Inframince Infra Mince Infra Mince

Author : Stephan Hilge
Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3110724243
Total Pages : 304 pages
Book Rating : 4.40/5 ( download)

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Download or read book inframince infra-mince infra mince written by Stephan Hilge and published by Walter de Gruyter GmbH & Co KG. This book was released on 2021-08-02 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Inframince”, a term coined by Marcel Duchamp, refers to ephemeral, ultra-thin, and undecidable phenomena – such as the warmth that remains on a chair after a person gets up. In this book, “inframince” is taken to signify forms of transdisciplinarity in contemporary art. Authors and visual artists capture in text and image fleeting moments in which artistic, theoretical, scientific, or everyday cultural elements meet, change, or merge with one another. Numerous examples of artistic and teaching practice within the discipline of TransArts at the University of Applied Arts Vienna vividly reveal how these manifold transgressions can be rendered productive.

Author : Kevin Malcolm Richards
Publisher : Rowman & Littlefield
ISBN 13 : 1793624631
Total Pages : 273 pages
Book Rating : 4.35/5 ( download)

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Download or read book Proximate Difference in Aesthetics written by Kevin Malcolm Richards and published by Rowman & Littlefield. This book was released on 2023 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Proximate Difference in Aesthetics explores the interconnections of the philosophy of Jacques Derrida and the artistic practices comprising Institutional Critique as a means of both providing a framework for this heterodox approach to art and examining Derrida's contributions to contemporary aesthetics.

Author : Michael Eskin
Publisher : Walter de Gruyter
ISBN 13 : 3110227959
Total Pages : 276 pages
Book Rating : 4.56/5 ( download)

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Download or read book Durs Grünbein written by Michael Eskin and published by Walter de Gruyter. This book was released on 2013-03-01 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Durs Grünbein is the most significant poet and essayist in German today. No other modern German poet has written from such an emphatically European and global perspective, and this volume seeks to present the poet and his work to the English-speaking world in all their significance and breadth. Written by a line-up of international scholars and critics, the volume offers highly readable and wide-ranging essays on Grünbein’s substantial œuvre, complemented by specially commissioned material and an interview with the poet. It covers the German and European traditions, and engages with Grünbein’s works in the context of a number of relevant topics, such as ‘memory’, ‘urban life’, ‘mortality’, ‘love’, and ‘presence’; it also probes Grünbein’s sustained dialogue with the natural sciences and the visual arts.

Author : Craig Dworkin
Publisher : MIT Press
ISBN 13 : 0262527553
Total Pages : 228 pages
Book Rating : 4.52/5 ( download)

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Download or read book No Medium written by Craig Dworkin and published by MIT Press. This book was released on 2015-01-30 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Close readings of ostensibly “blank” works—from unprinted pages to silent music—that point to a new understanding of media. In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, literature, and music point to a new understanding of media and the limits of the artistic object. Dworkin considers works predicated on blank sheets of paper, from a fictional collection of poems in Jean Cocteau's Orphée to the actual publication of a ream of typing paper as a book of poetry; he compares Robert Rauschenberg's Erased De Kooning Drawing to the artist Nick Thurston's erased copy of Maurice Blanchot's The Space of Literature (in which only Thurston's marginalia were visible); and he scrutinizes the sexual politics of photographic representation and the implications of obscured or obliterated subjects of photographs. Reexamining the famous case of John Cage's 4'33”, Dworkin links Cage's composition to Rauschenberg's White Paintings, Ken Friedman's Zen for Record (and Nam June Paik's Zen for Film), and other works, offering also a “guide to further listening” that surveys more than 100 scores and recordings of “silent” music. Dworkin argues that we should understand media not as blank, base things but as social events, and that there is no medium, understood in isolation, but only and always a plurality of media: interpretive activities taking place in socially inscribed space.

Author : Simon Shaw-Miller
Publisher : Routledge
ISBN 13 : 1351567349
Total Pages : 232 pages
Book Rating : 4.43/5 ( download)

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Download or read book Eye hEar The Visual in Music written by Simon Shaw-Miller and published by Routledge. This book was released on 2017-07-05 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Eye hEar The Visual in Music' employs the concept of the visual in proximate relation to music, producing a tension: 'is it not the case that there is a gulf between painting and music, between the visible and the audible? One is full of colour and light yet silent; one is invisible and marvellously noisy.' Such a belief, this book argues, betrays an ideological constraint on music, desiccating it to sound, and art to vision. The starting point of this study is more hybrid (and hydrating): that music is never employed without numerous and complex intersections with the visual. By involving the concept of synaesthesia, the book evokes music?s multi-sensory nature, stops it from sounding alone, and offers music as a subject for art historians. Music bleeds into art and visuality, in its graphic depiction in notation, in the theatre of performance, its sights and sites. This book looks at music in its absolute guise as a model for art; at notation and the conductor as the silent visual fulcra around which music circulates; at the music and image of Erik Satie; at the concert hall as white cube; at the symphonic film '2001: A Space Odyssey'; and at the liminality of John Cage and Andy Warhol.

Author : Annie Gentes
Publisher : Springer
ISBN 13 : 3319659847
Total Pages : 247 pages
Book Rating : 4.48/5 ( download)

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Download or read book The In-Discipline of Design written by Annie Gentes and published by Springer. This book was released on 2017-12-01 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: Design is a conceptive activity which is usually presented as a sensible, sequential process and action. This book claims that design cannot be reduced to the rational, effective planning and organization that most models (such as design thinking) present. The author suggests another type of rationality which is based on what the humanities call aesthetics, writing, composition, and style: a rationality based in imaginary elaboration and coherence. The chapters, therefore, demonstrate that design practice is about creating not only functional tools, but planes of reflections that challenge norms. To support this claim, this book analyzes research programs, art works, and design projects that produced new information and communication technologies (ICT). This is detailed using examples in each chapter. From these examples, two types of conclusions are derived: a first level considers the lessons that we can draw from these examples in terms of design practice while the second level starts a theoretical discussion based on these analyses of use cases. The goal is to develop an understanding of conception in its different forms. This book brings the use of these neglected methods to the foreground as a way to explicate the design process. Taking into consideration the humanities within design contributes to the discussion on pluridisciplinarity. The book posits that design as a historical and situated activity is a truly multidisciplinary endeavor that bridges the gap between engineering sciences and the humanities.

Author :
Publisher : BRILL
ISBN 13 : 9004361111
Total Pages : 373 pages
Book Rating : 4.19/5 ( download)

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Download or read book Art and Science in Word and Image written by and published by BRILL. This book was released on 2019-03-27 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art and Science in Word and Image explores how discovery and innovation have functioned inter-dependently across art, literature and the sciences, focusing on engagements with natural forms and forces, and other fields of knowledge across a spectrum of creative media.

Author : Marjorie Perloff
Publisher : University of Chicago Press
ISBN 13 : 022671277X
Total Pages : 270 pages
Book Rating : 4.72/5 ( download)

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Download or read book Infrathin written by Marjorie Perloff and published by University of Chicago Press. This book was released on 2021-09-03 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Esteemed literary critic Marjorie Perloff reconsiders the nature of the poetic, examining its visual, grammatical, and sound components. The “infrathin” was Marcel Duchamp’s playful name for the most minute shade of difference: that between the report of a gunshot and the appearance of the bullet hole, or between two objects in a series made from the same mold. “Eat” is not the same thing as “ate.” The poetic, Marjorie Perloff suggests, can best be understood as the language of infrathin. For in poetry, whether in verse or prose, words and phrases that are seemingly unrelated in ordinary discourse are realigned by means of sound, visual layout, etymology, grammar, and construction so as to “make it new.” In her revisionist “micropoetics,” Perloff draws primarily on major modernist poets from Stein and Yeats to Beckett, suggesting that the usual emphasis on what this or that poem is “about,” does not do justice to its infrathin possibilities. From Goethe’s eight-line “Wanderer’s Night Song” to Eliot’s Four Quartets, to the minimalist lyric of Rae Armantrout, Infrathin is designed to challenge our current habits of reading and to answer the central question: what is it that makes poetry poetry?

Author : Gavin Parkinson
Publisher : Tate
ISBN 13 :
Total Pages : 204 pages
Book Rating : 4.6S/5 ( download)

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Download or read book The Duchamp Book written by Gavin Parkinson and published by Tate. This book was released on 2008-05 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marcel Duchamp (1887 - 1968) was, without doubt, one of the most controversial artists of the twentieth century. Associated with cubism, Dada, and Surrealism, his invention of the "readymade" led him to produce some of the most iconic works of his era. While he is often cited as the most influential artist of his generation and is seen by many to be the progenitor of much of the conceptual and postmodern art of today, the writing published to date on Duchamp is often obscure and mired in theory. Extensively illustrated and featuring Duchamp's own writings, The Duchamp Book provides a much needed, accessible introduction to the artist.

Author : Ian Gwilt
Publisher : Bloomsbury Publishing
ISBN 13 : 1350133248
Total Pages : 281 pages
Book Rating : 4.42/5 ( download)

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Download or read book Making Data written by Ian Gwilt and published by Bloomsbury Publishing. This book was released on 2022-03-24 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: For many outside of the scientific community, big data and the forms it takes, such as statistical lists, spreadsheets and graphs, often seem abstract and unintelligible. This book investigates how digital fabrication and traditional making approaches are being used to present data in newly engaging and interesting ways. The first part of the book introduces the basic premise of the data object and the concept of making digital data into a physical form. Contributors cover topics such as biometrics, new technology, the economics of data and open and community uses of data. The second part presents a selection of exemplar forms and contexts for the application of data-objects, such as smart surfaces, smart cities, augmented reality techniques and next generation technical interfaces that blend physical and digital elements. Making Data delivers the importance and likely future prevalence of physical representations of data. It explores the creative methods, processes, theories and cultural histories of making physical representations of information and proposes that the making of data into physical objects is the next important development in the data visualisation phenomenon.