Hollywood Film 1963 1976

Author : Drew Casper
Publisher : John Wiley & Sons
ISBN 13 : 1444395238
Total Pages : 691 pages
Book Rating : 4.35/5 ( download)

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Download or read book Hollywood Film 1963-1976 written by Drew Casper and published by John Wiley & Sons. This book was released on 2011-03-01 with total page 691 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hollywood 1963-1976 chronicles the upheaval and innovation that took place in the American film industry during an era of pervasive cultural tumult. Exploring the many ideologies embraced by an increasingly diverse Hollywood, Casper offers a comprehensive canon, covering the period's classics as well as its brilliant but overlooked masterpieces. A broad overview and analysis of one of American film's most important and innovative periods Offers a new, more expansive take on the accepted canon of the era Includes films expressing ideologies contrary to the misremembered leftist slant Explores and fully contextualizes the dominant genres of the 60s and 70s

Author : Tom Symmons
Publisher : Springer
ISBN 13 : 113752930X
Total Pages : 229 pages
Book Rating : 4.05/5 ( download)

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Download or read book The New Hollywood Historical Film written by Tom Symmons and published by Springer. This book was released on 2016-06-13 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: The New Hollywood of the late 1960s and 1970s is among the most exciting and influential periods in the history of film. This book explores how the new wave of historical films were profoundly shaped by the controversies and concerns of the present.

Author : Steve Neale
Publisher : Routledge
ISBN 13 : 113572007X
Total Pages : 484 pages
Book Rating : 4.70/5 ( download)

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Download or read book The Classical Hollywood Reader written by Steve Neale and published by Routledge. This book was released on 2012-11-12 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Classical Hollywood Reader brings together essential readings to provide a history of Hollywood from the 1910s to the mid 1960s. Following on from a Prologue that discusses the aesthetic characteristics of Classical Hollywood films, Part 1 covers the period between the 1910s and the mid-to-late 1920s. It deals with the advent of feature-length films in the US and the growing national and international dominance of the companies responsible for their production, distribution and exhibition. In doing so, it also deals with film making practices, aspects of style, the changing roles played by women in an increasingly business-oriented environment, and the different audiences in the US for which Hollywood sought to cater. Part 2 covers the period between the coming of sound in the mid 1920s and the beginnings of the demise of the `studio system` in late 1940s. In doing so it deals with the impact of sound on films and film production in the US and Europe, the subsequent impact of the Depression and World War II on the industry and its audiences, the growth of unions, and the roles played by production managers and film stars at the height of the studio era. Part 3 deals with aspects of style, censorship, technology, and film production. It includes articles on the Production Code, music and sound, cinematography, and the often neglected topic of animation. Part 4 covers the period between 1946 and 1966. It deals with the demise of the studio system and the advent of independent production. In an era of demographic and social change, it looks at the growth of drive-in theatres, the impact of television, the advent of new technologies, the increasing importance of international markets, the Hollywood blacklist, the rise in art house imports and in overseas production, and the eventual demise of the Production Code. Designed especially for courses on Hollywood Cinema, the Reader includes a number of newly researched and written chapters and a series of introductions to each of its parts. It concludes with an epilogue, a list of resources for further research, and an extensive bibliography.

Author : Yannis Tzioumakis
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501337904
Total Pages : 288 pages
Book Rating : 4.01/5 ( download)

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Download or read book The Hollywood Renaissance written by Yannis Tzioumakis and published by Bloomsbury Publishing USA. This book was released on 2018-06-28 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: In December 1967, Time magazine put Bonnie and Clyde on its cover and proudly declared that Hollywood cinema was undergoing a 'renaissance'. For the next few years, a wide range of formally and thematically challenging films were produced at the very centre of the American film industry, often (but by no means always) combining success at the box office with huge critical acclaim, both then and later. This collection brings together acknowledged experts on American cinema to examine thirteen key films from the years 1966 to 1974, starting with Who's Afraid of Virginia Woolf?, a major studio release which was in effect exempted from Hollywood's Production Code and thus helped to liberate American filmmaking from (self-)censorship. Long-standing taboos to do with sex, violence, race relations, drugs, politics, religion and much else could now be broken, often in conjunction with extensive stylistic experimentation. Whereas most previous scholarship has examined these developments through the prism of auteurism, with its tight focus on film directors and their oeuvres, the contributors to this collection also carefully examine production histories and processes. In doing so they pay particular attention to the economic underpinnings and collaborative nature of filmmaking, the influence of European art cinema as well as of exploitation, experimental and underground films, and the connections between cinema and other media (notably publishing, music and theatre). Several chapters show how the innovations of the Hollywood Renaissance relate to further changes in American cinema from the mid-1970s onwards.

Author : Chris Beasley
Publisher : Manchester University Press
ISBN 13 : 1526135752
Total Pages : 319 pages
Book Rating : 4.59/5 ( download)

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Download or read book The cultural politics of contemporary Hollywood film written by Chris Beasley and published by Manchester University Press. This book was released on 2019-01-21 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: Adopting and developing a ‘cultural politics’ approach, this comprehensive study explores how Hollywood movies generate and reflect political myths about social and personal life that profoundly influence how we understand power relations. Instead of looking at genre, it employs three broad categories of film. ‘Security’ films present ideas concerning public order and disorder, citizen–state relations and the politics of fear. ‘Relationalities’ films highlight personal and intimate politics, bringing norms about identities, gender and sexuality into focus. In ‘socially critical’ films, particular issues and ideas are endowed with more overtly political significance. The book considers these categories as global political technologies implicated in hegemonic and ‘soft power’ relations whose reach is both deep and broad.

Author : Brian Brems
Publisher : Rowman & Littlefield
ISBN 13 : 1666915297
Total Pages : 297 pages
Book Rating : 4.97/5 ( download)

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Download or read book The Films of Walter Hill written by Brian Brems and published by Rowman & Littlefield. This book was released on 2022-09-09 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Films of Walter Hill: Another Time, Another Place, Brian Brems explores how, as action emerged as a full-fledged genre of cinema, Walter Hill established his position in the genre, first as a screenwriter and then as a director. Hill, Brems argues, helped merge the thematic and stylistic concerns of the Western and film noir into a new action cinema, establishing a reputation for mythic, highly-stylized storytelling driven by a relentless pace. Through analyses of Hill’s filmography, this book demonstrates his consistent use of the architecture of classical storytelling to help codify the language of the action movie. These observations are supported by extensive conversations with Walter Hill and several of his on-screen collaborators, including Lance Henriksen, Sigourney Weaver, David Patrick Kelly, James Renmar, and William Sadler. Ultimately, Brems positions Hill as a key American film artist, whose work has inspired countless imitations.

Author : Ken Windrum
Publisher : State University of New York Press
ISBN 13 : 1438473982
Total Pages : 220 pages
Book Rating : 4.87/5 ( download)

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Download or read book From El Dorado to Lost Horizons written by Ken Windrum and published by State University of New York Press. This book was released on 2019-03-25 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: The era known as the Hollywood Renaissance is celebrated as a time when revolutionary movies broke all the rules of the previous "classical" era as part of the ferment of the late 1960s and early 1970s. Yet many films during this era did not overtly smash the system but provided more traditional entertainment, based on popular genres, for a wider audience than the youth culture who flocked to more transgressive fare. Ken Windrum focuses on four genres of traditionalist movies—big-budget musicals, war spectacles, "naughty" sex comedies, and Westerns. From El Dorado to Lost Horizons shows how even seemingly innocuous, family-oriented films still participated in the progressive aspects of the time while also holding a conservative point of view. Windrum analyzes representations of issues including gender roles, marriage, sexuality, civil rights, and Cold War foreign policy, revealing how these films dealt with changing times and reflected both status quo positions and new attitudes. He also examines how the movies continued or deviated from classical principles of structure and style. Windrum provides a counter-history of the Hollywood Renaissance by focusing on a group of important films that have nevertheless been neglected in scholarly accounts.

Author : Adam O’Brien
Publisher : Berghahn Books
ISBN 13 : 1785330012
Total Pages : 228 pages
Book Rating : 4.18/5 ( download)

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Download or read book Transactions with the World written by Adam O’Brien and published by Berghahn Books. This book was released on 2016-02-01 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: In their bold experimentation and bracing engagement with culture and politics, the “New Hollywood” films of the late 1960s and early 1970s are justly celebrated contributions to American cinematic history. Relatively unexplored, however, has been the profound environmental sensibility that characterized movies such as The Wild Bunch, Chinatown, and Nashville. This brisk and engaging study explores how many hallmarks of New Hollywood filmmaking, such as the increased reliance on location shooting and the rejection of American self-mythologizing, made the era such a vividly “grounded” cinematic moment. Synthesizing a range of narrative, aesthetic, and ecocritical theories, it offers a genuinely fresh perspective on one of the most studied periods in film history.

Author : Alexander Horwath
Publisher : Amsterdam University Press
ISBN 13 : 9053566317
Total Pages : 395 pages
Book Rating : 4.12/5 ( download)

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Download or read book The Last Great American Picture Show written by Alexander Horwath and published by Amsterdam University Press. This book was released on 2004 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: This publication is a major evaluation of the 1970s American cinema, including cult film directors such as Bogdanovich Altman and Peckinpah.

Author : Jon Cowans
Publisher : Routledge
ISBN 13 : 0429665024
Total Pages : 292 pages
Book Rating : 4.28/5 ( download)

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Download or read book Film and Colonialism in the Sixties written by Jon Cowans and published by Routledge. This book was released on 2018-12-07 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Relations between Western nations and their colonial subjects changed dramatically in the second half of the twentieth century. As nearly all of the West’s colonies gained their independence by 1975, attitudes toward colonialism in the West also changed, and terms such as empire and colonialism, once used with pride, became strongly negative. While colonialism has become discredited, precisely when or how that happened remains unclear. This book explores changing Western attitudes toward colonialism and decolonization by analyzing American, British, and French popular cinema and its reception from 1960 to 1973.