Gendering Musical Modernism

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Publisher : Cambridge University Press
ISBN 13 : 0521028434
Total Pages : 221 pages
Book Rating : 4.31/5 ( download)

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Book Synopsis Gendering Musical Modernism by : Ellie M. Hisama

Download or read book Gendering Musical Modernism written by Ellie M. Hisama and published by Cambridge University Press. This book was released on 2006-11-02 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the work of three significant American women composers of the twentieth century: Ruth Crawford, Marion Bauer and Miriam Gideon. It offers information on both their lives and music and skillfully interweaves history and musical analysis in ways that both the specialist and the more general reader will find compelling. Ellie Hisama suggests that recognising the impact of a composer's identity on the music itself imparts valuable ways of hearing and understanding these works and breaks important new ground towards constructing a feminist music theory.

Seeing Through Music

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Publisher : Oxford University Press
ISBN 13 : 0190452420
Total Pages : 208 pages
Book Rating : 4.21/5 ( download)

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Book Synopsis Seeing Through Music by : Peter Franklin

Download or read book Seeing Through Music written by Peter Franklin and published by Oxford University Press. This book was released on 2011-08-01 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hollywood film music is often mocked as a disreputably 'applied' branch of the art of composition that lacks both the seriousness and the quality of the classical or late-romantic concert and operatic music from which it derives. Its composers in the 1930s and '40s were themselves often scornful of it and aspired to produce more 'serious' works that would enhance their artistic reputation. In fact the criticism of film music as slavishly descriptive or manipulatively over-emotional has a history that is older than film - it had even been directed at the relatively popular operatic and concert music written by some of the émigré Hollywood composers themselves before they had left Europe. There, as subsequently in America, such criticism was promoted by the developing project of Modernism, whose often high-minded opposition to mass culture used polarizing language that drew, intentionally or not, upon that of gender difference. Regressive, late-romantic music, the old argument ran, was -- as women were believed to be -- emotional, irrational, and lacking in logic. This book seeks to level the critical playing field between film music and "serious music," reflecting upon gender-related ideas about music and modernism as much as about film. Peter Franklin broaches the possibility of a history of twentieth-century music that would include, rather than marginalize, film music -- and, indeed, the scores of a number of the major Hollywood movies discussed here, like The Bride of Frankenstein, King Kong, Rebecca, Gone With The Wind, Citizen Kane and Psycho. In doing so, he brings more detailed music-historical knowledge to bear upon cinema music, often discussed as a unique and special product of film, and also offers conclusions about the problematic aspects of musical modernism and some arguably liberating aspects of "late-romanticism."

Ruth Crawford Seeger's Worlds

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Publisher : University Rochester Press
ISBN 13 : 9781580462129
Total Pages : 334 pages
Book Rating : 4.2X/5 ( download)

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Book Synopsis Ruth Crawford Seeger's Worlds by : Ray Allen

Download or read book Ruth Crawford Seeger's Worlds written by Ray Allen and published by University Rochester Press. This book was released on 2007 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offers fresh perspectives on the life and pioneering musical activities of American composer and folk music activist Ruth Crawford Seeger (1901-53). This book presents a collection of studies that reveals how innovation and tradition intertwined in surprising ways to shape the cultural landscape of twentieth-century America.

Gender, Age and Musical Creativity

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Publisher : Routledge
ISBN 13 : 1317130057
Total Pages : 242 pages
Book Rating : 4.55/5 ( download)

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Book Synopsis Gender, Age and Musical Creativity by : Catherine Haworth

Download or read book Gender, Age and Musical Creativity written by Catherine Haworth and published by Routledge. This book was released on 2016-03-03 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the perennially young, precocious figure of 'little orphan Annie' to the physical and vocal ageing of the eighteenth-century castrato, interlinked cultural constructions of age and gender are central to the historical and contemporary depiction of creative activity and its audiences. Gender, Age and Musical Creativity takes an interdisciplinary approach to issues of identity and its representation, examining intersections of age and gender in relation to music and musicians across a wide range of periods, places, and genres, including female patronage in Renaissance Italy, the working-class brass band tradition of northern England, twentieth-century jazz and popular music cultures, and the contemporary 'New Music' scene. Drawing together the work of musicologists and practitioners, the collection offers new ways in which to conceptualise the complex links between age and gender in both individual and collective practice and their reception: essays explore juvenilia and 'late' style in composition and performance, the role of public and private institutions in fostering and sustaining creative activity throughout the course of musical careers, and the ways in which genres and scenes themselves age over time.

The Routledge Research Companion to Modernism in Music

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Publisher : Routledge
ISBN 13 : 131704245X
Total Pages : 518 pages
Book Rating : 4.57/5 ( download)

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Book Synopsis The Routledge Research Companion to Modernism in Music by : Björn Heile

Download or read book The Routledge Research Companion to Modernism in Music written by Björn Heile and published by Routledge. This book was released on 2018-10-29 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modernism in music still arouses passions and is riven by controversies. Taking root in the early decades of the twentieth century, it achieved ideological dominance for almost three decades following the Second World War, before becoming the object of widespread critique in the last two decades of the century, both from critics and composers of a postmodern persuasion and from prominent scholars associated with the ‘new musicology’. Yet these critiques have failed to dampen its ongoing resilience. The picture of modernism has considerably broadened and diversified, and has remained a pivotal focus of debate well into the twenty-first century. This Research Companion does not seek to limit what musical modernism might be. At the same time, it resists any dilution of the term that would see its indiscriminate application to practically any and all music of a certain period. In addition to addressing issues already well established in modernist studies such as aesthetics, history, institutions, place, diaspora, cosmopolitanism, production and performance, communication technologies and the interface with postmodernism, this volume also explores topics that are less established; among them: modernism and affect, modernism and comedy, modernism versus the ‘contemporary’, and the crucial distinction between modernism in popular culture and a ‘popular modernism’, a modernism of the people. In doing so, this text seeks to define modernism in music by probing its margins as much as by restating its supposed essence.

Modernism, Gender, and Culture

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Publisher : Routledge
ISBN 13 : 1136515607
Total Pages : 408 pages
Book Rating : 4.06/5 ( download)

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Book Synopsis Modernism, Gender, and Culture by : Lisa Rado

Download or read book Modernism, Gender, and Culture written by Lisa Rado and published by Routledge. This book was released on 2013-09-05 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on cultural practices, and gender issues during a period of the early 20th-century that witnessed radical transformations in sex roles, this anthology of original (and one classic) essays will generate a greater understanding of women's contributions to modernist culture, and explore how that culture was affected by gender issues. The essays provide a wealth of insights into literature, painting, architecture, design, anthropology, sociology, religion, science, popular culture, music, issues of race and ethnicity, and the influence of 20th-century women and sexual politics.

Modernism and Opera

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Publisher : JHU Press
ISBN 13 : 1421420627
Total Pages : 391 pages
Book Rating : 4.22/5 ( download)

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Book Synopsis Modernism and Opera by : Richard Begam

Download or read book Modernism and Opera written by Richard Begam and published by JHU Press. This book was released on 2016-11 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z

British Women Composers and Instrumental Chamber Music in the Early Twentieth Century

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Publisher : Routledge
ISBN 13 : 1317171349
Total Pages : 248 pages
Book Rating : 4.48/5 ( download)

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Book Synopsis British Women Composers and Instrumental Chamber Music in the Early Twentieth Century by : Laura Seddon

Download or read book British Women Composers and Instrumental Chamber Music in the Early Twentieth Century written by Laura Seddon and published by Routledge. This book was released on 2016-04-15 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first full-length study of British women's instrumental chamber music in the early twentieth century. Laura Seddon argues that the Cobbett competitions, instigated by Walter Willson Cobbett in 1905, and the formation of the Society of Women Musicians in 1911 contributed to the explosion of instrumental music written by women in this period and highlighted women's place in British musical society in the years leading up to and during the First World War. Seddon investigates the relationship between Cobbett, the Society of Women Musicians and women composers themselves. The book’s six case studies - of Adela Maddison (1866-1929), Ethel Smyth (1858-1944), Morfydd Owen (1891-1918), Ethel Barns (1880-1948), Alice Verne-Bredt (1868-1958) and Susan Spain-Dunk (1880-1962) - offer valuable insight into the women’s musical education and compositional careers. Seddon’s discussion of their chamber works for differing instrumental combinations includes an exploration of formal procedures, an issue much discussed by contemporary sources. The individual composers' reactions to the debate instigated by the Society of Women Musicians, on the future of women's music, is considered in relation to their lives, careers and the chamber music itself. As the composers in this study were not a cohesive group, creatively or ideologically, the book draws on primary sources, as well as the writings of contemporary commentators, to assess the legacy of the chamber works produced.

Musical Modernism at the Turn of the Twenty-First Century

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Publisher : Cambridge University Press
ISBN 13 : 9781107402805
Total Pages : 0 pages
Book Rating : 4.08/5 ( download)

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Book Synopsis Musical Modernism at the Turn of the Twenty-First Century by : David Metzer

Download or read book Musical Modernism at the Turn of the Twenty-First Century written by David Metzer and published by Cambridge University Press. This book was released on 2011-08-11 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing an interesting approach to developments in modernist music - from 1980 onwards - this study also presents an intriguing perspective on the larger history of modernism. Far from being supplanted by a postmodern period, argues David Metzer, modernist idioms remain vital in the contemporary scene. The vitality comes from the ways in which those idioms have extended impulses of modernist styles from the early twentieth century. Since that time, works have participated in lines of inquiry into various compositional and aesthetic topics, particularly the explorations of how to build pieces around such aesthetic ideals as purity and silence and how to deliver and manipulate expressive utterances. Metzer shows how these inquiries have played crucial roles in defining directions taken since 1980, and how, through the inquiries, we can gain a clearer idea of what makes the decades after 1980 a distinct period in the history of modernism.

Analytical Essays on Music by Women Composers: Concert Music, 1900DS1960

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Publisher : Oxford University Press
ISBN 13 : 0190236981
Total Pages : 297 pages
Book Rating : 4.84/5 ( download)

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Book Synopsis Analytical Essays on Music by Women Composers: Concert Music, 1900DS1960 by : Laurel Parsons

Download or read book Analytical Essays on Music by Women Composers: Concert Music, 1900DS1960 written by Laurel Parsons and published by Oxford University Press. This book was released on 2022 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This is the second of four volumes in a multi-authored series of analytical essays on music by women composers from Hildegard of Bingen to the twenty-first century. Volume 2 presents detailed studies of compositions written between 1900 and 1960 by Alma Mahler-Werfel, Rebecca Clarke, Ethel Smyth, Ruth Crawford, Florence B. Price, Galina Ustvolskaya, J. M. Beyer, and Peggy Glanville-Hicks. Each chapter opens with a brief biographical sketch of the composer, followed by an in-depth analysis of a single representative composition, occasionally including other works where comparison strengthens the analytical argument. The repertoire explored by the authors includes art song, opera, choral, solo piano, chamber, and orchestral music. To enhance the volume's accessibility to readers who are not professional music theorists or musicologists, a glossary provides explanations of music-theoretical terms used in the book. The collection is designed to challenge and stimulate a wide range of readers. For academics, these thorough analytical studies can open new paths into unexplored research areas in music theory and musicology. Post-secondary instructors may be inspired by the insights offered here to include new works in graduate or upper-level undergraduate courses in early twentieth-century music or women and music. Finally, for performers, conductors, and music broadcasters, these thoughtful analyses can offer enriched understandings of this repertoire and suggest fresh, new programming possibilities to share with listeners-an endeavor of discovery for all those interested in twentieth-century music"--