demonstrates how these artists' interests exemplified a broader, generational shift unrecognized by critics. She sees this shift as starting not in the 1980s but in the mid-1970s, when key developments in artistic style, art-world structures, and consumer culture converged to radically alter the course of American art. Unpackaging Art of the 1980s offers an innovative approach to one of the most significant yet least understood episodes in twentieth-century art.
Author : Vivienne Brough-Evans
Publisher : Routledge
ISBN 13 : 1317060164
Total Pages : 269 pages
Book Rating : 4.61/5 ( download)
Download or read book Sacred Surrealism, Dissidence and International Avant-Garde Prose written by Vivienne Brough-Evans and published by Routledge. This book was released on 2016-05-05 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vivienne Brough-Evans proposes a compelling new way of reevaluating aspects of international surrealism by means of the category of divin fou, and consequently deploys theories of sacred ecstasy as developed by the Collège de Sociologie (1937–39) as a critical tool in shedding new light on the literary oeuvre of non-French writers who worked both within and against a surrealist framework. The minor surrealist genre of prose literature is considered herein, rather than surrealism's mainstay, poetry, with the intention of fracturing preconceptions regarding the medium of surrealist expression. The aim is to explore whether International surrealism can begin to be more fully explained by an occluded strain of 'dissident' surrealist thought that searches outside the self through the affects of ekstasis. Bretonian surrealism is widely discussed in the field of surrealist studies, and there is a need to consider what is left out of surrealist practice when analysed through this Bretonian lens. The Collège de Sociologie and Georges Bataille's theories provide a model of such elements of 'dissident' surrealism, which is used to analyse surrealist or surrealist influenced prose by Alejo Carpentier, Leonora Carrington and Gellu Naum respectively representing postcolonial, feminist and Balkan locutions. The Collège and Bataille's 'dissident' surrealism diverges significantly from the concerns and approach towards the subject explored by surrealism. Using the concept of ekstasis to organise Bataille's theoretical ideas of excess and 'inner experience' and the Collège's thoughts on the sacred it is possible to propose a new way of reading types of International surrealist literature, many of which do not come to the forefront of the surrealist literary oeuvre.
Author :
Publisher :
ISBN 13 :
Total Pages : 512 pages
Book Rating : 4.41/5 ( download)
Download or read book Artscribe International written by and published by . This book was released on 1986 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Thomas Docherty
Publisher : Routledge
ISBN 13 : 1315504596
Total Pages : 674 pages
Book Rating : 4.99/5 ( download)
Download or read book Postmodernism written by Thomas Docherty and published by Routledge. This book was released on 2016-07-01 with total page 674 pages. Available in PDF, EPUB and Kindle. Book excerpt: This reader provides a selection of articles and essays by leading figures in the postmodernism debate.
Author : Douwe W. Fokkema
Publisher : John Benjamins Publishing Company
ISBN 13 : 9027286329
Total Pages : 314 pages
Book Rating : 4.21/5 ( download)
Download or read book Approaching Postmodernism written by Douwe W. Fokkema and published by John Benjamins Publishing Company. This book was released on 1986-01-01 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most of the essays collected in this volume deal with theoretical issues that dominate the international debate on Postmodernism, issues such as the shifting nature of the concept, the problem of periodization and the problem of historicity. Other essays offer readings of Postmodernist texts and relate practical criticism to a theoretical framework. Hans Bertens (Utrecht) sketches the historical development of the concept Postmodernism in American criticism, distinguishing between the various definitions that have been proposed over the last twenty-five years, in an attempt to bring some order to the field and to facilitate future discussion. Brian McHale (Tel Aviv) and Douwe Fokkema (Utrecht) offer models for the description of Postmodernist texts. Richard Todd (Amsterdam) argues convincingly that Postmodernism is much more of a presence in contemporary British fiction than has so far been assumed, and Herta Schmid (Munich) presents a similar argument with respect to Russian avant-garde theater. Elrud Ibsch (Amsterdam) presents a contrastive analysis of Thomas Bernhard and Robert Musil; Ulla Musarra (Nijmegen) writes on Italo Calvino. The relation between Existentialism and Postmodernism is examined by Gerhard Hoffman (Würzburg); Theo D'haen (Utrecht) finds important parallels between Postmodernism in literature and in the visual arts; Matei Calinescu (Bloomington, Ind.) relates literary Postmodernism to a far more general cultural shift, rejecting, however, Foucault's notion of an epistemic break and arguing for both continuity and discontinuity. Finally, Helmut Lethen (Utrecht) and Susan Suleiman (Harvard) sharply question the concept of Postmodernism. Suleiman argues that the supposed Postmodernist reaction against Modernism may well be a critical myth or, if it isn't, a reaction limited to the American literary situation.
