Giotto's Father and the Family of Vasari's Lives

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Author :
Publisher : Penn State University Press
ISBN 13 :
Total Pages : 168 pages
Book Rating : 4.21/5 ( download)

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Book Synopsis Giotto's Father and the Family of Vasari's Lives by : Paul Barolsky

Download or read book Giotto's Father and the Family of Vasari's Lives written by Paul Barolsky and published by Penn State University Press. This book was released on 1992 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Giotto's Father Barolsky shows that Vasari's Lives is a major source for the social history of Italian Renaissance art. This book completes the author's Vasari trilogy, begun with Michelangelo's Nose and Why Mona Lisa Smiles. Giotto's Father is the first book to examine the extensive and deep theme of family in Vasari's Lives and to explain its importance in the study of the image of the family in the sixteenth century. The world of the artist's workshop was closely tied to the artist's family life. Artists were often trained by their fathers, and they sometimes married into the families of other artists. It is thus reasonable for Vasari to have viewed the community of artists as an extended family or brotherhood presided over by major patriarchal figures, for example, Giotto, Ghiberti, and Raphael. Building on the view of Vasari's work as a highly wrought, complex work of fiction, Barolsky shows how the Lives is not just a series of biographies of artists but a sustained, detailed, and highly fictionalized account of artists' families. In very nearly every biography, Vasari makes up stories of paternal blessing, of filial piety or prodigality, of noble and ignoble wives, of greedy, cruel, or violent relatives--tales that tell us a great deal about Vasari's own family in particular and about Renaissance family relations in general. Barolsky's explanation of just how deeply ideas about family inform Vasari's Lives provides a new and more complex understanding of one of the most important sources for the comprehension of the Renaissance artist. Vasari's family stories are often so fanciful that historians and art historians frequently ignore them because they seem unreliable. Barolsky compares these family tales to those told by Cellini, Michelangelo, and Bandinelli and shows that, although fictional, Vasari's stories ring true to the sentiments expressed by his contemporaries in their own fictionalized family histories. Fictions provide valuable clues to the realities that they metaphorically describe. As an extended historical fiction, Vasari's book tells us a great deal about the emotions, aspirations, and ideals of Renaissance life.

Vasari's Lives of the Artists

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Author :
Publisher : Courier Corporation
ISBN 13 : 0486142000
Total Pages : 258 pages
Book Rating : 4.05/5 ( download)

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Book Synopsis Vasari's Lives of the Artists by : Giorgio Vasari

Download or read book Vasari's Lives of the Artists written by Giorgio Vasari and published by Courier Corporation. This book was released on 2012-03-08 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the principal resources for study of Italian Renaissance art and artists, Vasari's Lives offers colorful, detailed portraits of the era's most representative figures. This single-volume edition spotlights eight prominent artists.

Giotto the Painter. Volume 1: Life

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Publisher : Böhlau Wien
ISBN 13 : 3205216970
Total Pages : 427 pages
Book Rating : 4.71/5 ( download)

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Book Synopsis Giotto the Painter. Volume 1: Life by : Michael Viktor Schwarz

Download or read book Giotto the Painter. Volume 1: Life written by Michael Viktor Schwarz and published by Böhlau Wien. This book was released on 2023-04-17 with total page 427 pages. Available in PDF, EPUB and Kindle. Book excerpt: Giotto (1334) is the first European artist about whom it is possible to write following the schema of "life and work". The situation of the sources, however, is complicated: On Giotto's life, there are – on the one hand – biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's double life relating it to the form of existence of the pre-modern artist.

The Homes of Giorgio Vasari

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Publisher : Peter Lang
ISBN 13 : 9780820474946
Total Pages : 330 pages
Book Rating : 4.40/5 ( download)

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Book Synopsis The Homes of Giorgio Vasari by : Liana Cheney

Download or read book The Homes of Giorgio Vasari written by Liana Cheney and published by Peter Lang. This book was released on 2006 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: Giorgio Vasari was one of the few artists in the history of art who built, designed, and decorated his homes. This book is the first to focus on Vasari's decorative cycles for his homes in Arezzo and Florence, revealing the significance of the artistic, cultural, and historical milieu of the sixteenth century. This study breaks new ground in two ways: First, in a personal and original manner, the imagery is related to Vasari's artistic ideas on history painting and the role of the artist. And second, Vasari's imagery portrays visual galleries applauding his teachers, antiquity and the creation of art.

Victims and Villains in Vasari's Lives

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Publisher : UNC Press Books
ISBN 13 : 1469626039
Total Pages : 172 pages
Book Rating : 4.31/5 ( download)

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Book Synopsis Victims and Villains in Vasari's Lives by : Andrew Ladis

Download or read book Victims and Villains in Vasari's Lives written by Andrew Ladis and published by UNC Press Books. This book was released on 2015-12-01 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: Giorgio Vasari's The Lives of the Artists (1550, 1568) has been a key subject of study for students of the Italian Renaissance over the hundreds of years since its publication. It has maintained a powerful grip on the historical imagination and continues to influence the way scholars treat the Renaissance, its artists, and the entire intellectual enterprise of Western art. Focusing on Vasari's literary and narrative achievements, Andrew Ladis turns to Vasari's villains, rather than his heroes, to demonstrate the biographer's foremost interest in glorifying Michelangelo. Approaching Lives on Vasari's terms--as the grand story of the rebirth and triumph of art in Italy--Ladis argues that Vasari was not a mere compiler of facts, but a shrewd, self-confident author aware of the power of metaphor. With a literary reading of the text, Ladis analyzes Vasari's motives and methods as an attempt to portray the great Michelangelo as a Christlike exemplum of ultimate light and goodness. Through biographic details both real and invented, Vasari presents all other artists as various players with varying degrees of heroic and villainous value. Antiheroic characters such as Buffalmacco, Lippi, and Castagno, Ladis argues, serve to accentuate the contrasting greatness of Michelangelo.

The Collector of Lives: Giorgio Vasari and the Invention of Art

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Publisher : W. W. Norton & Company
ISBN 13 : 0393248399
Total Pages : 400 pages
Book Rating : 4.95/5 ( download)

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Book Synopsis The Collector of Lives: Giorgio Vasari and the Invention of Art by : Noah Charney

Download or read book The Collector of Lives: Giorgio Vasari and the Invention of Art written by Noah Charney and published by W. W. Norton & Company. This book was released on 2017-10-03 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Readers curious about the making of Renaissance art, its cast of characters and political intrigue, will find much to relish in these pages.” —Wall Street Journal Giorgio Vasari (1511–1574) was a man of many talents—a sculptor, painter, architect, writer, and scholar—but he is best known for Lives of the Artists, which singlehandedly established the canon of Italian Renaissance art. Before Vasari’s extraordinary book, art was considered a technical skill, and artists were mere decorators and craftsmen. It was through Vasari’s visionary writings that Raphael, Leonardo, and Michelangelo came to be regarded as great masters of life as well as art, their creative genius celebrated as a divine gift. Lauded by Sarah Bakewell as “insightful, gripping, and thoroughly enjoyable,” The Collector of Lives reveals how one Renaissance scholar completely redefined how we look at art.

Giotto the Painter. Volume 1-3

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Publisher : Böhlau Wien
ISBN 13 : 3205217357
Total Pages : 1454 pages
Book Rating : 4.50/5 ( download)

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Book Synopsis Giotto the Painter. Volume 1-3 by : Michael Viktor Schwarz

Download or read book Giotto the Painter. Volume 1-3 written by Michael Viktor Schwarz and published by Böhlau Wien. This book was released on 2023-04-17 with total page 1454 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vol. 1: Life Giotto (1334) is the first European artist about whom it is possible to write following the schema of "life and work". The situation of the sources, however, is complicated: On Giotto's life, there are – on the one hand – biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's double life relating it to the form of existence of the pre-modern artist. Vol. 2: Works The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again. Vol. 3: Survival Giotto is considered by many to be the founder of modern painting. This thesis is discussed and modified in the present volume on an empirical basis. What emerges is that Giotto's impact cannot be reduced simply to the introduction of the study of nature. Rather, his art was involved in the development of pictorial idioms that were attuned to the skills and interests of their audiences. The new approaches in his painting contributed in particular to the possibility of examining and communicating psychological, narrative and allegorical content of great complexity outside the media of language and text, which not only changed the face of European art but certainly contributed to the intellectual opening of Western societies.

Giotto and His Publics

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Publisher : Harvard University Press
ISBN 13 : 0674060970
Total Pages : 256 pages
Book Rating : 4.75/5 ( download)

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Book Synopsis Giotto and His Publics by : Julian Gardner

Download or read book Giotto and His Publics written by Julian Gardner and published by Harvard University Press. This book was released on 2011-05-01 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This probing analysis of three works by Giotto and the patrons who commissioned them goes far beyond the clichés of Giotto as the founding figure of Western painting. It traces the interactions between Franciscan friars and powerful bankers, illuminating the complex interplay between mercantile wealth and the iconography of poverty. Political strife and religious faction lacerated fourteenth-century Italy. Giotto’s commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto’s path-breaking career through works originally created for Franciscan churches: Stigmatization of Saint Francis from San Francesco at Pisa, now in the Louvre, the Bardi Chapel cycle of the Life of St. Francis in Santa Croce at Florence, and the frescoes of the crossing vault above the tomb of Saint Francis in the Lower Church of San Francesco at Assisi. These murals were executed during a twenty-year period when internal tensions divided the friars themselves and when the Order was confronted by a radical change of papal policy toward its defining vow of poverty. The Order had amassed great wealth and built ostentatious churches, alienating many Franciscans in the process and incurring the hostility of other Orders. Many elements in Giotto’s frescoes, including references to St. Peter, Florentine politics, and church architecture, were included to satisfy patrons, redefine the figure of Francis, and celebrate the dominant group within the Franciscan brotherhood.

Breaking with Convention in Italian Art

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1527500543
Total Pages : 172 pages
Book Rating : 4.49/5 ( download)

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Book Synopsis Breaking with Convention in Italian Art by : Julia C. Fischer

Download or read book Breaking with Convention in Italian Art written by Julia C. Fischer and published by Cambridge Scholars Publishing. This book was released on 2017-08-21 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: Popularized by the hit television show, the phrase “breaking bad” is defined in urban slang as someone who challenges convention, defies authority, or rejects moral and social norms. Running from 2008 to 2013 on AMC, Breaking Bad featured one of the most unforgettable characters in television history: Walter White, a high school chemistry teacher, husband, and father, who is diagnosed with terminal cancer. For five seasons, fans watched as Walter White tried to secure financial security for his family by using his chemistry skills to manufacture drugs. Throughout the series’ run, Walter White was the epitome of the phrase “breaking bad”, as he broke the law and continually rejected the social mores that he had dutifully followed until his cancer diagnosis. Taking its cue from Walter White, this volume explores the various ways in which artists, patrons, and art historians throughout history have broken bad by defying authority, challenging convention, or rejecting the norm. For example, artists also sometimes break away from tradition by using unconventional iconography, as is the case in Chapter Two, which investigates how Etruscan tomb reliefs show mourning rather than celebration. The book also includes a chapter in which an art historian breaks bad by challenging the conventional interpretation and date of an object, thus eschewing tradition and defying authority. In this case, Chapter Three disputes the largely accepted Hellenistic date and interpretation of the Tazza Farnese, and instead asserts that the cameo must be Roman. Spanning the art of ancient Etruria to the twentieth century, the eight chapters here explore the theme of breaking bad from a variety of time periods and artistic media, from Etruscan mirrors and Roman cameos to Baroque portraits and Italian Pop Art. Scholars approach the topic of breaking bad from a number of perspectives, including examining the artist, patronage, reception, propaganda, iconography, methodology, and use.

Reformation and Early Modern Europe

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Publisher : Penn State Press
ISBN 13 : 1935503642
Total Pages : 619 pages
Book Rating : 4.44/5 ( download)

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Book Synopsis Reformation and Early Modern Europe by : David M. Whitford

Download or read book Reformation and Early Modern Europe written by David M. Whitford and published by Penn State Press. This book was released on 2007-11-01 with total page 619 pages. Available in PDF, EPUB and Kindle. Book excerpt: Continuing the tradition of historiographic studies, this volume provides an update on research in Reformation and early modern Europe. Written by expert scholars in the field, these eighteen essays explore the fundamental points of Reformation and early modern history in religious studies, European regional studies, and social and cultural studies. Authors review the present state of research in the field, new trends, key issues scholars are working with, and fundamental works in their subject area, including the wide range of electronic resources now available to researchers. Reformation and Early Modern Europe: A Guide to Research is a valuable resource for students and scholars of early modern Europe.