Globalization And The Great Exhibition

Author : Paul Young
Publisher : Springer
ISBN 13 : 023059431X
Total Pages : 249 pages
Book Rating : 4.19/5 ( download)

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Download or read book Globalization and the Great Exhibition written by Paul Young and published by Springer. This book was released on 2009-01-28 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the Great Exhibition as a decisive moment in the formation of a capitalist world picture. In so doing it foregrounds a vision of peace and progress which took hold of British society, within the Crystal Palace and beyond. It emphasizes too that this Victorian understanding of global order legitimized imperial ambition.

Author : Jeffrey A. Auerbach
Publisher : Yale University Press
ISBN 13 : 9780300080070
Total Pages : 300 pages
Book Rating : 4.77/5 ( download)

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Download or read book The Great Exhibition of 1851 written by Jeffrey A. Auerbach and published by Yale University Press. This book was released on 1999-01-01 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The book challenges the common view that the Exhibition symbolized peace, progress, prosperity, and the emergence of an industrial middle class. Auerbach suggests instead that the Great Exhibition became a cultural battlefield on which proponents of different visions of industrialization, modernization, and internationalism fought for ascendancy in the struggle for a new national identity."--BOOK JACKET.

Author : Jeffrey A. Auerbach
Publisher : Routledge
ISBN 13 : 1317172272
Total Pages : 238 pages
Book Rating : 4.77/5 ( download)

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Download or read book Britain, the Empire, and the World at the Great Exhibition of 1851 written by Jeffrey A. Auerbach and published by Routledge. This book was released on 2016-04-15 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: Britain, the Empire, and the World at the Great Exhibition is the first book to situate the Crystal Palace Exhibition of 1851 in a truly global context. Addressing national, imperial, and international themes, this collection of essays considers the significance of the Exhibition both for its British hosts and their relationships to the wider world, and for participants from around the globe. How did the Exhibition connect London, England, important British colonies, and significant participating nation-states including Russia, Greece, Germany and the Ottoman Empire? How might we think about the exhibits, visitors and organizers in light of what the Exhibition suggested about Britain’s place in the global community? Contributors from various academic disciplines answer these and other questions by focusing on the many exhibits, publications, visitors and organizers in Britain and elsewhere. The essays expand our understanding of the meanings, roles and legacies of the Great Exhibition for British society and the wider world, as well as the ways that this pivotal event shaped Britain’s and other participating nations’ conceptions of and locations within the wider nineteenth-century world.

Author : Marta Filipová
Publisher : Routledge
ISBN 13 : 135157034X
Total Pages : 377 pages
Book Rating : 4.43/5 ( download)

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Download or read book Cultures of International Exhibitions 1840-1940 written by Marta Filipová and published by Routledge. This book was released on 2017-07-05 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beyond the great exhibitions, expositions universelles and world fairs in London, Paris or Chicago, numerous smaller, yet ambitious exhibitions took place in provincial cities and towns across the world. Focusing on the period between 1840 and 1940, this volume takes a novel look at the exhibitionary cultures of this period and examines the motivations, scope, and impact of lesser-known exhibitions in, for example, Australia, Japan, Brazil, as well as a number of European countries. The individual case studies included explore the role of these exhibitions in the global exhibitionary network and consider their ?marginality? related to their location and omission by academic research so far. The chapters also highlight a number of important issues from regional or national identities, the role of modernisation and tradition, to the relationship between capital cities and provincial towns present in these exhibitions. They also address the key topic of colonial exhibitions as well as the displays of arts and design in the context of the so-called marginal fairs. Cultures of International Exhibitions 1840-1940: Great Exhibitions in the Margins therefore opens up new angles in the way the global phenomenon of a great exhibition can be examined through the prism of the regional, and will make a vital contribution to those interested in exhibition studies and related fields.

Author : G. N. Cantor
Publisher : Oxford University Press
ISBN 13 : 0199596670
Total Pages : 239 pages
Book Rating : 4.76/5 ( download)

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Download or read book Religion and the Great Exhibition of 1851 written by G. N. Cantor and published by Oxford University Press. This book was released on 2011-02-24 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on sermons and extensive source material from the mid-Victorian religious press, this innovative reappraisal of the Great Exhibition of 1851 shows that it was widely understood by contemporaries to possess a religious dimension and that it generated controversy among religious groups.

Author : Andrew James Wulf
Publisher : Rowman & Littlefield
ISBN 13 : 144224643X
Total Pages : 357 pages
Book Rating : 4.30/5 ( download)

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Download or read book U.S. International Exhibitions during the Cold War written by Andrew James Wulf and published by Rowman & Littlefield. This book was released on 2015-01-30 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although cultural diplomacy has become an increasingly fashionable term embraced by academics, foreign-service personnel, and private sector commercial and cultural interests, the very practice of this idea remains conspicuously challenging to define. This book takes on this problem, advancing a new understanding of cultural diplomacy that results from a historical investigation of a single area of government and private sector partnership, and what became in the mid-twentieth century the most prominent manifestation of this alliance—the cultural exhibitions sent abroad to “tell America’s story” with the goal of “winning hearts and minds.” To illustrate this point, selected exhibitions and the intentions of the policymakers who proposed them are interrogated for the first time beside archival documentation, writings from the history of design, advertising, science, as well as art historical and museum studies theories that address various aspects of the history of collecting and display, all of which explore the reality of how these exhibitions were conceived and prepared for foreign audiences. Most importantly, personal interviews with the designers and government representatives responsible for the ultimate appearance of these events upturn preconceived notions of how these events came to be. Seventy-five photographs from the exhibits make this history come alive. Through this discussion these questions are answered: What was America showing of itself through these exhibitions? And, more urgently, what do these exhibitions tell us about U.S. interest in verisimilitude? This investigation spans the crucial years of American exhibitions abroad (1955-1975), beginning with the formation of an official system of exhibiting American commercial wares and political ideas at trade fairs, through official exchanges with the U.S.S.R., to pavilions at world's fairs, and finally to museum exhibitions that signaled a return to the display of founding American values. They are thus complex ideological symbols in which concepts of national identity, globalization, technology, consumerism, design, and image management both coincided and clashed. The investigation of these exhibitions enhances the understanding of a significant chapter of U.S. cultural diplomacy at the height of the Cold War and how America constantly reimagined itself.

Author : G. Rusten
Publisher : Springer
ISBN 13 : 023027403X
Total Pages : 250 pages
Book Rating : 4.37/5 ( download)

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Download or read book Industrial Design, Competition and Globalization written by G. Rusten and published by Springer. This book was released on 2009-11-19 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Economic activities are becoming increasingly globalised. One result being that for companies in developed market economies price-based competition is being replaced or supplemented by other forms of competitiveness. This book explores the shift towards design-based competitiveness and the escalation in the design-intensity of goods and services.

Author : Sarah Kirby
Publisher : Boydell & Brewer
ISBN 13 : 1783276738
Total Pages : 264 pages
Book Rating : 4.38/5 ( download)

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Download or read book Exhibitions, Music and the British Empire written by Sarah Kirby and published by Boydell & Brewer. This book was released on 2022 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: "International exhibitions were among the most significant cultural phenomena of the late nineteenth century. These vast events aimed to illustrate, through displays of physical objects, the full spectrum of the world's achievements, from industry and manufacturing, to art and design. But exhibitions were not just visual spaces. Music was ever present, as a fundamental part of these events' sonic landscape, and integral to the visitor experience. This book explores music at international exhibitions held in Australia, India, and the United Kingdom during the 1880s. At these exhibitions, music was codified, ordered, and all-round 'exhibited' in manifold ways. Displays of physical instruments from the past and present were accompanied by performances intended to educate or to entertain, while music was heard at exhibitors' stands, in concert halls, and in the pleasure gardens that surrounded the exhibition buildings. Music was depicted as a symbol of human artistic achievement, or employed for commercial ends. At times it was presented in nationalist terms, at others as a marker of universalism. This book argues, by interrogating the multiple ways that music was used, experienced, and represented, that exhibitions can demonstrate in microcosm many of the broader musical traditions, purposes, arguments, and anxieties of the day. Its nine chapters focus on sociocultural themes, covering issues of race, class, public education, economics, and entertainment in the context of music, trading these through the networks of communication that existed within the British Empire at the time. Combining approaches from reception studies and historical musicology, this book demonstrates how the representation of music at exhibitions drew the press and public into broader debates about music's role in society"--Page 4 of cover.

Author : Stephen Wagg
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443824828
Total Pages : 295 pages
Book Rating : 4.28/5 ( download)

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Download or read book Cricket and Globalization written by Stephen Wagg and published by Cambridge Scholars Publishing. This book was released on 2010-08-11 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cricket has changed dramatically in recent years and now can claim to be a truly global game, thanks in large part to new media technologies which bring a global audience for World Cups and other major competitions. However, the globalization of cricket has not followed a pattern familiar in other sports: concentrations of wealth, media, and marketing leading to the domination of Western countries over the rest, and this fact alone makes it interesting for scholars of the globalization of sport. Cricket has followed a very different global path; the non-Western countries (former British colonies) have begun to dominate and have taken control of the economics and politics of the game. In short, cricket has been “Indianized”. The globalization of cricket has received a massive boost from the popularity of the newest form of the game (Twenty20) which is helping promote cricket as a mass TV sport. The rise of Twenty20, particularly the Indian Premier League (IPL), is transforming the way cricket is organized, played, and watched all over the world. This development both reinforces the globalization of cricket and also underlines that the “movers and shakers” within cricket are no longer the traditional elites in metropolitan centres but the businessmen of India and the media entrepreneurs world-wide who seek to shape new audiences for the game and create new marketing opportunities on a global scale.

Author : Caroline A. Jones
Publisher : University of Chicago Press
ISBN 13 : 022629174X
Total Pages : 380 pages
Book Rating : 4.41/5 ( download)

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Download or read book The Global Work of Art written by Caroline A. Jones and published by University of Chicago Press. This book was released on 2016 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first major history of the glamorous art biennial. Biennials have proliferated across the globe since the end of the Cold War and have now stabilized at about 200 a year. While this quintessentially contemporary form has significant roots in the world expositions of the 19th century, Jones argues that the biennial is also the platform for an important new aesthetic shift. Moving away from a focus on visual looking in the mid 20th century, the art world today embraces experience: art fairs give the feel of closeness and spaciousness, crowds, and they engage all our senses, even taste. Jones argues that the dominance of installation art and the simultaneous rise of biennialsor recurring art fairsneed to be examined as joint phenomenamutually reinforcing and linked to specific geo-political and aesthetic conditions. From the rise of tourism to the flows of art commerce, Jones hatches a new way to track the development of international art fairs in nearly every corner of the globe: from the early world fairs of London, Paris, Chicago, and New York to art fairs proper in Venice, Sao Paulo, Havana, Berlin, Lyon, and Beijing, as well as Kassel s Documenta, Whitney Biennial, and moreall explained through a rapidly evolving aesthetics of experience that has never, until now, been addressed in such a substantial way."